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Play Host to Newborn Ghoulish Creatures in Alien: The Roleplaying Game by Free League Publishing

Play Host to Newborn Ghoulish Creatures in Alien: The Roleplaying Game by Free League Publishing

Alien RPG-small

An official Alien role playing game is arriving in game stores next week, courtesy of Free League Publishing, the geniuses behind the brilliant Coriolis science fiction game, Mutant: Year Zero, and Forbidden Lands.

Any RPG that does justice to Ridley Scott’s science fiction horror masterpiece will have to have a dark and chilling aesthetic, and a cinematic play style. And for accuracy, probably a short (very short!) character life expectancy. Fortunately Alien: The Role Playing Game looks like it’s captured the look and feel of the franchise with real surety. Here’s Rachel Watts from her preview at PC Gamer last month.

Free League Publishing and 20th Century Fox have joined forces to create a tabletop RPG set in the harsh universe of the Alien films. It will drop players into the dark, merciless void of space, but this adaptation sounds far from empty.

Alien: The Roleplaying Game has two playable modes, cinematic and campaign. The cinematic option lets you play through a scenario similar to the events of the films in one session, and emphasises “high stakes and fast and brutal gameplay”, which doesn’t sound ominous at all. The campaign mode takes more of a Gloomhaven structure and lets players explore the Alien universe more freely over multiple game sessions.

The RPG comes in a chunky 392-page core rule book, which I think definitely leaves the definition of rulebook behind and goes straight into short novel territory. Free League Publishing have printed these rules in a hardback book and thrown in some cool illustrations… Alongside the core rule book, you’ll get a set of custom dice, a set of maps, and a GM Screen.

Can Free League Publishing get the all important feel of Alien right in an RPG? The rules follow their acclaimed Year Zero Engine, used in Tales from the Loop and Mutant: Year Zero, and they warn that “it’s unlikely your character will survive.” Sounds like they got the basics right to me.

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The Mandalorian: Star Wars goes Old Wild West

The Mandalorian: Star Wars goes Old Wild West

Mandalorian_HimEDITEDI read my buddy William Patrick Maynard’s post on Guy Boothby’s The Curse of the Snake, and I decided to write a The Public Life of Sherlock Holmes essay on Boothby’s gentleman thief, Simon Carne. But then, I signed up for a one-week Disney+ free trial. And my son and I watched the first three episodes of The Mandalorian, and I knew that Boothby could wait.

I was ten years old when my dad took me to see the first Star Wars movie at the theater. So, I go back to the beginning. I like Star Wars, but I’m not a fanatic. I didn’t care for the second trilogy and I think it was more than ten years before I saw one (I forgot which). I liked Solo, but didn’t like The Last Jedi. I quite enjoyed Star Wars Rebels, but my son likes Star Wars Resistance way more than I do. I’m not predisposed for, or against, a Star Wars production. I judge each one on how much I enjoy watching it.

And right out of the gate, I like The Mandalorian more than a chunk of the movie franchise. Most of my knowledge of Mandalorians comes from Rebels. I don’t know that I ever pondered that Boba and Jango Fett were ones. I just knew they were bounty hunters.

Jon Favreau, who played a huge part in the success of the Marvel franchise, is the creator of this one, and I think he nailed it.

The imdb.com description is pretty accurate:

The travails of a lone gunfighter in the outer reaches of the galaxy, far from the authority of the New Republic.

I immediately picked up on the vibe of the lone gunslinger, wandering from town to town – in this case, as a bounty hunter on a job. We never see star Pedro Pascal’s face, as he never takes off his helmet. He only speaks the bare minimum, making him the stranger of few words.

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Goth Chick News: Thanksgiving History Makes for a Horror Feast

Goth Chick News: Thanksgiving History Makes for a Horror Feast

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Considering all the stories one hears about how stressful Thanksgiving family time can be, it’s surprising that the annual bacchanalia of feasting and intoxicated relatives has not been fodder for more Thanksgiving-themed horror movies. There have been a few of course, such as Home Sweet Home and Thankskilling, but they have been campy and largely forgettable, in spite of the bewildering amount of material to work with.

But, as we reported last week, Jason Blum and his crew at Blumhouse Productions are on a very entertaining roll turning your cherished memories upside down. Last year they joined forces with Hulu for an analogy project called Into the Dark, dedicated to releasing holiday-themed horror films every month. Blumhouse’s Thanksgiving offering for 2019 will likely go down in history as the best Thanksgiving-horror movie tie in ever.

In a collaboration between screenwriter Noah Feinberg and the writing duo Patrick Melton and Marcus Dunstan (Feast, Saw IV-VII) Pilgrim isn’t just a horror story that happens to be set during Thanksgiving, but instead is a film steeped in Thanksgiving history and tradition; all of which is perversely twisted for our enjoyment.

A woman invites Pilgrim re-enactors into her home to give her family an authentic recreation of the first Thanksgiving, all in the hopes that they’ll put down their phones, cast their differences aside, and learn to truly appreciate one another – if only for a couple days. But when the actors refuse to ever break character and their behavior becomes increasingly concerning, the lessons they bring may come at a deadly cost.

Not long after daughter Cody wishes on a turkey wishbone that her step-mother’s Thanksgiving plans backfire in her face, Pilgrims Ethan (Peter Giles) and Patience (Elyse Levesque) arrive at the family’s home and her fears (and wishes) come true. Ethan and Patience represent Puritanical extremism at its most frightening and aren’t afraid to get a whole lot of blood on their hands in the process of spreading their message. Their mission is simple: make the family appreciate what they’ve got.

Check out the trailer….

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Goth Chick News: Welcome to Fantasy/Horror Island…

Goth Chick News: Welcome to Fantasy/Horror Island…

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If you’re not familiar with the fairly cheesy but no less iconic television series Fantasy Island (1977-1984), you immediately need to find it on your favorite streaming service and watch a few episodes. I found at least a few of the 286 installments for free on YouTube and those should be enough to hook you as well as give you the context for the most awesome news since Elsa got drunk and crapped up Chicago with 4 inches of snow.

The storyline was fairly simple. The incredibly wealthy and mysterious Mr. Roarke, played perfectly by the exotically-accented Ricardo Montalban, has a tropical island. In each episode he hosts several guests who have come there to live out their most secret fantasies. Mr. Roarke and his rather adorable but equally creepy sidekick “Tattoo” played by Hervé Villechaize, magically transport each guest into their fantasy where they routinely learn a hard lesson / get their comeuppance / get their heart’s desire, etc, etc.

Now, even my grade-school self who was obsessed with this show, wondered why these fantasies were always so G-rated, even if they sometimes bordered on scary. Like most kids I had stumbled across and snuck looks at verboten material and understood in a small way that the dark recesses of the human imagination were far murkier than finally showing up the high school cheerleader who was always more popular than you, by become a millionaire business woman. In college, Fantasy Island occasionally cropped up in discussion as we mulled over what would actually go on if a place like this really existed. And having run across the show on late night reruns, my adult self immediately wondered why some enterprising film maker had never explored that exact question. I figured there had to be some legal hang up somewhere.

And now this.

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Tor.com on Six-Guns and Strange Shooters

Tor.com on Six-Guns and Strange Shooters

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It’s been a very good year for science fiction, horror, and dark fantasy, and overall I am content. But, you know, I’m never totally content, because really, what’s the point of that? This year my crankiness originates from a near total lack of Weird Westerns. It’s like the genre dried up and blew away in the wind in 2019.

At least there are a few Weird West books, movies and comics to fall back on. Earlier this year at Tor.com Theresa DeLucci shared her picks of some of the best in Six-Guns and Strange Shooters: A Weird West Primer, and she managed to point out more than a few I haven’t tried yet, including Emma Bull’s fantasy retelling of the gunfight at the O.K. Corral, Territory, and the 1990 film Dust Devil. And she reminded me I need to read more Jonah Hex. Here’s what she said about everyone’s favorite creepy gunslinger.

Forget the terrible movie. (You know Josh Brolin wishes he could.) The original 1977 DC comic is considered one of the first popular representations of the Weird West. The bounty hunter marked by a demon’s brand seeks out the West’s worst and also, sometimes, less earthly quarry. He also sometimes time travels and gets into a gun-fight with a T-Rex. Jonah Hex‘s best and creepiest run was written by east Texan horror master Joe R. Lansdale and come highly recommended.

Theresa also showcases The Etched City by K.J. Bishop, the Golgotha novels by R. S. Belcher, the great Deadlands: Reloaded RPG, and much more. Check out her article here.

See all our coverage of the best of the Weird West here.

Mindhunter: A Bloodless Noir about Serial Killers

Mindhunter: A Bloodless Noir about Serial Killers

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All genres have their tropes that get returned to again and again. Historians write about the Civil War and World War II and the Civil War; singers write about breakups. For crime shows, serial killers represent the genre’s bottomless well. Netflix’s Mindhunter seeks to explore that vein as deeply as possible, and in the process creates television’s quietest noir.

FBI Special Agents Bill Tench (Holt McCallany) and Holden Ford (Jonathan Groff) are the founders of the FBI’s Behavioral Science Unit, which gave birth to the idea of “profiling” serial killers. Tench and Ford crisscross the country, interviewing serial killers with the intent of developing tools that will allow for the developing of psychological fingerprints of these compulsive killers, as an aid to capturing them. Fascinating and thoughtful, the series is significantly quieter than other cop shows. Mindhunter jettisons the foot chases and gunfights, and focuses on the agents interviewing serial killers

Mindhunter is based on the book of the same name by John Douglas and Mark Olshaker. Again, lesser cop shows pay lip service to the idea of “getting into the sick bastard’s head,” usually followed by some leap of logic that leads to the cops catching the killer. In Mindhunter, the interviews are the big centerpieces of most episodes. They’re great exercises in text and subtext, with the agents asking about thoughts and processes of the killers. The challenge of the show, and the reward for the patient viewer, is the agents discussing the interviews afterwards. They debate if the answers given were sincere, if the killer was being truthful, or misinterpreting things, or just outright lying. While fascinating, the interviews carry their own frustrating ambiguity.

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I Admit, I’m Intrigued

I Admit, I’m Intrigued

The Witcher USA

Good morning, Readers!

So, the main trailer and release date for Netflix’s new nerd acquisition, The Witcher, dropped a fortnight or so ago. Knowing that I streamed the lengthy final game (and its DLCs) in the trilogy not all that long ago and had a good time with it, a number of my friends directed me towards the trailer when it dropped. I may have also had and voiced opinions about the news that Netflix acquired the rites to The Witcher, and then had more opinions when Henry Cavill was announced in the titular role.

A few things to note about me and my opinions. They’re horribly ill-informed. My experience with The Witcher is the third game (The Wild Hunt). That’s it. If you’re curious about how I felt about the game, you can check out my review on Chalgyrs here. I’ve not read the books on which the game was based, though I do plan to (should I make it a thing to do, and then share my thoughts here, do you think?). I don’t have as strong an emotional attachment to the world, the characters or the story as I might have had I read (presuming I enjoyed them) the books, or even had followed the games from the first.

But about the Netflix series….

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Goth Chick News: Count(ing) Dracula – There’s Always Room for One More

Goth Chick News: Count(ing) Dracula – There’s Always Room for One More

Every Night is Halloween

First off, being today is the holiday around which the entire Goth Chick News year revolves, HAPPY HALLOWEEN!! The Black Gate offices are positively awash in cobwebs and black candles, while the adult beverage maker is blending at top speed. It’s causing a brown out in the executive suite but is also serving to drown out John O shouting about not being able to hear his Robots of Gotham audio book. Black Gate photog Chris Z, who is wearing a Devil’s Rejects tee shirt with his kilt and army boots, is hosting a screening of Zombeavers for the interns, and the whole place smells like Fireball whiskey and pumpkin spice.

And never mind it’s snowing in Chicago…

So, before I head out to the Uber for my 24-hour bacchanalia of decadence marking October 31st, I had to take the time to give you this one tib bit of (hopefully) good news.

As you may or may not be aware, Dracula has headlined no less than 61 films since Mr. Stoker first introduced him to us in 1897. There has literally been a Dracula for all times and cultures, appearing on the big screen and small, and telling us about the children of the night in literally dozens of languages. But today we get a glimpse into the fanged-one’s spiritual homecoming. Though the vampire made his home in Transylvania, Dracula as a character was born in Cruden Bay, Scotland rooting his literary origins firmly in the U.K. and it is from London where he is once again being reborn.

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Of Phibes and Androbots I Sing

Of Phibes and Androbots I Sing

phibes 5Phibes 4Dr. Phibes is far more than the evocation of the great thriller characters of its creator’s childhood; he is a character that stands proudly alongside Dracula, Moriarty, Nikola, Fu Manchu, Fantomas, and Mabuse as an equal in inventiveness and execution. William Goldstein, as screenwriter and novelist, created an immortal as only the best storytellers do. Phibes is a character who transcends his era, defines his own archetype, and is firmly established in his own mythology to pass from one generation, century, and millenium to the next. The best news for fans is The Master’s work continues with the fifth and latest book in the ongoing series, The Androbots – Book I of The Dr. Phibes Manifest.

Those who have read the first four books in the series or, at the very least, my other Black Gate articles covering these titles, are aware there is a significant tonal difference between the two Vincent Price Dr. Phibes films of the early 1970s and William Goldstein’s novels. The books retain the films’ eccentricities, but are far more tragic than comedic. I do revere the two AIP releases. Director Robert Fuest and his production crew imbued both pictures with a sardonic touch that allowed Vincent Price and several of his co-stars to turn in subdued performance that carefully balance extreme bursts of horror, tragedy, and comedy. One never knows quite what to expect as one scene ends and the next begins when watching the films.

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The Dark Crystal: Age of Resistance – Thoughts

The Dark Crystal: Age of Resistance – Thoughts

The_Dark_Crystal_1982 Film_Poster 2

This was almost my entire childhood.

Good morning, Readers!

I grew up on The Dark Crystal. In my house, it shared a VCR tape with The Secret of NIMH. Or was it a Beta Max cassette? I can’t really remember, save that we had both players in the house. That’s not the point. The point is, I grew up watching The Dark Crystal. It was one of the favorite movies of my childhood. I remember being so invested in Jen and Kyra, terrified of the Garthim, and utterly petrified of the Chamberlain, whose terrible whimper became a signal for immediate danger.

I credit this movie for my love of all things dark fantasy, because it was incredibly dark. With the name Jim Henson attached, one might be forgiven in thinking it is a light, friendly tale designed for young children. While I would recommend it for children, as a matter of personal philosophy, The Muppets it is not. It is a dark story with frightening events that led to more than one nightmare (incidentally, having rewatched it as an adult, I found the story still excellent, the puppetry breathtaking, but the narration so thoroughly irritating. It’s still watchable for me, as long as I fast forward through the narration).

When I heard Netflix was “remaking” The Dark Crystal, my eyes rolled skywards and I cursed under my breath. Not only was The Dark Crystal perfectly fine as it is, but there are so many original stories, or even adaptations of original stories that deserve attention. Whhyyyyyyyyyyyyy must studios constantly remake things that already exist? I resolved to never watch it. Until I saw the trailer.

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