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Category: Movies and TV

Lovely Ladies and Pleistocene Behemoths: A Visit to the Hollow Earth with Edgar Rice Burroughs

Lovely Ladies and Pleistocene Behemoths: A Visit to the Hollow Earth with Edgar Rice Burroughs

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Caroline Munro, and a pair of Pleistocene behemoths, in At the Earth’s Core

I’ve had a lifelong fascination with “hollow earth” stories, a style of fantasy fiction that presents ancient, lost societies of people (and/or humanoids) living deep under the earth, where Jurassic and Pleistocene behemoths — as well as uncategorized horrors — struggle to survive in the subterranean jungles of a sunless world.

My favorite of this genre is the Pellucidar series, by Edgar Rice Burroughs, which began in 1914 when At the Earth’s Core was serialized in All-Story Weekly, before the novel was published in book format.

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I Like Big Bugs and I Cannot Lie, Part I

I Like Big Bugs and I Cannot Lie, Part I

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Arachnicide (See Thru Pictures, 2014)

I’m sometimes asked why I haven’t got around to watching Oppenheimer or Killers of the Flower Moon yet, and that’s because I’m too busy watching this sort of stuff. Come with me as we begin our foray into the world of angry insects!

Arachnicide (2014, YouTube)

Giant bugs?

You have to wait for around 53 minutes for anything with more than 2 legs to show up.

CGI-heavy?

CGI HEAVY, as in ALL CG, including the environments, landscapes, helicopters, soldiers walking to helicopters, satellites, and the giant spiders.

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Ellsworth’s Cinema of Swords: Zhang Yimou

Ellsworth’s Cinema of Swords: Zhang Yimou

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Hero (China/Hong Kong, 2002)

The Hong Kong cinema industry’s success as an action-film factory for 50 years starting in the 1960s has meant that most of the Chinese-language movies covered by Cinema of Swords originated there. However, once mainland China shook itself free of its painful Cultural Revolution, its own film industry began to reassert itself. Zhang Yimou was one of the new directors of the so-called “Fifth Generation” that emerged in the ‘80s and ‘90s. A native of Xi’an in remote western China, Zhang had a distinctive eye for landscapes and most of all color, and his early films were acclaimed dramas telling stories of the Chinese middle and working class, movies such as Red Sorghum (1988), Ju Dou (1990), and Raise the Red Lantern (1991).

What primarily interests us, of course, is Zhang’s work in the wuxia genre, which he took up after the success of Ang Lee’s Crouching Tiger, Hidden Dragon (2000). Zhang’s Hero (2002) and House of Flying Daggers (2004) are big-budget productions with leading stars such Jet Li and Zhang Ziyi, but it’s really Zhang’s incredible art and action direction that make them instant classics.

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Goth Chick News: From Wolf-Lover to Wolf – kit Harington Gets Hairy

Goth Chick News: From Wolf-Lover to Wolf – kit Harington Gets Hairy

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It is no secret around the Black Gate offices that if the “King of the North” ever drops by asking for Goth Chick, I am absolutely, unequivocally always available. It’s true that Jon Snow could be a little too angsty at times, but it was never about his dialog and all about how he looked saying it.

So pairing actor Kit Harington with one of my favorite classic movie monsters had me watching this trailer for The Beast Within over and over when it dropped Tuesday morning.

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Ellsworth’s Cinema of Swords: Wolves and Scorpions

Ellsworth’s Cinema of Swords: Wolves and Scorpions

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Brotherhood of the Wolf (France, 2001)

The boom in heroic fantasy novels in the wake of the success of The Lord of the Rings trilogy and the Conan revival means there is plenty of imaginative literary fodder available for film adaptations, providing heroes, villains, and plot structures ready-made for cinema. But there are also original fantasy films, of course, movies with stories and scripts written for the screen rather than drawn from books. These are often wilder and less moored to reality than their literary siblings, occasionally resulting in unlooked-for gems that are enjoyable even for repeated viewings, especially when created by a director with a strong, personal vision.

But just as often we get a by-the-numbers retread made by Hollywood hacks that is, at best, merely professional entertainment. This week we have one of each from just past the turn of our current century.

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Goth Chick News: Saving One of the Best Vault Treasures for Last

Goth Chick News: Saving One of the Best Vault Treasures for Last

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An American Werewolf in London (Universal Pictures, August 21, 1981)

I am relieved to report that this is my final week of traveling which has been utterly unassociated with any fun save for my horror movie marathon. Notice how I carefully avoided additional adjectives like “classic” or “retro” for fear of catapulting you and me into a tailspin of denial. What I will say is that my binge-watching has been confined to movies that have celebrated their 40th anniversaries, so we’ll just leave it there.

Though nearly every evening of the last five weeks has seen me streaming my way through a list of titles inspired by my personal DVD archival vault (a couple of plastic tubs in my crawl space), I’ve chosen to do a deep dive on my favorites. This week’s marathon included The Lost Boys (1987), Prince of Darkness (1987), and Fright Night (1985), all of which would have made wonderful articles. But when the opening of American Werewolf in London (1981) started rolling on my laptop, there was no question what I’d be talking to you about today.

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Goth Chick News: Now It’s The Fly’s Turn to Crawl Out of the Vault

Goth Chick News: Now It’s The Fly’s Turn to Crawl Out of the Vault

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The Tingler (Columbia Pictures, July 1959), and The Fly (20th Century Fox, July 1958)

Though I have previously described how my Dad first introduced me to classic horror, Mom would likely be mortified to know I credit her as well. Though there is one lone, totally fabulous drive-in movie theater left in Chicagoland, Mom used to tell me how there were a dozen or more ‘back in the day.’ She explained how, when she and Dad were dating, there was no finer way to spend a summer evening than seeing the latest film under the stars. What seemed strange to me about these stories were the titles of the movies they used to see. Apparently, in her youth, Mom also liked horror.

I remember listening with rapt attention as she described a scene from The Tingler in which the disembodied spinal cord crawled up over the front seat to attack a couple at the drive-in. She said this was the scariest thing she had ever seen as she and Dad were watching The Tingler at the drive-in. Mom also talked about The Fly (1958), starring David Hedison, Patricia Owens, and Vincent Price. Apparently, Vincent Price’s performance gave her nightmares.

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Diving Deep (again) into the Wonder that is Terry Pratchett

Diving Deep (again) into the Wonder that is Terry Pratchett

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I am working on a post about my trip to the Greenbrier Resort, with the Wolfe Pack. It was a neat time, and I’ve got a ton of pictures. What I do not have is a completed essay yet. So, I should have that next week.

Today I’m gonna talk a little more about Terry Pratchett.

A few months ago, I decided to start re-reading – and listening to – some Discworld books. I’ve been a Pratchett fan for decades, and I occasionally grab something off the shelf for a mental breather. I’m usually reading for purposes of a Black Gate post. Or an actual work product, like a new intro for Steeger Books. Discworld is always a fun break.

The book I most often ‘randomly grab’ is The Last Hero. It’s such an exquisite work of art. It is probably the most thoughtful, beautiful, book which I own. The story, of course, is classic Pratchett. But the only reason this book is such a wonderful item, is because the people behind it, wanted it to create something of beauty. It’s more than just a book. It’s something to be cherished.

 

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Neil’s Horror Corner: The Weird, Weird West, Part III

Neil’s Horror Corner: The Weird, Weird West, Part III

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The Dead and the Damned (Mattia Borrani Productions, 2010), The Pale Door (Shudder,
2020), and The Magnificent Dead (Broom Closet Video, 2010)

The Dead and the Damned (2011) – Tubi

Stand-off with six guns?

Lots of unconvincing shootin’.

Uncomfortable chaps?

Rubbish zombies.

Any good?

As with some previous entries, it gives me no pleasure to rip into this film.

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Goth Chick News: Where We Drag Another Horror from the Vault

Goth Chick News: Where We Drag Another Horror from the Vault

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The Fury (20th Century Fox, Release date March 10, 1978)

As I mentioned a couple weeks back, I am in the middle of some tedious travel and am amusing myself by streaming from a list of horror films I hadn’t thought about in ages. Some of these titles came from an archeological expedition to the back reaches of my crawl space. There, I have multiple storage bins containing VHS tapes, which I am certain will someday fund my retirement when a future generation becomes nostalgic for the good old days of movie viewing.

I must admit, it was fun to dig through these titles. Each tape is like a 7”x4” bookmark for a point in time in my personal history, reminding me of an evening sitting in front of a friend’s “projection TV” following a trip to Blockbuster, or a date night where I could pretend to be scared.

When VHS began its decline, I collected many meaningful titles from “$3 or less” bins at various stores, finally snagging the motherload when the local “Family Video” store had a going-out-of-business sale. In that case, I pretty much scored one of everything from their horror section allowing me to catch up on a lot of titles I was too young to see in the theater due to the R-ratings.

Which brings me to how I spent last evening; streaming The Fury.

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