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When USA was Kicking the Major Networks’ Collective Butts!

When USA was Kicking the Major Networks’ Collective Butts!

In the early 2000’s, for about a decade and-a-half, USA Network was cranking out quality shows. For some programming, they were a viable competitor to the big four. In those pre-streaming days, I faithfully watched each week. And in the past year, I’ve discovered a couple I didn’t watch the first time around. I decided it’s time to talk about a few of them. So here’s the first of a two-parter, looking at some of those great USA Network shows.

MONK (2002 – 2009)

How have I never written a stand-alone about Monk for Black Gate? That needs to be rectified in 2022! This is the show that put USA on the original programming map. Tony Shaloub’s defective detective just grew in popularity each season. The series finale, when aired, had the highest rating of any hour-long drama series on basic cable.

Shaloub is Adrian Monk – formerly a brilliant detective for the San Francisco Police Department. He was a bit obsessive-compulsive, but it was manageable. Barely. But then his wife, Trudy, is killed by a car bomb, and his OCD goes extreme. He ends up discharged by the police department. He can’t solve the murder, and it eats at him. He can’t do what he’s best at, to fix the biggest issue in his life.

His former partner, Captain Leland Stottlemeyer, is now chief of police, and he occasionally hires Monk to consult on tough cases. Lieutenant Randy Disher is his right hand. Stottlemeyer is competent, and Disher is brave; but they’re not brilliant. That’s where Monk comes in.

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Goth Chick News: 13 Questions for Louis Weinberger – Writer of Into the Devil’s Reach

Goth Chick News: 13 Questions for Louis Weinberger – Writer of Into the Devil’s Reach

We here at Goth Chick News never fail to be impressed by indie filmmakers. It takes an incredible amount of patience and tenacity to bring a story to life on screen without the backing (and funding) of a major production house. That’s why whenever we have a chance to give you a view behind the scenes of an indie film, we’re all too excited to do so.

Back in December we had the pleasure of meeting Louis Weinberger whose story Into the Devil’s Reach made the impressive jump from novel to indie film. Weinberger is a local Chicago-area writer whose primary focus is scripts. However, when two of his ideas were just too good to wait on the right film project, he combined them into a novel which was published by RedRob in 2014.

We had to know more and here to explain it all is Louis Weinberger.

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Talking Terry Pratchett

Talking Terry Pratchett

It’s always a good time to talk about Terry Pratchett! He was, simply, brilliant. Pratchett, who passed away in 2015 from Alzheimer’s, wrote the terrific fantasy series, Discworld. He gets my vote as one of the great satirists of our time. And he used classical fantasy tropes to do it! Did I mention, ‘brilliant’?

I re-read (and listen to) Pratchett books throughout the year. I got in the mood again recently, and did a mini-binge. Discworld is fantasy world, with the entertainingly horrible city of Ankh-Morpork at its center. Parody, homage, satire – they are fantastic books. Pratchett pokes fun at our world (especially, society) though these books. If you Google search, ‘Terry Pratchett quotes.’ you will get some absolutely terrific ones. Most are from his books, but real-life ones can be pretty hilarious, too. The man was just incredibly funny. Add in being very observant, and a good writer, and you have the ingredients of a great author.

JINGO

It started when I decided to listen to a Pratchett audio book during the work day last week. I’ve read the series a couple times, and I can miss a bit here and there as I work. Jingo is one of the City Watch books. There are several ‘sub-series’ in the Discworld series, involving central characters. My favorite is the one with Sam Vimes and the City Watch. They are essentially very entertaining police procedurals, in a fantasy world. They’re a blast.

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Goth Chick News: Spirit Halloween Pops Up in Theaters

Goth Chick News: Spirit Halloween Pops Up in Theaters

When I first received notification of this project, I thought it was a joke.

I’ll assume here, that you’re all familiar with the pop-up Halloween stores which begin appearing in unused retail locations round about August. There’s Halloween City, and Halloween Express, but by far the most prolific of these is Spirit Halloween.

Founded by entrepreneur Joe Marver in 1983, Spirit Halloween made $100k in the first 30 days its first location was open. Over the next 16 years, Marver built Spirit into 60+ locations that were only open in the months leading up to Halloween; August, September, October. In 1999 Spencer’s Gifts acquired Spirit and today there are 1.4k pop-up stores across Canada and the US during “the season.”

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Ellsworth’s Cinema of Swords: Updating the Classics

Ellsworth’s Cinema of Swords: Updating the Classics

Henry V (UK, 1989)

New cinematic adaptations of literary classics come along regularly, and it’s no surprise why: most classics have earned that name for a reason, and in addition to valuable name recognition they have durable plots, characters, and situations that lend themselves to multiple interpretations. Laclos’ Les Liaisons Dangereuses had several film adaptations before the ones covered below, most notably director Roger Vadim’s 1959 version that set the story in modern times (as did 1999’s Cruel Intentions) — but we, of course, prefer the period setting (because swords!). Henry V, one of Shakespeare’s greatest plays, has also been put on screen numerous times, including Laurence Olivier’s splendid 1944 version, previously reviewed in this article series. However, it’s Kenneth Branagh’s 1989 adaptation that’s most likely to resonate with modern Cinema of Swords readers if only because it’s naturalistic rendition of Shakespeare’s dialogue makes it easier to connect with. Now, let’s go to the library and watch some movies!

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Ellsworth’s Cinema of Swords: Blood-Red and Blind – The Crimson Bat

Ellsworth’s Cinema of Swords: Blood-Red and Blind – The Crimson Bat

The Crimson Bat (Japan, 1969)

Here’s a pretty decent samurai series even I wasn’t aware of until recently: the Crimson Bat, four films starring Yoko Matsuyama as the eponymous hero. Moreover, all four movies are now relatively easy to find, available on YouTube with good English subtitles. There aren’t enough chambara movies with female heroes, in my opinion, so I was pleased to discover these — and hopefully, you’ll be pleased as well.

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Goth Chick News: A Haunting Tale by Peter Pan Author is Coming to the Big Screen

Goth Chick News: A Haunting Tale by Peter Pan Author is Coming to the Big Screen

Hollywood rediscovering an old story and reimagining it for a modern audience is always a reason to get excited, at least at first. Not all of these ventures turn out well, but I especially like when the source material hasn’t been explored previously in film. Such is the case with a play written by J. M. Barrie, author of Peter Pan.

Barrie penned Mary Rose between August 1919 and April 1920, and it was performed at the Haymarket Theater in London, opening on April 22, 1920. A year later Mary Rose was included in London’s “Best Plays” list. It then moved on to Broadway where it has since been revived several times, as well as in London, and always to rave reviews. A New York Times reviewer called the 2007 revival of Mary Rose an “elegantly plotted ghost story,” which is why I’m exceptionally excited to learn that Hollywood is finally taking up the tale.

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Ellsworth’s Cinema of Swords: The Barbarian Boom, Part 4

Ellsworth’s Cinema of Swords: The Barbarian Boom, Part 4

The Warrior and the Sorceress (Argentina/USA, 1984)

Barbarians don’t get no respect. The fantasy films released in the wake of the unexpected worldwide success of Star Wars (1977) were all over the map, varying widely in approach and quality, but the barbarian lookalikes that followed the first Conan movie (1982) stuck to a formula, in quality plunging straight to the bottom of the barrel and mostly staying there as the barrel bumped along the cheapie exploitation circuit for the next five years or so. It’s as if filmmakers saw the sword-and-sorcery genre as suitable only for low-prestige flicks aimed at an unsophisticated market, a sad situation that wouldn’t really turn around until The Fellowship of the Ring (2001).

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Ellsworth’s Cinema of Swords: Postwar in the Greenwood

Ellsworth’s Cinema of Swords: Postwar in the Greenwood

The Bandit of Sherwood Forest (USA, 1946)

In the middle of the last century, you couldn’t say “Robin Hood” without evoking the image of Errol Flynn in 1938’s classic The Adventures of Robin Hood — every movie and TV show in the next thirty years about the bandit of Sherwood Forest was made in its long, green shadow. The Robin Hood story depicted in the Flynn film became the de facto standard version of the legend, cinematic comfort food, with subsequent screen incarnations not straying far from its characters and situation. Still, there were good times to be had in that long, green shadow, and tales of Robin and his Merrie Men owned Saturday afternoons for the sleepy Fifties and well afterwards.

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Goth Chick News: Horror, Humor and Porn – What More Could We Ask…?

Goth Chick News: Horror, Humor and Porn – What More Could We Ask…?

It’s as if Hollywood, or at least director Ti West, finally granted Black Gate photog Chris Z’s greatest wish.

Though his suggestions for movies I need to review have never it past the Big Cheese John O (“We do NOT work blue at Black Gate”), Chris Z takes enormous pleasure in creating fake email accounts and sending in suggestions like, “Please have Goth Chick review Zombeavers!” or “I’d love to read Goth Chick’s take on Zombies vs. Strippers!” Never mind that even if I had an inclination to accommodate Chris Z’s suggestions with more than an eyeroll, getting my hands on these movies requires using my credit card number in places it definitely shouldn’t be left on its own.

So, color me shocked when I learned about the movie X and the fact I could actually pull up into my local AMC Theater and see it, which I fully intend to do ASAP.

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