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What I’m Watching: April 2023

What I’m Watching: April 2023

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I haven’t done a What I’m Watching this year, so here’s a new installment.

DANGER! THERE BE SPOILERS

I’m talking about shows I’ve watched. I won’t give away anything huge, but in the context of the discussion, there will probably be spoilers. You have been warned.

STAR TREK PICARD: SEASON THREE

Prior to Strange New Worlds and the terrific job that Anson Mount continues doing as Captain Pike, ST: The Next Generation, was my favorite Trek series.

I wrote about ST: Picard a couple times here at Black Gate. I struggled through the plodding season one. With John de Lancie (Q) in the picture, season two was much better – excluding Picard’s child-hood angst.

Season three brought a wrap-up to TNG. More Picard-centric emotional angst slowed things down, but it was tremendous closure for TNG. Just about any face you wanted to see popped up.. It was wonderful to see Trekkers from the past (and not just TNG). And on the new side of things, Todd Stashwick as Captain Liam Shaw is in my Top Five for all time Trek-verse characters. He was terrific.

Phasers on Stun – I cannot believe I watched this entire season without realizing that Jack Crusher was the same actor who played James Kent in Downton Abbey. Completely didn’t register until I looked him up for this essay. Man, did I miss that one!

Quite simply, season three of Picard was fantastic, and the series finale was outstanding. They closed out the franchise in wonderful fashion. There was also a Marvel-esque credits scene which certainly could be the basis for a spin-off show.

Nothing has been announced in any fashion for one, but it would be nice.

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Goth Chick News: An Upcoming MCU Movie I’m Excited About

Goth Chick News: An Upcoming MCU Movie I’m Excited About

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It alarms quite a few people when I say I’m hit and miss on the Marvel Cinematic Universe. As far as the hardcore fans I’m acquainted with, it seems I must be either in or out, and my spotty fandom is definitely not something they approve of.

For example, in a convo with the guy that cleans my office aquarium, I discovered he was super excited when I said one of my favorite films was Iron Man, but was super put out when I had no plans to see Doctor Strange. I also loved Spider-Man with Tobey Maguire, but have been only so-so on the Spider-Man’s since. Yes, I’m missing out on all the cool, interconnectivity of the stories, and no, I’d agree I can’t say I’m a true MCU fan. I just like what I like in the standalone films and frankly do not have the attention-span to take my viewership much further.

At this point I’m lucky my fish aren’t dead.

When it came to comics, it’s no surprise I was more of a DC fan, from Wonder Woman, to House of Secrets and The Unexpected. It’s probably also no surprise that if there was an MC character I consistently enjoyed, it was Blade.

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Ellsworth’s Cinema of Swords: Near Misses in the Near East

Ellsworth’s Cinema of Swords: Near Misses in the Near East

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The Adventures of Hajji Baba (USA, 1964)

Though the vogue for Middle Eastern Orientalism in 20th-century movies wasn’t entirely a scourge — where would the history of fantasy films be without Harryhausen’s 7th Voyage of Sinbad? — by and large it was mainly responsible for a lot of crap and claptrap. This goes way back to the Silent Era, peaking with The Sheik in 1921, the movie that made Rudolf Valentino a household word. Orientalist films set in the Near East almost always relied on visual clichés of colorful and exotic luxury, with female characters who exhibit a sensuality forbidden in the Christian west, and male antagonists who are cruel, dishonest, greedy, and lecherous. The protagonists, almost exclusively male, are either European or Americans of European descent, heroes who exemplify the “Western” traits of courage, daring, integrity, and respect for decency. Even when the heroes are themselves Middle Eastern, as in the movies we cover this week, they still embody those qualities deemed “Western” and are usually played by Europeans or Americans.

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Goth Chick News: A24 Films Is Scaring the Snot Out of Me Again

Goth Chick News: A24 Films Is Scaring the Snot Out of Me Again

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Long ago A24 Films become my personal favorite independent film production company. Founded in 2012, they didn’t hit my radar until I discovered their 2015 horror hit The Witch, followed by Hereditary in 2018, then Midsommer in 2019. What I would call A24’s next-gen type scares ruled the company’s top box office earners until 2022 when Everything Everywhere All at Once and The Whale became this year’s Oscars darlings.

Just in case you’re wondering how A24 can crank out box office biggies like EEAaO, here’s the downlow. It’s less about the money than it is about the general principals guiding the company. A lot of what makes a production an “indie” movie is the director’s complete control over the creation and art of the final piece. Independent movie companies like A24 tend to work more on the funding, budget, and distribution of the movie, leaving the directors to be “independent” of studio content control.

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Endure and Survive: The Last of Us, Episode Five

Endure and Survive: The Last of Us, Episode Five

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Good morning, Readers!

I have long been stressing about this episode, since Sam and Henry were introduced last episode. I know precisely how this is going to end, and I’m not looking forward to it at all… While also looking forward to it a great deal. We don’t have time to unpack that. Let’s get on with it all the same.

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Living Large: Bert I. Gordon 1922-2023

Living Large: Bert I. Gordon 1922-2023

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Bert I. Gordon, one of the filmmakers most beloved by “monster kids” everywhere, has died, departing this shabby, low-budget set we call earth for the big Premier in the Sky on March 8th. He was one hundred years old, prompting thousands to say, “He was still alive?!”

Producer, director, and screenwriter, Gordon was a key figure in the Saturday afternoon matinee and late-night television viewing of generations of people who are now looked at askance by all who know them, and the litany of the films he directed is a popcorn-gobbling adolescent’s delight: King Dinosaur (1955), The Cyclops, The Amazing Colossal Man, Beginning of the End (all 1957), Earth vs. the Spider, War of the Colossal Beast, Attack of the Puppet People (all 1958), The Magic Sword (1962), Village of the Giants (1965), The Food of the Gods (1976), and Empire of the Ants (1977) are the high points, such as they are. …

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Ellsworth’s Cinema of Swords: Moar Mondo Mifune

Ellsworth’s Cinema of Swords: Moar Mondo Mifune

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Red Sun (France/Italy/Spain, 1971)

Though Toshiro Mifune in the late ‘50s and early ‘60s had proven himself a consummate actor capable of inhabiting a wide range of roles, by the late ‘60s he was pretty much typecast as a gruffly stoic warrior oozing with gravitas. That sounds limiting, and though Mifune plays that part in each of the films covered this week, the three movies are so varied they prove Mifune’s breadth as a performer even when seemingly typecast. Plus, the latter two of these movies are just a rollicking good time, and if you haven’t heard of them, I’m delighted to bring them to your attention.

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Goth Chick News: Nicolas Cage as Dracula? Yes, Please

Goth Chick News: Nicolas Cage as Dracula? Yes, Please

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I recently enjoyed one of my periodic, cathartic rants about the state of vampires on film in the past couple of decades. Having had it with the very liberal license the entertainment industry has taken with my favorite classic monster, I was happy to share that Hollywood was finally going to give us a seriously violent throw-back version in the form of The Last Voyage of the Demeter. However, though I took exception to vampires being depicted as angsty, flannel-wearing mopes who despised their own blood-sucking nature, I never mentioned believing that vampires should not have a sense of humor.

I mean, if you had to hang around watching humans for roughly 590 years, you’d have to be able to laugh at stuff, right?

If you think about it, Dracula must appreciate the irony of his situation. Certainly director Chris McKay (The Tomorrow War, The LEGO Batman Movie) screenwriter Ryan Ridley (Ghosted, Rick & Morty), and comic book writer Robert Kirkman (The Walking Dead, Invincible) gave it a lot of thought, which is why you should mark your calendars for April 14th.

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Ellsworth’s Cinema of Swords: Avenging Women

Ellsworth’s Cinema of Swords: Avenging Women

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Lady in the Iron Mask (USA, 1952)

Much as Your Cheerful Editor loves it when it’s the women in a movie who are plying the swords, he must admit that the swashbuckling films of the 20th Century betrayed women wielding their weapons as often as they glorified them. Filmmakers kept putting swords in ladies’ hands because it’s such an attractive image, but then usually gave those sword-swingin’ women short shrift. Most of the time this was just reflexive sexism of the “Of course women don’t fight as well as men” variety, but toward the end of the century, during the backlash against the rise of feminism, the attitude was often open scorn. There are a lot of things I miss about moviemaking from Hollywood’s golden era, but endemic misogyny isn’t one o them.

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