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Modular: Using Norse-Themed Roleplaying Games and Supplements to Expand the World of Yggdrasill — Vidar Solaas’s Vikings RPG

Modular: Using Norse-Themed Roleplaying Games and Supplements to Expand the World of Yggdrasill — Vidar Solaas’s Vikings RPG

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vikingsrpgSome time ago I celebrated the new Modular series of Black Gate posts by contributing my own enthusiastic review of the four English-language volumes in the current Yggdrasill roleplaying game line. I’m grateful for the many responses to that post and for the reader recommendations of other Norse-related rpg material. I would collect all roleplaying game materials, regardless of game ethos or genre, but my budget won’t allow it. So I’ve narrowed my collection to Norse and Viking-themed materials. Hey, I tell myself, I’m actually running a Viking-themed game right now, using Yggdrasill, and I can justify this expense by believing, truthfully or not, that I’ll find some practical gaming use for it.

As I collect these materials, I notice that they sort into three or four categories:

  • Actual “full” roleplaying games; what I mean here is that the product comes complete with rules and setting designed to emulate, in particular, the kinds of experiences one expects from a Norse-themed roleplaying game
  • Sourcebooks and campaign settings, using the real world “Viking Age” as inspiration but designed to be used with an existing “Core Rules Set” (like D20 or GURPS, Fate Core, etc.)
  • Campaign settings, adventure paths, or standalone modules that detail a particular region of a fantasy world that is designed to emulate, within that secondary world, a “Viking Age” roleplaying experience

That’s right: I said three “or four” categories. The fourth category constitutes an “Appendix Y” — Appendix Yggdrasill — if you will, the reading I have been doing for most of my life that informs the kind of Viking Age adventure that I want to evoke in my roleplaying game. I might find occasion to comment on these works, as well, for they’re just as relevant as actual gaming material.

I intend to use these rough categories to frame the reviews of my developing collection. And I begin today with an item from the first category — well, I’m placing it in this category, even though Vidar Solaas’s Vikings RPG (2008) has been built using the D20 system. Attempting to use D20 to emulate a more or less “authentic” Viking Age experience has required Solaas to modify, rebuild, or “hack” the D20 rules set so drastically that Vikings RPG does indeed qualify as a game in its own right.

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Original Woodgrain Edition Dungeons and Dragons Box Set Sells For $22,100

Original Woodgrain Edition Dungeons and Dragons Box Set Sells For $22,100

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A first printing of the original woodgrain box edition of Dungeons and Dragons, one of the rarest RPG collectibles, sold on eBay Friday for $22,100. The seller tells the story of how they acquired this ultra-rare piece of gaming history in the item description:

This set is in Very Fine condition with one small stain on the front label and very minor scuffing on the corners of the box. Note that the Reference Sheets are not stapled, but loose sheets folded together. This was the original condition.

It was acquired by the present owner in an interesting way.

In 1974 I worked in a project offering supplemental educational materials to four school districts in Northwestern Wisconsin. I met Bill, an elementary school librarian, who was very excited about working with his students using role playing games. He had a friend in Minneapolis whom he had met through their shared interest in war gaming. This friend, “Lance,” was involved with creating a new project, a fantasy-style wargame in a box that could be played by anyone.

My librarian friend was working with a sixth-grade class to create a book based on playing the game. Included in this set is a copy of the booklet that his students created using the game. Bill also used a 20-sided die that he had hand-colored to differentiate scoring. Adding to the charm of this set, the die is included, as is a hand-written note from Bill, the librarian, explaining the use of the die. He added that there was currently a shortage of these dice, but they were available in England. He was going to England for a vacation, and would be bringing some back with him.

I’m not sure this is a record price, but it must be pretty close. It’s definitely one of the most high-profile sales of a D&D collectible in recent memory. The seller, editorjan_1, has never previously sold on eBay, and has a zero feedback score, which makes this auction something of a risk for the buyer. See the complete listing on eBay here, and a more detailed breakdown of everything in the box at acaeum.com.

Modular: Boldly Go … with Star Trek Adventures RPG Playtest

Modular: Boldly Go … with Star Trek Adventures RPG Playtest

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A Starfleet away team encounters some complications in Star Trek Adventures RPG.

A Starfleet Away Team encounters some complications in the Star Trek Adventures RPG

Though Star Trek is one of the most popular franchises in science fiction and fantasy, it’s been over a decade since there has been a tabletop roleplaying game in production set in the Star Trek universe. That’s about to change in 2017 with the release of Star Trek Adventures from Modiphius Games.

The game is currently in development, but if you’re interested in checking it out, you don’t have to wait until 2017. Modiphius has just begun an open alpha playtest, allowing people across the world to begin playing games set in the world, test out the rules system, and provide feedback in time for the final design of the game.

Last Friday, I was able to get together a group to do a trial run of the first open playtest adventure. Though there’s no telling exactly which mechanics will stay the same through the playtest process, what is clear at this very early stage is that Modiphius is putting together a game that captures the feel of Star Trek in a tabletop roleplaying game.

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Modular: Yggdrasill, the Roleplaying Game of “Viking Age” Adventure

Modular: Yggdrasill, the Roleplaying Game of “Viking Age” Adventure

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yggdrasillcoverRoutine visitors to this site might remember my survey of Poul Anderson’s works, a regular column that has been on indefinite hiatus for about two years now. Causes for this suspension have been 1. Anderson’s two-book Operation Chaos was an absolute drudge of a read, requiring a recovery period that only now might be over, 2. New responsibilities at home decreased available time for my recreational pursuits, 3. The time share for these recreational pursuits was almost wholly dominated by my weekly Pathfinder campaign, a campaign that now finally might be coming to an end.

It’s unlikely that, with increased time, though, I’ll be returning to the Anderson survey. This is because I’ll move onto running other games, one of which already is underway: Yggdrasill.

At first glance Yggdrasill caters to a niche crowd, and I’m certainly a member of that company. I am a Norse-phile. Within my close community, I am nearly alone in my passionate interest — but for one dear friend, who identifies as Norse neopagan. When I first learned about the game just over a month ago, I knew that this “blood brother” would play the game with me. I also guessed that some others in my community would try it out, as well, and they have.

But as I consider just how many other areas of the globe might have the dynamic of interest that I enjoy, I question how viable a business project Yggdrasill might be. Perhaps I shouldn’t: Vikings appears to be a popular TV show; perhaps that series inspired some gamers to go “full Viking.” The “northern thing” clearly is a mainstay of traditional fantasy gaming, an aspect derived from popular fantasy fiction. But in most games where efforts are made to make the northern atmosphere “authentic” — well, they’re not actually “games,” per se, so much as they are campaign settings and supplements, productions such as Lands of the Linnorm Kings in Pathfinder’s Inner Sea setting for Golarion, and The Northlands Saga in Frog God’s Lost Lands setting, and both of these properties actually are about single regions within much larger campaign settings. But with Yggdrasill the northern thing is the whole thing, and that’s catering to a specific taste indeed!

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Modular: A Brand New Column! And About T1 – The Village of Hommlet

Modular: A Brand New Column! And About T1 – The Village of Hommlet

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hommlet_moduleYou might have noticed the name ‘Modular’ being tagged onto the front of some gaming-related posts over the past several months. Well, being the savvy folks we are we here at Black Gate, we know that Role Playing Games (RPGs), whether tabletop or electronic (Pc/video game/MMO) are immensely popular. And we periodically post about RPGs, in addition to other types of games: such as this one I did on the Dungeons and Dragons Board Game line. And because we’re an on-the-ball kind of website, we’ve noticed that those posts do pretty well.

So, beginning in January, we’re kicking off a regular gaming column called…. you guessed it, ‘Modular.’ The primary focus will be on Role Playing Games, but we want to write about all kinds of fun games and gaming-related topics such as movies, television shows, books, etc. Posts will be written by various Black Gate contributors, and we’re also going to invite some industry folks to come visit, like we did with our popular ‘Discovering Robert E. Howard’ series.

I’m really excited about ‘Modular,’ as I think we’re going to be presenting you with some great stuff – both contemporary and nostalgic. From pen and paper Kickstarters to Dungeons and Dragons history. To give you a taste of what’s coming, the following was intended to be one of the first posts in the series next year. It’s a look at just about my favorite module, T1 – The Village of Hommlet. And as I mention at the end, there’s going to be a follow up post with my thoughts on why The Temple of Elemental Evil was delayed for several years.  If you’ve got a topic you’d like us to cover, or even something you’d like to write a post about, email me at upabob@yahoo.com. The latter is how I ended up with my own column, ‘The Public Life of Sherlock Holmes,’ here at Black Gate. So….

The golden era of my RPG life is Advanced Dungeons and Dragons (AD&D).  To prepare for this post, I sat down and read my favorite AD&D module. Now, there are quite a few which I’m still fond of and would like to play again. But T1 – The Village of Hommlet is the leader of the pack. Surprisingly, I’m not particularly crazy about T1-4, The Temple of Elemental Evil (ToEE), the much-delayed sequel, which is usually listed near the top of every “All-Time Greats” list. For me, Hommlet is a completely self-contained adventure in and of itself.

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The Limits of Wargaming #2: Betrayals, Surprises and Strategic Advantage

The Limits of Wargaming #2: Betrayals, Surprises and Strategic Advantage

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(Click to buy print)
The King’s forces have fortified themselves into a bend in the river. (Click to buy print)

10th July 1460, near Northampton, England. Battle of Northampton. It’s the Wars of the Roses. King Henry VI — well His Grace’s advisers, anyway — the Lancastrians, if you must — versus the Yorkists led in this case by the Earl of Warwick .

The King’s forces have fortified themselves into a bend in the river.

They’ve got a ditch, wooden stakes, perhaps carts, certainly cannon.  They’re gearing up for a rerun of the Battle of Castillon (an English defeat so utterly embarrassing that the swords of fallen English men-at-arms are a scholarly category in their own right!)

Warwick’s men advance into a hail of armour-piercing arrows, cannon balls and crossbow bolts. It looks as if he’s going to try to grind through the defences — the battle will be down to killing power and morale.

Except it doesn’t turn out that way.

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Modular: An Interview with Jeffrey Talanian, the Creator and Publisher of Astonishing Swordsmen and Sorcerers of Hyperborea

Modular: An Interview with Jeffrey Talanian, the Creator and Publisher of Astonishing Swordsmen and Sorcerers of Hyperborea

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hyperborea2ecoverThis November 3-5 I had the pleasure of attending the fourth iteration of Gamehole Con in lovely Madison, Wisconsin. At the con I had the additional pleasure of sitting down at Jeffrey Talanian’s table to play an Amazonian Fighter in Jeff’s Lovecraftian adventure “The Rats in the Walls”. I’m not going to give away spoilers here, but the creepy escapade had more to it than rats in walls! And, despite Jeff’s best attempts to kill us, our party overcame its antagonists in an epic last battle of first-level proportions! If you can’t tell from my exclamation points, it was great fun!

Jeff’s “The Rats in the Walls” takes place in the City-State of Khromarium. This is an area in Hyperborea, which is the official campaign setting for Jeff’s own roleplaying game that is published by North Wind Adventures. The second edition of Jeff’s game currently is 365% funded on Kickstarter with nine days left to go! After our game, Jeff graciously agreed to an interview with me. Here it is:

What is AS&SH?

AS&SH stands for Astonishing Swordsmen & Sorcerers of Hyperborea, a role-playing game of swords, sorcery, and weird fantasy. It is a tabletop RPG inspired by the fiction of Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smith. Its rules are inspired by the works of Dave Arneson and Gary Gygax. AS&SH was released in 2012 as a boxed set. In 2013, it was nominated for several ENnie awards (Best Game, Best Production Values, Product of the Year), and in 2017 it will be rereleased in Second Edition hardback format.

Why did you create a game specific to the flavor of these writers and these genres? Did this grow out of what they call a “homebrew” game? If so, please tell us about that game and exactly how it resulted in AS&SH?

Growing up, I greatly admired fantasy, science fiction, and horror. I started reading genre fiction at a very young age (most notably the Conan paperbacks, The Hobbit, and The Chronicles of Narnia). I also got into comic books and magazines; Savage Sword of Conan and The Mighty Thor were my favorites. I also devoured sword-and-sorcery themed cartoons and films. I never missed an episode of Thundarr the Barbarian, and films like Conan the Barbarian, The Beastmaster, Hawk the Slayer, and Krull really captured my imagination in those halcyon days. I loved Tolkien, and read Lord of the Rings in the sixth grade, but for me it was always the grittier, more personal tales that I’ve loved most: Conan, Kull, Solomon Kane, Elric, Hawkmoon, Corum, Tarzan, John Carter, Carson Napier, Doc Savage, Gray Mouser, etc.

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The Limits of Wargaming #1: Morale, Untried Doctrine and Friction

The Limits of Wargaming #1: Morale, Untried Doctrine and Friction

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A lot of pre-modern battles do just come down to morale.

One warm French afternoon in AD 1176, William the Marshal and the Young King found themselves without their comrades on the main street of the little village of Anet. At the other end stood a local knight, intent on capturing them, plus infantry archers and spearmen.

“What shall we do?” asked the Young King (Henry, heir to the throne of England, who I always imagined played by Rick Mayall at his brattiest).

“Charge them by God!” said the Marshal (I tend to cast Russel Crowe).

And so they did.

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Modular: Castles & Crusades Expands

Modular: Castles & Crusades Expands

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cc-coverTo my shame, the first time I ever caught sight of the Castles & Crusades game I simply walked right past its GenCon booth, wondering why anyone needed another version of Dungeons & Dragons. Pathfinder had launched recently, and D&D 3.5 was still going strong, and I just didn’t see the point. As a matter of fact, not knowing about the mechanical innovations of the system or its connection to Gary Gygax, I assumed C&C was a blatant rip-off.

Man, did I miss the boat. I didn’t know that soon other people would be just as tired as I was of bloated skill lists, feats, and rules for every conceivable situation under the sun. I had no idea I’d soon be wishing for an end to the long skill lists and would be longing for the archetypal “simple” way that old school systems had done it. C&C pretty much predated the entire Old School Renaissance, or at least was out at the forefront when the OSR movement was just getting started.

The old school game movement mostly involves repackaging original D&D systems rather than simply encouraging play from the original versions of D&D because, let’s face it, in a lot of the original D&D books it was hard to find things, there were scads of charts, some of the rules were fairly arbitrary, and some of the classes weren’t all that well balanced. The game was still loads of fun, but you started noticing those things after you played awhile. And, of course, until recently, you couldn’t lay hands on versions of the originals without paying for used copies, sometimes through the nose.

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Modular: Astonishing Swordsmen & Sorcerors of Hyperborea — 2nd Edition!

Modular: Astonishing Swordsmen & Sorcerors of Hyperborea — 2nd Edition!

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astonishing-swordsmen-and-sorcerers-of-hyperborea-smallBack in December of 2012, Black Gate head honcho John O’Neill wrote a glowing post about Astonishing Swordsmen & Sorcerors of Hyperborea (for ease of typing, we’ll go with AS&SH from here on in). AS&SH was created by Jeffrey Talanian, who co-authored Castle Zagyg with Gary Gygax (The Zagyg saga is worthy of a post in itself).

AS&SH came out of Original Dungeons & Dragons (0E), created by Gygax and Dave Arneson. That is the version that my retroclone of choice, Swords & Wizardry, is based on. Talanian cited Robert E. Howard, Clark Ashton Smith and H.P. Lovecraft as his influences. So, we’re talking Pulp: weird pulp!

Fast forward to 2016 and Talanian has launched an already successful Kickstarter for a 2nd Edition of Astonishing Swordsmen & Sorcerors of Hyperboria. As I type this, with 22 days remaining, it is at 318% funding and is tearing through stretch goals like the Cimmerians at Venarium.

The book will be somewhere around five hundred pages and will include a 32” x “40 color map, as well as an introductory adventure. Ian Baggley’s popular art from the 1st Edition will be supplemented with illustrations from about a dozen new artists. If you like this style of art, AS&SH is absolutely worth backing. Check out the new cover!

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