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Adventures in Gaming Discovery: The Games Plus 2020 Spring Auction

Adventures in Gaming Discovery: The Games Plus 2020 Spring Auction

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Spring 2020 Games Plus Auction-small

Yesterday I attended the 2020 Spring Auction at Games Plus in Mount Prospect, Illinois. I exhibited more self control than I usually do, but that’s not saying much. My budget was $700, and after seven hours I reluctantly put away my bidding card, when my purchases finally tipped the scales at $1,000. That’s considerably less than I spent in 2019 or 2018, but it still filled eight boxes, and it took the combined skills of three gaming professionals to Tetris them into my tiny Juke before my satisfied road trip back to St. Charles.

It was good to bring so many great bargains home. But truth to tell, I’d attend the biannual Games Plus auctions even if I couldn’t buy a thing. It’s been said that we live in a Golden Age of board gaming, and it’s almost impossible to keep up with the tsunami of exciting new releases every month. The Games Plus auctions are a fun way to do that — not just to see the panorama of new titles as the auctioneers rattle through hundreds of games every hour, but to experience the sudden surge of interest from the crowd as rare or highly desirable items make their way to the auction block. It’s a crash course in what’s new, what’s hot, and what’s really hot.

The attendees at the Games Plus auctions are a friendly and courteous bunch, quick with gamer humor and rounds of laughter, and in those rare moments when prices shot up past $100, $200, or even $300 for truly hot items, there was always a round of appreciative applause. When I saw two determined collectors engage in a spirited bidding war for a trio of Rogue Trader supplements, and watched the loser drop his card at $155 and then good naturedly join in the applause for the winner, I knew I was in the right crowd.

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Privateer Press’ Warcaster on Kickstarter

Privateer Press’ Warcaster on Kickstarter

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Warcaster_Battlefield

I recently covered some of the new storyline that is coming out for the main product line of Privateer Press, the Iron Kingdoms fantasy setting that is used for their Warmachine and Hordes miniature war games. Part of the impact of that storyline (unrolling through microfiction at the @HengeHoldScroll Twitter feed) is that some denizens from the Iron Kingdoms are escaping, guided by the clockwork god Cyriss, through a portal into another universe.

Fast forward five thousand years, and the Cyriss universe is populated by humans, who have gained dominance over the native Architect and Guardians of the Cyriss galaxy. The overwhelming governmental and military power in the universe is the draconian Iron Star Alliance, who constantly finds themselves in conflict with the independent Marcher Worlds and the shadowy cult-dominated Aeternus Continuum, through a new miniature science fantasy wargame, Warcaster: Neo-Mechanika, now available on Kickstarter and fully backed within just a few hours.

Warmachine has warcasters, as the main leader model in an army, who commands the giant mechanized warjacks, and channels magical focus to empower them. One major difference in Warcaster is that the warcaster isn’t a model on a table, but a distant commander, jacked into a command ship (called a rack) in orbit over the battle. You, in other words, are the warcaster, and you can wield the power of Arcanessence, or Arc, to empower not only the warjacks on the battlefield, but any of the units under your command, through their augmented neo-mechanika armor and weapons.

In other words, in Warcaster you can’t obtain victory by killing one uniquely-important model on the battlefield. And that isn’t the only difference …

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It’s a Dog Eat Dog World in Racoon Tycoon

It’s a Dog Eat Dog World in Racoon Tycoon

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Racoon Tycoon game-small

Different games appeal to me for different reasons. Coriolis and Cold and Dark interest me because I like dark science fiction adventure; I enjoy Starfinder because I like a richly inventive settings. Sometimes, though, it’s a little harder to quantify.

Take Raccoon Tycoon, for example. I’ve wanted to play this game since the instant I laid eyes on it. Why? Who knows! Maybe it’s the evocative and colorful cover scene. Maybe it’s the name. Whatever the case, I ordered this game as soon as I learned it existed at Gen Con this summer, and I’m glad I did.

Raccoon Tycoon is a family game for 2-5 players that simulates an economic boom in the bustling woodland town of Astoria, which is populated by a diverse range of ambitious critters. Players are enterprising investors and business folk ready to cash in on this new era of opportunity, all making money the old-fashioned way: exploiting production of the goods, playing a fluctuating market, and profiting off growth. To aid players with all this imaginative play the game’s creators have commissioned top-notch artwork that brings the various personalities to life in compelling ways. Just have a look at the board and the playing pieces, and see if you can resist the unique charm of this game.

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Future Treasures: Dragon Age: Tevinter Nights edited by Chris Bain, Patrick Weekes, Matthew Goldman, and Christopher Morgan

Future Treasures: Dragon Age: Tevinter Nights edited by Chris Bain, Patrick Weekes, Matthew Goldman, and Christopher Morgan

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Dragon Age Tevinter Nights-smallDragon Age is one of my favorite computer role playing games. It was the 11th title released by legendary Canadian development house Bioware, creator of Baldur’s Gate, Star Wars: Knights of the Old Republic, and Mass Effect.

Dragon Age was a major hit, and was nurtured into a multi-million dollar cross-platform property, with half a dozen novels, a tabletop RPG, comics and graphic novels, action figures, and even an anime film, Dragon Age: Dawn of the Seeker. Properties like that don’t die easily, and even though Dragon Age was released over a decade ago, in 2009, it continues to live on. Two sequels, Dragon Age II and Dragon Age: Inquisition (which Elizabeth Cady reviewed for us here), were released in 2011 and 2014, and a fourth installment, Dragon Age: The Dread Wolf Rises, was announced on December 6, 2018.

There’s plenty of excitement and speculation about that latter release, of course. First, players want to know when it will be released (2022… maybe?), and whether it will directly follow the events of Inquisition. A major clue arrives this month in the form of Dragon Age: Tevinter Nights, a collection of short stories co-edited by Dragon Age 4’s lead writer Patrick Weekes, which — no surprise — has triggered healthy speculation that the Tevinter Imperium will be the setting for the next installment.

We received a review copy last week, and I admit my first question is a little more mundane: how does it hold up as an anthology? Is it a worthy introduction to one of the cornerstones of modern computer role playing, or is strictly for fans only?

I’ll have to dig into it to find out, but on the surface it looks pretty promising. It’s certainly beautifully produced, with a fold out color map of the world of Thedas in the front (see below), and no less than fifteen stories by a Who’s Who of Bioware staff writers, including Sylvia Feketekuty (Lair of the Shadow Broker DLC, Mass Effect 3), John Epler (Narrative Director for the Dragon Age series), Lukas Kristjanson (lead writer of Baldur’s Gate), and Patrick Weekes (Lead Writer for the Dragon Age series).

This is a rare opportunity to sample the writing of the senior creative talents at one of the most successful gaming companies on the planet, the folks who’ve curated some of the most enduring fantasy properties of the last twenty years. As an added bonus, you’ll get clues to the storyline of one of the industry’s big new releases…. and what’s more cool than being in the know ahead of all your friends?

Here’s the publisher’s description for the book.

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Evolution of the Iron Kingdoms

Evolution of the Iron Kingdoms

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The Iron Kingdoms-small

For twenty years, the folks at Privateer Press have been creating games, primarily set in their Iron Kingdoms steampunk fantasy setting. They began with a series of RPG volumes, including an award-winning trilogy of adventures from 2001. These adventures, later collected into The Witchfire Trilogy, was built on the D20 System from Dungeons and Dragons 3E.

Then Privateer Press really came into their own with the introduction of the Warmachine miniature wargame, focusing on armies that control massive metallic warjacks, one of the iconic creatures from their Iron Kingdoms setting.

It was Warmachine that got me into their world, in about 2005. I like heroes, so I went with Cygnar, the faction that is most stereotypically the classical honorable kingdom of knights and warriors. For those who aren’t inclined toward heroism, there was the religious fanatic Protectorate of Menoth and the undead Cryx. And for those in the middle, there was Khador, thematically based on Russia and known for having the most massive, hulking warjacks in the game. And missiles. Lots of missiles. This miniature line expanded, through Hordes, into battles with savage monstrous warbeasts, fully compatible with Warmachine. The Hordes included the blighted Legion, the druidic Circle of Orboros and their werecreatures, the Trollbloods and their giant troll cousins, and the sadistic Skorne.

It was actually my reviews of Privateer Press – both their wargame line and the RPG supplements – that first landed me in the pages of Black Gate, back in Spring of 2007 in Black Gate 10, when Black Gate actually had physical pages.

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A Traveller Whodunnit: Murder on Arcturus Station

A Traveller Whodunnit: Murder on Arcturus Station

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Murder on Arcturus Station-small

Adventure 11: Murder on Arcturus Station
J. Andrew Keith
Game Designer’s Workshop (52 pages, $5.00 digital, 1983)

Murder on Arcturus Station is a classic adventure module published by GDW for the first edition of the popular science fiction role-playing game Traveller. The adventure embroils the players in a murder mystery, and one of the hallmarks of this adventure is the ability to alter the murderer and the means every time it is played.

While the early days of role-playing game adventures did not emphasize making the referee’s (Traveller’s term for dungeon or game master) set up task easy, at least in contemporary terms, Murder on Arcturus Station does require more initial set up, preparation, and involvement by the referee. This is because of the flexibility and replay-ability of the adventure:

Thus, instead of providing many specific events, encounters, or other plot elements, this adventure is largely devoted to the presentation of source material from which the referee must build the specific mystery to be presented.

This should not frighten potential referees though, for this adventure is rich with possibility and a load of fun.

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Every Nation Schemes its Master Stroke: Spies! by SPI

Every Nation Schemes its Master Stroke: Spies! by SPI

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SPI board game Spies 3-small

When I moved to Urbana, Illinois in 1987 to start grad school, I left behind a lively game group in my home town in Ottawa, and I missed it.

Fortunately Urbana has its own thriving gaming community (or at least it did, 30 years ago), and it wasn’t long before I fell in with a group of students who also enjoyed gaming. We traded Amiga games, gathered around lab PCs to play Starflight, and got together on weekends to try more ambitious diversions. One of the highlights for me was SPI’s Spies!, a fascinating and historical game of life-and-death spycraft in the run-up to World War II.

Typical of SPI games of the era, it was both fun to play and educational, and it gave me a newfound appreciation for the complexities of politics in pre-war Europe, and the dangerous games of brinksmanship played out in public and behind the scenes. It also helped bring to life an historical era I didn’t have a whole lot of interest in, and sparked an interest in World War II that has lingered to this day. If you’ve got some friends or family members whom you’d like to interest in 20th Century European history, trust me, this game is the way to do it.

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Reviving the Rich History of Traveller

Reviving the Rich History of Traveller

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Journal of the Travellers' Aid Society-small

Journal of the Travellers’ Aid Society, Volume 1
Various authors
Mongoose Publishing (128 pages, $14.99 digital)

Traveller is a popular science fiction role playing game originally released in 1977 by GDW. To support its community of gamers, GDW published The Journal of the Traveller’s Aid Society (JTAS) from 1979 to 1985. (JTAS saw subsequent revivals for later versions of Traveller.) In 2019, Mongoose Publishing — publishers of two editions of Traveller — Kickstarted a three-volume revision of classic JTAS articles, intended for their second edition rules. Additionally, they would incorporate some new material and also mine some fanzines for articles. They Kickstarter was a success, eventually unlocking six volumes. Volume 1 has been released digitally (hard copy to follow) for sale to non-Kickstarter backers.

Volume I is 128 pages and includes two adventures, two new alien PC races, seven creatures, seven vehicles, two starships, eight articles providing background and fluff, and several items beyond that. The table of contents is organized by article type, making the job of finding those stats for the burst lasers easy.

The meat of this volume is in the eight articles broken into two sections: Charted Space and Travelling. Here, you can learn about a typical Imperial megacorporation, SuSAG; a listing and short description of the emperors of the Third Imperium; a history of the Vilani, the human race responsible for establishing the First Imperium; piracy — whether of the Vargr Corsair nature or what generally works for piracy in the Spinward Marches — an interview with the K’kree ambassador to the Imperium; a tutorial on smuggling; and an overview of the Gazulin starport. The topics covered do not provide new rules (with the minor exception in the smuggling article). Rather, they are intended to provide background and information to add flavor and hooks to your games, along with providing a quick bit of history for the Traveller default setting of the Third Imperium.

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Rely on Your Friends to Escape the Dark Castle

Rely on Your Friends to Escape the Dark Castle

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Escape from the Dark Castle Gen Con-small

Even kids love board games at Gen Con

I’ve been slowly tracking down the board games that caught my eye at Gen Con last summer. (And to do that, they really had to be something. I wandered a gigantic Exhibit Hall filled with hundreds and hundreds of booths, thousands of new games, and tens of thousands of attendees, and it took three full days to do a complete circuit.) There was no time to investigate anything in real detail, so if it looked good I snapped a quick pic and moved on.

For the past few months I’ve been sifting through those photos, and three weeks ago I came across the one above, of one of the glass cases scattered around the exhibit floor. The first thing that caught my eye was the cute kid — he sure looks like he was having fun. But the second thing was the game in the case: Escape the Dark Castle. The custom dice and oversized cards looked interesting, but most intriguing of all was the cover art, reminiscent of the British Fighting Fantasy game books of the early 80s.

It didn’t take long to find out that Escape the Dark Castle was the debut release from Themeborne in the UK. It was funded by a successful Kickstarter campaign in June 2017, and shipped more or less on time in 2018. Themeborne followed up with a second campaign to fund three expansion packs a year later. A little research uncovered some great reviews (at sites like Coop Board Games and Brawlin’ Brothers), but by then I’d already ordered a copy.

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Mystery Surrounds Everything: Return of the Obra Dinn, by Lucas Pope

Mystery Surrounds Everything: Return of the Obra Dinn, by Lucas Pope

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Return of the Obra Dinn-small

What an absolutely stellar game to start off the new year with. Yes, yes, I know it’s two years old, but suffice to say I’m kicking myself for not hitting Play on this one earlier than I did.

The Return of the Obra Dinn, by Lucas Pope.

One of those rare instances of every single aspect of the game coming together in harmonious perfection. The pacing, the writing, the near-wire-frame Zenith ZP-150 retro graphics, the music, the puzzles, the general sense of oddness, and most of all… the truly earnest sense of mystery that surrounds everything.

It being a very well-constructed mystery game, there’s not going to be a lot of replay value, but the modest entry price is more than worth it for the sheer gaming bliss you’ll encounter in that single play through.

The gist of this masterpiece is that you’re an insurance investigator for the East India Company in 1807, charged with the task of assessing the claim involving a derelict trading ship that reappears after five years in the wind… and the insurance settlements for all 60 souls on board.

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