Cover for Universe and Silent Thunder by Joe DeVito
Tor Double #35 is the penultimate volume in the Tor Double series and also the final multi-author offering, originally published in July 1991. A throwback to the early volumes in the series, this volume, although only having a single cover, has embossed title text for the first time since volume #19.
Universewas originally published in Astounding Science Fiction in May 1941. Although not the first generation ship story, Universe is a relatively early example of the subgenre and Heinlein’s first foray into it, although he would return to it in the future, eventually published Universe and its sequel “Common Sense” as the novel Orphans of the Sky.
Cover for Double Meaning and Rule Golden by Wayne Barlow
Originally published in May 1991, Tor Double #34 includes two stories by Damon Knight that had previously appeared together (along with three other stories) in Knight’s 1979 collection Rule Golden and Other Stories, published by Avon. Although listed as Tor Double #34 on the copyright page, this volume was published the month before Tor Double #33, which was discussed last week.
Double Meaningwas originally published in Startling Stories in January 1953. It was reprinted as one half of an Ace Double in 1965, appearing with the Damon Knight collection Off Center. When reprinted as an Ace Double, it was retitled The Rithian Terror. Over the years, it has been reprinted using both titles.
Knight tells the story of Thorne Spangler, an investigator for the intergalactic human empire. Based on Earth in the mid-twenty-sixth century, he is given the task of finding an enemy Rithian who has managed to make it to the home planet. The Rithians are an alien race who can disguise themselves as humans. A group of either were known to have landed on Earth, seven of whom have been killed, but the final one has gone missing.
Double Meaning is a buddy story, of sorts. Spangler is paired up with Jawj Pembun, an investigator from one of the human colonies who has more experience dealing with the Rithians than anybody on Earth. Spangler views Pembun as a hick and an amateur who refuses to investigate following protocol, instead going off on tangents and jumping to conclusions. The fact that Pembun is quickly proven right in most cases, only makes it harder for Spangler to accept the man or his methods. …
As we move into the final month of reviews, there is a significant change in the format of the Tor Doubles. The series began with the proto-Tor Double of Keith Laumer’s The House in November and The Other Sky, but every volume since then has contained stories by two different authors. However, three of the four final published volumes are single author books. This week looks at a volume with two stories by Mike Resnick, next week will be two stories by Damon Knight, and in three weeks, the final published volume contained two stories by Fritz Leiber. This volume was originally published in June 1991, which sharp eyed readers will note skips a month from last week’s volume. That is because Tor Doubles #33 and 34 were published in reverse numerical order, with this one published after the next one.
Bwanawas an originally published in Isaac Asimov’s Science Fiction Magazine in January 1990. Between 1988 and 1996, Resnick wrote ten connected stories about the utopian planetoid Kirinyaga, eight of which earned him Hugo nominations, including two winners. Describing the entire series as a “Fable of Utopia,” each story followed a similar pattern.
Mother of Storms (Tor Books, July 1994). Cover by Bob Eggleton
One of science fiction’s subgenres is that novel that emulates the style of bestsellers — bestsellers as they were before the fantastic genres became a big part of the cultural mainstream. Michael Crichton, for one, specialized in this type of writing, from The Andromeda Strain to Jurassic Park; but other writers take it up from time to time: Larry Niven and Jerry Pournelle in Lucifer’s Hammer, David Brin in Earth, and much more recently Andy Weir in The Martian and Harry Turtledove in Supervolcano.
Some markers are common in this sort of book: reduced use of expository passages, a more demotic prose style, a near future setting that’s easy to imagine, multiple viewpoints and a large cast of characters — and despite this, a much reduced presence of characters who have a detached, scientific view of the world. John Barnes’s Mother of Storms is a classic example of that kind of science fiction.
Mistress of Bees (Dragonwell Publishing, September 23, 2025)
Judge not a book by its cover, lest ye be judged. Possibly F. Nietzsche said this. More likely, he didn’t. But he should have, and in particular, he should have said it about the highly entertaining Mistress of Bees, from Dragonwell Publishing, and authored by Bernie Mojzes. I mention this because, based on the cover art, I didn’t know what to expect, but I am pleased to report that what’s hiding inside is exactly what a good many Black Gatereaders are looking for.
Mistress of Bees features a successful blend of socially relevant High Fantasy and streetwise Sword & Sorcery, all nicely leavened with a sly sense of humor. Revolution with a Les Mis flair waits in the wings, and when it comes – as it does more than once – the ruling aristocracy gives way to plucky, upstart attempts at democracy, cheered on (always) by our hero, Maris Goselin.
Cover for Run for the Stars and Echoes of Thunder by Barclay Shaw
Tor Double number #32 was originally published in April 1991 and includes Echoes of Thunder, an original story, in this form, for the Tor Double line, which, as with the Popkes story a couple volumes earlier, has not been reprinted in this form. This is Dann and Haldeman’s only appearance in the series. It also includes Harlan Ellison’s only appearance in the series.
Run for the Starswas originally published in Science FictionAdventures in June 1957. Ellison has noted this as the author’s preferred edition of the story.
Benno Tallant is a drug addict on war torn Deald’s World. While ransacking the corpse of a grocer for money with which to buy drugs, he is taken prisoner by three men who need his assistance in their attempt to keep Earth safe from invasion of the alien Kyban, whose fleet is preparing to destroy the human outpost on Deald’s World.
I never really fully understood what Thomas Pynchon’s Gravity Rainbow was about. Much like everyone else. As one critic put it,
I doubt that anyone could account for everything going on in Gravity’s Rainbow, even Pynchon himself, although I suppose he has an edge on the rest of us.
I sort of knew it had something to do with V-2 rocketry and associated penis imagery, fascism and political satire, conspiracies and paranoia, alt-history, combined in a hodgepodge of puns, jokes, silly song lyrics, and linguistic puzzles spread amongst loosely connected absurdist plot lines. And that is sometimes characterized as the
Great American Novel, like Moby-Dick. Unlike Melville’s readers, though, Pynchon’s readers can go for pages at a time without one clue as to what is going on with the plot, setting, or characters.
Which I think is the point. To not know what is going on. Because that’s the way life is; no controlling narrative, but rather a series of random occurrences that nonetheless shape the impenetrable human condition.
The Children of Llyr (Ballantine Adult Fantasy #33, August 1971). Cover by David Johnston
This latest entry in my series of essays about mostly obscure SF and Fantasy from the ’70s and ’80s looks at a novel published in one of the most celebrated publishing series of the early ’70s. This was the Ballantine Adult Fantasy series, which ran from 1969 to 1974, under the editorship of Betty Ballantine, with the assistance of “Editorial Consultant” Lin Carter.
I’ve discussed Carter’s work before, and I subscribe to the more or less standard view that he was not a very good writer of fiction, but that his contributions to the field as an editor (or “consultant”) were tremendous. And nowhere more so than in this series of books — though Ballantine’s oversight was also important.
The first volume was The Blue Star, by Fletcher Pratt, a reprint of a 1952 novel. The final official Ballantine Adult Fantasy publication was #65, Over the Hills and Far Away, by Lord Dunsany.
Cover for The Alien Way and Naked to the Stars by Brian Waugh
Tor Double #31 was originally published in April 1991. The proto-Tor Double, which included two stories by Keith Laumer, was the only volume up to this point to include content from a single author. This volume, with two stories by Gordon R. Dickson, is the first official Tor Double to include content from only one author. However, of the remaining five Tor Doubles, four of them would prove to be single author collections.
Naked to the Stars was an originally serialized in F&SF in October and November 1961. Although the story begins as a fairly typical piece of military science fiction, Dickson takes it into a different direction, which makes the story stand out.
The Solomon Kane Companion by Fred Blosser (Pulp Hero Press, June 17, 2025)
If you’re familiar with Robert E. Howard Fandom, you already know who Fred Blosser is. I first encountered his work back in the early 1970s, when he was writing articles and reviews for Marvel Comics’ Savage Sword of Conan magazine.
For SSoC, Blosser authored well-researched articles about topics such as the Picts in Howard’s fiction, REH Fanzines, Howard’s Kozaks, and a history of Howard’s puritan adventurer, Solomon Kane.
Now Blosser has taken that last one much farther, producing a book called The Solomon Kane Companion, published by Pulp Hero Press, who kindly sent me a review copy. As I mentioned, Kane is a puritan, and his adventures take place in the Elizabethan era. He was created by Robert E. Howard while Howard was still in high school, and his first published appearance was in the August 1928 issue of Weird Tales, in the story “Red Shadows.”
