Cover for The Graveyard Heart and Elegy for Angels and Dogs by Bob Eggleton
Originally published in December 1990, Tor Double #28 contains the fourth story (but third headlining story) by Kim Stanley Robinson, who first appeared in Tor Double #1, and the second, and final story by Jack Vance.
The Dragon Masterswas originally published in Galaxy in August 1962. It was previously published as part of an Ace Double (with Vance’s The Five Gold Bands) by Ace Books in 1963. It won the Hugo Award and the Seiun Award.
Cover for The Graveyard Heart and Elegy for Angels and Dogs by Bob Eggleton
Originally published in November 1990. In addition to the stories, Orson Scott Card provided two essays entitled “Foreword: How Lloyd Biggle, Jr., Changed My Life, Part I (The Tunesmith)” and “Afterword: How Lloyd Biggle, Jr., Changed My Life, Part II (The Tunesmith),” both original to this volume.
The Tunesmith was originally published in Worlds of If in August 1957. Erlin Bacue is a composer in a world which has turned a deaf ear to traditional music. The only music that is composed are Coms, short for commercials. What sets Baque apart from his fellow composers is that, while he makes use of the multichord for his compositions, he does all his composing himself, unlike most other composers who make heavy use of what we would now recognize as artificial intelligence. This hive his Coms a depth that others don’t have, but it also means that he takes longer to compose his Coms than other composers do.
Torchship by Karl K. Gallagher (Kelt Haven Press, December 9, 2015). Cover by Stephanie G. Folse
In the introduction to his first collection of short fiction, Unmitigated Acts (the title comes from Rudyard Kipling’s poem “The Female of the Species”), Karl Gallagher reflects on the history of the series: “I have a fondness for ‘rag tag crew on ramshackle ship’ stories” (p. 5). His first book, Torchship, published in 2015, is exactly that kind of story. Its setting is a nostalgic one: A starship, the Fives Full, navigated with paper charts and slide rules, like something from a Heinlein juvenile!
But there’s more to this than nostalgia. Gallagher’s interstellar future has a history, one in which artificial intelligence has come to be seen as an existential threat. How to deal with this threat is a central political issue that drives much of the plot. It’s more or less in the background in this first volume; in the sequels (Torchship Pilot and Torchship Captain), the entire plot emerges from it.
Rouge by Mona Awad (Simon & Schuster, August 1, 2024). Cover uncredited
Red footwear is a powerful metaphor in folklore and fantasy. Dorothy clicked her red slippers to go home. (Yeah, I know, the slippers were silver in the Baum book, and only became red as a better fit with new Technicolor filming, but stay with me here.)
Let’s go back to the Hans Christian Andersen fairy tale The Red Shoes in which Karen is given a pair of red shoes as (it turns out) an inappropriate confirmation present; the shoes stay stuck to her feet and force her to dance incessantly to the point where the only remedy is to cut off her feet. The story forms the basis of the British film, also called The Red Shoes, in which a ballerina dancing in red shoes commits suicide. The film inspired the Kate Bush song (you guessed it) The Red Shoes.
Cover for Fugue State by Wayne Barlowe Cover for The Death of Doctor Island by Ron Walotsky
Tor Double #26, originally published in October 1990, contains the fifth and final story by Robert Silverberg. It also contains the second of three stories by John Varley.
Hawksbill Station was originally published in Galaxy in August, 1967. It was nominated for the Hugo Award and the Nebula Award. Set in the Cambrian period, before land animals or plants have evolved, it focuses on the titular prison, sent back in time from the twenty-first century to house political dissidents.
The Essential Horror of Joe R. Lansdale (Tachyon Publications, October 7, 2025). Cover artist uncredited
Lansdale is the well known, prolific author both of mysteries (Hap and Leonard series) and of famous horror stories, which made him the recipient of multiple Bram Stoker awards.
The present collection does not include new stories but assembles a bunch of his best horror tales, making the book a real treat for horror fan. His narrative output is so huge that even a confirmed horror lover like myself has found here a few tales I was not familiar with.
Cover for Fugue State by Wayne Barlowe Cover for The Death of Doctor Island by Ron Walotsky
Tor Double #25 was originally published in September 1990 and collects Gene Wolfe’s The Death of Doctor Island and an expanded version of John M. Ford’s Fugue State. Both stories have settings which question the nature of reality, although in very different ways.
The Death of Doctor Island was originally published in Universe 3, edited by Terry Carr and published by Random House in October, 1973. It was nominated for the Hugo Award and the Nebula Award, winning the latter. It also won the Locus poll.
Wolfe’s story focuses on Nicholas de Vore, who rescues himself from a sandy pit to discover he is living on a nearly deserted island. He eventually learns that there are two other people living on the island, Ignacio, an older man who attacks Nick upon first meeting him, and Diana Phillips, a young woman who provides him with advice and assistance in surviving on the island. The most important “person” he meets, however, is the disembodied voice of “Doctor Island,” who is Nicky’s primary source of communication on the island.
Cover for The Graveyard Heart and Elegy for Angels and Dogs by Bob Eggleton
Tor Double #24 was originally published in August 1990 and is the final volume in the series which compiled a classic story along with a sequel (or prequel) written by another author. Walter Jon Williams used the world Zelazny created with an overlap of only a few characters to expand Zelazny’s story. Not original to the Tor Doubles series, Elegy for Angels and Dogs was originally published in Asimov’s Science Fiction Magazine 26 years after The Graveyard Heart appeared.
The Graveyard Heart was originally published in Fantastic Stories of the Imagination in March, 1964. Opening at New Year’s Eve 2000, Zelazny offers a decadent society of the Set, who live to attend flamboyant parties and be seen, going into cryosleep between the parties to prolong their lives. Alvin Moore has managed to get an invitation to the “Party of Parties,” where he promptly falls in love with Leota, one of the Set.
Since the Set only come out of hibernation every few years to attend elaborate parties, there can be no relationship between Moore and Leota. Unable to accept this, Moore decides he must be admitted to the Set and goes about figuring out how to improve his chances of achieving his goal.
Cover for Riding the Torch by Wayne Barlowe Cover for Tin Soldier by Ron Walotsky
Both stories published in this volume originally appeared in 1974, with Joan D. Vinge’s Tin Soldierappearing in April and Norman Spinrad’s Riding the Torch appearing four months later.
Tin Soldier was originally published in Orbit 14, edited by Damon Knight and published by Harper and Row. The story was also Vinge’s debut story.
Among Vinge’s best known works is her Hugo and Locus Award winning novel The Snow Queen, which was also nominated for the Nebula, the Ditmar, and the coveted Balrog. That novel took its inspiration from the fairy tales of Hans Christian Andersen. Vinge’s first story, The Tin Soldier, looks to the same source, taking its title from Andersen’s “The Steadfast Tin Soldier,” a fact referenced in the story.
The Great Eastern by Howard A. Rodman (Melville House, June 4, 2019). Cover artist unknown
Pop quiz. What do Captain Ahab, Captain Nemo, and Isambard Kingdom Brunel share in common? Okay, if you don’t know the first two, you have no business reading anything here at Black Gate. But you are forgiven if you haven’t a clue as to Brunel. I know I didn’t until I read Howard A. Rodman’s wonderfully inventive novel, The Great Eastern.
Let’s look first at the main difference. Captain Ahab and Nemo are fictional. Brunel was a real person, and not just any person, but a renowned 19th century engineer who not only worked on Britain’s the Great Western Railway and Clifton Suspension Bridge, but also designed a series of of steamships called the Great Britain, the Great Western, and the Great Eastern.
