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A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part I

A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part I

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A (Black) Gat in the Hand was primarily about hardboiled Pulp stuff when it began, because that’s what I mostly what I was interested in, and knew about. And I was the one writing it. But over our six year run here, I’ve gotten some friends to help me out. Some wrote about hardboiled, but others have filled in the Pulp gap with interesting essays on other areas. I’m really pleased that the scope has been expanded. And the next few weks, we’re gonna explore the Western genre (Duane Spurlock started us off with a 2019 essay on one of my favorites – T T Flynn).

I’ve gotten to know a bunch of neat folks through my love of Robert E. Howard. And I met fellow REH Foundation Award winner John Bullard at the 2022 Howard Days. We have several common interest areas. One is Robert E. Howard. One is NOT Howard’s Breckenridge Elkins (though we both like Sailor Steve Costigan). John joins A (Black) Gat with a deep dive into Howard’s successful character. Next week he’ll be back for a look into Howard’s other humorous Western characters. 

Rough and Ready Clowns of the West: Robert E. Howard’s Humorous Western Characters, Part I

Since Bob invited me to contribute something on Robert E. Howard and his voluminous writings for his continuing A (Black) Gat in the Hand series, I thought I would write on Howard’s humorous pulp Western characters. They are not particular favorites of Bob’s (shocking!), so he probably won’t be writing about them for this series any time too soon. Also, this summer is the 90th anniversary of the creation of Breckinridge Elkins, one of Howard’s best-selling characters during his life. Because Elkins was such a success, Howard created three more humorous Western characters using Elkins as a starting point: Bearfield Elston, Buckner J. Grimes, and Pike Bearfield. That should be enough reasons for a look at Howard’s rough and ready clowns of the West.

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A (Black) Gat in the Hand – The ‘Lost’ Mike & Trixie Intro

A (Black) Gat in the Hand – The ‘Lost’ Mike & Trixie Intro

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

So… I agreed to write an introduction for The Complete Cases of Mike & Trixie: Volume One, from Steeger Books. That intro is below. It is not, however, in that particular book, as I missed the deadline in epic Douglas Adams fashion. It was entirely my fault, and I’m fortunate that Steeger didn’t drop me entirely. Since this essay has just been sitting around taking up space on my hard drive, I decided to run it in A (Black) Gat. It’s pretty self-explanatory and covers the first four stories in the series. I like T.T. Flynn, and maybe I could write an intro for Volume Two…

Most pulpsters earned less than a penny a word, with the legendary Black Mask offering a princely three cents! So it comes as no surprise that not only did writers produce at great volume, – some, like Erle Stanley Gardner, could crank out over one million words a year – but they also wrote for multiple magazines in different genres. Robert E. Howard, best known for Conan (Hollywood added ‘the Barbarian’), wrote boxing yarns, Westerns, spicy adventures, horror, historicals, and even mysteries; submitting stories to almost anyone who would pay, it seems. Like his contemporaries, he was just trying to make a living as a pulpster.

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A (Black) Gat in the Hand: Evan Lewis on Cleve Adams – Black Knight, Cannibal and Forgotten Man

A (Black) Gat in the Hand: Evan Lewis on Cleve Adams – Black Knight, Cannibal and Forgotten Man

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

If you read Pulp, you know who Evan Lewis is. He’s an MLB MVP while I’m AAA on a good day. Hardboiled, Adventure, Doc Savage, Dick Tracy, Davy Crockett, Nero Wolfe – the guy knows it all. He and I message about our like interests, and I conned – I mean, convinced – him to join in the Black (Gat) parade, this year.  I know a little about Cleve Adams, but not nearly enough to write about the once popular but now mostly forgotten pulpster.

 

Chapter 1

OBSCURITY

Cleve F. Adams is the forgotten man among hardboiled pulp writers. Though he produced well over a hundred stories and more than a dozen novels, almost every word is now out of print.

Adams was an anomaly in that his characters were genuinely hardboiled, while his style was not. His detectives were sometimes harder and more brutal than their contemporaries, but remained likable due to his easy-going whimsical style. This blend of violence and humor made him one of the relatively few hardboiled pulp writers to successfully move his magazine characters into hardcover.

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A (Black) Gat in the Hand: Ten Pulp Things I Think I Think (August 2023)

A (Black) Gat in the Hand: Ten Pulp Things I Think I Think (August 2023)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Ten Things I Think I Think has become an occasional feature in my column here. I’m always up to my elbows in various reading, writing, gaming, TV/streaming, radio plays, and audiobooks.

So it’s probably no surprise I like the idea of picking one of those areas, and sharing my sorta-random thoughts on things. Similar to my What I’ve Been Watching/Reading posts. Because I like to use my column here at Black Gate to share things I like with folks, I’m usually pretty positive. But in talking about ten different topics, I’m bound to hit on some things I’m not as crazy about. So be it.

I wrapped up our Talking Tolkien series with a Tolkien-centric version a few weeks ago. It was fun. So, I figured why not do one for A (Black) Gat in the Hand as we get up to full steam.

Not making the list are recent items such as I re-watched a couple episodes of Powers Boothe’s Philip Marlowe series. It’s still really good. I also watched a few of Stacy Keach’s second-run as Mike Hammer. Those shows are my favorite version of Hammer, but  one or two at a time is enough. They seem a little cheesy – they didn’t age particularly well. But still fun to watch. Keach is my picture of Hammer.

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A (Black) Gat in Hand – Hammett & Zigzags of Treachery (My Intro)

A (Black) Gat in Hand – Hammett & Zigzags of Treachery (My Intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I went to Pittsburgh’s Pulp Fest 2023, weekend before last. It was a fun time, with lots of cool chatting. I’ve got some pics and I’ll try to do a post next week. Steeger Books awlays rolls out their Summer releases at Pulp Fest. Volume Two of Rex Sackler (D. L. Champion) is out. I wrote about Sackler here – those stories are SO much fun! And the first Bill Lennox (W. T. Ballard) book is out. Lennox was one of my first essays for this series, and I’m a huge fan.

I’m biased, but I was most excited about the first volume of The Continental Op. I wrote the intro for Zigzags of Treachery, and I’m kicking off the new run with it. If you like it, maybe check out the book. The Continental Op is one of the best private eyes in the genre.

It’s got a terrific cover from Henry C. Murphy. Murphy – who died of cancer at only age 45 – drew the well-known image of Sam Spade used for the first installment of The Maltese Falcon. So, here’s my intro. I’m pretty pleased with it.

Black Mask. Dashiell Hammett. Joseph ‘Cap’ Shaw. Those three names are inextricably linked together as the bedrock of the hardboiled school of mystery fiction. The October 1, 1923, issue of Black Mask included “Arson Plus,” the first story featuring a nameless detective known as The Continental Op.

Earlier that May, Carroll John Daly’s Three Gun Terry Mack had become the first hardboiled dick, and he was followed a month later by Race Williams. The immensely popular Williams was the prototypical gun-slinging Western cowboy who solved every problem with hot lead, but now wearing a suit and transplanted to the urban setting of city streets. Written in heavy-handed, over-the-top prose, Williams relied on guns and massive amounts of testosterone, leaving the city littered with corpses.

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GW Thomas on Interplanetary Graveyards, Cemetery Worlds, and Junkyard Planets

GW Thomas on Interplanetary Graveyards, Cemetery Worlds, and Junkyard Planets

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Art by Chris Foss

GW Thomas’s Dark Worlds is one of the better blogs out there, at least for fans of classic SF, comics and pulps. In just the last few weeks he’s discussed Sword & Sorcery at Warren (Part 10: 1980), Bronze Age DC Werewolves (Parts 1, 2, and 3) and Golden Age Plant Monsters.

No one else is doing scholarship on plant monsters, and Thomas clearly deserves an award for that alone. But my favorite recent piece was his 2-part article on interplanetary graveyards, cemetery worlds, and junkyard planets in comics and pulps.

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A (Black) Gat in the Hand: Will Murray and The Diamond Wager Caper – Not Dashiell Hammett?

A (Black) Gat in the Hand: Will Murray and The Diamond Wager Caper – Not Dashiell Hammett?

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A (Black) Gat in the Hand makes its first-ever Friday appearance as Will Murray takes us down some Mean Streets never explored before. And he’s gonna need a blackjack and a roscoe in hand for this one. I’m not gonna spill the beans about Dashiell Hammett’s “The Diamond Wager”, but you’re definitely going to want to read on to find out the real truth behind that story. Take it away, Will!

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Recently, friend and fellow researcher Evan Lewis posted on Facebook the text of a story that first appeared in the October 19, 1929 issue of Detective Fiction Weekly entitled “The Diamond Wager.“ This was featured in a blogpost he originally posted in June, 2013.

The story ran under the byline of Samuel Dashiell. According to Evan, it is widely believed to be the work of Samuel Dashiell Hammett, and constitutes Hammett’s only contribution to Detective Fiction Weekly.

“The Diamond Wager” is a 7,600 word yarn of a gentleman thief set in Paris. For a tale purportedly written by the author of The Maltese Falcon, it’s underwhelming. Opinions on the story’s worth do not vary much. When compared to Hammett’s oeuvre, it’s an oddball outlier, a tongue-in-cheek relic of the Golden Age of mystery stories.

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A (Black) Gat in the Hand: Back Down those Mean Streets in 2023

A (Black) Gat in the Hand: Back Down those Mean Streets in 2023

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Talking Tolkien takes a one-week break, as we are into summer – though Ohio’s pleasantly cool weather might belie that. And since 2018, summer Mondays at Black Gate mean it’s pulp time with A (Black) Gat in the Hand.

Talking Tolkien has pushed the start back later than usual, but I’ve been doing pulp reading and writing to gear up for another great run. I have two introductions over at Steeger Press, ready to come out before the end of the year (I hope). I’ll post both here at book release time.

Talking Tolkien will be back next week, but I want A (Black) Gat in the Hand to make a June appearance again this year – we’re almost at 100 essays in the series! Not bad for an award-winning fantasy and sci-fi site. With me, expect the unexpected (to paraphrase from a Monk episode).

CASS BLUE

I’d not read any John Lawrence, but I picked up Steeger’s first ebook of Cass Blue. The second (and final) volume is in the works. These are different. The settings for the first three of four are more Agatha Christie than the mean streets of Chandler. A country estate with a seance, or  mansion on a secluded island.

The tone and plot are more weird menace than typical hardboiled, while Blue himself plays rough. The fourth story is a serial killer hunt in the city, that is a mix of weird menace and robbery heist.

I liked, but didn’t love, these. They are definitely a change of pace, which is nice. I will be checking out his Marquis of Broadway stories. They seem to be about a police squad who are brutal thugs, in NYC’s theater district.

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A Burroughs Bonanza Estate Sale Recovery

A Burroughs Bonanza Estate Sale Recovery

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Some of the September 22 estate sale finds made by Deb Fulton

Deb’s Part of the Story

I almost skipped this estate sale, which was held on September 22, 2022. The meat of the description posted online was model railroad items, with a side dish of old radios and parts. The few pictures that showed books were not particularly encouraging. Typical of estate sale companies, there was not enough detail in the pictures to read the title or author on the spines or covers of the few books shown.

Atypical of estate sale companies, the description had a little detail — it mentioned Tarzan books and “other books” from the ‘20s/’30s. But what I saw smacked of reprint editions, and that was not exciting enough for a fifty minute drive (each way). A brief consultation with Doug confirmed my view.

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Reading the Avon Fantasy Reader — Issue 1: What Defines a Classic?

Reading the Avon Fantasy Reader — Issue 1: What Defines a Classic?

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Avon Fantasy Reader #1 (Avon Books, February 1947). Cover artist unknown

On the occasion of this year’s Windy City Pulp and Paper Convention — my fifth — I resolved to learn from past mistakes and come armed with a specific list of items needed to plug holes in my considerable collection of science fiction and fantasy paperbacks and pulps. This year, I came looking to complete my set of all 18 volumes of Donald A. Wollheim’s Avon Fantasy Reader, a digest magazine I’d poked at before due to its propensity to publish works by Clark Ashton Smith, a writer who never disappoints. The convention coughed up all but two of my missing issues, but crucially provided the first volume in the series, which I had never before seen in person. I snagged it immediately, of course, and began reading it that day.

The Avon Fantasy Reader ran 18 issues, from February 1947 to March 1952. Originally intended as a quarterly, it usually managed three issues per year. Wollheim’s introduction to the first volume promises tales of fantasy and imagination about “those strange forces which exist just beyond the boundaries of knowledge.” He further touts a roster of authors that represented “a sure guarantee of the best stories of their kind available.”

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