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Category: Pulp

A (Black) Gat in the Hand: Spicy Adventures from Robert E. Howard

A (Black) Gat in the Hand: Spicy Adventures from Robert E. Howard

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last week, we followed Robert E. Howard out of our usual mean streets, and into the Shudder Pulps. Well, Two-Gun Bob is our tour guide again this week, as we wander into Spicy Adventures territory. I’m kinda liking this REH theme, and I’ll see if I can’t follow up with a story from the boxing pulps, and maybe an Oriental adventure (which is not what we think of from that title, today).

In the early Pulp days, girlie magazines were known as ‘smooshes.’ The Great Depression hit them hard – just as with all the other pulps. And, they were under attack from civic and morality groups, as well.

In April of 1934, pulp publisher Harry Donenfeld, with editor Frank Armer (Donenfeld had previously bought out that struggling publisher, then hired him) created the Spicy Pulp formula with Spicy Detective Stories. Under the Culture Publications masthead, it took the type of hardboiled crime stories in popular pulps like Black Mask, and Dime Detective, and added in the racy elements of the smoosh mags. Picture Sam Spade leaving no doubt that he bedded a scantily-clad Brigid O’Shaughnessyy in his apartment.

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A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My area of expertise is the hardboiled/Pi genre. But today, we’ll jump over to the ‘shudder pulps.’ In 1933, Popular Publications (Harry Steeger) switched the ailing Dime Mystery over to a new, weird menace format. This started a short fun of success for that pulp sub-genre. Popular jumped in with both feet, shortly after launching Terror Tales, and then Horror Stories. As the tone shifted from weird, eerie, menacing elements to torture, depravity and sadism, a public outcry arose against these shudder pulps and the sub-genre died in the early forties.

Robert E. Howard, always looking for new markets, succeeded in placing “Black Talons” in the December, 1933 issue of Strange Detective Stories. “Fangs of Gold” (a Steve Harrison tale) followed there in February of 1934. Another Harrison story, “The Tomb’s Secret, was in that same February issue, under the pseudonym, Patrick Ervin.

Assuming he was actually getting paid (something that happened with irregularity from Weird Tales), this was a good market for Howard. “Dead Man’s Doom,” the next Harrison story, was slated for the March, 1934 issue. And then, the magazine folded. The story wouldn’t see print until 1978 as “Lord of the Dead” in the Sukll-Face paperback.

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A Lush Visual History of Science Fiction: Futures Past by Jim Emerson

A Lush Visual History of Science Fiction: Futures Past by Jim Emerson

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The first two issues of Futures Past, a Visual History of Science Fiction, edited and published by Jim Emerson

Way back in the 90s, before most of you young whippersnappers were born, Jim Emerson had a very fine fanzine called Futures Past, covering the birth of modern science fiction. He published four issues, each covering one year of SF history, from 1926-29.

In 2014 Jim resurrected his fondly-remembered zine as a 64-page digital magazine, with gorgeous full-color pages. The first issue covered 1926, the year Hugo Gernsback founded Amazing Stories. Futures Past Vol. 1 illuminated the Birth of Modern Science Fiction, covering all the highlights of science fiction publishing in magazines and books.

A Kickstarter intended to fund full-color print versions of the new version in 2014 wasn’t successful. Undaunted, Jim funded the project himself, and earlier this year I was surprised and very pleased to receive a print copy of Futures Past, Volume 2 in the mail. Covering the year 1927 and the Dawn of the SF Blockbuster, this 144-page publication is a love letter to a forgotten era, when a brand new literary genre was being born in the pages of pulp magazines, books, and on the silver screen.

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Vintage Treasures: Planets Three by Frederik Pohl

Vintage Treasures: Planets Three by Frederik Pohl

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Planets Three by Frederik Pohl (Berkley Books, 1982). Cover by Gregg Hinlicky

I admire Frederik Pohl. He had a nearly 75-year career in science fiction, from the early stories he published as a young teen in the 1930s all the way to the Hugo Award he won in 2010 for his superb early blog, The Way the Future Blogs, at the age of 90. He was an astute and prolific fan writer, an agent, and a legendary editor, winning three successive Hugos for Best Editor for his work at IF magazine in the 60s.

His first love was writing, of course, and it’s not hard to sense some frustration at his mid-career lack of success, especially as he watched his fellow Futurians and friends enjoy stellar careers, including Isaac Asimov, Donald Wollheim, Damon Knight, Cyril Kornbluth, and many others. Asimov, whom Pohl had known since they were both teenage fans in Brooklyn, had such name-brand recognition that virtually everything he’d written was still in print in the 70s and 80s — certainly not the case for Pohl, whose early output languished in obscurity in moldering pulp magazines.

Then came Gateway.

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Vintage Treasures: The Gods of Bal-Sagoth by Robert E. Howard

Vintage Treasures: The Gods of Bal-Sagoth by Robert E. Howard

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The Gods of Bal-Sagoth (Ace, 1979). Cover by Sanjulian

I didn’t discover Robert E. Howard through Conan. In fact, it was decades after I started reading fantasy before I read my first Conan story (“The Tower of the Elephant,” for the record.)

No, it was Howard’s rich fiction collections from Ace Books in the late 70s and early 80s that really introduced me to the master of 20th Century sword & sorcery. They were filled with enthralling tales of blood-stained history, dark adventure, and unexpected horror, like “Worms of the Earth,” “Pigeons From Hell,” and “The Gods of Bal-Sagoth.”

And those gorgeous Sanjulian covers!

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B is for Bradbury

B is for Bradbury

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R is for Rocket (Bantam, 1965, cover by Paul Lehr), The Golden Apples of the Sun
(Bantam, 1970, cover by Dean Ellis), Long After Midnight (Bantam, 1978, cover by Ian Miller)

June 5, 2022 marks the 10th anniversary of the death of Ray Bradbury, one of the greatest speculative fiction writers of all time. It’s fair to say that no author has positively affected my path into reading, and subsequently writing, to the extent that he did. Through this four-part series, I hope to convey some of the joy and wonder that Bradbury instilled in me and so many others, by revisiting a selection of his short stories that have continued to resonate with me throughout the years. Disclaimer: I don’t profess that my selection are his greatest tales, no matter what your definition of the term, but they hold a special place in my pantheon of stories, and I hope they will be worthy of your time.

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Take Me Home! A Princess of Mars by Edgar Rice Burroughs

Take Me Home! A Princess of Mars by Edgar Rice Burroughs

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I opened my eyes upon a strange and weird landscape. I knew that I was on Mars; not once did I question either my sanity or my wakefulness. I was not asleep, no need for pinching here; my inner consciousness told me as plainly that I was upon Mars as your conscious mind tells you that you are upon Earth. You do not question the fact; neither did I.

So reacts John Carter, ex-cavalryman of the Army of Northern Virginia, when he transmigrates to the red planet in A Princess of Mars (1917). Chased by torture-minded Apaches, Carter secrets himself in a cave. By unknown means, he finds his spirit severed from his body and transported to Mars.

On Mars, a dying, barren world littered with the ruins of millennia-gone civilizations, he finds his great love and becomes the greatest hero that Barsoom, as its inhabitants call Mars, has ever known. Along that path to glory, thousands of miles are traveled and thousands of foes slain. A Princess of Mars is pure escapist fantasy, where the protagonist, standing in for the increasingly civilized American man Burroughs was writing for, fights and defeats all foes, outwits every enemy, and wins the hand of the most beautiful woman in the world. To some, that might sound juvenile, but they are wrong. A Princess of Mars is absolutely deserving of the mind-blowingly pulpy cover illustrations of Frank Frazetta.

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Random Reviews: “Blue Haze on Pluto” by Raymond Z. Gallun

Random Reviews: “Blue Haze on Pluto” by Raymond Z. Gallun

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On February 18, 1930, Clyde W. Tombaugh, a 24-year old astronomer, noticed a miniscule dot that flickered when he ran two astronomical slides through a device known as a blink comparator.  Tombaugh had been working at the Lowell Observatory in Flagstaff, Arizona since April of the preceding year trying to find an hypothetical ninth planet that Percival Lowell had predicted would exist.  Tombaugh realized he had made the discovery and reported the news to his superiors. The news of the discovery was announced on March 13 and the new planet would be named Pluto, at the suggestion of an eleven year old girl, Venetia Burney, whose great uncle, Henry Madan, had suggested the names Phobos and Deimos for the two moons of Mars 52 years earlier.

The first science fiction story to be published that mentioned Pluto appeared in Fall of 1930 when John W. Campbell, Jr. published the story “The Black Star Passes” in Amazing Stories Quarterly.  Other stories followed suit and in the June 1935 issue of Astounding Raymond Z. Gallun published the story “The Blue Haze on Pluto.”

Gallun’s story opens with the aftermath of the crash of a transportation craft on Pluto’s surface. His protagonist, Terry Sommers, is injured and willing to wait for rescue until he remembers that the person in the seat in front of him, Dr. Cairns, had commented that he was transporting a serum to cure Sylfane plague that had struck the city of Pindar. Upon discovering that Cairns, along with most of the other passengers, had been killed in the wreck, Sommers decided it was his duty to try to make it to Pindar with the serum, despite a broken arm.

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Beautiful Plagues: An Interview with John C. Hocking

Beautiful Plagues: An Interview with John C. Hocking

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To help reveal the muses that inspire weird fiction and horror writers, this interview series engages contemporary authors on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Recent guests on Black Gate broaching this topic have included Darrell Schweitzer, Sebastian Jones, Charles Gramlich, Anna Smith Spark, & Carol Berg, Stephen Leigh, Jason Ray Carney. See the full list of interviews at the end of this post.

Today we corner John C. Hocking whose Conan pastiche we reviewed a few months ago.

John C. Hocking is an American fantasy writer who is the author of two well-acclaimed Conan novels and has also won the 2009 Harper’s Pen Award for Sword and Sorcery fiction for his story, “The Face In The Sea”. He lives in Michigan with his wife, son, and an alarming quantity of books. He is a nigh-obsessed reader and writer of lurid pulp fiction, the author of Conan and the Emerald Lotus, the “Black Starlight” Conan serial, and their time-lost companion, Conan and the Living Plague, and an obedient thrall of Tales From the Magician’s Skull.

For clarity, we’ll actually corner him twice. Firstly, here on Black Gate, we’ll cover his weird, pulpy muses & Conan pastiche; secondly, in a companion interview, we’ll cover his King’s Blade and Archivist series on the Tale from the Magician’s Skull Blog.

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Random Reviews: “Minister Without Portfolio” by Mildred Clingerman

Random Reviews: “Minister Without Portfolio” by Mildred Clingerman

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F&SF, 2/52, Cover by Chesley Bonestell
F&SF, 2/52, Cover by Chesley Bonestell

Throughout 2022, I’ll be reviewing short stories. Some of these may be classics, others forgotten. The two things that all will have in common is that they are part of my personal collection and they will be selected through a randomization process.  What works and authors I look at will be entirely selected by a roll of the dice.

“Minister Without Portfolio” was Mildred Clingerman’s debut short story and first appeared in the February 1952 issue of The Magazine of Fantasy and Science Fiction. It is the sort of short story which occasionally appears, but not often, but perfectly captures the time in which it was written.

Mrs. Ida Chriswell is a widow living with her son and daughter-in-law, and, in fact, living in some fear of her daughter-in-law.  Not particularly worldly, she has few hobbies aside from crocheting, apparently has few friends, and little interest in the world around her.  As the story opens, she is going out to try her hand at bird watching at her daughter-in-law’s insistence, although Ida points out that her inability to see color, reflective, perhaps, of the drab existence she has, will limit her enjoyment of the pastime, which she isn’t actually interested in. Her daughter-in-law’s insistence and her own desire not to rock the boat, results in Ida heading out to an empty field to watch birds, or at least pretend to watch birds while she sits by a tree and crochets.

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