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Category: Pulp

Martian Pirates, Brain Creatures, and Hive Minds: Rich Horton on Ray Cummings and John Brunner

Martian Pirates, Brain Creatures, and Hive Minds: Rich Horton on Ray Cummings and John Brunner

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Wandl the Invader-small I Speak For Earth-small

Brigands of the Moon-smallRich Horton’s personal blog, Strange at Ecbatan, is a great place to hang out if (like us) you love vintage paperbacks and magazines. In addition to his reviews here at Black Gate (not to mention his editing duties for The Year’s Best Science Fiction & Fantasy, the 2015 Volume of which just arrived last month), Rich also reviews forgotten bestsellers, neglected classics, and obscure books by writers who later became highly regarded. This week he takes a look at an Ace Double from 1961.

This week’s Old Bestseller post is on a book that was by no means a bestseller — it’s another Ace Double review, this time a new one (for me) — the 1961 pairing of a rather dreadful 1932 pulp serial by Ray Cummings (Wandl the Invader) with one of John Brunner’s better early short novels (I Speak For Earth), written as by “Keith Woodcott.”

Wandl the Invader was serialized in Astounding in 1932. It was a sequel to Brigands of the Moon, which began its serialization in the third issue of Astounding, in 1930. It is set in a future in which space travel is well-established within the Solar System, and essentially human civilizations have been discovered on both Venus and Mars. (Interbreeding is possible, for instance.) A small planet called Wandl has appeared in the Solar System, and Gregg Haljan (hero of Brigands of the Moon) is recruited to captain a spaceship to resist the evil intentions of the planet’s inhabitants.

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Discovering Robert E. Howard: Jeffrey Shanks on The Worldbuilding of REH

Discovering Robert E. Howard: Jeffrey Shanks on The Worldbuilding of REH

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Conan_WBHyboriaWe are trying to look at as broad a range of topics related to Robert E. Howard as we can in this series. Characters, genres, events, themes: Black Gate really wants to showcase the many facets of the man and his works.

Today’s guest post is such an example. Jeff Shanks wrote the introduction to the just published facsimile edition of Howard’s essay, The Hyborian Age and is the REH consultant on Modiphius’ upcoming Conan RPG  (we’re gonna have a post for that, too!). I can’t think of anyone better to write about one of my favorite subjects,  world-building.

While Robert E. Howard is known as the creator of a number of memorable heroic protagonists, such as Kull of Atlantis, Solomon Kane, Bran Mak Morn, and, of course, Conan the Cimmerian, his efforts as a pioneer in fantasy world-building are often overlooked. When it is remarked upon at all, Howard’s creation of the Hyborian Age of Conan is generally described as a fairly impromptu effort — a hodge-podge of fictitious kingdoms based on thinly-disguised real world historical analogues, thrown together hastily in early 1932 after the first Conan story was accepted by Weird Tales.

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Vintage Treasures: Fantastic Stories: Tales of the Weird & Wondrous, edited by Martin H. Greenberg and Patrick L. Price

Vintage Treasures: Fantastic Stories: Tales of the Weird & Wondrous, edited by Martin H. Greenberg and Patrick L. Price

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Fantastic Stories Tales of the Weird & Wondrous-small Fantastic Stories Tales of the Weird & Wondrous back-small

Dungeons & Dragons publisher TSR acquired Amazing Stories, the longest running science fiction magazine in the world, in 1982, as a vehicle to help promote their family of games to SF readers around the world. By the mid-80s, TSR had their first fiction bestseller on their hands with the first Dragonlance trilogy by Margaret Weis and Tracy Hickman, which sold well over three million copies worldwide and spawned dozens of sequels, and TSR quickly became very adept at leveraging all aspects of publishing to support their properties. If publishing D&D novels helped introduce millions of young readers to their products, why not try the same with Amazing Stories?

So TSR contracted Martin H. Greenberg to produce five mass market anthologies, mining six decades of Amazing fiction. The results weren’t particularly big sellers (and they didn’t save Amazing from eventually folding), but they were nonetheless a fabulous boon for collectors. Best of all, they included the most comprehensive survey ever done of the pulp Amazing Stories, a three-volume set containing nearly 1,000-pages, covering 1926 to 1955. I looked at all five volumes in 2012, in a Vintage Treasures article on TSR’s Amazing Science Fiction Anthologies.

The long-running companion magazine to Amazing, Fantastic — which published some of the finest early sword & sorcery in the field, including stories by Fritz Leiber, John Jakes, Poul Anderson, Avram Davidson, James Tiptree, Jr., John Brunner, George R. R. Martin, Philip K. Dick, Roger Zelazny, Michael Moorock, and Dean Koontz — merged with Amazing in 1980, and the rights fell to TSR. As part of their initiative to promote their magazine properties, TSR also commissioned Greenberg and new Amazing Stories editor Patrick L. Price to compile a deluxe anthology collecting 30 years of Fantastic fiction, with new artwork and an 8-page color section reproducing some of their most famous covers. The result was a fine collection, and one of the only anthologies dedicated to one of the all-time great S&S magazines.

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Howard Andrew Jones and Bill Ward Re-Read The Coming of Conan

Howard Andrew Jones and Bill Ward Re-Read The Coming of Conan

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The Coming of Conan the Cimmerian-smallBill Ward and Howard Andrew Jones have wrapped up their detailed and highly entertaining look at Fritz Leiber’s famous Lankhmar stories over at Howard Andrew Jones’ website. But without pausing for breath, they’ve leaped into a re-read of Robert E. Howard’s classic tales of Conan, starting with the Del Rey edition of The Coming of Conan the Cimmerian, and Howard’s essay on the world Conan adventured in, “The Hyborian Age.” Here’s Bill:

“The Hyborian Age” isn’t the place to start if you are new to Conan, in fact I’d say it’s really only interesting if you are already familiar with Conan’s world, as well as the enthusiasms of Conan’s creator. REH himself didn’t start with “The Hyborian Age,” either, he started with the character of Conan, only settling down to iron out his “world bible” once he had three Conan stories under his belt and realized he wanted to write many more… It’s the history of a lost age before the rise of the civilizations we are familiar with, but it’s also a way of getting around history. REH wrote fast and he wrote for publication and, though he loved history and writing historical fiction, he felt it took too much time to get the research just right. Enter the secondary world of his own slice of pre-history, a way of not only having a world he didn’t have to exhaustively research, but also a vehicle for bringing together the character and flavor of many different cultures and eras that would allow Conan to adventure in the equivalent of everything from the Ancient Near East to Medieval France. That may not be completely clear just from reading “The Hyborian Age,” but it is clear from the stories themselves, as well as by glancing at the two maps REH used when planning his world — his Hyborian Kingdoms superimposed over a map of Europe, North Africa, and the Near East is probably even more eloquent than his essay…

Join the discussion here.

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Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

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BG_RoguesComicOne of the cool things about being an active member in the Sherlock Holmes community is that I run across a broad spectrum of people with other common interests outside of the world’s first private consulting detective. Wally Conger and I have had back and forth conversations on versions of The Hound of the Baskervilles and other topics.

We may not agree on season three of Sherlock, but we do both enjoy reading Conan. So, I asked him to review “Rogues in the House,” which I knew he had just read. He was kind enough to do just that…

By the time Robert E. Howard launched into writing “Rogues in the House” in January 1933, he already had 10 Conan tales under his belt. He was very comfortable with the character.

In fact, upon publication of the story in the January 1934 issue of Weird Tales, Howard wrote to fellow writer Clark Ashton Smith:

Glad you liked ‘Rogues in the House.’ That was one of those yarns which seemed to write itself. I didn’t rewrite it even once. As I remember I only erased and changed one word in it, and then sent it in just as it was written. I had a splitting sick headache, too, when I wrote the first half, but that didn’t seem to affect my work any.

I wish to thunder I could write with equal ease all the time. Ordinarily I revise even my Conan yarns once or twice, and the other stuff I hammer out by main strength.

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Vintage Treasures: Midnight Pleasures by Robert Bloch

Vintage Treasures: Midnight Pleasures by Robert Bloch

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Midnight Pleasures Robert Bloch-smallRobert Bloch isn’t a name that gets tossed around much these days. Even before his death in 1994, he was primarily known as the author of Psycho, and this one fact overshadowed most of his other accomplishments.

But Bloch was also the author of hundreds of short stories, and over 30 novels, virtually all of which are out of print today. He was one of the most gifted and prolific short story writers in the horror field, and his best short stories are compact treasures. He won a Hugo Award for his 1958 story “That Hell-Bound Train,” and multiple Bram Stoker awards (for the 1993 collection The Early Fears, the novelette “The Scent of Vinegar,” and his 1993 memoir Once Around the Bloch.)

He received a World Fantasy Award in 1975 for Lifetime Achievement, and a Lifetime Achievement Bram Stoker Award in 1990.

Bloch was also one of the youngest members of The Lovecraft Circle, those writers who corresponded with and often consciously emulated H.P. Lovecraft. Lovecraft was one of the first to encourage Bloch’s writing, and a lot of Bloch’s early work for the pulps was Cthulhu Mythos fiction (most of which was gathered in his 1981 collection Mysteries of the Worm.)

Midnight Pleasures is one of Bloch’s last fiction collections (two more appeared before his death: Fear and Trembling in 1989, and The Early Fears in 1994). It’s a fine sample of late horror fiction from one of the best short story writers the genre has seen.

It was nominated for a 1987 Bram Stoker Award for Fiction Collection (it lost out to The Essential Ellison). It contains chiefly later short work, dating from 1977-1985, published in anthologies like New Terrors 2, Shadows, Masques, Analog Yearbook, Dark Forces, Chrysalis 3, and others.

It also includes one pulp story (from the August 1939 issue of Weird Tales), and two stories that appear here for the first time: “Comeback” and “Die–Nasty.”

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The Omnibus Volumes of Murray Leinster

The Omnibus Volumes of Murray Leinster

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Med Ship-small Planets of Adventure-small A Logic Named Joe-small

Last week, in my article on The Omnibus Volumes of James H. Schmitz, I noted how Eric Flint edited seven omnibus volumes collecting the science fiction of James H. Schmitz, starting in 2000. Those books were successful enough that Eric expanded his project to include other great SF and fantasy writers of the mid-20th Century.

And boy, did he expand it. By the time he was done, Baen had published volumes dedicated to A. E. Van Vogt, Michael Shea, Howard L. Myers, Keith Laumer, Randall Garrett, Christopher Anvil, Cordwainer Smith, Lois McMaster Bujold, A. Bertam Chandler, P.C. Hogdell, Andre Norton, and many others. Today I want to look at the three volumes dedicated to Murray Leinster, “The Dean of Science Fiction,” whose work I think still has enormous appeal even today.

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Discovering Robert E. Howard: Frank Schildiner on Solomon Kane

Discovering Robert E. Howard: Frank Schildiner on Solomon Kane

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Kane_MoonMartial arts expert Frank Shildiner has forgotten more about Adventure Pulp than I’ve ever known. His writings have included new tales starring  pulp characters Richard Knight and Thunder Jim Wade (if you’re a Doc Savage fan, you should check big Jim out).

Solomon Kane is probably Robert E. Howard’s second best-known character after a certain well-muscled barbarian, and one which influenced Frank very early on. So, I turned to Frank for a look at the puritan sword slinger, as Black Gate continues its summer look at Robert E. Howard.

Solomon Kane. I can still remember when I first read the name. I was 11 and looking through books and comics at a flea market, my mother one row over looking through the Robin Cook section. I pulled a slim paperback from the pile, the cover showing a cold eyed Puritan staring at me with open condemnation (at least that’s how I interpreted the visual). But then I read the name… SOLOMON KANE. And there wasn’t a prayer on Earth of getting me to let go of this book that day.

And that first short story, “Red Shadows,” changed me forever. I became a fan for all things Robert E. Howard, but especially Solomon Kane. Caught by the enemy he’d chased from Europe into Africa, Kane looked up at this man he’d hounded relentlessly for years, and the following thought summed up why this hero became my favorite.

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Galaxy Science Fiction, October 1952: A Retro-Review

Galaxy Science Fiction, October 1952: A Retro-Review

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Galaxy Science Fiction October 1952 back-small Galaxy Science Fiction October 1952 cover-small

Galaxy celebrated its second birthday (and start of its third year) with a cover depicting some of its staff and contributors (illustrated by E. A. Emshwiller). The artwork wrapped around the back (interrupted by the spine) and included a “key” on the inside cover to identify each person, including the robot and alien.

October 1952 Cover Key

Editor H. L. Gold is on the left on the front cover, halfway down the picture, shown in a blue suit and holding a cup. (Click on the images above for bigger versions.)

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Discovering Robert E Howard: Paul Bishop on The Fists of R.E.H.

Discovering Robert E Howard: Paul Bishop on The Fists of R.E.H.

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Fists of Iron Robert E Howard-smallNaturally, the works of Robert E. Howard are popular post fodder here at Black Gate. While Conan is far and away his best known character, REH created many other memorable heroes, including Solomon Kane, El Borak and Kull. Earlier this year, I wrote about Howard’s largely forgotten private eye, Steve Harrison.

At the time, I thought that a post on Howard’s boxing stories would be good reading. Also realizing I was completely unqualified to write it, I contacted the current czar of boxing fiction, Paul Bishop of Fight Card Books.

Fight Card is a pulp style series of boxing tales. They’ve included two Holmes boxing novellas in the series, so you know I’m on board! See what Paul has to say about Howard’s boxing works.

The minute I stepped ashore from the Sea Girl, merchantman, I had a hunch that there would be trouble. This hunch was caused by seeing some of the crew of the Dauntless. The men on the Dauntless have disliked the Sea Girl’s crew ever since our skipper took their captain to a cleaning on the wharfs of Zanzibar – them being narrow-minded that way. They claimed that the old man had a knuckle-duster on his right, which is ridiculous and a dirty lie. He had it on his left.
~ Robert E. Howard, “The Pit of the Serpent”

Although best known as the creator of Conan the Barbarian, Solomon Kane, and other sword and sorcery characters, Robert E. Howard had a lifelong interest in boxing, attending fights and avidly following the careers of his favorite fighters. Even though as a child he was bookish and intellectual, in his teen years he took up bodybuilding and eventually entered the ring as an amateur boxer.

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