Browsed by
Category: Pulp

Little Green Men, Couriers of Chaos, and Miners on Uranus: Things, edited by Ivan Howard

Little Green Men, Couriers of Chaos, and Miners on Uranus: Things, edited by Ivan Howard

Comments 0 Comment

Things Ivan Howard-smallThings
Edited by Ivan Howard
Belmont (157 pages, $0.50, February 1964)

Belmont Books, publisher of this anthology, apparently thrived throughout the Sixties. Early on it looks like many of their books leaned toward horror, with SF being sprinkled into the mix more as time went on. Things presents itself more as horror (the subtitle is Stories of Terror and Shock by six SCIENCE-FICTION greats) but there’s not much horror content. It’s a short volume that collects six fairly uninspired novelettes and short stories first published in SF magazines in the early Fifties.

Thumbs Up

“The Gift of the Gods,” by Raymond F. Jones

An interesting take on aliens landing on Earth, as the whole affair is somewhat derailed by bureaucracy and pettiness. It could have been a lot shorter and it was a bit preachy in spots but not bad overall.

“Little Green Man,” by Noel Loomis

I like pulp as much as the next guy and maybe a bit more — although it’s best taken in moderate doses. This one’s pretty pulpy, with the LGM of the title beseeching a mining engineer from Earth to evacuate from his home planet of Uranus. Entertaining but not particularly exceptional.

…

Read More Read More

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Tower of the Elephant”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Tower of the Elephant”

Comments 1 comment
Art for "Tower of the Elephant" by Mark Schultz
Art for “Tower of the Elephant” by Mark Schultz

Over at Howard Andrew Jones’ blog, Bill Ward and Howard Andrew Jones continue their re-read of the first Del Rey Conan volume, The Coming of Conan, with the classic “The Tower of the Elephant,” originally published in the March 1933 issue of Weird Tales.

Howard: THIS is Robert E. Howard at his absolute best, in complete control of his narrative, knowing his character better than his closest friend. His Hyborian history article was written just prior to his penning of “The Tower of the Elephant,” which makes sense, because he knows the history and societies so well that he casually mentions cultures in such a way we can usually intuit what he’s talking about…

Bill: Here Conan is a “gray wolf among gutter rats,” to paraphrase just one of the great lines in the opener. From the first paragraph of this section that paints a vivid picture of The Maul, the thieves district of Zamora where the guards have been bribed with “stained coins” to leave the criminals alone, all the way to the conclusion… I think this opener, and this story in general, is one of the best introductions to Conan, and probably the one I would hand a novice that was interested in seeing what all the fuss is about…

Howard: And damn, there are giant spider fights, and then there’s the fight with the thing in the top room of the tower. The only giant spider fight I’ve read that’s on the same level is the one from the first Bard book by Keith Taylor. You can see this monster and its dripping venom, so virulent that it scars Conan for life… It’s just incredibly well written, so much so that even after reading this story multiple times I still find it thrilling. And unsettling.

Read the complete exchange here.

…

Read More Read More

Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

Comments 4 comments

ElBorak_EarlyToday, our ‘Discovering Robert E. Howard’ series talks about my favorite REH stories: those featuring El Borak. David Hardy wrote the introduction to the Robert E. Howard Foundation’s The Early Adventures of El Borak and he also contributed what is essentially the afterward to Del Rey’s El Borak and Other Desert Adventures.  There’s no one better suited to expound on Francis Xavier Gordon, so enough blathering from me. Let’s check out ‘The Swift.’

Francis Xavier Gordon, known from Stamboul to the China Sea as “El Borak”-the Swift-is perhaps the first of Robert E. Howard’s characters, and the last. El Borak is one of those distinctive characters that could only come from the fertile imagination of REH. He is a Texas gunslinger from El Paso, an adventurer, who has cast his lot in the deserts and mountains of Arabia and Afghanistan. There’s a little bit of John Wesley Hardin in his makeup, a bit of Lawrence of Arabia, and just a touch of Genghis Khan.

Howard described the origin of Gordon and other characters to Alvin Earl Perry: “The first character I ever created was Francis Xavier Gordon, El Borak, the hero of “The Daughter of Erlik Khan” (Top Notch), etc. I don’t remember his genesis. He came to life in my mind when I was about ten years old.”

That would put El Borak’s origins about 1915, the year Rafael Sabatini’s pirate novel The Sea Hawk appeared. The titular Sea Hawk is an Englishman who joins the corsairs of the Barbary Coast. There is also a supporting character named El Borak. Howard also noted that Bran Mak Morn, hero of “Worms of the Earth,” bore a resemblance to El Borak.

…

Read More Read More

Vintage Treasures: The Timescape Clark Ashton Smith

Vintage Treasures: The Timescape Clark Ashton Smith

Comments 17 comments
The City of the Singing Flame-small The Last Incantation-small The Monster of the Prophecy-small

Clark Ashton Smith is one of the greatest pulp writers of all time, and certainly one of the greatest early fantasy writers. Over a century after his first collection appeared (The Star-Treader and Other Poems, in 1912) virtually all of his work is still in print. That’s an extraordinary statement.

Of course, when I say “in print,” I mean it’s available in an assortment of limited edition hardcovers and trade paperbacks from Night Shade Books, Prime Books, Penguin Classics, and others. Meaning the majority of volumes are priced chiefly for the collector. There hasn’t been a mass market edition of Clark Ashton Smith in over three decades, since Pocket Books’ Timescape imprint released a handsome three-volume paperback collection of his most popular stories between 1981 and 1983.

The City of the Singing Flame (1981)
The Last Incantation (1982)
The Monster of the Prophecy (1983)

…

Read More Read More

Galaxy Science Fiction, November 1952: A Retro-Review

Galaxy Science Fiction, November 1952: A Retro-Review

Comments 7 comments

Galaxy November 1952-smallThe November 1952 issue of Galaxy Science Fiction features cover art by Jack Coggins of an Earth satellite. This satellite is more like a space station than satellites I typically think of. But considering that the first artificial satellite (Sputnik 1) wasn’t launched until about five years after this issue hit newsstands, everything was still left to the imagination at this point.

Before I jump to the fiction, I want to comment on Willy Ley’s “For Your Information.” In part of the column, he discusses Mars and its vegetation. I thought that was rather odd or presumptuous for him, but at this time, scientists were observing coloration on the planet’s surface that changed seasonally. That coloration plausibly suggested vegetation, and if there’s vegetation, what other life might be there? Then Mariner 4 did a fly-by in 1965, showing reality. Additional Mariner spacecraft confirmed more of the same — that Mars was a dead planet.

I wonder how many people were crushed by this, including authors of science fiction. There might have been some who feared Martians coming to destroy us and felt relief. But I also think that the possibility of life on Mars offered a kind of hope to some — that humanity wasn’t completely alone. With the truth of Mars revealed, that hope had to extend beyond the neighboring red planet. It will be interesting to see how science fact continues to influence science fiction, not necessarily by devestating our hopes and dreams but by helping to reshape them into new possibilities. And even without life on Mars, the planet still has an allure to it — a vacant planet that beckons to be explored and perhaps settled.

“The Martian Way” by Isaac Asimov — Mario Rioz and Ted Long work together on a small ship near Mars, tracking and scavenging the abandoned shells of Earth spacecraft. These jettisoned pieces are essentially rocket stages cast off as part of the flight, and they contain metal the humans on Mars can reuse.

A rising politician on Earth named Hilder points out that Mars doesn’t reimburse Earth for the shells, and the monetary investments will take many years to return. But worse than that, Mars can never replenish the water it takes from Earth to propel its ships. As Hilder’s voice gains more attention, other politicians begin mimicking him, which leads to new policies that prevent the scavenging of shells.

…

Read More Read More

Science Fiction Classics #10 Now on Sale

Science Fiction Classics #10 Now on Sale

Comments 1 comment

Science Fiction Classics 10-smallIf you’re a pulp fan like me, you’re always interested in high quality facsimile reproductions of pulp magazines, especially ones available at reasonable prices. So I was delighted to discover Science Fiction Classics, a magazine that reproduces a complete pulp magazine with every issue. They’ve published ten issues, focusing (so far) exclusively on that grand old lady of the pulps, Amazing Stories.

The most recent issue, Science Fiction Classics #10, reproduces one of the rarest early pulps, and certainly the rarest issue of Amazing — the very first Amazing Stories Annual, from 1927. It includes the complete Barsoom novel The Master Mind of Mars by Edgar Rice Burroughs, and a short story by A. Hyatt Verrill, as well as five reprints — two classics from A. Merritt, including the long novella “The Face in the Abyss” and “The People of the Pit,” and tales by Austin Hall, Jacque Morgan, and H. G. Wells. It also contains interior artwork by Frank R. Paul, Gambee, and others. The complete contents are:

Preface by Hugo Gernsback
The Master Mind of Mars by Edgar Rice Burroughs
“The Face in the Abyss” by A. Merritt (1923)
“The Man Who Saved the Earth” by Austin Hall (1919)
“The People of the Pit” by A. Merritt (1918)
“The Man Who Could Vanish” by A. Hyatt Verrill
“The Feline Light & Power Company Is Organized” by Jacque Morgan (1912)
“Under the Knife” by H. G. Wells (1896)

Science Fiction Classics is published by Pulp Tales Press. Issues are print on demand, and available through Amazon.com, Barnes & Noble, Lulu, and other places. Issue #10 was published on June 3, 2015; it is 132 pages, priced at $12.95. The cover is by Frank R. Paul. Order right at the Pulp Tales Press website.

See our August Fantasy Magazine Rack here, and all of our recent magazine coverage here.

Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part I

Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part I

Comments 4 comments

Merlin2-smallMerlin1-smallA few months ago I wrote an article about H Warner Munn’s excellent books The King at the World’s Edge and The Ship From Atlantis. Munn wrote both in the 1930’s, although the latter was only published later. By all accounts he took a hiatus from professional writing to concentrate on raising a family and providing the financial security that entails.

His passion for writing had not totally subsided, and as his “day job” career wound down, Munn embarked upon what many consider to be his magnum opus: Merlin’s Ring. Please note that this article does contain a few spoilers, which are necessary to explain certain concepts.

The volume sat on my shelf for years, like so many under the “one day I’ll read it” tag, but having undertaken the previous two books in what is now considered the Merlin’s Godson Cycle, I felt obliged to start Merlin’s Ring.

Merlin’s Ring continues the tail of Gwalchmai, whom we last encountered in The Ship From Atlantis. The book was published by Ballantine in 1974 with a cover by Gervasio Gallardo. It appears to have been republished a few times under the same imprint and later by Del Rey, with the same cover, until 1981. (Click on the images at left and right for more detailed versions.)

…

Read More Read More

Discovering Robert E. Howard: Pigeons From Hell From Lovecraft by Don Herron

Discovering Robert E. Howard: Pigeons From Hell From Lovecraft by Don Herron

Comments 4 comments

Herron_DarkBarbarianBefore the Cumberbunnies took over and flooded the internet with “I heart Sherlock” memes, the term ‘Sherlockian’ referred to those who studied (and often wrote about) Arthur Conan Doyle’s sixty stories of Sherlock Holmes. Some  of it was dead serious, some was tongue in cheek and much was in between. Monsignor Ronald Knox’s 1921 “Studies in the Literature of Sherlock Holmes” is the cornerstone of Holmes studies.

With that, I tell you that that Don Herron is THE Ronald Knox of Robert E. Howard. “Conan vs. Conantics” and the ensuing “The Dark Barbarian” showed that Howard could be analyzed and treated as literature. As well as something to stir up debate! If you haven’t read the over-600 page essay collection, “The Dark Barbarian That Towers Over All,” you need to pony up $4.99 and get the kindle version now.

And with that, Herron, who is also a noted expert on Dashiell Hammett (this man knows good writing) is going to treat you to a little Howardiana regarding REH’s most chilling horror story, “Pigeons From Hell.”

Recently I did a reread on H. P. Lovecraft’s Fungi from Yuggoth sonnet cycle and had a Hey, Wait a Minute moment. . .

Deep into his follow-up book to A Look Behind the Derleth Mythos, John D. Haefele had asked me to look the poems over. Haefele is surveying Lovecraft’s Great Tales — not just the top achievements, but how the fiction developed as it went along, leading to the break-out stories — not just Lovecraft’s own writing, but how his discoveries of authors such as Robert W. Chambers and Arthur Machen and the ongoing cross-influences of his fellow pulpsters such as Frank Belknap Long, Clark Ashton Smith, and Robert E. Howard display in the ongoing saga that would become known as the Cthulhu Mythos.

…

Read More Read More

The Public Life of Sherlock Holmes: Ramblings on REH

The Public Life of Sherlock Holmes: Ramblings on REH

Comments 14 comments

Ramblings_KullAxeIn a way, Robert E. Howard’s career is similar to that of Dashiell Hammett. Both men had huge impacts on their genres (Howard wrote many styles, but he’s best known for his sword and sorcery tales). Both were early practitioners in said genres. Both men wrote excellent stories for about a decade. And both men ended their careers on their own.

Hammett, who seemed more interested in a dissolute lifestyle than in writing, effectively walked away from his typewriter. He wrote his last novel in 1934 (The Thin Man) but produced literally nothing for the remaining twenty-five years of his life. He could have gone back to writing the hard-boiled stories that made his career, but he voluntarily ended his writing life.

In 1936, Howard’s mother was failing in a coma. He walked outside to his car, pulled out a gun and killed himself. His writing career was more effectively finished than Hammett’s would be.

Both were supremely skilled writers who chose to deprive the world of their talent and left decades of stories unwritten. But there was a key difference between the two. From the beginning, Hammett was acclaimed and recognized as the leader in his field. Though Carroll John Daly came first (barely), there is no comparison between the two in critical view.

Howard was not critically lauded. His first Conan tale, “The Phoenix on the Sword” (a rewriting of the Kull story, “By This Axe I Rule!”), appeared in Weird Tales in December of 1932. The next two Conan tales were outright rejected!

…

Read More Read More

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Phoenix on the Sword”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Phoenix on the Sword”

Comments 6 comments

The Phoenix on the Sword Weird Tales-smallOver at Howard Andrew Jones’ blog, Bill Ward and Howard Andrew Jones continue their re-read of the first Del Rey Conan volume, The Coming of Conan, with the very first Conan story, “The Phoenix on the Sword,” originally published in the December 1932 issue of Weird Tales magazine. Here’s Howard:

Look at the story’s opening quote. That’s practically the gold standard of quotes from imaginary historical sources. That fabulous “Know, O Prince” and all that follows has been imitated but rarely, if ever, equalled. This, fellow fantasy fans, is the way it’s done. Admittedly, there are a few phrases in the middle of the paragraph that are less inspired. I’m looking at “Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem.” Most of the rest of the quote paints lovely word pictures, but those phrases don’t remotely approach the poetic majesty of the rest — what does Zingara look like? What does Koth look like? But the rest is lovely, and the quality picks right back up with “dreaming west” and powers on to that fantastic finish, “Hither came Conan…”

Look at the opening line of the story: “Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn.” Damn. Why doesn’t anyone write like that any more? Howard sets the scene with sharp, sensory laden description. He’s a film director guiding the camera with a fantastic establishing shot.

Their first post on this topic discussed Howard’s “The Hyborian Age.” Read the complete exchange here.

…

Read More Read More