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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Six – “The Call of Siva”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Six – “The Call of Siva”

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NOTE: The following article was first published on May 2, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ColliersSivainsidious6“The Call of Siva” was the fifth installment of Sax Rohmer’s serial, Fu-Manchu first published in The Story-Teller in February 1913. The story would later comprise Chapters 13-15 of the novel, The Mystery of Dr. Fu-Manchu (initially re-titled The Insidious Dr. Fu-Manchu for its U.S. publication). Rohmer had built several of his Fu-Manchu stories on protracted paranoia and had previously made good use of a Limehouse opium den as a setting, but “The Call of Siva” sees him letting his plotline be dictated by the altered state of the waking dreamer for the first time and to great effect.

The story opens with our narrator, Dr. Petrie relating a strange dream which begins with him writhing on the floor in agony. Rohmer makes good use of Stygian darkness, Oriental tapestries, and Mohammedan paradise as suggestive imagery that Petrie’s queer dream, at once both mystifying and terrifying, is uniquely Eastern in origin. This point is confirmed as Petrie awakens with Nayland Smith as his cell mate. Only at this point does Rohmer resume something approaching a conventional narrative with Petrie’s murky recollection of he and Smith rushing to warn Graham Guthrie that he has been marked for assassination when they are abducted by unseen assailants from a passing limousine.

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The Abuses of Public Domain Fiction

The Abuses of Public Domain Fiction

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cover225x225publicdomainPublic domain is a tricky issue. We all know the horror stories of a certain  bloodsucking literary estate who clings to the last remaining copyrights of their Victorian property and frequently demand exorbitant fees for usage in new works. There are also tales of a well-known property where a dubious claimant to the literary rights regularly files nuisance lawsuits and is often paid off by the big conglomerates just to avoid the hassle of dealing with the allegedly loopy individual in question. Both have generated their share of sympathy for the public domain cause.

Greedy bastards only interested in money and wealthy loons fighting to prove they own something they don’t are certainly unlikable characters. I know a good number of publishers and writers who thrive upon reviving properties that have slipped into public domain. So long as too many cooks aren’t in the kitchen churning out new soups with the same basic ingredients, it should be a harmonious situation that serves to keep the originals in print and grows fan interest in otherwise forgotten characters.

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Blogging Sax Rohmer’s The Insidious Doctor Fu-Manchu, Part Five – “The Green Mist”

Blogging Sax Rohmer’s The Insidious Doctor Fu-Manchu, Part Five – “The Green Mist”

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NOTE: The following article was first published on April 25, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

CollMistinsidious5“The Green Mist” was the fourth installment of Sax Rohmer’s serial, Fu-Manchu first published in The Story-Teller in January 1913. The story would later comprise Chapters 10-12 of the novel, The Mystery of Dr. Fu-Manchu [initially re-titled The Insidious Dr. Fu-Manchu for U.S. publication]. When Rohmer incorporated the story into the novel, he added linking material intended to make the book appear timely and relevant. However, the true-life Yellow Peril news items that Rohmer has Petrie recount from actual British papers of the day strike a discordant note nearly a century on.

Freed from the exotic trappings of weird fiction, the straight journalism of the era seems dated, naïve, and offensive to modern sensibilities. This phenomenon is hardly unique to Sax Rohmer’s fiction and may also be experienced in the unenlightened views on display in the earliest of Herge’s Adventures of Tintin. Making matters worse is the current vogue for political correctness that believes in burying the past rather than learning from it. The combination of these factors stands as the most challenging obstacle facing mainstream publishers in the 21st Century marketplace.

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Life During Wartime for Revived Pulp Characters

Life During Wartime for Revived Pulp Characters

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51jEwDLgmgL._SX348_BO1,204,203,200_Awesome02_250Bold Venture Press and Black Cat Media recently unveiled a new pulp anthology title, Awesome Tales. Largely the brainchild of editor/lead writer R. Allen Leider, three issues have been published thus far. Leider’s featured stories in each have successfully revived vintage pulp characters and placed them in World War II settings.

The first issue featured The Domino Lady, a racy adventuress from the “spicies” who has found popularity with “new pulp” specialty publishers such as Moonstone Books and Airship 27.  Leider, who operates Black Cat Media, collaborated with Rich Harvey, who operates Bold Venture Press with Audrey Parente, in penning this new adventure that advances the character from her 1930s origins to the Second World War. Interestingly, the entire Domino Lady revival began when Bold Venture Press collected the character’s original 1930s adventures in 2004 and set the stage for new adventures to follow.

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Blogging Sax Rohmer’s The Insidious Doctor Fu Manchu, Part Four – “Redmoat”

Blogging Sax Rohmer’s The Insidious Doctor Fu Manchu, Part Four – “Redmoat”

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NOTE: The following article was first published on April 4, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Romer_-_MysteryOrbanRedmoat“Redmoat” was the third installment of Sax Rohmer’s serial Fu-Manchu, first published in The Story-Teller in December 1912. The story would later comprise Chapters 7-9 of the novel, The Mystery of Dr. Fu-Manchu (initially re-titled The Insidious Dr. Fu-Manchu for U.S. publication) in 1913. “Redmoat” is significant for delving into the aftermath of the Boxer Uprising. As we discussed in Part Three, this conflict leant credence to the Yellow Peril fiction that had been steadily gaining in popularity over the preceding fifty years. More importantly for our purpose, the Boxer Uprising provided a motive for Dr. Fu-Manchu’s actions.

There are two principal supporting players to the story who are worthy of greater consideration. The first is the Reverend J. D. Eltham. Reverend Eltham had earned a name for himself during his missionary days in China as “Parson Dan.” Nayland Smith tells Dr. Petrie that Eltham “held off two hundred Boxers at a hospital in Nan-Yang with only a garrison of a dozen cripples and a German doctor for support.” The heroic clergyman’s evangelical zeal had resulted, according to Smith, in the Boxer Uprising. While ascribing the blame for that conflict on a single missionary is more than a bit implausible, it is interesting that Rohmer, an Edwardian author, took a critical view of the British Empire and recognized that intolerance to Chinese culture not only hindered the goal of religious conversion, but sparked China’s decision to drive the foreigners out of their country by whatever means necessary. It is also interesting to note that as Fu-Manchu is the personification of the Yellow Peril, so Parson Dan is the personification of colonial intolerance at its worst.

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The Exhumation of Myra Maynard

The Exhumation of Myra Maynard

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mysteries-of-myra-book-225x320myra1Most people have never heard of The Mysteries of Myra, much less seen the surviving footage. This 1916 silent serial was produced by publishing magnate William Randolph Hearst and directed by The Wharton Brothers for The Whartons Studio in Ithaca, New York. As late as the early talkie era, New York was still a rival for Hollywood with Paramount Pictures based on the East Coast until the early 1930s. The Mysteries of Myra was intended to carry on the tradition of The Perils of Pauline and The Exploits of Elaine, it was the work of the same screenwriter of those two lucrative serials, Charles Goddard, but The Mysteries of Myra was very different from any serial before or since in terms of structure and content.

Charles Goddard’s 15 chapter screenplay was developed from an original story treatment by real life occult detective, Hereward Carrington. Dr. Carrington was a member of the infamous Society for Psychical Research and a colleague of Harry Houdini. While a skeptic who exposed many false claims of psychic phenomena and hauntings, Dr. Carrington was also a believer in demonic possession, the afterlife, and other preternatural occurrences. The hero of the piece, Dr. Payson Alden, occult detective is clearly based on Hereward Carrington. The Mysteries of Myra is concerned with Dr. Alden’s efforts to save heiress Myra Maynard from the occult society, The Black Order and to win her heart from her contemptible fiancé , Arthur Varney, who is the right hand man of The Grand Master of The Black Order.

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Vintage Trash: I Was A Teeny-Bopper For The CIA by Ted Mark

Vintage Trash: I Was A Teeny-Bopper For The CIA by Ted Mark

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i-was-a-teeny-bopper-for-the-cia-movie-poster-9999-1020429335Many, many years ago I worked at a used bookstore called Bookmans in Tucson. Everybody from Arizona knows Bookmans. They have several stores around the state and they’re all as big as supermarkets, filled with used books, music, and games. Most books are half cover price, and employees got a 50% discount. Sometimes the manager would be like, “You did a good job today, Sean, take a book.”

I realized that I would never get another opportunity like that in my life and took full advantage. My library exploded with books on every topic imaginable. I also learned the joy of collecting vintage paperbacks, with the added joy of getting them for next to nothing.

So when I came across Ted Mark’s I Was A Teeny-Bopper For The CIA I just had to get it. I’d never heard of the title or author before (I wasn’t about to forget that title!) and figured this would be something I’d never see again. I was right, I’ve never seen that book again, and now, 20 years later, I finally got around to reading it.

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Otto Binder on H.P. Lovecraft and Robert E. Howard

Otto Binder on H.P. Lovecraft and Robert E. Howard

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Weird Tales December 1936-small

In late December 1935, science fiction author Otto Binder moved from Chicago to NYC to represent Otis Adelbert Kline’s literary agency. Among the authors he represented for Kline’s agency was Robert E. Howard. Binder had been to NYC previously, in late June and early July 1935, with his friends Clifford Kornoelje (better known in SF circles as Jack Darrow) and Bill Dellenback.

As I’ve mentioned before, back in 2001 I bought a few boxes of correspondence from Darrow’s estate, including dozens of letters that Binder had written to Darrow over the course of many decades. In going through them last month, I pulled this one and thought I’d post it today.

Once in NYC, Otto quickly resumed his friendships with Mort Weisinger and Charles Hornig, and rapidly met more figures involved in the local science fiction community. Less than two weeks after he’d arrived, he was invited to a gathering at Frank Belknap Long’s place, which was held on Friday, January 3, 1936. Binder and Long were fellow Weird Tales authors, with Binder and his brother, Earl, having sold WT some stories under their Eando Binder penname.

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Galaxy Science Fiction, April 1953: A Retro-Review

Galaxy Science Fiction, April 1953: A Retro-Review

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Galaxy April 1953-small Galaxy April 1953 contents-small

Galaxy’s April, 1953 issue includes a story by fellow Hoosier, Kurt Vonnegut, Jr. I hadn’t read any of his work previously. Gasp! So I was excited to find something of his within Galaxy.

“Made in U.S.A.” by J. T. M’Intosh — Roderick began a divorce trial with his newlywed wife, Alison. The couple had been in love, but when Roderick found out she was an android, he wanted to end the marriage. Though androids are identical to humans in many ways, they lack the ability to produce children. As to why Alison withheld the truth of who she was, it was within the statutes of the law — androids have equal status in society.

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