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Total Pulp Victory: Windy City Pulp & Paper, Part II

Total Pulp Victory: Windy City Pulp & Paper, Part II

Horror on the Asteroid at Windy City Pulp 2016-small

Horror on the Asteroid, and other fabulous treasures

Happy Saturday morning everyone!

I leaped out of bed this morning, and hastily started packing up to head out to the Windy City Pulp and Paperback show in nearby Lombard, IL. I spent most of the day there yesterday, catching up with Jason Waltz, Arin Komins, Rich Warren, David Willoughby, Bob Garcia, Doug Ellis, and many other old friends… and more than a few fellow happy buyers and sellers.

I also found more than a few treasures, including a seller in the back with an absolutely gorgeous collection of 1970s and 80s science fiction paperbacks that looked glossy and flawless. He was asking $2 each, in many cases less than the original cover price, so it was like stepping back in time and plucking brand new books by Roger Zelanzy, Sherri Tepper, H. Beam Piper, P.C. Hodgell, Gene Wolfe, and Robert E. Howard off the shelves. I even found a complete set of M. John Harrison’s Viriconium sequence, which Fletcher Vredenburgh enthusiastically wrote up here at Black Gate. I spent a small fortune at that booth alone, and it took a few trips back to the car to carry all my bags.

Windy City has the kind of treasures I cannot find anywhere else, like rare Arkham House collections and early issues of Weird Tales, and even a copy of the first collection by my favorite pulp writer, Edmond Hamilton’s The Horror on the Asteroid and Other Tales of Planetary Horror, published in hardcover by Philip Allan in 1936. I’ve only seen one copy in my entire life, and that was at last year’s show, resting on a table among dozens of other near-priceless volumes, like early first editions of Stephen King, H.P. Lovecraft, Robert A Heinlein, Fritz Leiber, C.L. Moore, Robert E. Howard, Clark Ashton Smith, and lots more (click the image above for a closer look).

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A Tale of Three Covers: Allen Steele Resurrects Captain Future

A Tale of Three Covers: Allen Steele Resurrects Captain Future

Captain Future Winter 1941 Asimovs-October-1985-small Avengers-of-the-Moon-smaller

Captain Future was created by editor Mort Weisinger way back in 1940, but it was the great pulp writer Edmond Hamilton who made him popular. Hamilton wrote dozens of stories featuring the futuristic adventurer between 1940 and 1951, such as “Captain Future and the Seven Space Stones,” which appeared in the Winter 1941 issue of Captain Future: Man of Tomorrow (above left, cover by Earle K. Bergey). Most of Hamilton’s short novels were reprinted in paperback in the 60s, and there was even a 1978-79 anime production that brought the Captain some fame in markets like Spain and Germany, but in general the character was long forgotten here in the US by the mid-80s.

In 1995, Allen Steele wrote “The Death of Captain Future,” a fond homage to Hamilton’s classic tales. It was the cover story for the October 1995 issue of Asimov’s Science Fiction, with a stellar retro-pulp cover by Black Gate cover artist Todd Lockwood (click the image above left to see Todd’s original painting). “The Death of Captain Future” was nominated for a Nebula Award, and won the Hugo Award for best novella of the year. Steele returned to the same characters four years later with “The Exile of Evening Star” (Asimov’s SF, January 1999).

Fast forward nearly 20 years, and we find Steele’s brand new novel Avengers of the Moon on sale at bookstores across the country. It returns once again to Hamilton’s Captain Future milieu, but with a more ambitious tale, and this time Steele hews much closer to the original source material, right down to Captain Future’s colorful cast of sidekicks, and the villainous U1 Quorn, a half-Martian renegade scientist. Avengers of the Moon was published in hardcover by Tor Books this week; the cover artist is uncredited.

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Julius Schwartz on A. Merritt, Amazing Stories, and the First Worldcon

Julius Schwartz on A. Merritt, Amazing Stories, and the First Worldcon

sfcon08 - darrow - williamson signing - schwartz - unknown - ruppert-small

The first Worldcon, July 1939. Left to right: Jack Darrow, Jack Williamson,
Julius Schwartz, unknown, and Conrad Rupert. Photo by Bill Dellenback

While letters from and to Otto Binder made up the majority of the correspondence I acquired from the estate of Clifford Kornoelje (aka in science fiction circles as Jack Darrow), Binder wasn’t the only science fiction notable that Darrow corresponded with. One of his other correspondents was Julius Schwartz, remembered today for his roles in both the science fiction and comics fields. I thought I’d post two of those letters from Schwartz — along with some related material — today.

The first letter from Schwartz to Darrow is dated December 12, 1932. The Mort that he refers to in several places is their mutual friend, Mort Weisinger. It has a mention of Astounding, a mention of a dinner that Schwartz (and presumably Weisinger as well) will be having with pulp author David H. Keller. And most particularly, it has an interesting bit resulting from an interview that Schwartz had conducted with A. Merritt two weeks earlier. I don’t know if Merritt actually sued Amazing, as Schwartz claims, or whether he just threatened them, but Amazing did run an apology in their June 1933 issue.

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Edgar Rice Burroughs’s Pellucidar Saga: Tarzan at the Earth’s Core

Edgar Rice Burroughs’s Pellucidar Saga: Tarzan at the Earth’s Core

tarzan-at-the-earths-core-first-edition-j-allen-st-johnYou’ll believe a Stegosaurus can fly!

In the time I’ve written about Edgar Rice Burroughs for Black Gate, only once have I examined one of his Tarzan books. That was eight years ago. This lack of Tarzan representation isn’t because I dislike the character. A number of the early Tarzan adventures rate among my favorite Burroughs novels, and I’ll defend Tarzan of the Apes as one of the twentieth century’s Great Books. But since there’s more information available about Tarzan than any other Burroughs series, my literary adventuring was more interesting when it stayed in hinterlands of ERBiana.

However, it’s a thrill to have the ape-man swing in through the side door during one of my series retrospectives. Let’s welcome Tarzan onto the stage of Pellucidar. Ladies and gentlemen, boys and girls, Sagoths of all ages … it’s crossover time!

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Tarzan at the Earth’s Core (1929–30)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915), Tanar of Pellucidar (1929)

The Backstory

Although most of Edgar Rice Burroughs’s novels occur in the same universe, linked through the author’s fictional surrogate version of himself, Tarzan at the Earth’s Core is the only point where a character from one series leaps to another as the protagonist. It’s the fourth Pellucidar novel and the thirteenth Tarzan novel — full crossover achieved for the first and last time in the ERB canon.

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Future Treasures: The Horror on the Links: The Complete Tales of Jules De Grandin, Volume One by Seabury Quinn

Future Treasures: The Horror on the Links: The Complete Tales of Jules De Grandin, Volume One by Seabury Quinn

The Horror on the Links The Complete Tales of Jules De Grandin Volume One-smallToday Weird Tales is chiefly remembered as the magazine that launched the careers of the great pulp fantasy writers of the 20th Century. But as most fans of the Grand old Lady of the pulps know, the most popular Weird Tales author wasn’t Robert E. Howard, or H.P. Lovecraft, but Seabury Quinn, someone whom is almost completely forgotten today. Quinn’s supernatural detective Jules De Grandin — a top-seller in the 20s and 30s, appearing in over ninety stories and a single novel between 1925 and 1951 — has been out of print for decades. Night Shade rectifies that injustice with the first volume of The Complete Tales of Jules De Grandin, arriving in hardcover next week.

Today the names of H. P. Lovecraft, Robert E. Howard, August Derleth, and Clark Ashton Smith, all regular contributors to the pulp magazine Weird Tales during the first half of the twentieth century, are recognizable even to casual readers of the bizarre and fantastic. And yet despite being more popular than them all during the golden era of genre pulp fiction, there is another author whose name and work have fallen into obscurity: Seabury Quinn.

Quinn’s short stories were featured in well more than half of Weird Tales’s original publication run. His most famous character, the supernatural French detective Dr. Jules de Grandin, investigated cases involving monsters, devil worshippers, serial killers, and spirits from beyond the grave, often set in the small town of Harrisonville, New Jersey. In de Grandin there are familiar shades of both Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot, and alongside his assistant, Dr. Samuel Trowbridge, de Grandin’s knack for solving mysteries — and his outbursts of peculiar French-isms (grand Dieu!) — captivated readers for nearly three decades.

Collected for the first time in trade editions, The Complete Tales of Jules de Grandin, edited by George Vanderburgh, presents all ninety-three published works featuring the supernatural detective. Presented in chronological order over five volumes, this is the definitive collection of an iconic pulp hero.

The first volume, The Horror on the Links, includes all of the Jules de Grandin stories from “The Horror on the Links” (1925) to “The Chapel of Mystic Horror” (1928), as well as an introduction by Robert Weinberg.

The Horror on the Links: The Complete Tales of Jules De Grandin, Volume One will be published by Night Shade Books on April 4, 2017. It is 512 pages, priced at $34.99 in hardcover and $9.99 for the digital edition. Not sure who did the cover, but I’m working on it.

A Jaunt Through Clark Ashton Smith’s Collected Fantasies—Vol. 1: The End of the Story

A Jaunt Through Clark Ashton Smith’s Collected Fantasies—Vol. 1: The End of the Story

Clark-ashton-smith-end-of-the-story-wildside-press-coverI’ve read the complete works of Clark Ashton Smith. And I’ve been known to write at length about them, or to chat with journalists on the topic. There’s nothing unusual about this, since Smith ranks among my favorite five or so authors of all time.

But only recently did I decide to undertake reading his fantasy stories in the original order he wrote them. I can thank Night Shade Books’ five volume series, The Collected Fantasies of Clark Ashton Smith, for making this an easier task than it would’ve been only a few years ago. When the series started to appear in 2007, the hardcover volumes went out of print rapidly. Even a hardcore fan like myself couldn’t justify a purchase of one of the high-priced used copies.

However, as of 2016, all five of The Collected Fantasies are now available in inexpensive trade paperbacks that can be purchased through online retailers with a few clicks. The texts for these volumes have been meticulously prepared (no simple feat considering the revisions and alternate versions published in the past) and offered in the chronological order of composition.

I’m taking a stroll through these editions to read the stories as they were imagined and committed to paper. Instead of regaling you with further long essays, I’m going to take on the role of sightseer, bringing back notes and a slideshow presentation about the best — and the rest — of each volume.

By the way, if you are new to Clark Ashton Smith, the Night Shade editions aren’t the best way to start out. They’re aimed at the collector and long-time connoisseur. I recommend the Penguin Classics collection The Dark Eidolon and Other Fantasies as a better Smith introduction. If you like the heady journey, there’s much more to explore in the dark fathoms below…

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New Treasures: If This Goes Wrong… edited by Hank Davis

New Treasures: If This Goes Wrong… edited by Hank Davis

If This Goes Wrong... Hank Davis-small If This Goes Wrong... Hank Davis-back-small

I’m really enjoying these recent Hank Davis anthologies, especially The Baen Big Book of Monsters and Things from Outer Space. As I’ve mentioned before, no one else today is collecting writers like Robert A. Heinlein, Clifford D. Simak, Fritz Leiber, and Fredric Brown and packaging them in mass market anthologies for under 8 bucks. Davis is making the greatest SF writers of the 20th Century accessible to casual modern readers, and that’s no small thing.

Plus, his anthologies are a blast.

His most recent, If This Goes Wrong…, showed up just after Christmas. It collects 17 tales of off-kilter futures originally published in Astounding Science Fiction, Galaxy, World of IF, Analog, and other fine publications. Just think — some kid in Oklahoma picked this book up and discovered the science fiction of the pulps for the first time. I get goosebumps just thinking about it.

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Edgar Rice Burroughs’s Pellucidar Saga: Tanar of Pellucidar

Edgar Rice Burroughs’s Pellucidar Saga: Tanar of Pellucidar

tanar-of-pellucidar-original-printing-coverA long time has passed, both on the surface of the Earth’s sphere and within it. On the surface, it’s been almost fifteen years since Edgar Rice Burroughs wrote the second of his inner world adventures, Pellucidar. During this time, ERB penned another ten Tarzan novels, a couple more Martian ones, and a few of his finest standalone tales. Burroughs incorporated himself and set up the offices of Edgar Rice Burroughs, Inc. in a part of the San Fernando Valley soon to be named Tarzana. It seemed unlikely he would return to writing about Pellucidar after almost a decade and a half … but then he hatched a plan to give the Tarzan series a boost using the fuel of the Earth’s Core.

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Tanar of Pellucidar (1929)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915)

The Backstory

The gap between Pellucidar and Tanar of Pellucidar is fourteen years, the longest hiatus for any of ERB’s major series. Despite numerous pleas from readers, Burroughs apparently had no intention to explore Pellucidar further. But at the end of the 1920s, he devised a plan to jolt life back into the Tarzan books by sending the Lord of the Apes somewhere stranger than the usual lost jungle cities. He already had that “somewhere stranger” waiting to be used: Pellucidar was the perfect Tarzan destination vacation!

But first, Pellucidar needed a bit of a dusting-off to set it up for Lord Greystoke’s arrival, as well as to remind the reading public that the setting existed. Burroughs put into action a two-book plan, starting with a new standalone Pellucidar novel to lure readers into the upcoming Tarzan adventure.

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Off to a Writing Retreat in Cairo

Off to a Writing Retreat in Cairo

DSC_2083

On the left is the anthropoid coffin of Wenmontu, of the 22nd or
23rd dynasty (944-716 BC). To the right is the coffin of Mesiset,
late 22nd to early 25th dynasty (c. 750 BC). These are in the
archaeological museum of Bologna, which has an excellent
Etruscan collection I wrote about in a previous post.
Photo copyright Sean McLachlan.

I’m stepping out of the blogosphere for the next couple of weeks to do a writing retreat in Cairo. As Black Gate regulars know, I usually go to Tangier, but now that my Tangier novel is out, I’m changing location to work on a new project.

It’s a neo-pulp adventure novel tentatively titled The Masked Man of Cairo: The Case of the Purloined Pyramid and follows the adventures of a disfigured World War One veteran turned antiquities dealer who gets tangled up in the machinations of the Thule Society in 1919. And yes, a pyramid really was stolen from Giza! Well, sort of.

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Edgar Rice Burroughs’s Pellucidar Saga: Pellucidar

Edgar Rice Burroughs’s Pellucidar Saga: Pellucidar

Pellucidar-1st-Edition-Cover-smallWelcome back to the concave world of Pellucidar and the second novel in Edgar Rice Burroughs’s series of adventures within the globe: the eponymous Pellucidar. ERB left readers in suspense about the fate of hero David Innes at the close of At the Earth’s Core, but only a year later delivered audiences from the tension and closed out a duology about the Imperial Conquest of the Pellucidar. (And we still have five more volumes to go after this.)

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic… Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Pellucidar (1915)

Previous Installments: At the Earth’s Core (1914)

The Backstory

During the mid-teens, Edgar Rice Burroughs frequently wrote with the aim of creating two-part novels. The books we know today as The Mad King, The Cave Girl, and The Eternal Lover are combinations of an original novel and its closely connected sequel. The Pellucidar series might have gone the same way. The sequel to At the Earth’s Core was written at this time and serves as an immediate follow-up that brings the story of its first novel to a conclusion. If Burroughs hadn’t returned to the setting fourteen years later and continued writing more about Pellucidar, it’s possible that At the Earth’s Core and Pellucidar would be considered a single novel today — probably simply titled At the Earth’s Core. (My title choice would be Conquest of the Earth’s Core.)

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