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A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last year, Steeger Books put out its first deluxe edition hardback, containing all of Paul Cain’s short stories, as well as his lone novel, Fast One. I wrote the intro for Fast One, which is on every list of the greatest hardboiled Pulp novel (it battles The Maltese Falcon for my top spot). That was my sixth intro for Steeger, and it’s this week’s column. Clearly, I recommend reading this slim, recklessly-paced Pulp masterpiece.

Paul Cain’s Fast One is a relentless roller coaster ride, which never lets the reader catch their breath before the next heart-stopping drop. The hero, Gerry Kells, plays a never-ending chess game, in which new pieces are constantly added to the board. He maneuvers a constantly shifting labyrinth of players, alliances, and plots, like a Machievellian chess master. He doesn’t just respond to developments: He consistently moves to turn matters to his advantage. He is a hard guy, but he has a heart – which prevents him from being ruthless. A little more ruthlessness would have served him well.

Kells continually responds to the situations (which are often backed by a gat) thrown at him, by turning up the heat. Police, a newspaper, other gangsters – he’ll use, or take on, anything in the mix. It’s a continual sense of “What’s gonna happen next?” as you turn the pages. And when Kells gets an upper hand, a new wrench gums up the works.

Power, politics, and money: Kells continues to navigate this trilogy of shark-infested waters, right up to the final scene. If Kells had been willing to put a bad guy out of the story – or at least put a bullet in a knee or two, he would have had an easier time, moving forward. He leaves players on the board. And they’re not allies. He’s a tough guy, but he’s more honorable than his enemies.

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A (Black) Gat in the Hand: 7 Upcoming Attractions

A (Black) Gat in the Hand: 7 Upcoming Attractions

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My life gets crazy busy in July, and stays busy to Christmas, when I get a break. It’s a task to get my planned weekly column done. Which can shift the ‘current one’ into ‘in progress’ status. Which is the case this week. So, here’s a look at some of the stuff I hope to cover in the current incarnation of A (Black) Gat in the Hand.

DAY KEENE

Last week I posted (finally) the Jo Gar essay which I started in 2018. Nice to check that off the list. The current ‘in progress’ essay is on a Day Keene story from the September, 1949 issue of New Detective. I’ve already written one post on Keene here. I think he is an under-appreciated hard boiled writer. That issue also has a story by Frederic Brown. And one by my all-time favorite writer, John D. MacDonald. So, maybe I’ll mine that one for more material. The fact you’re reading this post right now, means I still haven’t finished my Keene essay.

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A (Black) Gat in the Hand: Hardboiled Manila – Jo Gar

A (Black) Gat in the Hand: Hardboiled Manila – Jo Gar

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Several hardboiled books were not actually novels at the start. They were multi-part serials in the Pulp magazines of the day. Perhaps the most famous of these is Dashiell Hammett’s The Maltese Falcon, which ran for five installments from September 1929 through January of 1930. Likewise, Ned Beaumont’s four-part adventure became The Glass Key. The same happened with The Continental Op. And it wasn’t just Hammett. Paul Cain’s The Fast One is arguably the finest hardboiled novel ever – and it was a serial.

Raoul Whitfield’s The Laughing Death enthralled readers for nine issues in a row. A five-issue story became Green Ice; and Ben Jardinn spent three issues working on a murder in Death in a Bowl. The author of several novels for juvenile boys, Whitfield actually wrote another hardboiled novella, except it wasn’t collected and issued separately, so it’s not regarded as a book. And this was the only serial featuring his wonderful island detective, Jo Gar.

WARNING – THERE BE SPOILERS AHEAD!
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Remembering Carl Jacobi

Remembering Carl Jacobi

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Revelations in Black by Carl Jacobi (Jove/HBJ, January 1979). Cover uncredited

D.H. Olson delivered this eulogy for Carl Jacobi on Friday, August 29, 1997 at Lakewood Chapel in Minneapolis, Minnesota. It was included in Masters of the Weird Tale: Carl Jacobi, published by Centipede Press in May 2014. Our deepest thanks to D.H. Olson for permission to reprint it here, and special thanks to Jerad Walters at Centipede Press for providing the text.

When R. Dixon Smith asked me to speak here today, I was honored, but also somewhat taken aback. There are others, after all, who have known Carl Jacobi both better, and longer, than I. Still, when one is asked to do honor to a man whom one has admired for years, one can hardly say no.

First, to the “facts” as they may be found in the public record.

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A (Black) Gat in the Hand: John D. MacDonald’s ‘Ring Around the Redhead’

A (Black) Gat in the Hand: John D. MacDonald’s ‘Ring Around the Redhead’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I’m putting the finishing touches on my long-delayed Jo Gar essay. But I realized I’ve not talked about my all-time favorite author yet here in A (Black) Gat in the Hand. I have written about a half-dozen essays on John D. MacdDonald, and I included Bill Crider’s review of The Brass Cupcake.

But I haven’t included any of his stuff in my Pulp column. Though he achieved fame as a paperback writer, John MacD honed his skills as a prolific Pulpster. He was a regular in Doc Savage in 1946, before breaking into both Dime Detective, and Black Mask, the following year. He became a regular in the sci-fi Pulps, and even contributed to the Mystery Pulp successors, Manhunt, and the (short-lived) Justice. Black Mask’s famed editor, Joe ‘Cap’ Shaw was MacDonald’s agent for a time.

Back in 2016, I wrote a detailed piece on MacDonald for the 100th anniversary of his birth. Click on over if you want to learn some things about him. Back in 2018,I guested in Steve H Silver’s Birthday Reviews column, with a rare science fiction post by me. So, bringing that one over here into the Pulp column to get some JDM here. More to come (though not sci-fi).

Every so often, I prove that the Black Gate firewall needs some serious tightening up by jumping in and putting up a post where I don’t belong (many readers and fellow bloggers believe that would be the entirety of the Black Gate website…). So, if you’re reading this, the crack web monitoring team hasn’t seen it yet. Don’t tell Steven. He might gnaw through the restraining chain around his ankle and crawl over to my desk in the cellar…basement…journalist’s suite to thrash me.

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A (Black) Gat in the Hand: Dime Detective – August, 1941

A (Black) Gat in the Hand: Dime Detective – August, 1941

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Black Mask’s major competition came in the form of Dime Detective Magazine, which touted itself as “twice as good – for half the price” (Black Mask cost 20 cents at the time; though the price would shortly drop to 15 cents, in part due to Dime Detective’s success at the cheaper cost).

Editor Kenneth White (the same mentioned above) was instructed to lure as many writers from Black Mask as he could, paying an extra penny a word as enticement. And with a going rate of one to two cents for pulp writers (Black Mask’s three cents a word was indicative of its standing and quality in the field), the four cent rate made a significant difference to writers. As the prolific Erle Stanley Gardner supposedly replied to observations that he always seemed to use his hero’s last bullet to knock off the story’s antagonist:

“At three cents a word, every time I say ‘Bang’ in the story I get three cents. If you think I’m going to finish the gun battle while my hero still has fifteen cents worth of unexploded ammunition in his gun, you’re nuts.”

Writers were forbidden from doing novel serializations (The Maltese Falcon was first a serial) and were also instructed to create their own characters, which could not appear elsewhere, for the magazine. The onslaught was successful, with many of the era’s most popular writers switching to Dime Detective. Carroll John Daly (who brought the iconic Race Williams with him), Erle Stanley Gardner, Frederick Nebel and Norbert Davis (whose humorous stories were frequently rejected by Shaw but who flourished at his new home) were among those lured to Dime Detective.

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A (Black) Gat in the Hand: Rex Stout’s ‘The Mother of Invention’

A (Black) Gat in the Hand: Rex Stout’s ‘The Mother of Invention’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

If you read more than just this Pulp series of mine each summer, you know that I am a gargantuan Nero Wolfe fan. It’s my favorite mystery series, and I have written a lot of fiction and non-fiction about Wolfe, and Archie Goodwin.

Rex Stout wrote several novels and many short stories, before the first Wolfe novel dropped in 1934. Of course, there was no looking back after Fer de Lance.

He placed “A Professional Recall” in the December, 1912 issue of The Black Cat magazine. “Pamfret and Peace” followed the next month. There would be three more over the next few years.

The Black Cat was founded by Herman Umbstaetter in 1895. He had gained and lost a fortune before managing to fund his own magazine in Baltimore. It was not a Pulp, and was about the size of the Dime Novels of the day (about 6” x 9”). Umbstaetter encouraged new writers, and paid based on the quality of the story, not by the word. His wife did the early covers.

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A (Black) Gat in the Hand: Ya Gotta Ask – Reprise

A (Black) Gat in the Hand: Ya Gotta Ask – Reprise

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Nine years ago this past January, I wrote a post here titled, Ya Gotta Ask. I felt like that one could use a bit of polish and expansion, and it would still be a pretty good post. So, here’s a revised version, as the Monday morning column gets ready to kick off another Summer of Pulp with A (Black) Gat in the Hand.

One of the cool things about Black Gate is that there are a bunch of authors who blog here. These are Writers with a capital ‘W’. I have worked hard to become a pretty good blogger, and I think I’ve succeeded. I’ve got a couple awards to back that up. I’ve published some short stories and non-fiction, as well. But I still think of myself as a lower case ‘w’ writer. I am working towards capitalizing that letter, but as any Writer will tell you, you just gotta keep working at it.

Now, some authors here at Black Gate can (and have) given you advice on how to write a novel, or get a book published: be it here, or on their own blogs or other sites. Follow their advice, make it happen, and then you can be a Writer too (a novel isn’t the defining element: I’m just using it as a benchmark for this essay). I’m going to make a suggestion on how you can become a writer, like me. I know, I know: you’re all atingle.

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Vintage Treasures: The Augmented Agent by Jack Vance

Vintage Treasures: The Augmented Agent by Jack Vance

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The Augmented Agent (Ace Books, September 1988). Cover by Terry Oakes

I need to read more Jack Vance.

It’s not hard to do. Virtually all of his short fiction has been collected over the years, in places like the five-volume The Early Jack Vance, edited by Terry Dowling and Jonathan Strahan, and the massive The Jack Vance Treasury.

Of course, those are small press collections, and if you’re looking for a more affordable way to dip your toe into the fast-moving waters of Jack Vance, then I recommend one of his fine paperback collections, like The Worlds of Jack Vance, The Best of Jack Vance, or today’s Vintage Treasure, The Augmented Agent, which collects eight Vance rarities, chiefly pulp adventures tales from very early in his career.

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Vintage Treasures: The Last Man on Earth edited by Isaac Asimov, Martin Harry Greenberg, and Charles G. Waugh

Vintage Treasures: The Last Man on Earth edited by Isaac Asimov, Martin Harry Greenberg, and Charles G. Waugh

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The Last Man on Earth (Fawcett Crest / Ballantine, August 1982). Cover by Wayne Barlowe

I continue to dip into the (seemingly endless) supply of anthologies from the three amigos of science fiction, Isaac Asimov, Martin Harry Greenberg, and Charles G. Waugh. I’m not sure how many they actually produced together, but I’ve managed to track down around 80. They began collaborating in the 80s, and averaged over half a dozen books a year, until Asimov’s death in 1992.

This time I’ve set aside their popular series in favor of a fine standalone book: The Last Man on Earth, a collection of post-apocalyptic tales that present a wide range of imaginative scenarios built around a popular SF trope. They include William F. Nolan’s “The Underdweller,” the tale of a man living in the sewers of San Francisco, trying desperately to salvage mankind’s most important texts while avoiding the new rulers of the city; Gordon Eklund’s “Continuous Performance,” which sees a man struggling to survive by putting on magic shows for androids; Roger Zelazny’s “Lucifer,” the haunting story of the world’s last man and his visit to the mysterious ruins of a long-dead city, and many others.

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