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Category: Pulp

Vintage Treasures: The House of Many Worlds by Sam Merwin, Jr.

Vintage Treasures: The House of Many Worlds by Sam Merwin, Jr.

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The House of Many Worlds-small The House of Many Worlds-back-small

Sam Merwin Jr. was one of the most influential SF editors of the pulp era. He took over the reins at Thrilling Wonder Stories and Startling Stories in Winter 1945 from Oscar J. Friend, and immediately adopted a more mature attitude, attracting more adult readers and better writers. At first he assumed Friend’s editorial pseudonym, Sergeant Saturn, but eventually he simply went by the title Editor. By 1950 he was also editing Fantastic Story Quarterly and Wonder Stories Annual, making him one of the most important names in the field. His letter columns were avidly followed by fans of all ages, and he’s widely credited with steering his SF magazines out of the kid’s section and towards an adult readership.

Merwin quit editing in 1951 to become a freelance writer, and found some success with mysteries, and writing stories for DC’s Strange Adventures and Mystery in Space in 1952-1953. He briefly edited Fantastic Universe in 1953, and was an associate editor at Galaxy around the same time.

But Merwin is remembered today chiefly for two linked time travel novels, The House of Many Worlds and Three Faces of Time. They were published in a paperback omnibus edition by Ace in 1983, with a cover by comic artist Frank Brunner (above).

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Imaginative Tales, July 1957: A Retro-Review

Imaginative Tales, July 1957: A Retro-Review

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Imaginative Tales July 1957-small Imaginative Tales July 1957-back-small

Imaginative Tales was the adventure oriented companion magazine to William Hamling’s Imagination. Imagination (often called Madge) is still affectionately remembered by some older fans — it was a fun magazine, though I can’t say it published much really memorable fiction. Imaginative Tales arguably tried to be even funner, but I think less successfully, based on my limited exposure.

(Hamling, by the way, is a controversial figure, not really remembered, I gather, as affectionately as his magazine. He lived to be 95, dying in 2016. He is reported to have rather gruffly rebuffed any attempts to discuss his SF publishing career over the past few decades of his life. He started Rogue magazine in 1955, as a competitor to Playboy, and much of his latter-day publishing efforts were in the “adult” genre.)

The cover is by Malcolm Smith. The interiors are uncredited, though I recognize a signature for “Becker,” and the ISFDB suggests W. E. Terry for another. The interiors are 2 color, by the way.

This issue features a novella, “World of Never-Men,” by Edmond Hamilton, and five short stories. One is by Robert Moore Williams, “The Red Rash Deaths,” and the other four are by some combination of Randall Garrett and Robert Silverberg, who, as I recall, were working together at the time, producing reams of fiction for the likes of Hamling.

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DMR Books Brings Pulp Sword & Sorcery Back Into Print

DMR Books Brings Pulp Sword & Sorcery Back Into Print

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The Sapphire Goddess The Fantasies of Nictzin Dyalhis-small The Thief of Forthe and Other Stories by Clifford Ball-small

Last month I rented a booth at the Windy City Pulp and Paper show here in Chicago — my favorite local convention — and piled it high with brand new hardcovers and trade paperbacks I was giving away. I had 31 boxes of leftover review copies, duplicates from my collection, and hundreds of rare advance proofs to get out of my basement, and this seemed like the perfect opportunity. Bob Byrne and Steven Silver made long drives to the con to help staff the booth, and we were looking forward to handing out books to grateful attendees.

Reality was a little bit different. Most folks passed by our booth with barely a glance. If Bob and Steve and I hadn’t been tirelessly peddling books, handing out free copies as people passed by, and carting books by the dozens to the freebie pile at registration every few hours, we’d probably still be there. This was an audience more interested in pulps and vintage paperbacks than brand new science fiction and fantasy, apparently.

It’s not true that there was no interest in our booth. After eight long hours unsuccessfully giving away books on Friday, Dave Ritzlin from DMR Books joined us on Saturday, and we gladly made space for him in the booth. Once we did interest picked up immediately, as folks zeroed in on his attractive selection — and especially his new releases, The Sapphire Goddess: The Fantasies of Nictzin Dyalhis and The Thief of Forthe and Other Stories by Clifford Ball.

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Tarzan Swing-By: Tarzan and the Lost Empire (1928–29)

Tarzan Swing-By: Tarzan and the Lost Empire (1928–29)

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tarzan-and-lost-empire-grosset-dunlap-cover

Readers have asked me, but the answer is still no: I can’t tackle the entire Tarzan series the way I did Edgar Rice Burroughs’s other book series, Mars, Venus, and Pellucidar. There are twenty-four Tarzan books, not counting the juveniles, and I’d burn out long before the end if I tried to read them in sequence over a compressed time period.

But since I’m always glad to pick up a Tarzan volume here and there among my other Burroughs readings, I’ll negotiate. I’ll do an occasional Tarzan book “swing-by” to give spotlight time to ERB’s biggest contribution to popular culture. No particular order, just whatever Tarzan adventure grabs me at the moment.

So I’ll start with … let’s see … Book #12, Tarzan and the Lost Empire. Wherein the Lord of the Jungle finds yet another civilization lost in time in the heart of Africa: a remnant of the Roman Empire still living the ancient ways. Tarzan also gets a little monkey sidekick.

Tarzan and the Lost Empire falls into a period of the Tarzan novels that I think of as the “Filmation Era” because of how much the 1970s Filmation animated series Tarzan, Lord of the Jungle reflects it. After the tenth book, Tarzan and the Ant Men, Tarzan was distanced from the Greystoke legacy and his former supporting cast, and now has the companionship of both Nkima the monkey and Jad-bal-ja the golden lion. Jane vanished except for a single reappearance in Tarzan’s Quest (1936). The plots became standalone and repeated certain formulas, such as Tarzan discovering lost civilizations or facing a Tarzan imposter.

The writing quality of these books was still high in the late ‘20s and early ‘30s, and Burroughs hadn’t lost his skill at executing pulse-racing action set-pieces. But the plotting was often perfunctory as ERB became a bit fatigued with having to go back to the Tarzan well again and again. The story ideas and the prose popped, but the plots often meandered with overstuffed casts and too much incident that doesn’t go anywhere. Tarzan and the Lost Empire falls prey to these faults. But it also contains one of the most interesting hidden civilizations of the series and a setting that energized Burroughs.

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Birthday Reviews: Frank Belknap Long’s “Willie”

Birthday Reviews: Frank Belknap Long’s “Willie”

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Cover by William Timmins
Cover by William Timmins

Frank Belknap Long was born on April 27, 1901 and died on January 3, 1994.

In 1976, Long was nominated for three World Fantasy Award for his study Howard Phillips Lovecraft: Dreamer on the Nightside, his collection The Early Long, and received his second Lifetime Achievement nomination. He would eventually receive the Lifetime Achievement Award from the World Fantasy Award in 1978 and form the Bram Stoker Awards in 1988. In 1977, he was inducted into the First Fandom Hall of Fame.

“Willie” first appeared in the October 1943 issue of Astounding Science-Fiction, edited by John W. Campbell, Jr. It was reprinted in 1979 in Night Fear, a collection of stories by Long. In 1999, August Derleth included it as an example of a time travel story in New Horizons: Yesterday’s Portraits of Tomorrow. It was also reprinted in 2010 in the Centipede Press volume Frank Belknap Long, part of its Masters of the Weird Tale series.

Although the story is called “Willie,” the central character begins by thinking of himself as simply “Twenty-ninth Century Man.” He eventually learns that he is known as Agar, although he also has the identity of Monitor 236, a position of responsibility and dignity. Despite all of these identities, he is never quite clear who he is or how he fits into the primitive society in which he finds himself in. He does know that it is his responsibility to protect the people of the city.

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A Spooky Trip Back to the Golden Age of Weird: The Complete Tales of Jules de Grandin, by Seabury Quinn

A Spooky Trip Back to the Golden Age of Weird: The Complete Tales of Jules de Grandin, by Seabury Quinn

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The Horror on the Links The Complete Tales of Jules de Grandin Volume One-small The Devil's Rosary The Complete Tales of Jules de Grandin Volume Two-small The Dark Angel The Complete Tales of Jules de Grandin Volume Three-small

Seabury Quinn’s occult detective Jules de Grandin first appeared in Weird Tales in 1925 and, in over 90 stories published over the next 26 years, he squared off against ghosts, werewolves, satanists, serial killers, and more sinister things. His adventures were among the most popular ever published in that venerable old pulp, surpassing even the legendary exploits of Robert E. Howard’s Conan and H.P. Lovecraft’s Cthulhu Mythos.

Publishers’s Weekly had this to say about the first installment of The Complete Tales of Jules de Grandin, The Horror on the Links, released by Night Shade Books in April 2017:

The first volume… is a fun, spooky trip back to the golden age of weird. Each story is narrated by de Grandin’s bemused and long-suffering friend Dr. Samuel Trowbridge, and most include de Grandin’s concluding explanation of the how and why of the events. Each story has its merits, but standouts include the shudder-worthy “The Isle of Missing Ships,” in which de Grandin and Trowbridge’s ship is overtaken by pirates; they end up stranded on an island where a strange man dwells in a lavish underwater cave and “long pork” is on the menu. “The Great God Pan” sees de Grandin and Trowbridge among a bevy of beauties in thrall to a strange guru. In other stories, the duo face werewolves, disembodied hands, and an evil scientist who keeps horrifying “pets” in his cellar. Seabury had a keen imagination and gift for atmosphere, and, even though modern readers may flinch a bit at some of the dated viewpoints and tropes, they’re likely to still have a grand time.

In the Jules de Grandin entry of The Nightmare Men, his long-running Black Gate series on occult detectives, Josh Reynolds offered his own thoughtful assessment of this great pulp hero. Here it is.

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Temporal Surges and Shapeshifting Invaders: Rich Horton on Threshold of Eternity by John Brunner and The War of Two Worlds by Poul Anderson

Temporal Surges and Shapeshifting Invaders: Rich Horton on Threshold of Eternity by John Brunner and The War of Two Worlds by Poul Anderson

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Threshold of Eternity John Brunner-small The War of Two Worlds Poul Anderson-small

One of the reasons I collect Ace Doubles — aside from the great cover art, and their historical significance — is that they frequently featured early work by some of my favorite authors. That’s definitely the case with Double D-335, which paired very early novels from two of the greatest SF writers of the late 20th Century, John Brunner’s Threshold of Eternity and Poul Anderson’s The War of Two Worlds.

Neither volume was reprinted in a standandalone edition after their original back-to-back appearance in 1959, so you can be forgiven if you’re unfamiliar with them. At his website Strange at Ecbatan, interplanetary paperback expert Rich Horton admits he was unaware of them until recently as well. Why review yet another obscure Ace Double?

I realized that it comprised two novels by writers I always enjoy that I was completely unaware of… I figured Anderson and Brunner are always worth a try, and anyway I have a certain quasi-completist attitude towards both of them.

Fair enough. Rich usually does his homework on the background for each book, often digging up some fascinating tidbits, and as usual he doesn’t disappoint.

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Birthday Reviews: Henry Kuttner’s “Ghost”

Birthday Reviews: Henry Kuttner’s “Ghost”

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Cover by William Timmins
Cover by William Timmins

Henry Kuttner was born on April 7, 1914 and died on February 4, 1958. From 1940 until his death in 1958, he was married to science fiction author C.L. Moore. The two had their own careers and also collaborated, although they claimed that they each worked on all of the other one’s stories, sitting down and continuing whatever was in the typewriter at the time. Kuttner (or Moore/Kuttner) also used the pseudonyms Lawrence O’Donnell, C.H. Liddell, and Lewis Padgett.

In 1956, their collaboration “Home There’s No Returning” was nominated for the Hugo for Best Novelette and Kuttner was nominated for two Retro Hugos in 2014 for his novelette “Hollywood on the Moon” and the novella “The Time Trap.”  In 2004, he and Moore were named the Cordwainer Smith Rediscovery Award recipients.

“Ghost” was first published in Astounding Science Fiction in May 1943, edited by John W. Campbell, Jr. and credited only to Kuttner. Kuttner reprinted it a decade later in his collection Ahead of Time. In 2005, it appeared in the Centipede Press collection Two-Handed Engine. The story has been translated into French, where it was credited to Kuttner and Moore, as well as Italian, where it was only credited to Kuttner.

In “Ghost,” Kuttner attempts to do quite a bit, which means that he only succeeds at some of it. The story is about a modern ghost, perhaps the first real ghost in history, haunting a research facility in Antarctica. Elton Ford has been sent down to investigate what is causing the men assigned to the base to go insane. Ford arrives to find the base’s sole caretaker Larry Crockett. The main lesson of the story, given the set up, is that perhaps having a single man in an isolated research base might not be the best idea, although we see it even in the present day in films such as Moon. That, however, is not where Kuttner takes his story.

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Birthday Reviews: Robert Bloch’s “The Fane of the Black Pharoah”

Birthday Reviews: Robert Bloch’s “The Fane of the Black Pharoah”

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Weird Tales December 1937-small Weird Tales December 1937-back-small

Cover by Virgil Finlay

Robert Bloch was born on April 5, 1917 and died on September 23, 1994.

His short story “That Hell-Bound Train” won the Hugo Award in 1959, and he won the Bram Stoker Award for his non-fiction book Once Around the Bloch: An Unauthorized Autobiography, for his collection The Early Fears, and his novelette “The Scent of Vinegar.” His screenplay for the film Psycho, based on his novel, received the Edgar Allan Poe Award.

Bloch was the Guest of Honor for each of the three Toronto Worldcons, Torcon I in 1948, Torcon II in 1973, and posthumously for Torcon 3 in 2003. He also received a Special Worldcon Committee Award in 1984. Bloch was named a Grandmaster by the World Horror Con and received a Lifetime Achievement Award at the World Fantasy Convention. He has also received the Big Heart Award, the First Fandom Hall of Fame Award, and a Forry Award.

“The Fane of the Black Pharoah” was first published in Weird Tales in the December 1937 issue, edited by Farnsworth Wright. Donald Wollheim reprinted it a decade later in the Avon Fantasy Reader, No. 5, 1947 and Bloch included it in his Lovecraftian collection Mysteries of the Worm. Robert M. Price included it in two Lovecraft anthologies: Tales of the Lovecraft Mythos, from Fedogan & Bremer, and The Nyarlathotep Cycle: The God of a Thousand Forms, from Chaosium. In 1983 it was translated into French.

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Birthday Reviews: Stanley G. Weinbaum’s “The Worlds of If”

Birthday Reviews: Stanley G. Weinbaum’s “The Worlds of If”

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Wonder Stories August 1935-small Wonder Stories August 1935-back-small

Cover by Frank R. Paul

Stanley G. Weinbaum was born on April 4, 1902 and died of lung cancer on December 14, 1935, only 17 months after publishing his first story. During that time, he made an indelible mark on the field. Weinbaum Crater on Mars is named in his honor and in 2008, he received the Cordwainer Smith Rediscovery Award.

Weinbaum’s “The Worlds of If” was first published in the August 1935 issue of Wonder Stories, edited by Hugo Gernsback. Following Weinbaum’s death, it was included in Dawn of Flame: The Weinbaum Memorial Volume. Mort Weisinger reprinted the story in the March 1941 issue of Startling Stories and it was included in issue 1 of Fantasy, edited by Walter Gillings.

When Fantasy Press published A Martian Odyssey and Others, a collection of Weinbaum’s stories, “The Worlds of If” was included. Robert Silverberg selected it for Other Dimensions: Ten Stories of Science Fiction. Julie Davis included it in Science Fiction Monthly, in the July 1975 issue of the paperback series. When Ballantine published The Best of Stanley Weinbaum, the story was reprinted again.

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