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Spotted in a Cairo Kiosk: Arabic Pulp Science Fiction!

Spotted in a Cairo Kiosk: Arabic Pulp Science Fiction!

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Here’s a random treasure I noticed one day while strolling past my local kiosk in Cairo. These little books of science fiction and horror can still be found in Egypt, although they were more common back in the 90s when I first started coming here.

I’m not sure what they’re called in Arabic, but in Spanish they’re called bolsilibros (“pocket books”). These bite-sized paperbacks measure roughly 15 x 10 cm (6 x 4 inches) and run 90-120 pages. In Spain, the main genres were romance and western, although there were a fair number of horror, science fiction, war, and various other genres as well. Several publishers churned out a huge variety of lines. Now only a few reprints of the big western and romance writers can still be found at the kiosks.

In Egypt, judging from what I’ve unearthed in Cairo’s wonderful used book market, the most popular bolsilibros were cop thrillers, although science fiction and horror appear to be the only genres that are still being published in that format. Other genres are now found in trade paperback, like the more serious science fiction.

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STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

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The Return Lionel Fanthorpe-small The Return Lionel Fanthorpe-back-small

Some writers agonize over every line. Some are prolific like Andre Norton. Others are hyperprolific like Isaac Asimov.

But Lionel Fanthorpe stands alone. He isn’t the most prolific author out there, having written “only” about 200 books, but he had the distinction of having written 168 books in less than a decade. Many he wrote in a week. Some he wrote over a three-day weekend.

This fervid output was the result of his association with Badger Books, a cheap-as-they-come UK publisher that emphasized quantity over quality. The publisher would commission the cover art first (or steal it from some old American paperback), send it to the author, and have them write a 45,000 word novel, usually with a deadline of one week.

Fanthorpe wrote 168 books for Badger between 1961 and 1967, dictating his tales into a reel-to-reel recorder and sending the tapes into the publisher’s typist. Often he’d stay up late into the night, covering his head with a blanket so he could concentrate. The results were overwritten, padded, and compellingly bad.

The only biography of Lionel Fanthorpe, Down the Badger Hole by Debbie Cross, has long been out of print but has now been revised, expanded, and released as a free ebook on the TAFF website.

And what a book it is! Cross gives us generous helpings of Fanthorpe’s prose, including masterful examples of padding through repetition.

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Birthday Reviews: Wyman Guin’s “Trigger Tide”

Birthday Reviews: Wyman Guin’s “Trigger Tide”

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Cover by Ed Cartier
Cover by Ed Cartier

Wyman Guin was born on March 1, 1915 and died on February 19, 1989. Guin only published seven stories and one novel, The Standing Joy during his career. His most famous stories may have been “Beyond Bedlam” and “Volpla,” the latter of which was adapted for the radio show X Minus 1 in August 1957. Guin was declared the winner of the Cordwainer Smith Rediscovery Award in 2013.

Guin’s first story was “Trigger Tide.” When it was first published in Astounding in October 1950, edited by John W. Campbell Jr., it appeared under the pseudonym Norman Menasco, although Guin reverted to his own name for his second story, “Beyond Bedlam.”

The story was reprinted by Groff Conklin in Omnibus of Science Fiction and was included in his collection Living Way Out (a.k.a. Beyond Bedlam). It was again reprinted in The World Turned Upside Down, edited by Eric Flint, David Drake, and Jim Baen.

Guin’s story is about an agent on a distant planet who is trying to assassinate a fascist leader, a task assigned to earlier agents who have failed. When the story opens, he is lying, beaten, on a shelf of quartzcar near the beach and must try to get away from the shore before the tide comes in.

The setting is the most intriguing part of the story. The world is made up of archipelagos of quartzcar. The crystalline structure of the material means that any landmass above the water line is a series of shelves. In addition, the five moons orbiting the planet caused a wide variation of tides. Furthermore, the tides wreaked havoc with the piezoelectrical currents inherent in the quartz.

The impact of this strange situation is felt at the climax of the story, which doesn’t feel like a deus ex machina only because the story feels like it is a set up to exploit the strange parameters of the world.

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Birthday Reviews: August Derleth’s “The Return of Hastur”

Birthday Reviews: August Derleth’s “The Return of Hastur”

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Weird Tales March 1939-small Weird Tales March 1939-back-small

Cover by Virgil Finlay

August Derleth was born on February 24, 1909 and died on July 4, 1971. It was Derleth who coined the term “Cthulhu Mythos” for H.P. Lovecraft’s stories, although Derleth had earlier suggested the “Hastur Mythology,” which Lovecraft rejected.

In 1939, Derleth and Donald Wandrei founded Arkham House, a small press dedicated to preserving the writings of H.P. Lovecraft, and eventually those who were influenced by Lovecraft.

Although best known as a proponent of Lovecraft and for his own stories which expand on Lovecraft’s work, Derleth also wrote children’s books and biographies aimed at kids and detective fiction, most notable the Solar Pons series. He felt his Sac Prairie saga, which was based on Sauk City, Wisconsin, where he lived, was his most important work.

“The Return of Hastur” was purchased by Farnsworth Wright and appeared in the March 1939 issue of Weird Tales, which also included a story by Lovecraft. Derleth reprinted the story in his collection Someone in the Dark in 1941 and again in The Mask of Cthulhu in 1958. Lin Carter selected the story for The Spawn of Cthulhu and it was eventually included in Robert M. Price’s The Hastur Cycle. It was included in the Barnes and Noble collection of Derleth stories The Cthulhu Mythos and in In Lovecraft’s Shadows: The Cthulhu Mythos Stories of August Derleth, issued by Arkham House in 1998. The story has been translated into French, Italian, and German. Lovecraft is known to have read and commented on an early version.

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Vintage Treasures: Solomon Kane 1: Skulls in the Stars by Robert E. Howard

Vintage Treasures: Solomon Kane 1: Skulls in the Stars by Robert E. Howard

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Solomon Kane 1 Skulls in the Stars-back-small Solomon Kane 1 Skulls in the Stars-small

I’m treading a little on Bob Byrne’s territory with this lengthy post, so I hope he’ll forgive me.

The first Robert E. Howard character I discovered wasn’t Conan, but Solomon Kane. The story was “Skulls in the Stars,” originally published in the January 1929 issue of Weird Tales, and which I read in the 1969 Centaur Press collection The Moon of Skulls. Kane is about to cross a great moor when a lad from the village he’s just left races up behind him, urging him to take the longer swamp road instead. When pressed, the boy tells him why.

“It is death to walk those moors by night, as hath been found by some score of unfortunates. Some foul horror haunts the way and claims men for his victims.”

“So? And what is this thing like?”

“No man knows. None has ever seen it and lived, but late-farers have heard terrible laughter far out on the fen and men have heard the horrid shrieks of its victims.”

Well of course, that just serves to fire up our doughty hero (“A strong man is needed to combat Satan and his might. Therefore I go.”) And go he doth, right out onto the moor with the creepy horror and everything.

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Unbound Worlds on a Century of Sword and Planet

Unbound Worlds on a Century of Sword and Planet

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A Princess of Mars Penguin Classics-small Planet of Adventure Jack Vance-small Old Venus-small

Who doesn’t love Sword & Planet? No, don’t send me a bunch of declarative e-mail; it was a rhetorical question. Anyway, there’s only one kind of person who doesn’t love Sword & Planet: someone with no joy in their life.

But it’s perfectly okay to not know where to start. Despite celebrating its 100th birthday last year, Sword & Planet is not as popular as its sister genres (Sword & Sorcery, Sword & Six-Gun, Sword and Sandal, Sword & Sextant, Sword & Slupree….). And that’s okay, we love it just the same. But what is Sword & Planet? Matt Staggs does a fine job recapping the rich history of this venerable sub-genre at Unbound Worlds.

Mash together fantasy’s sword-swinging heroes, and the far-out alien civilizations of early science-fiction, and you’ve got Sword and Planet fiction. Arguably the brainchild of Tarzan creator Edgar Rice Burroughs, Sword and Planet tales usually features human protagonists adventuring on a planet teeming with life, intelligent or otherwise. Science takes a backseat to romance and derring-do… Where Sword and Planet can really be seen today is in the influence it has had on popular culture. The lightsabers, blasters, and planet-hopping heroics of Star Wars probably wouldn’t exist were it not for Sword and Planet. Neither would Avatar or Stargate.

Interested? Matt also recommends some classic titles by Edgar Rice Burroughs, Jack Vance, Leigh Brackett, Kenneth Bulmer, Chris Roberson, and others. Here’s a few of his recs.

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Short Sharp Adventures: World of the Masterminds / To the End of Time and Other Short Stories by Robert Moore Williams

Short Sharp Adventures: World of the Masterminds / To the End of Time and Other Short Stories by Robert Moore Williams

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World of the Masterminds-small To the End of Time and Other Stories-small

At the very top of my Books to Read shelf I have a slowly growing collection of Ace Doubles. I usually work my way forward numerically, starting with the D series, but will occasionally jump back a few if a new addition arrives. Thanks to this habit (and some other haphazard literary tastes) I am still, pleasantly, stuck within the Ace Double D range.

The next one in the schedule is a well preserved book with both sides by the same author, Robert Moore Williams. Ace Double D-427 comprises a “complete” novel, World of the Masterminds, and a collection of short stories, To the End of Time and Other Stories.

Robert Moore Williams wasn’t an author I was familiar with, although Black Gate readers will have encountered the odd mention of him, including a 2015 review by Rich Horton of the Ace Double The Star Wasps by Robert Moore Williams, paired with Warlord of Kor by Terry Carr.

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Horrors, Marvels, Gods and Demons: C.L. Moore’s Tales of Northwest Smith

Horrors, Marvels, Gods and Demons: C.L. Moore’s Tales of Northwest Smith

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Northwest of Earth-small Northwest Smith Ace-small Northwest of Earth Planet Stories-small

As Steven Silver has already noted, today is C.L. Moore’s birthday. To celebrate Steven reviewed “Lost Paradise,” from the July 1936 Weird Tales, “one of her stories featuring her space-faring rogue Northwest Smith… essentially a bar story with a twist.”

Northwest Smith is one of the enduring serial characters C.L. Moore created for Weird Tales (the other was Jirel of Jorey) — and I do mean enduring. The tales of this “space-faring rogue” have been collected multiple times, and over 80 years later they are still in print. It’s pretty clear that George Lucas, a noted fan of Planet Stories and other SF pulps, drew on Smith as his inspiration for Han Solo, as the two characters are cut from the same cloth.

Over at Tor.com, Alan Brown has a more detailed look at C.L. Moore’s Northwest Smith tales, which have been reprinted in a number of highly collectible volumes over the years. Here’s my favorite quote.

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Birthday Reviews: C.L. Moore’s “Lost Paradise”

Birthday Reviews: C.L. Moore’s “Lost Paradise”

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Cover by Margaret Brundage
Cover by Margaret Brundage

C.L. (Catherine Lucille) Moore was born on January 24, 1911 and died on April 4, 1987. From 1940 until his death in 1958, she was married to science fiction author Henry Kuttner. The two had their own careers and also collaborated together, although they claimed that they each worked on all of the other’s stories, sitting down and continuing whatever was in the typewriter at the time. Moore (or Moore/Kuttner) also used the pseudonyms Lawrence O’Donnell, C.H. Liddell, and Lewis Padgett.

In 1956, their collaboration “Home There’s No Returning” was nominated for the Hugo for Best Novelette. She received the First Fandom Hall of Fame Award in 1972, the Forry Award in 1973, and the World Fantasy Award for Lifetime Achievement in 1981. Moore was the Guest of Honor at Denvention Two, the 1981 Worldcon in Denver. Posthumously, she was inducted into the Science Fiction Hall of Fame in 1998 and, along with Kuttner, was named the recipient of the Cordwainer Smith Rediscovery Award in 2004.

“Lost Paradise” is one of her stories featuring her space-faring rogue Northwest Smith and was originally published in the July 1936 issue of Weird Tales, edited by Farnsworth Wright. Moore included it in various collections, including Northwest of Earth, Shambleau, and Scarlet Dream. It has seen additional reprintings and has been translated into French and Italian.

“Lost Paradise” is essentially a bar story with a twist. Northwest Smith and his Venusian friend Yarol are enjoying a meal in New York when Yarol sees a strange man walking along the street below them. When the man is mugged, Yarol manages to retrieve the man’s package and, having recognized him as a member of a strange, secluded race, the Seles, who live in central Asia but don’t intermingle with any other peoples, he tells him that the only reward he desires is to know the great secret of the Seles.

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Birthday Reviews: Judith Merril’s “Barrier of Dread”

Birthday Reviews: Judith Merril’s “Barrier of Dread”

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Cover by Earle K. Bergey
Cover by Earle K. Bergey

Judith Merril was born Judith Grossman on January 21, 1923 and died on September 12, 1997. She adopted the pseudonym Judith Merril for her writing. Merril received an Aurora Award in 1983 for Lifetime Contributions to the field and a second Aurora Award in 1986 for Lifetime Achievement in Editing. She was the subject of the non-fiction book Better to Have Loved: The Life of Judith Merril, written by her granddaughter, Emily Pohl-Weary, which won the 2003 Hugo Award for Best Related Work.

In addition to her writing career and her activities as an editor, Merril founded the Spaced Out Library in Toronto, now the Merril Collection of Science Fiction. In addition to her own writing, Merril collaborated with C.M. Kornbluth, publishing work under the joint pseudonym Cyril Judd. She was married twice, first to Dan Zissman, and later to science fiction author Frederik Pohl.

“Barrier of Dread” was originally published in the July-August 1950 issue of Future Combined with Science Fiction Stories and was later picked up by Martin Greenberg for his Gnome Press anthology Journey to Infinity. It also appeared in Selected Science Fiction Magazine issue 5 in 1955. It was next reprinted in Homecalling and Other Stories: The Complete Solo Short SF of Judith Merril, published by NESFA Press.

In “Barrier of Dread,” Merril posits a future which seems to have been popular among mid-twentieth century authors: A galactic-spanning empire in which humans have complete luxury while robots and automata do all the hard work. As Managing Director Dangret is preparing to open up a new galaxy for human colonization, his wife, the artist Sarise makes an offhand comment about the speed with which new galaxies are being opened.

Despite his lofty title, it appears that Dangret has plenty of time on his hands because his niggling concerns at his wife’s comment leads him to lock himself away for several hours watching a history of humanity, which gives Merril a chance to provide the background for this world to her reader.

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