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Rescued from the Vaults of Time: The Sapphire Goddess – The Fantasies of Nictzin Dyalhis

Rescued from the Vaults of Time: The Sapphire Goddess – The Fantasies of Nictzin Dyalhis

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oie_801451Zc9o2K4DDave Ritzlin, impresario of DMR Books, has rescued another writer from the distant, fog-obscured days of pulp fantasy. He has done for Nictzin Dyalhis as he did for the nearly-forgotten Clifford Ball (reviewed by me here). If you, like most people, have no idea who Dyalhis was, Ritzlin presents as much information as is available in an excellent introduction to The Sapphire Goddess (2018), his new collection of all nine of the author’s fantasy and science fiction stories.

A quote from the introduction:

Even though Nictzin Dyalhis was the eccentric author’s legal name at that time, it’s highly unlikely he was named that way at birth. He claimed that “Nictzin” was a Toltec Indian name and “Dyalhis” was an old English (or, alternately, Welsh) surname. Neither of these claims is true. Many speculated that his real name was Nicholas Douglas or Nicholas Dallas or something similar, which he modified into something more exotic.

Nonetheless, Weird Tales publisher Farnsworth Wright swore to Donald Wandrei that all the checks for Dyalhis’s stories “were made out to that name.” Whatever the reality, there’s something wonderfully perfect about a fantasist being remembered solely by a name of mysterious origins.

The nine stories in The Sapphire Goddess were published between 1925 and 1940. Eight were published in Weird Tales, with only “He Refused to Stay Dead” published in another magazine, Ghost Stories. Save for the explicitly sci-fi “When the Green Star Waned” and its sequel “The Oath of Hul Jok”, they are a mix of horror and heroic fantasy. Running through most of them is a theme of reincarnation or forgotten past lived in another dimension.

“When the Green Star Waned” (1925) and “The Oath of Hul Jok” (1928) are two adventures of the planet Venhez’s greatest heroes. The first concerns a journey to the now-silent planet Aerth to determine why no one’s heard anything from its inhabitants in years. Dyalhis’s first published story, it’s not an especially finely-wrought story, but it is very successful at creating a nightmare atmosphere, made all the more malevolent with horrible semi-material monsters from the dark side of the moon. It also seems to have introduced the word Blastor for ray guns. That alone is a more than worthy legacy for any pulp story.

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Hither Came Conan: The Best Conan Story Written by REH Was….?

Hither Came Conan: The Best Conan Story Written by REH Was….?

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Conan_FrazettaFrostGiants

Welcome to a brand new, Monday morning series here at Black Gate. Join us as a star-studded cast of contributors examine every original Conan story written by Robert E. Howard: and tell you why THAT is the best of the bunch. Read on!

“KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”—The Nemedian Chronicles

And so it began. In the December, 1932 issue of Weird Tales (a good month for pulps! Black Mask included stories by Frederick Nebel, John Carroll Daly and Erle Stanley Gardner), Conan of Cimmeria, a barbarian who had wrested the kingship of the mighty kingdom of Aquilonia with his sword, struggles mightily with…paperwork! Truly, heavy is the crown…

But Robert E. Howard, creator of Kull, Solomon Kane, El Borak and others, had come up with what would become the most recognizable character in the Fantasy genre. No silly Hobbitses here!

It wasn’t all mead and concubines from the get go, however. Farnsworth Wright, editor of Weird Tales, and who remained intertwined in Howard’s life to the end, rejected two (“The Frost Giant’s Daughter” and “The God in the Bowl”) of the first three tales. Not exactly a stellar start.

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Sky Pirates and Interstellar Wars: The Black Star Passes by John W. Campbell

Sky Pirates and Interstellar Wars: The Black Star Passes by John W. Campbell

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The Black Star Passes-small The Black Star Passes-back-small

Art by Chris Foss

This was the cover of the paperback I had as a youth — still my favorite thing that Campbell published under his own name (with The Moon is Hell running a close second).

Campbell’s best stuff is unquestionably the work he published as Don A. Stuart (e.g. “Who Goes There?”, “Twilight,” “The Elder Gods,” etc). And the heroes of this series, Arcot & Morey, are chemically free from any trace of personality.

But the same is not true of their partner Wade, who appears in the first story “Piracy Preferred” (from Amazing Stories, June 1930) as a super-scientist sky pirate, and after he is cured of his criminal tendencies becomes a valuable and prankish member of the team.

The title story in The Black Star Passes (from Amazing Stories Quarterly, Fall 1930), tells the tale of an interstellar war. But the bad guys are not simply ravening bug-beasts from beyond the void, and the story ends without the happy genocide so common in space opera. (“YAY! We have destroyed an entire intelligent species with our superior science knowhow! Too bad they weren’t Civilized, like us!”) In Campbell’s story, the invaders are defeated, but the collective effort involved in the invasion saves their civilization.

A (Black) Gat in the Hand: Black Mask‘s Cap Shaw on Writing

A (Black) Gat in the Hand: Black Mask‘s Cap Shaw on Writing

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BlackMask_May1934EDITED“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

The hardboiled school was born in the page of Black Mask Magazine under the editorship of George W. Sutton, with Carroll John Daly’s “Three Gun Terry” (which I wrote about here…) and “Kings of the Open Palm,” and Dashiell Hammett’s “Arson Plus,” appearing in 1923. In 1924, Sutton resigned and circulation editor Phil Cody replaced him.

Cody pushed for more stories featuring Race Williams and the Continental Op, encouraged Erle Stanley Gardner to develop Ed Jenkins (‘The Phantom Crook’), and added Frederick Nebel and Raoul Whitfield to the magazine. Cody was pushed out by publisher Eltinge Warner in 1926, with Cody’s approval (he later became President of the company). Joseph Shaw, a former bayonet instructor in the army and an unsuccessful writer with zero editorial experience, took the reins (I mean, sure, why not?).

But it is Shaw who is revered as the editor who shaped and was largely responsible for the success of the hardboiled school. While he did not start the movement, it’s still a reasonable assertion. Shaw honed Black Mask into a razor sharp hardboiled pulp that dominated the field.

In May of 1934, Writer’s Digest featured a cover story titled, Do You Want to Become a Writer or Do You Want to Make Money? by Shaw. I’ve included that essay below, with a few comments of my own included in italics.

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Only Disconnect: Ray Bradbury’s “The Murderer”

Only Disconnect: Ray Bradbury’s “The Murderer”

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(1) Amazing Stories-small

High on the list of unwritten books that I’d like to read is An Encyclopedia of Misconceptions. I am unswervingly committed to traditional paper books, but this is one that I would have to read electronically; a physical book would just be too damn big. Everyone would have a chapter — men, women, LBGTQ folks, atheists, evangelicals, millennials, seniors, Democrats, Republicans, police officers, bus drivers, food service workers, Fortune 500 CEO’s, any racial or sexual or religious or social or political or generational or economic group that you can name, in fact — everyone feels misunderstood. Everyone knows themselves to be quite different from what other people assume them to be.

Such wrong ideas can attach themselves to almost everything in our lives, even including the books that we read. For example, one widespread misconception holds that the main purpose of science fiction is to predict the future! This notion is most rigidly held by those who have almost no familiarity with any actual science fiction. Such people gleefully point out SF’s failure to predict the internet (even though… well, we’ll get to that), or they “prove” the shallowness or silliness of the entire genre with the help of tales from the yellowing pages of Amazing Stories, yarns that depict a 21st century where everyone enjoys lives of anti-gravity-belt enhanced leisure with every want met by humanoid robot laborers (which hasn’t quite happened, in case you haven’t noticed).

But of course H.G. Wells didn’t really think that we were going to be invaded by Martians or believe that it was possible to concoct a formula that would make us invisible, nor was he convinced that vivisection could make the family dog into something that was virtually human. His books were really comments on the present in the form of visions of the future, and the technologies he invented were tools that enabled him to bring his own society and its potentialities into sharper focus.

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A (Black) Gat in the Hand: Back Deck Pulp #5

A (Black) Gat in the Hand: Back Deck Pulp #5

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Kornbluth_GhoulEDIT“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Hopefully, by now, you’re aware of the Back Deck Pulp series of posts I ran over on Facebook. Since this is the fifth collection of them I’ve run for A (Black) Gat in the Hand!  I’ve got enough for one more, and this column will run for four more weeks, so there might be another one. You can read the first four Back Deck Pulp posts by clicking the links at the end of this one.

CM KORNBLUTH

Cyril M. Kornbluth was a science fiction author who died of a heart attack, running to catch a train, at the age of 34. Frederick Pohl cowrote several stories with the author and finished some of Kornbluth’s stories after the latter died, He said that Kornbluth refused to brush his teeth and educated himself by reading the encyclopedia from A to Z. An interesting individual.

It’s Office Desk Pulp! I’m going to have to research C.M. Kornbluth (Apparently, he was known for his science fiction stories). ‘”A Ghoul and His Money” appeared in the September, 1946 Dime Detective. His protagonist, who is the good guy, is completely annoying and I was hoping something non-fatal would happen to him. It’s an interesting take on a hero and I think I’d like to tinker with the concept Fun, short read. Another story from the excellent anthology, Hard-Boiled Detectives.

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Birthday Reviews: Leigh Brackett’s “Interplanetary Reporter”

Birthday Reviews: Leigh Brackett’s “Interplanetary Reporter”

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Cover by Rudolph Belarski
Cover by Rudolph Belarski

Leigh Brackett was born on December 7, 1915 and died on March 18, 1978.

Leigh Brackett was the first woman ever to appear on a Hugo ballot when she was nominated for her novel The Long Tomorrow in 1956, and was nominated for two Retro Hugo Awards in 2016. Her collection Sea Kings of Mars and Otherworldly Stories was nominated for a British Fantasy Award. In 1978 she received a Forry Award from LASFS, and she was named the recipient of the Cordwainer Smith Rediscovery Award in 2005. In 2014 Brackett was inducted into the Science Fiction Hall of Fame. Brackett and her husband, Edmond Hamilton, were guests of honor at Pacificon II, the 22nd Worldcon, held in Oakland, California in 1964. She worked in Hollywood and is one of the credited co-writers of The Empire Strikes Back as well as The Big Sleep, on which she shared a writers credit with William Faulkner. She collaborated on fiction with Ray Bradbury and her husband. She published one of her non-genre novels using the pseudonym George Sanders. The Empire Strikes Back was dedicated to her memory.

“Interplanetary Reporter” was first published in the May 1941 issue of Startling Stories, edited by Mort Weisinger. It wasn’t reprinted until 2002, when Steve Haffner included it in the Brackett collection Martian Quest: The Early Brackett. In 2008 the story was included in an e-collection issued by Baen Books, Swamps of Venus. In 2009 Adventure House reprinted the original issue of Startling Stories that contained this tale.

Brackett was known for her planetary adventures and in “Interplanetary Reporter,” she places IP reporter Chris Barton in the Venusian city of Vhia. A grizzled war reporter, Barton has decided he is done with working as a reporter and is planning on telling IP editor John Sanger of his decision. On the way into Sanger’s office he spots the beautiful Kei Volhan, who is engaged to cub reporter Bobby Lance. Just as Barton announces his decision, Vhia comes under attack by a Jovian military force.

Partly to keep from saving face in front of Volhan, Barton allows himself to be convinced that he need to go into space to report on the Jovian attack. The two reporters and Volham manage to make their escape in an IP news spaceship and once they achieve orbit, they quickly learn that the surprise attack is not Jovian, but rather Martian in origin as Mars is trying to start a war between the Jovians and Venusians in order to gain a better deal on water rights.

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A (Black) Gat in the Hand – Rory Gallagher Sings of the Continental Op (And It’s Great!)

A (Black) Gat in the Hand – Rory Gallagher Sings of the Continental Op (And It’s Great!)

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Gat_GallagherBlinds“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

Somebody asked me if I actually write for this column, or just put up the posts for it. I started explaining the work involved in pitching the concept, recruiting guest posters, editing the posts, promoting the column through Back Deck Pulp posts on my FB page….then I gave up and said, “Yes, I do write this column. In fact, I wrote this coming Monday’s post.”

That wasn’t exactly a bold prediction, since I didn’t have a guest post in hand. Although, my essay on the excellent Joe Gores isn’t nearly done, so there was that. But I got it all worked out in the end!

Rory Gallagher was a world-class guitarist from Ireland who died of liver problems in 1995 at the age of 47. In 1987, he recorded a song entitled, “The Continental Op,” which was included on his Defender album. There’s also a song called “Kickback City” on that album and the lyrics are very much in the style of Raymond Chandler and other pulpsters who depicted the corruption and hopelessness of urban cities. And you could take the story of “Loanshark Blues” and you’d have a pretty good character for a hardboiled PI story. I recommend giving Defender a listen.

But we’re here to talk about his tribute to Dashiell Hammett, “The Continental Op.”

If you’ve come here to A (Black) Gat in the Hand, you probably already know about The Op. While The Thin Man and The Maltese Falcon are Hammett’s best-known works, it’s the Op that made him the father of the hardboiled school. In seven years, he wrote over three dozen tales featuring the nameless private eye for the Continental Detective Agency. I don’t think any other PI series has equaled the Continental Op stories.

The Op stories are readily available and are cornerstone hardboiled reading. All of the stories were recently collected in The Big Book of Continental Op Stories.

I cannot give Gallagher enough kudos for writing a song about the Continental Op, then providing a video that absolutely captures the hardboiled, pulp feel. The black and white, graphic novel style is pure throwback. You could almost storyboard a movie from it. Some of the frames fly by so fast, I had to rewatch them several times. But the overall effect works.

Watch the video. Then work through the rest of the post with me. It should be fun.

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A (Black) Gat in the Hand: Andrew Salmon Remembers Frederick C. Davis

A (Black) Gat in the Hand: Andrew Salmon Remembers Frederick C. Davis

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Salmon_DavisAcesEditedA (Black) Gat in the Hand continues on with quality guest posts (something’s got to make this column work, and it sure as heck isn’t my writing!) this week, as Andrew Salmon holds forth on pulpster Frederick C. Davis. I knew I wasn’t qualified to write about Davis (though I did hold my own on Norbert Davis!). And since Andrew, author of the excellent Sherlock Holmes Fight Club novels, wrote the introductions to Altus’ Press’ Moon Man collections, I knew he was the guy. So, read on! 

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

Any good pulp author from the glory days of Classic Pulp had to be very good at two things: he or she had to be fast and versatile. And, of course, said pulpsmith had to have some modicum of talent thrown into the mix.

Frederick C. Davis (1902-1977) has all of these – in spades. Known today as the author of the first 20 Operator #5 adventures, one doesn’t hear his name come up when Max Brand, Erle Stanley Gardner, Lester Dent, Walter Gibson, Dashiell Hammett and Raymond Chandler are being discussed. And yet, you could pick an old pulp at random today and most likely find a Davis story within its crumbling yellow pages.

He wrote hundreds of pulp stories and a lot of them are really, really good. In addition to those Operator #5 yarns, he also created the Moon Man, cranking out 38 tales of the globed gladiator. Throw in Mark Hazard and Ravenwood and his versatility begins to show through.

The Moon Man, long out of print and never collected until recently, had a much more profound effect on comics than the pulp world of yesteryear. It’s long been established that Superman sprang, partially, from Doc Savage and Batman owes much to the Shadow. But few know how much Spider-Man owes to the Moon Man. Not the classic pulp character, the Spider – the Moon Man. Huh? Stay with me.

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Birthday Reviews: Mack Reynolds’s “Doctor’s Orders”

Birthday Reviews: Mack Reynolds’s “Doctor’s Orders”

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Fantastic Story Magazine
Fantastic Story Magazine

Mack Reynolds was born on November 11, 1917 and died on January 30, 1983.

He was nominated for the Hugo Award in 1962 for his short story “Status Quo” and in 1966 was nominated for the Nebula Award for Best Short Story for “A Leader for Yesteryear” and for Best Novelette for “The Adventure of the Extraterrestrial.” Reynolds, whose birth name was Dallas McCord Reynolds, published under the pseudonyms Bob Belmont, Clark Collins, Mark Mallory, Guy McCord, Maxine Reynolds, and Dallas Ross. He collaborated with Fredric Brown on the anthology Science-Fiction Carnival. He collaborated on fiction with August Derleth, Brown, Theodore Cogswell, and Gary Jennings. Following his death Dean Ing completed several of his novels and Michael Banks completed one.

Originally published as “Four-Legged Hotfoot” in the Winter 1952 issue of Fantastic Story Magazine, edited by Samuel Mines, the story was reprinted in the NESFA Press collection Compounded Interest using the title “Doctor’s Orders.” It was included by Wildside Press in The 12th Science Fiction Megapack e-book collection in 2016.

Reynolds offers a starship story in “Doctor’s Orders,” setting up an interstellar journey with a crew that is filled with redundancy. As the navigator, Dick Roland, complains to Doc Thorndon, nobody really has anything to do. They are all back-ups for the computers, which fail so rarely that each person might have something to do once every several trips. If that weren’t enough, the crew was sent out with insufficient leave between missions, so they were already starting to suffer from cafard, a debilitating mental illness caused by spending too much time on board ship.

The story does an excellent job demonstrating the boredom inherent in any long journey and the ship’s crew try, and fail, to stave off boredom by playing a variety of games. What finally pulls them from their ennui is the discovery of an animal on board, which Doc Thorndon identifies as a rat, long extinct on Earth, but thriving on the Venusian colonies, where the ship may have picked up its stowaway. Catching the rat, named Arthur, goes from being a game to something more important when Doc Thorndon notes that the rat may be carrying the Bubonic Plague and could prevent them from docking when they return to Earth.

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