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A (Black) Gat in the Hand: Bob’s Books – Shelfie #11 (Dashiell Hammett)

A (Black) Gat in the Hand: Bob’s Books – Shelfie #11 (Dashiell Hammett)

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It’s a new shelfie and we’re up to number eleven. And this one is my Dashiell Hammett collection. His face is the first one on my Hardboiled Mt. Rushmore. So, he’s got a solid shelf in my Hardboiled collection.

William T. Nolan’s bio on the far left has some good info, but he’s a bit of a hack. He doesn’t miss an opportunity to run down Carroll John Daly to make Hammett look better. It’s juvenile, and Hammett doesn’t need the help. Reminds me of L. Sprague deCamp putting down Robert E. Howard to elevate his own Conan stuff.

Diane Johnson’s’ biography was written with Lillian Hellman’s permission (Hammett’s long-time mistress/girlfriend controlled his Estate). It’s pretty clear Hellman had approval authority, and it’s not the most objective book.

Richard Layman may be THE authority on Hammett, and his book Discovering The Maltese Falcon and Sam Spade is a mish-mash of stuff related to Hammett and that book. Fun read for fans of The Black Bird.

I’m a big Continental Op fan, and Otto Penzler’s Big Book series has all the stories, plus some very good essays for each of the editors Hammett wrote them for. These are the original Black Mask versions. It includes the two serialized novels, and is a good book for Op fans.

My favorite PI book, and my favorite PI novel: The Maltese Falcon. This version has some cool black and white photos related to the novel. I wrote an essay on the book and the three movie versions that is pretty good.

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G.W. Thomas on Science Fiction of the 30s by Damon Knight

G.W. Thomas on Science Fiction of the 30s by Damon Knight

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Conan the Barbarian: Archie Style! From Everything Archie
#111 (May 1984). Art by Stan Goldberg and Larry Lapick.

G.W. Thomas has gradually become my favorite genre blogger. Not just because of his constant stream of content — he posts every two days at Dark Worlds Quarterly, and has been doing so for nearly a decade — but because of his endlessly zany topics. In the past few months he’s covered Haunted Houses in 50s comics, the Top Ten Ghostbreakers from Weird Tales, Werewolves of EC Comics, Space Heroes of the Golden Age, Fearless Vampire Killers of the pulps, Top Ten Fantasy Fight Scenes from 1980-1985 sword & sorcery flicks, Plant Monsters, Conan in Archie Comics, and so, so much more. For pulp and comic enthusiasts of a Certain Age, G.W. has tapped a nostalgic mother lode.

He also delves pretty deep into more serious topics of real interest, like that time he wrote a one-sentence review of every story in Damon Knight’s classic anthology Science Fiction of the 30s, complete with the original pulp illustrations.

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Recognizing Genius: Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, edited by David E Schultz and S.T. Joshi

Recognizing Genius: Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, edited by David E Schultz and S.T. Joshi

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Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and and Clark Ashton Smith,
1922-1931, Volumes 1 and 2 (Hippocampus Press, July 14, 2020). Cover art by David C. Verba

I’ve been reading Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, a two-volume set edited by David E. Schultz and S.T. Joshi. I talked about this in my company newsletter sent out a short while ago, and I’ll repeat it here for the interested.

Lovecraft paid great deference to Smith on their initial contact, but they soon became fast friends, with fun nicknames for one another. Lovecraft recognized genius when he saw it.

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Southern Horror: Pigeons from Hell by Robert E Howard

Southern Horror: Pigeons from Hell by Robert E Howard

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“Voodoo!” he muttered. “I’d forgotten about that—I never could think of black magic in connection with the South. To me witchcraft was always associated with old crooked streets in waterfront towns, overhung by gabled roofs that were old when they were hanging witches in Salem; dark musty alleys where black cats and other things might steal at night. Witchcraft always meant the old towns of New England, to me—but all this is more terrible than any New England legend—these somber pines, old deserted houses, lost plantations, mysterious black people, old tales of madness and horror—God, what frightful, ancient terrors there are on this continent fools call ‘young’!”

This exclamation by Griswell, the protagonist of Robert E Howard’s racially fueled horror tale set among the piney woods of the Louisiana-Arkansas border region, always struck me as a bit of a “take that!” to the old gentleman of Providence, HP Lovecraft. I think Howard was on to something as “Pigeons from Hell,” published posthumously in 1938 is a riveting tale of well-earned revenge, voodoo, and the walking dead. Two young travelers from New England decide to spend the night in an abandoned plantation mansion. The balustrade is covered by a flock of pigeons. Its oak door sags on broken hinges, and the interior is dark and dusty. After they fall asleep, they are ensnared by events set in motion many years ago.

“Pigeons” opens with Griswell (no first name), waking up from a troubled sleep on the floor of a dilapidated plantation mansion. He had dreamt of a “vague, shadowy chamber” wherein “three silent shapes hung suspended in a row, and their stillness and their outlines woke chill horror in his soul.” In the corner crouched a “Presence of fear and lunacy.” As his eyes open, he spies something crouching at the top of a flight of stairs.

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What I’ve Been Reading: September, 2024

What I’ve Been Reading: September, 2024

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I listen to audiobooks because I can fit them in far easier than I can actual books, to read. But even as my bifocals have to continually work harder, I still enjoy actually reading, be it a physical copy, or on my Fire tablet (I prefer the former, but needs must win out sometimes). So, let’s look at some of what I’ve been reading lately.

THE WATERS OF ETERNITY – Howard Andrew Jones

I’ve been talking more about my Black Gate buddy since he announced he is battling brain cancer. As I mentioned last week, I re-listened to his two Dabir and Asim novels. I prefer the short stories, and this collection of six of them is my favorite featuring the duo. While still being sword and sorcery, with elements of the fantastic, these are more mysteries, which is what I really enjoy about the two.

Howard’s a really good writer, he loves these Arabian fantasies, and they mix sword and sorcery with mystery. And the ebook is dirt cheap. You can’t go wrong with this one.

WOLFE OF THE STEPPES – Harold Lamb

Lamb was a prolific Pulpster in the early 20th Century. A historian as well, his adventure stories are detail-filled thrill-rides. There are eighteen tales of Khlit the Cossack, a gray-bearded survivor on the Asian steppes around the start of the 17th Century.

Lamb was a great influence on Robert E. Howard, and Howard Andrew Jones collected all the Khlit stories in four volumes. There are three more books of Lamb’s adventure tales as well. The first story, which was much shorter than the others, didn’t do anything for me. However, the next two were novella-length adventures and much better. Other than REH, I don’t read Adventure stories, but I am enjoying Khlit and will continue on.

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A Master of his Art: Rattle of Bones and Other Terrifying Tales by Robert E. Howard

A Master of his Art: Rattle of Bones and Other Terrifying Tales by Robert E. Howard

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Rattle of Bones and Other Terrifying Tales (Clover Press, October 20, 2020). Cover by Gabriel Rodriguez

“Damned be the dark ends of the earth where old horrors live again.”
— Robert E. Howard

Some of the finest gifts are from your buddy, a kindred spirit and dog brother in REH fandom, such as that damnable reprobate, Levi Combs. At Gamehole Con this year, Levi gifted me with this beautiful copy of Rattle of Bones and Other Terrifying Tales, by Robert E. Howard. And what a treasure it is!

This collection contains some of REH’s finest horror yarns, such as “In the Forest of Villefère,” “Wolfshead,” “Sea Curse,” “Rattle of Bones,” “The Touch of Death,” “Dig Me No Grave,” “People of the Dark,” and “The House of Arabu.” It was published by Clover Press and features beautiful art by Gabriel Rodriguez. It also features an afterword by horror master Steve Niles, perhaps best known for 30 Days of Night.

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A (Black) Gat in the Hand: REH’s Swords of Shahrazar

A (Black) Gat in the Hand: REH’s Swords of Shahrazar

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Back in 2022, I covered three different Pulp genres of Robert E. Howard. The third looked at one of my REH favorites – the Adventure Pulps. I talked about Kirby O’Donnell’s “Gold from Tartary.” You can read that here.

Howard had created El Borak as teen, and refined him years later, with “The Daughter of Erlik Khan” appearing in December of 1934. El Borak is his best-known ‘Cowboy of the East,’ and rivals Conan as my favorite REH character. But Howard found it impossible to break into the higher-paying Adventure pulps, and only four of his seven El Borak stories saw print during his lifetime. Two were published not long after his suicide, while the other two lay unpublished for decades.

Kirby O’Donnell was a similar character to El Borak, and he saw print first, with “Swords of Shahrazar in the October, 1934 issue of Top-Notch Magazine. I talked about that publication in my prior essay. Curiously, “Swords” was actually a direct sequel to “Gold from Tartary,” which appeared after “Swords,” in the January, 1935 issue of Thrilling Adventures.

“Swords” was about twice as long as “Gold,” and maybe that played into the decision to pass on it. But it certainly flows smoother to read “Gold,” then “Swords.”

I mentioned in “Gold” that Howard starts thing off FAST. Here, O’Donnell had awoken to a stealthy footstep near his room in the palace of forgotten Shahrazar. And in paragraph four, was “a great black body hurtling at him from the shadows, the gleam of a plunging knife.”

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An Essential Purchase: The Weird Tales Boys by Stephen Jones

An Essential Purchase: The Weird Tales Boys by Stephen Jones

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The Weird Tales Boys (PS Publishing, September 2023). Cover by Les Edwards

How could I not purchase The Weird Tales Boys, by Stephen Jones? It focuses on the three authors whose work has most inspired me for decades: Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smith.

In fact, I created a small business whose core product, the Hyperborea RPG, is inspired by the works of these three iconic giants of weird fiction, horror, fantasy, and sci-fi.

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A (Black) Gat in the Hand: Richard Deming’s Manville Moon

A (Black) Gat in the Hand: Richard Deming’s Manville Moon

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Richard Deming’s career flourished during the end of the Pulps and the birth of the digests. He published short stories in five different decades. After serving in World War II, he was working for the Red Cross when he sold his first story, “The Juarez Knife,” to Popular Detective. He would write a total of sixteen more stories, as well as four novels, featuring his one-legged war veteran, Manville (‘Manny,’ ‘Mister’) Moon, mostly appearing in Black Mask, and Dime Detective.

He wrote three police procedural novels starring Matt Rudd, a vice cop in Southern California. Deming appeared in the final issue of Dime Detective, but had already transitioned to Manhhunt, the digest magazine that was the successor to the hardboiled Pulps.

Deming also wrote for television – an experience he did not speak of fondly.

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A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Pulp Fest took place last week in Pittsburgh. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the second year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. This is my sixth intro for Steeger, and getting to write about Dashiell Hammett is a definite thrill. It’s about four times as long as my Fast One Intro. I could dig into Hammett for months. Check out my intro to that Volume Two, and then check out the book itself. Hammett is regarded as the Master, for good reason.

The Complete Black Mask Cases of the Continental Op, Volume One: Zigzags of Treachery, ended with “The House in Turk Street.” That was the tenth Op story, and as I wrote in the introduction to that volume:

‘For me, it’s in “The House in Turk Street” (which was adapted for the 2002 Samuel L. Jackson movie, No Good Deed) where we really see the classic Hammett for the first time. The characters, the pace, the tension, the plot elements: he was moving from learning, to improving, to the verge of mastering.’

Hammett had been honing his craft, and “The House on Turk Street” really saw things come together. While that was the first Hammett story to appear under Phil Cody’s editorship, it was surely accepted by George Sutton.

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