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New Treasures: Old Mars, Edited by George R.R. Martin and Gardner Dozois

New Treasures: Old Mars, Edited by George R.R. Martin and Gardner Dozois

Old Mars-smallI heard George R.R. Martin and Gardner Dozois were doing a new science fiction anthology about Mars and I thought, “Eh, Mars. It’s just no fun anymore. Too bad they don’t write stories about Mars the way they used to — like Clark Ashton Smith’s brilliant “The Vaults of Yoh-Vombis,” or Leigh Brackett and C.L. Moore’s fabulous tales of decadent civilizations and inscrutable alien mysteries. No one has that much imagination any more. Bah! I think I’ll go yell at the kids to get off the lawn.”

Then Old Mars finally arrived and it thawed my mean old heart. Martin and Dozois have rallied some of the finest writers in the industry — like Michael Moorcock, Joe R. Lansdale, Ian Mcdonald, Howard Waldrop, Matthew Hughes, Phyllis Eisenstein, and many others — to write brand new tales of Mars in the classic pulp tradition. Here’s the marvelous book description:

Burroughs’s A Princess of Mars. Bradbury’s The Martian Chronicles. Heinlein’s Red Planet. These and so many more inspired generations of readers with a sense that science fiction’s greatest wonders did not necessarily lie far in the future or light-years across the galaxy but were to be found right now on a nearby world tantalizingly similar to our own — a red planet that burned like an ember in our night sky… and in our imaginations.

This new anthology of fifteen all-original science fiction stories, edited by George R. R. Martin and Gardner Dozois, celebrates the Golden Age of Science Fiction, an era filled with tales of interplanetary colonization and derring-do. Before the advent of powerful telescopes and space probes, our solar system could be imagined as teeming with strange life-forms and ancient civilizations — by no means always friendly to the dominant species of Earth. And of all the planets orbiting that G-class star we call the Sun, none was so steeped in an aura of romantic decadence, thrilling mystery, and gung-ho adventure as Mars.

Join such seminal contributors as Michael Moorcock, Mike Resnick, Joe R. Lansdale, S. M. Stirling, Mary Rosenblum, Ian McDonald, Liz Williams, James S. A. Corey, and others in this brilliant retro anthology that turns its back on the cold, all-but-airless Mars of the Mariner probes and instead embraces an older, more welcoming, more exotic Mars: a planet of ancient canals cutting through red deserts studded with the ruined cities of dying races.

Martin and Dozois may well have produced my dream anthology. You don’t know how thrilled I am to see this kind of open-hearted embrace of the genre’s pulp roots from a major publisher.

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New Treasures: The Book of Cthulhu II, edited by Ross E. Lockheart

New Treasures: The Book of Cthulhu II, edited by Ross E. Lockheart

The Book of Cthulhu II-smallAh, Cthulhu. What could possibly explain the timeless fascination you’ve exerted over countless horror writers for the past 83 years?  Could it be that you’re roughly the size of Manhattan and you eat ocean liners? I dunno, but I bet I’m on the right track.

Well, whatever it is, I’m glad Big Green keeps popping up. Last August, we celebrated Ross E. Lockheart’s successful anthology The Book of Cthulhu, a marvelous reprint volume collecting some of the most famous Cthulhu stories of all time. I mentioned at the time that a second volume was in the works. Now I finally have a copy in my hot little hands and I’m pleased to say it doesn’t disappoint.

The Book of Cthulhu II contains two dozen tales of cosmic horror inspired by the work of H.P. Lovecraft, including Karl Edward Wagner’s “Sticks,” Neil Gaiman’s “Shoggoth’s Old Peculiar,” William Browning Spencer’s “The Ocean and All its Devices,” and John R. Fultz’s “This is How the World Ends.”

This thick volume also contains reprints by Michael Chabon, Elizabeth Bear and Sarah Monette, Fritz Leiber, Kim Newman, Jonathan Wood, and many others. There are also four original contributions, including the novella “Hand of Glory” by Laird Barron, which is currently on the World Fantasy Awards Ballot for best novella.

Ross E. Lockhart was the managing editor of Night Shade Books and the author of the rock-and-roll novel Chick Bassist. With the recent upheaval at Night Shade, culminating in the acquisition of the company by Skyhorse and Start Publishing, I don’t know if Lockhart remained with the firm. But I certainly hope so — these anthologies are some of my favorite titles to come out of Night Shade and I’d love to see them continue.

The Book of Cthulhu II was published September 2012 by Night Shade Books. It is 428 pages, priced at $15.99 for both the trade paperback and digital editions.

See all of our recent New Treasures here.

Vintage Treasures: Robert E. Howard’s Cthulhu: The Mythos and Kindred Horrors

Vintage Treasures: Robert E. Howard’s Cthulhu: The Mythos and Kindred Horrors

Robert E Howard Cthulhu The Mythos and Kindred HorrorsOn April 27, I wrote a Vintage Treasures article about Robert E. Howard’s The People of the Black Circle, one of the first fantasy books I ever owned.

The Comments section quickly became a discussion of REH collecting, with readers swapping photos of their favorite Howard books. Joe H. shared a LibrayThing catalog of his Howard collection, noting the hardest title to find had been Cthluhu: The Mythos and Kindred Horrors. “It took me years to track down a copy,” he said.

Well, that’s exactly the kind of thing that perks up a collector’s ears. Intrigued,  I went on a quest to find my own copy of Cthluhu: The Mythos and Kindred Horrors, a collection of Robert E. Howard’s Cthulhu stories.

I finally succeeded this week, after a two-week search. I settled in with my new copy today. First thing I noticed is that the cover, by Stephen Hickman, depicts a treasured artifact from my own collection: the Hickman-designed Cthulhu statute by Bowen Designs — a prized collectible these days. Now that it’s worth something, maybe my wife will let me bring it up out of the basement.

The other thing I noticed is that this is a sizable collection: 250 pages. While I knew Howard had made some minor contributions to Lovecraft’s famous milieu before his death, I had no idea he’d written so many stories that could be categorized as part of the Cthulhu Mythos.

Perhaps editor David Drake has been fairly liberal with his selections. I note that “Pigeons from Hell” is included, and that’s only peripherally a Cthulhu story — but it’s a damn good tale, so I’m not complaining.

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Adventure on Film: Why Hollywood Gets it Wrong

Adventure on Film: Why Hollywood Gets it Wrong

star-trek-game-beams-up-in-april-2013.jpgAs I write this, April is just around the corner, and now that Hollywood’s best and brightest studios no longer know how to calculate the beginning of summer, I smell blockbuster season ripening fast on the vine. Just think, in mere weeks, we can all flock to see Star Trek: Into Darkness, Iron Man 3, Wolverine, Oblivion, Pacific Rim, Elysium, and Man of Steel.

What do nearly all of these movies have in common? I’ll tell you, spoiler-free: the fate of the world will hang in the balance.

Which is why I shall be staying home –– again –– for blockbuster season. If I have learned anything in all my forays into drama, it is this: cinema offers no more boring subject, no greater snoozefest, than global peril.

Heresy, I know.

But I’m right. Here’s why.

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New Treasures: The Book of Cthulhu, edited by Ross E. Lockhart

New Treasures: The Book of Cthulhu, edited by Ross E. Lockhart

book-of-cthulhuIt’s been a few good years for Cthulhu fans, with a number of high-profile, acclaimed anthologies offering brand new tales of everyone’s favorite genocidal cosmic entity, including Ellen Datlow’s Lovecraft Unbound (2009), Darrell Schweitzer’s Cthulhu’s Reign (2010), S. T. Joshi’s Black Wings of Cthulhu (2010), and Future Lovecraft (2011) edited by Paula R. Stiles and Silvia Moreno-Garcia, among others.

However, if you’re new to the Cthulhu mythos, or just want to sample the best Lovecraftian horror of the last eight decades, your options are a little more limited. Paula Guran’s New Cthulhu: The Recent Weird (2011) offers an excellent cross-section of fiction from the last decade, with short stories by Neil Gaiman, John Langan, China Miéville, Michael Shea, Charles Stross, and many others. At 528 pages, it’s a veritable feast of modern cosmic horror, but since the oldest story dates from the year 2000, it doesn’t really count as a true survey of the very finest Cthulhu fiction.

That title, I think, goes to Ross E. Lockhart’s The Book of Cthulhu. It includes some of the most famous Cthulhu stories of all time, including T.E.D. Klein’s “Black Man With a Horn” (1980), Brian McNaughton’s “The Doom That Came to Innsmouth” (1999), and fiction by Charles R. Saunders, Ramsey Campbell, Bruce Sterling, Laird Barron, Kage Baker, Thomas Ligotti, Gene Wolfe, and many others.

Although Lockhart draws heavily from modern writers, there’s surprisingly little overlap with Guran’s volume — a scant four stories. You could probably get away with getting both, in fact. I’m glad I did.

Ross E. Lockhart is the managing editor of Night Shade Books. A second volume, The Book of Cthulhu 2 — reprinting stories by Fritz Leiber, Neil Gaiman, Laird Barron, Michael Chabon, and many others — is scheduled for release in October.

The Book of Cthulhu is 530 pages in a handsome trade paperback, with cover art by Obrotowy. It was released in August, 2011 by Night Shade Books, with a cover price of $15.99.

Chris Braak Reviews Cthulhu’s Reign

Chris Braak Reviews Cthulhu’s Reign

cthulhus-reignCthulhu’s Reign
Darrell Schweitzer, ed.
DAW (308 pp, $7.99, 2010)
Reviewed by Chris Braak

It is unquestionably a challenge to create a sense of drama in a set of stories that all share the premise of “human civilization has been destroyed by invincible monster-gods from space.” Cthulhu’s Reign is an anthology that sets out to do just that, using the theme of H. P. Lovecraft’s Old Ones – most often Cthulhu and his star-spawn, but not always – returning to prominence on earth after countless millennia of death/sleep. All of the book’s fifteen authors are to be commended for their imaginative takes on just what that return might look like, but there are some problems with the anthology as a whole.

The first and primary issue is that it’s just unrelentingly depressing. One story about the end of humanity out of a collection of fifteen is one thing; but a book in which every single story ends on a note of complete and utter hopelessness is exhausting. There is no reason to blame the authors; they are each separately and privately fulfilling their mandate. The problem is with the idea of the theme itself, which might be charitably described as “too much of a good thing.”

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Pastiches ‘R’ Us (And My Two-Year Anniversary): Conan the Renegade

Pastiches ‘R’ Us (And My Two-Year Anniversary): Conan the Renegade

conan-the-renegadeConan the Renegade
Leonard Carpenter (Tor, 1986)

Salutations, lovers of blood and thunder and me babbling about Frederick Faust! This week marks my second anniversary as a blogger on Black Gate. I’ve now held down the Tuesday spot for two years, and I believe that this missive you are now reading is my 104th post (I missed one week, but did a double-post another week during an REH birthday celebration).

Do you know what I am going to do to celebrate? I’m going to do the exact same thing I did on my first post . . . review a Leonard Carpenter Conan pastiche novel! Because I pride myself on my ability to change and adapt with the times.

Leonard Carpenter debuted on the Conan series with Conan the Renegade, which can be summed up in two words: “mercenary adventure.” Military action takes precedence over magic and wonder; most of the story unfolds in a small area around Koth and the bordering kingdom of Khoraja (seen in “Black Colossus,” which Conan the Renegade closely follows in the chronology that Tor Books was using for the pastiches at the time), and Conan’s adventuring mostly occurs within his role as a military leader and tactician. Carpenter does toss in a few horrific fantasy events, such as an unusual combat sorcerer and an ancient dungeon copied right out of “The Scarlet Citadel,” but readers who want a dark fantasy Conan should look elsewhere. Like, uhm, “The Scarlet Citadel.”

The warfare tale follows Conan to the Kothian city of Tantusium where he joins the Free Company of the mercenary captain Hundulph. Hundulph’s men are in the pay of Ivor, a Kothian prince who has risen in revolt against his uncle King Strabonus. Among the other mercenary captains rides the enticing warrior woman Drusandra, who leads an all-female band. Conan has suspicions of Ivor’s sorcerer Agohoth, a Khitan-trained wizard. This is very weird, since Conan never has suspicions about sorcerers.

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Pastiches ‘R’ Us: Conan and the Amazon

Pastiches ‘R’ Us: Conan and the Amazon

081252493401lzzzzzzzConan and the Amazon
John Maddox Roberts (Tor, 1995)

You may have noticed that in my series of reviews of Conan pastiche novels, I have yet to review an entry from Roland Green.

That is correct. I have not. Noted. Moving on. . . .

Of the authors of the long-running Tor series of novels, which started with Robert Jordan’s Conan the Invincible in 1982 and concluded with Roland Green’s Conan and the Death Lord of Thanza in 1997, with Harry Turtledove’s Conan of Venarium as something of a “coda” in 2004, John Maddox Roberts is the most consistently entertaining. (I love the novels from John C. Hocking and Karl Edward Wagner, but as each man unfortunately wrote only a single book, the sample is much smaller.) Roberts was the first new author to take over when Robert Jordan retired from the series after seven books published over only three years. In the eight novels that Roberts wrote, he shows deft ability with storytelling and action scenes, and a thankful tendency not to overplay his hand and try to ape Robert E. Howard’s style. His first Conan novel, Conan the Valorous, is one of the best of the Tor series, and shows a superior handling of the barbarian’s homeland of Cimmeria than Turtledove would achieve in Conan of Venarium.

However, Roberts had his down moments, and alas he stumbled at the finish line.

Conan and the Amazon is the last of Roberts’s Conan novels. It’s also his poorest, although a plot description, the salacious promise of the title, and a great cover with a super-croc would indicate it has sword-and-sorcery joys aplenty inside.

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Pastiches ‘R’ Us: Conan of the Isles

Pastiches ‘R’ Us: Conan of the Isles

conan-of-the-isle-original-coverSo far in the entries of my informal tour through the Conan pastiches—with a great guest shot from Charles Saunders on Conan the Hero—I’ve focused entirely on the “Tor Era,” the longest and most sustained period of new novels about Robert E. Howard’s Hyborian Age hero. Because of the sheer volume of books in the Tor line, which ran uninterrupted from 1982 to 1997, as well as most readers’ and reviewers’ indifference toward them, the Tor Era provides fertile ground for fresh criticism. It contains a few gems as well among the factory-line production schedule.

But I’ve neglected the earlier Conan pastiches, from publishers Lancer (Sphere in the U.K., later Ace in the U.S.) and Ballantine. Before Tor started its Conan factory with Robert Jordan’s Conan the Invincible, the world of Conan pastiches rested mostly in the hands of two men: L. Sprague de Camp and Lin Carter. They filled in a “Conan Saga” that they had imagined through a constructed timeline, and this framework extended into the Tor Era as well, although turning more overstuffed and inconsistent as the books piled up and eventually the whole series put itself to sleep and Howard burst back into print.

One of the results of de Camp and Carter’s addenda to Conan’s history is the odd, uncharacteristic, yet hypnotically entertaining Conan of the Isles. Years ago I wrote a detailed review of this 1968 novel for a forum posting. I’ve pulled up that old review and done some dusting, revising, and re-thinking to present the first “Pastiches ‘R’ Us” installment that examines the controversial First Responders of the neo-Conan world.

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Everybody Loves Cthulhu…

Everybody Loves Cthulhu…

 

Anticipating CTHULHU’S REIGN (Part 1)

Available on April 6, 2010...the end is near...
CTHULHU’S REIGN is coming on April 6…

“After vigintillions of years great Cthulhu was loose again, and ravening for delight.”
– H. P. Lovecraft, “The Call of Cthulhu,” 1928

“I want to know the same thing we all want to know: How’s it going to end?”
–Tom Waits, Orphans, 2006

There was a time, not so long ago, when only those who read H. P. Lovecraft’s masterful tales of cosmic horror had heard the name “Cthulhu.” In 2010 that is no longer the case. Thanks to an ever-growing legion of Lovecraft fans, books, magazines, movies, games, and web sites, Cthulhu has taken his place firmly among the Greatest Monsters of All Time.

Dracula. Frankenstein. Wolf-Man. Mummy. King Kong. Godzilla. Cthulhu.

Anyone can add a few more of his favorite monsters to this list, but one thing’s for sure: Great Cthulhu has risen into the mortal consciousness in a way that Lovecraft himself probably never imagined. And what’s not to love about this mountainous space-god with the head of a colossal squid, demonic batwings, a bloated and scaly body, and the ability to sleep for eons beneath the Pacific Ocean while sending evil dreams to haunt mortal men?  Today, even folks who have never read a Lovecraft story have heard of ol’ squid-head and his legacy.

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