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Category: Obituary

Frederik Pohl, November 26, 1919 – September 2, 2013

Frederik Pohl, November 26, 1919 – September 2, 2013

Frederik PohlScience Fiction lost one of its brightest lights yesterday.

Frederik Pohl — award-winning writer, editor, agent, and fan — entered the hospital in Palatine, Illinois, in respiratory distress yesterday morning, and died that afternoon. He was 93 years old.

Pohl was one of the most important genre figures of the 20th Century. His first publication, at the age of 17, was the poem “Elegy to a Dead Satellite: Luna,” in the October 1937 issue of Amazing Stories. He followed it with over 200 short stories and dozens of novels, including the back-to-back Nebula Award winners Man Plus (1976) and Gateway (1977).

Pohl was equally lauded as an editor, starting with two pulp magazines, Astonishing Stories and Super Science Stories, in 1939 (when he was still a teenager). In the late 1950s, he took the helm at Galaxy and IF magazines as H.L. Gold’s health began to decline, and under his tenure IF won the Hugo for Best Professional Magazine in 1966, 1967, and 1968.

By the mid 70s, Pohl was editing novels at Bantam Books; his acquisitions were cover-labeled “A Frederik Pohl Selection,” a rare honor. They included Samuel R. Delany’s groundbreaking Dhalgren, Joanna Russ’s The Female Man, John Brunner’s Web of Everywhere, and many others.

Pohl was a fixture in the field; well-connected and respected, extremely hard-working, highly talented, and good at almost everything he did. I can’t count how many times I’ve mentioned his accomplishments here on the blog; just in the last few weeks, I commented on his successful collaborations with Jack Williamson and C. M. Kornbluth. Rich Horton, who has been examining vintage SF digests for us, recently reviewed the July 1961 issue of IF, in which Pohl officially became editor.

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“We Thought We Were Immortal”: Robert Bloch on J. Francis McComas, Eric Frank Russell, and Leigh Brackett

“We Thought We Were Immortal”: Robert Bloch on J. Francis McComas, Eric Frank Russell, and Leigh Brackett

Starlog Science Fiction Yearbook-smallLast week, as part of my ongoing look at Lester Del Rey’s Best of… paperbacks from the 1970s, I wrote a brief piece on The Best of Robert Bloch. In the Comments section, Tangent editor and uber-fan Dave Truesdale offered up this fascinating tidbit:

Back in 1978 David Gerrold and I edited the Starlog SF Yearbook… For the section titled In Memoriam I wrote Robert Bloch and asked if he would do the honors (Kerry O’Quinn, Starlog publisher had given me a budget and so I was of course paying authors). Bob agreed and turned in well over a thousand words on three people who had passed away in 1978: J. Francis “Mick” McComas, co-founder of F&SF; Eric Frank Russell, and Leigh Brackett. It was a marvelous piece, bookended with how the field had begun so small when everybody knew everybody else and it was a big deal when someone died — and today (1978) when hardly anyone noted the passing of folks like Hugo Gernsback or Raymond Palmer…

After Bob got the check for his piece, he wrote back to express his thanks and that Mrs. Bloch would no doubt enjoy spending it on several bags of groceries.

After thinking on it a bit more, Dave got in touch with Robert Bloch’s daughter, Sally (Bloch) Francy, to ask for permission to reprint the piece. Here’s part of her reply:

I’m sure Dad would be very pleased, and I hope he and Rich Matheson are chatting about it as I ‘speak.’ I babysat for Matheson’s kids and rode horseback with their oldest daughter, Tina… Rich’s passing, though not a surprise, given his age and health issues, was still a shock. He and Harlan Ellison are the two people I knew from when I was a teenager, and to whom I still feel strong emotional ties to my father. They are the last of his generation of the people I knew. I miss my dad every day, still!

Thanks to Dave’s efforts, the complete text of her letter and her father’s 1978 piece are reprinted on the Tangent Online website.

Richard Matheson, February 20, 1926 – June 23, 2013

Richard Matheson, February 20, 1926 – June 23, 2013

richard mathesonRichard Matheson, the legendary author of some of the most famous science fiction and horror novels of the 20th Century, died Sunday at the age of 87.

Matheson wrote over 25 novels and nearly 100 short stories, but is probably best known for his many works adapted into popular movies — including I Am Legend, The Shrinking Man, Hell House, Trilogy of Terror (based on three of his short stories), What Dreams May Come, Somewhere in Time (based on his novel Bid Time Return), A Stir of Echoes, and Real Steel (based on The Twilight Zone episode “Steel.”)

He also wrote one of the most famous episodes of Rod Serling’s The Twilight Zone, “Nightmare at 20,000 Feet,” which starred a young William Shatner. He adapted his 1971 short story “Duel” into the TV movie of the same name, launching the career of its young director, Steven Spielberg. Matheson later noted the story’s inspiration came from a trip he took with Star Trek author Jerry Sohl (“The Corbomite Maneuver”), when they were dangerously tailgated by a large truck.

Matheson was scheduled to be the Guest of Honor at the upcoming World Fantasy Convention in Brighton, England. The convention committee has announced that the convention will now be “dedicated to his memory and stand as a tribute to one of our genre’s greatest storytellers.”

As Matthew Wuertz wrote on the occasion of his 87th birthday in February:

Even if you haven’t read his stories, Matheson’s writing has undoubtedly influenced something you’ve read or watched. His work will leave a noticeable impact for many years to come. Perhaps he should reuse his novel’s title I Am Legend for an autobiography.

Matheson received the World Fantasy Award for Life Achievement in 1984, and the Bram Stoker Award for Lifetime Achievement in 1991. He was inducted into the Science Fiction Hall of Fame in 2010. He won the World Fantasy Award twice, for novel Bid Time Return (1975) and his collection Richard Matheson: Collected Stories (1989). Read his Entertainment Weekly obituary here.

Parke Godwin, January 28, 1929 – June 19, 2013

Parke Godwin, January 28, 1929 – June 19, 2013

Sherwood Parke Godwin-smallParke Godwin, the American author of more than a dozen fantasy novels, died this week.

I first encountered Godwin with The Masters of Solitude, his 1978 science fiction collaboration with Weird Tales editor Marvin Kaye. They wrote one sequel, Wintermind (1982), and one horror novel together: A Cold Blue Light (1983).

But I’ll chiefly remember Godwin for my favorite Robin Hood adaptation, Sherwood, published in hardcover by William Morrow & Co. in August 1991. The novel follows young Edward Aelredson, Thane of Denby, who’s driven from his home by Norman invaders and takes refuge in primeval Sherwood forest — where he meets a surprising cast of characters and gradually becomes a thorn in the side of the usurping king. Set during the Norman conquest, Sherwood features both William the Conqueror and William Rufus as major characters. Godwin wrote one sequel, Robin and the King, in 1993.

Sherwood was perhaps his most successful book, but he’s also fondly remembered for his Arthurian trilogy set in 5th century Britain during the collapse of the Roman empire: Firelord (1980), Beloved Exile (1984), and The Last Rainbow (1985).

Godwin’s first novel was Darker Places (1973), his last was Prince of Nowhere, published in 2011. In between, he wrote a number of popular historical and romantic fantasies, including A Truce with Time (1988), The Tower of Beowulf (1995), and Lord of Sunset (1998). He also turned his hand to solo science fiction with Limbo Search (1995) and the humorous Snake Oil series: Waiting for the Galactic Bus (1988) and The Snake Oil Wars (1989).

As an editor he produced Invitation to Camelot (1988) and, with Marvin Kaye, one collection of Weird Tales reprints, Weird Tales: The Magazine That Never Dies (1988). He had one short story collection, the Hugo-nominated The Fire When It Comes (1984), which included the World Fantasy Award-winning title story.

His short story “Influencing the Hell out of Time and Teresa Golowitz,” (Twilight Zone magazine, January, 1982) was adapted as “Time and Teresa Golowitz,” an episode of The Twilight Zone TV show in 1986.

Parke Godwin was born in New York City in 1929, and lived there much of his life. He died on Wednesday at the age of 84.

Kim Thompson, September 25, 1956 – June 19, 2013

Kim Thompson, September 25, 1956 – June 19, 2013

Kim ThompsonKim Thompson, one of the most important figures in independent American comics, died today at the age of 56.

I first encountered Thompson during his days as editor of Amazing Heroes in the early 1980s. Amazing Heroes, which ran 204 issues from 1981 through 1992, was Fantagraphics’ version of The Comics Journal for superheroes, a serious (or at least, semi-serious) critical fan journal that ran articles on overweight superheroes, how Bob Burden narrowly escaped flaming death in Chicago, every move Jack Kirby ever made — and even produced an annual swimsuit issue. The first time I can remember reading his words was his announcement, some time in the early 80s,  that Amazing Heroes would run a Top 100 Comics on the back page (which quickly collapsed due to the sheer effort involved).

Thompson began working for Fantagraphics in 1977, and became a co-owner with Gary Groth the next year. According to an article in The Comics Journal #254, Thompson saved the company from bankruptcy by investing his inheritance in 1978.

He edited many of Fantagraphics’ most popular comics, including Linda Medley’s superb Castle Waiting, Peter Bagge’s Hate, Chris Ware’s Acme Novelty Library, Stan Sakai’s Usagi Yojimbo, and many others. He edited all 50 issues of funny-animal anthology Critters (1985-1990) and the alternative comics anthology Zero Zero (also 50 issues, 1995-2000).

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Iain M. Banks, February 16, 1954 – June 9, 2013

Iain M. Banks, February 16, 1954 – June 9, 2013

Iain M BanksIain M. Banks, the Scottish novelist who — almost uniquely — created parallel careers as both a bestselling literary author and a top science fiction author, died yesterday at the age of 59, two months after announcing he had terminal gall bladder cancer.

Iain Banks burst onto the literary scene in 1984 with his first novel, The Wasp Factory. It was both a critical and commercial success, listed in 1997 as one of the top 100 books of the 20th century, and it allowed Banks to become a full-time writer.

I heard a great deal about The Wasp Factory when it was first published, but it was his first science fiction novel, Consider Phlebas (1987) that really brought him to my attention. It was the first volume of his popular The Culture series, a sequence of ten books set in a far future civilization run by intelligent machines. Consider Phlebas and the volumes that immediately followed — The Player of Games, The State of the Art, and Use of Weapons — were much read and discussed among my small circle of friends in Ottawa.

Banks published science fiction as “Iain M. Banks,” and literary fiction as “Iain Banks.” All told, he wrote a total of 26 novels; his most recent were The Hydrogen Sonata by Iain M. Banks (Oct 9, 2012) and Stonemouth by Iain Banks, published one day later on Oct 10, 2012.

He won the British Science Fiction Association Award twice, in 1994 for Feersum Endjinn and 1996 for Excession. He was nominated for the Hugo Award in 2005 for The Algebraist.

His last novel, The Quarry by Iain Banks, is scheduled for publication later this month, on June 20.

Jack Vance, August 28, 1916 — May 26, 2013

Jack Vance, August 28, 1916 — May 26, 2013

The Dying Earth HillmanJack Vance, one of the greatest fantasists of the 20th Century and one of the last living links to the pulp era, died Sunday at the age of 96.

Vance was an electrician in the naval shipyards at Pearl Harbor in 1941, working for 56 cents an hour. He left a month before the Japanese attack; during World War II, he was in the Merchant Marines.

His first published story, “The World-Thinker” in the Summer 1945 issue of Thrilling Wonder Stories, was written at sea. Over the next six decades, he wrote more than 60 books (and perhaps as many as 90).

Vance was a prolific contributor to the pulp magazines in the 40s and 50s, especially Startling Stories and Thrilling Wonder. Some of his most famous work during this period included “The Five Gold Bands” (Startling Stories, 1950), “Son of the Tree” (Thrilling Wonder, 1951), “Telek” (Astounding Science Fiction, 1952), “The Houses of Iszm” (Startling Stories, 1954), and “The Moon Moth” (Galaxy, 1961).

Vance won his first Hugo Award for the brilliant novella “The Dragon Masters” (Galaxy, 1962); “The Last Castle” (Galaxy, 1966) won both the Hugo and Nebula Award.

During this period, he also wrote most of the stories that were collected as The Dying Earth in 1950. Famously, Vance was unable to sell his collection to genre publishers, as a result one of the most important works of American fantasy was published by tiny Hillman Periodicals, who chiefly published comics.

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Remembering Ray Harryhausen Through Ten Great Visual Effects Scenes

Remembering Ray Harryhausen Through Ten Great Visual Effects Scenes

MINOLTA DIGITAL CAMERAYes, that is a photo of me with special effects wizard and creator of dreams, Ray Harryhausen. I met him at a signing in 2004 at the (now gone) Lazer Blazer DVD store in Los Angeles. He signed my copy of An Animated Life, which was a gift from none other than John C. Hocking.

For the last few years, the idea squirmed around unpleasantly in my mind that I might soon hear the news of Ray Harryhausen’s death. Like his long-time friend Ray Bradbury, a fellow L.A.-area geek who also ended up becoming a legend in the worlds he loved, Harryhausen was a man of great longevity. But he was in his nineties and it was impossible not to imagine the day I would wake up to the headline: “VFX Pioneer Ray Harryhausen (1920–201?).” Still, I wasn’t prepared for it when it finally happened — today. The news struck like a bolt from Olympus, and then the ground split open and the Styx beckoned.

I have no need to explain Ray Harryhausen’s life to Black Gate’s readers. You know him. You love him as much as I do. Seeing Clash of the Titans in second grade changed my life: not only did it take a kid who loved dinosaurs and made him into someone who loved all monsters, but it opened that kid’s mind to Greek Mythology and consequently all history, so one day a History Degree would hang from his wall. Through Ray Harryhausen, I first began to love the techniques of filmmaking. Through Ray Harryhausen, I discovered film composer Bernard Herrmann and became an obsessive movie music lover. Through Ray Harryhausen, I found heroic fantasy. The whole damn thing is his fault. I told him this when I met him, and he laughed because I’m certain I was only the nine-millionth person to use that same line on him.

Instead of giving the Great Wizard a standard obituary, I want to remember him through ten sequences from his films that do the best job of showcasing what made him an artist of visual effects, a Rembrandt of film magic. These are simply my ten favorite moments, yours may differ, although there’s a few on this list that I guarantee (Medusa) that (Medusa) we’ll (Medusa) all (Medusa) agree (skeletons) on (Medusa).

On with the magic…

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Andrew J. Offutt, August 16, 1934 – April 30, 2013

Andrew J. Offutt, August 16, 1934 – April 30, 2013

swords-against-darkness-ivAndrew J. Offutt, who authored many fantasy novels in the 70s and 80s, and who made a significant contribution to Sword and Sorcery as an editor with his seminal Swords Against Darkness anthology series, died yesterday.

Offutt wrote numerous novels under the name John Cleve (and other pseudonyms), including five volumes in the Crusader historical adventure line, and the long-running erotic SF adventure series Spaceways. The first science fiction novel to appear under his own name was Evil is Live Spelled Backwards in 1970.

But I first encountered him in Swords Against Darkness IV in 1979, a marvelous book which contains stories by Manly Wade Wellman, Orson Scott Card, Poul Anderson, Tanith Lee, and many others. The first Swords Against Darkness appeared in 1977 from Zebra Books, with a Robert E. Howard fragment completed by Offutt, a Simon of Gitta tale from Richard L. Tierney, and fiction from Poul Anderson, Manly Wade Wellman, David Drake, Ramsey Campbell and many others. Offutt edited a total of five volumes, with the final one appearing in 1979. Together with Lin Carter’s Flashing Swords anthologies and a handful of small press magazines like Weirdbook, Swords Against Darkness kept Sword & Sorcery alive throughout the 70s and into the early 80s.

Offutt went on to some success with collaborator Richard K. Lyons, beginning with the War of the Wizards trilogy (1978-81). He also wrote the War of the Gods on Earth trilogy (1979-83), but was mostly known for his Robert E. Howard pastiche novels featuring Conan and Cormac Mac Art, including The Undying Wizard (1976), The Mists of Doom (1977), and Conan and the Sorcerer (1978). He was a noted contributor to Thieves’ World, appearing in several volumes in the ’80s and ’90s.

Offutt had a long hiatus after his last Thieves World work appear in 1993. He returned briefly to the field in the last decade, contributing a short story co-authored with Richard K. Lyon for 2009’s Rage of the Behemoth from Rogue Blades Entertainment.

Altogether Offutt wrote and edited more than 75 books. He also contributed to the field in other ways, including two terms as president of SFWA, from 1976-78. He died yesterday at the age of 78.

Basil Copper, February 5, 1924 – April 4, 2013

Basil Copper, February 5, 1924 – April 4, 2013

darkness-mist-and-shadow-the-collected-macabre-tales-of-basil-copperIt’s been a tough week for the genre. Science Fiction writer Iain M. Banks announced on Monday that he has terminal gall bladder cancer, both Eclipse Online and Night Shade Books packed it in on Thursday, and Roger Ebert died on Friday. And prolific English dark fantasy writer Basil Copper, a World Horror Grandmaster since 2010, also passed away Friday at the age of 89.

Basil Copper was born on February 5, 1924. His first short story, “The Curse,” was published when he was only 14; his first novel The Dark Mirror appeared in 1966. His is perhaps best known to genre fans for his popular Solar Pons stories, a character originally created by August Derleth as a tribute to Sherlock Holmes.

Copper wrote many detective books, including 58 novels featuring hard-boiled Los Angeles private detective Mike Faraday, but he is remembered today chiefly for his horror and dark fantasy work. His horror novels include The Great White Space (1974), Necropolis (1980), The House of the Wolf (1983), Into the Silence (1983), and The Black Death (1991).

He had a long-standing relationship with Arkham House, who published Necropolis and his short story collection From Evil’s Pillow — nominated for a World Fantasy Award in 1973 — and And Afterward, the Dark (1977).

For modern readers interested in trying some of his best work, I strongly recommend the 1999 Fedogan & Bremer collection Whispers in the Night, and the massive two-volume set Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, edited by Stephen Jones and published by PS Publishing in 2010.