The Goblin King is Gone. The Starman Has Returned to the Sky. R.I.P. David Bowie
I’m not going to talk about his musical or cultural influence (which was prodigious), or his film career (he was possibly the best actor among those recognized first and foremost as singers). If you want to explore all that (as well you should), the papers and blogs will be inundated with it for days to come.
My own brief contribution to the media buzz is only this: I’m going to take a moment to offer another little reason why his passing warrants note here on Black Gate. And no, it’s not just because he was Jareth the Goblin King in Jim Henson’s wonderful fantasy film Labyrinth (1986) — although that alone might be reason enough. Nor that in other roles both in film (The Man Who Fell to Earth [1976]) and on stage (e.g. Ziggy Stardust and the Spiders from Mars) he often portrayed himself as an extraterrestrial, a man visiting our planet from the stars.
It’s in the music itself. The influence of fantasy and speculative fiction can be heard throughout his oeuvre, and some of his songs are themselves tiny gems of speculative fiction. I’ll quickly cite two examples.