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Category: Obituary

Michael Bishop, November 12, 1945 – November 13, 2023

Michael Bishop, November 12, 1945 – November 13, 2023

Michael Bishop

The first issue of The Magazine of Fantasy & Science Fiction I bought was August 1974, and it had some fine work, perhaps most notably John Varley’s first published story, “Picnic on Nearside.” But… the second issue had, as the cover story, “Cathadonian Odyssey,” by Michael Bishop. At that time, I had no idea who Michael Bishop was. But that story fair blew me away. I was awed. Overwhelmed. I thought it a sure Hugo winner and it was on my first ever Hugo nomination ballot (and it was a finalist, losing to a good but not great Larry Niven story, “The Hole Man.”)

Shortly later I read his story “Death and Designation Among the Asadi” in Donald Wollheim’s Best of the Year collection, and was again wowed. And I continued reading his work with great enjoyment — short fiction such as “The Samurai and the Willows,” “Saving Face,” “The Quickening,” “Dogs’ Lives,” “Apartheid, Superstrings, and Mordecai Thubana,” “Cri de Coeur,” and “Twenty Lights to the Land of Snow” being particular favorites.

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The Legacy of a Legendary Collector: Denny Lien, September 26, 1945 – April 15, 2023

The Legacy of a Legendary Collector: Denny Lien, September 26, 1945 – April 15, 2023


A handful of items from Denny Lien’s incredible collection I was able to save from the dumpster

On Wednesday May 3, I drove 379 miles from St. Charles to Minneapolis, to help clean out the last of the legendary collection of the late Denny Lien. I’d been reliably informed that it was the final week his estate would have access to the house; the following Monday, Habitat for Humanity would take possession, and everything left would go in the dumpster.

Denny had the most incredible collection of magazines I’ve ever seen. During the scant few hours I had in the house I found virtually complete runs of Amazing Stories, The Magazine of Fantasy and Science Fiction, Worlds of If, Galaxy, Fantastic, Astounding/Analog, Asimov’s Science Fiction, Locus, Cemetery Dance, and many, many more — far more than I could ever pack and fit in the minivan I’d rented for the trip. Most were unread, in pristine condition.

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Joseph Wrzos, September 9, 1929 — April 7, 2023

Joseph Wrzos, September 9, 1929 — April 7, 2023


A few of the magazines edited by Joseph Wrzos: Amazing Stories
(complete year, 1967) and Fantastic Stories (complete years, 1966 & 1967)

I wanted to mention the passing on April 7, at the age of 93, of the former editor of Amazing and Fantastic, Joseph Wrzos, who used the name Joseph Ross professionally.

He was Cele Goldsmith Lalli’s immediate successor, and took over the magazines at a difficult time, when Ziff-Davis sold them to Ultimate Publishing. Lalli stayed with Ziff-Davis (and had a very successful career editing Modern Bride.) Ross worked under publisher Sol Cohen, who mandated severe budget cuts, including reprinting stories Amazing had first published decades before (and, until SFWA objected, not paying for them.)

Ross did his best in those circumstances, as far as I can tell, and was well liked by those who knew him. (I never met him myself.) In addition to his editing work (which included consulting for Arkham House, and for some later iterations of Amazing) he was a High School English teacher.

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A Salute to a Science Fiction Reader: R.K. Robinson, 1945 – June 30, 2022

A Salute to a Science Fiction Reader: R.K. Robinson, 1945 – June 30, 2022

I never met Rick Robinson. I knew him, as many of you did, as R.K. Robinson, one of Black Gate‘s most enthusiastic readers. He began by subscribing to our print version two decades ago, and became a regular supporter of the blog when we switched to electronic publication in 2011. He left over 500 comments here over the years, and that’s how I came to know him, as a knowledgeable and friendly reader whom we could always count on to kick off the discussion in the Comments section, especially when we were talking vintage science fiction and fantasy.

Here’s a typical Rick comment, from a 2019 New Treasures piece on Megan E. O’Keefe’s Velocity Weapon, lamenting the sheer volume of fabulous new stuff on the shelves.

This sounds really good. John, you’re like the candy man of new books. I’m getting overwhelmed, sinking, slowly, into the swamp of hardcovers, paperbacks, ebooks… I’m drowning here.

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Living Large: Bert I. Gordon 1922-2023

Living Large: Bert I. Gordon 1922-2023


Bert I. Gordon, one of the filmmakers most beloved by “monster kids” everywhere, has died, departing this shabby, low-budget set we call earth for the big Premier in the Sky on March 8th. He was one hundred years old, prompting thousands to say, “He was still alive?!”

Producer, director, and screenwriter, Gordon was a key figure in the Saturday afternoon matinee and late-night television viewing of generations of people who are now looked at askance by all who know them, and the litany of the films he directed is a popcorn-gobbling adolescent’s delight: King Dinosaur (1955), The Cyclops, The Amazing Colossal Man, Beginning of the End (all 1957), Earth vs. the Spider, War of the Colossal Beast, Attack of the Puppet People (all 1958), The Magic Sword (1962), Village of the Giants (1965), The Food of the Gods (1976), and Empire of the Ants (1977) are the high points, such as they are.

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Peter Straub: Men Love Him, Women Want to be Like Him 

Peter Straub: Men Love Him, Women Want to be Like Him 

TIna Jens and Peter Straub

Peter Straub, who passed away on September 4, was the Toastmaster at World Horror Convention 2006 San Francisco. Tina Jens was asked to write his “appreciation” essay for the program book. Here it is, in its entirety.

Barbie wants to be an astronaut. Geena Davis wants to be president. When I grow up, want to be Peter Straub. We’ve all got to have our dreams. And let’s face it, as dreams so, I’m shooting for a much farther star than Barbie or Geena.

Maybe it’s because, rumor has it, Peter still dresses for dinner each night. (And I’m not implying the alternative is Peter showing up for dinner in his skivvies.) If you’ve seen him at a convention, you know he looks damned fine in his custom suits. (We won’t talk about his old publicity photo where he looked like a dead ringer for Hank Kingsley on The Larry Sanders Show.)

Maybe it’s because he spent time as an ex-pat writer in Ireland, then London, or that he lists Raymond Chandler, Herman Melville, and Charles Dickens as his favorite authors, alongside Dennis Lehane and William Faulkner.

Maybe it’s because Rosemary Clooney, the brassy and beautiful singer of “Mambo, Italiano” was a family friend (which means he may well have had a play date with George Clooney). Although when he first told me that, I didn’t watch ER and was much more impressed that he knew Rosemary; but since we’re talking about it, Peter – can you introduce me to George?

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Alexei Panshin, August 14, 1940 — August 21, 2022

Alexei Panshin, August 14, 1940 — August 21, 2022


The Anthony Villiers by Alexei Panshin: Star Well, The Thurb Revolution,
and Masque World (Ace Books, 1968-1969). Covers by Kelly Freas

Alexei Panshin has died. He was one of the first SF critics I read — I read both Heinlein in Dimension and SF in Dimension as a teen. At the time I took his words as Gospel — in times since I have learned to question a lot of what he said, but what he said was well considered and an advance in understanding science fiction.

He was also a novelist of considerable ability. I don’t like his Nebula winner Rite of Passage as much as many, in part for the petty reason that I felt its Nebula undeserved in the presence of novels like the Hugo winner Stand on Zanzibar, Joanna Russ’ Picnic on Paradise, and above all one of my favorite novels ever, Samuel R. Delany’s Nova. But as I said that’s petty — Rite of Passage is an accomplished and enjoyable novel, a triumph as a first novel; and if I would argue with it that’s OK — I think it was arguing with itself (something I failed to perceive when reading it as a young teen.)

But for me his prime achievement is the three novels about Anthony Villiers: Star Well, The Thurb Revolution, and Masque World. These are not perhaps deathless fictional masterpieces, but they are supremely entertaining.

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Slapdash Slapstick: Ron Goulart, January 13, 1933 – January 14, 2022

Slapdash Slapstick: Ron Goulart, January 13, 1933 – January 14, 2022

Ron Goulart in 2009

Contrary to popular opinion, comic science fiction didn’t start and end with Douglas Adams and The Hitchhiker’s Guide to the Galaxy. The humorous mode has a long and honorable history, exemplified by writers like Stanislaw Lem, Harry Harrison, R.A. Lafferty, Frederic Brown, Robert Sheckley… and Ron Goulart.

Ron Goulart, who died on January 14th, a day after his eighty-ninth birthday, was an insanely prolific science fiction and mystery writer, especially in the 70’s and 80’s, when he wrote over one hundred novels, many of them pseudonymous entries in various “copyrighted character” series such as The Avenger, Flash Gordon, Vampirella, and The Phantom. These productions are about what you would expect — professional, work-for-hire potboilers written at high speed for the sole purpose of keeping the refrigerator stocked and the gas and electricity on. Hack work, in other words.

He was also William Shatner’s ghostwriter on the actor’s TekWar books; what would you give to have been a fly on the wall during their story conferences? “What do you think of this idea, Ron?” “It’s dead, Bill.”

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Upon the Passing of Giants: Richard L. Tierney, August 7, 1936 – February 1, 2022

Upon the Passing of Giants: Richard L. Tierney, August 7, 1936 – February 1, 2022

Richard L. Tierney

It was not long ago that I wrote an obituary here for Charles R. Saunders, the father of Sword & Soul and a man who showed the possibilities of sword & sorcery/heroic fantasy in non-European settings. Now, I must poor libations for another who took a genre’s flickering torch and in his own, and very different way, showed how to keep it burning.

Richard Louis Tierney (7 August 1936 – 1 Feb 2022) was an American writer, poet and scholar of H. P. Lovecraft, in the latter category probably best known for his essay “The Derleth Mythos” in which he clearly and succinctly provided a critical analysis of Lovecraft’s nihilistic vision vs. Derleth’s more Manichaean one, that had come to dominate “Mythos” fiction in the decades after HPL’s death. As a writer of heroic fantasy, he is best known for two major works: his series of six Red Sonja novels co-authored (with David C. Smith), featuring cover art by Boris Vallejo, and his Simon of Gitta series (which “reconciled” Derleth and Lovecraft’s take on the Mythos, through the lens of historical Gnosticism). He also wrote some straight Robert E. Howard completions and pastiche, including finishing two tales of Cormac Mac Art, and co-writing (again with Smith), a novel of Bran Mak Morn (For the Witch of the Mists).

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Conan’s Father: William Smith, 1933-2021

Conan’s Father: William Smith, 1933-2021

William Smith

We all have our end-of-year rituals, those small ceremonies that prepare us to ring out the old year and ring in the new. For me, one of the most important is watching the current TCM Remembers, the annual short film with which Turner Classic Movies bids farewell to the film people that we’ve lost throughout the year. It’s always beautifully done, and it always makes me tear up, usually no more the thirty seconds in.

Some of its subjects — the more famous ones — come as no surprise, as I heard about their deaths when they occurred during the year. There will always be many people, though, that I only find out about when I watch the video, late in December. This year one of the people that I didn’t know was gone was William Smith, who died July 5th at the age of eighty-eight.

William Smith? Who was William Smith? Oh, you know him — I guarantee it. To say that he was a prolific actor is to greatly understate the case. He has two hundred and seventy-five movie and television credits listed on IMDB, the first a miniscule part in 1942’s The Ghost of Frankenstein when he was nine years old and the last in 2020, in the Steve Carell comedy Irresistible.

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