Obituary – Page 10

Remembering Ray Harryhausen Through Ten Great Visual Effects Scenes

Tuesday, May 7, 2013 Ryan Harvey Comments 12 comments

Yes, that is a photo of me with special effects wizard and creator of dreams, Ray Harryhausen. I met him at a signing in 2004 at the (now gone) Lazer Blazer DVD store in Los Angeles. He signed my copy of An Animated Life, which was a gift from none other than John C. Hocking.

For the last few years, the idea squirmed around unpleasantly in my mind that I might soon hear the news of Ray Harryhausen’s death. Like his long-time friend Ray Bradbury, a fellow L.A.-area geek who also ended up becoming a legend in the worlds he loved, Harryhausen was a man of great longevity. But he was in his nineties and it was impossible not to imagine the day I would wake up to the headline: “VFX Pioneer Ray Harryhausen (1920–201?).” Still, I wasn’t prepared for it when it finally happened — today. The news struck like a bolt from Olympus, and then the ground split open and the Styx beckoned.

I have no need to explain Ray Harryhausen’s life to Black Gate’s readers. You know him. You love him as much as I do. Seeing Clash of the Titans in second grade changed my life: not only did it take a kid who loved dinosaurs and made him into someone who loved all monsters, but it opened that kid’s mind to Greek Mythology and consequently all history, so one day a History Degree would hang from his wall. Through Ray Harryhausen, I first began to love the techniques of filmmaking. Through Ray Harryhausen, I discovered film composer Bernard Herrmann and became an obsessive movie music lover. Through Ray Harryhausen, I found heroic fantasy. The whole damn thing is his fault. I told him this when I met him, and he laughed because I’m certain I was only the nine-millionth person to use that same line on him.

Instead of giving the Great Wizard a standard obituary, I want to remember him through ten sequences from his films that do the best job of showcasing what made him an artist of visual effects, a Rembrandt of film magic. These are simply my ten favorite moments, yours may differ, although there’s a few on this list that I guarantee (Medusa) that (Medusa) we’ll (Medusa) all (Medusa) agree (skeletons) on (Medusa).

On with the magic…

…

Andrew J. Offutt, August 16, 1934 – April 30, 2013

Wednesday, May 1, 2013 John ONeill Comments 21 comments

Andrew J. Offutt, who authored many fantasy novels in the 70s and 80s, and who made a significant contribution to Sword and Sorcery as an editor with his seminal Swords Against Darkness anthology series, died yesterday.

Offutt wrote numerous novels under the name John Cleve (and other pseudonyms), including five volumes in the Crusader historical adventure line, and the long-running erotic SF adventure series Spaceways. The first science fiction novel to appear under his own name was Evil is Live Spelled Backwards in 1970.

But I first encountered him in Swords Against Darkness IV in 1979, a marvelous book which contains stories by Manly Wade Wellman, Orson Scott Card, Poul Anderson, Tanith Lee, and many others. The first Swords Against Darkness appeared in 1977 from Zebra Books, with a Robert E. Howard fragment completed by Offutt, a Simon of Gitta tale from Richard L. Tierney, and fiction from Poul Anderson, Manly Wade Wellman, David Drake, Ramsey Campbell and many others. Offutt edited a total of five volumes, with the final one appearing in 1979. Together with Lin Carter’s Flashing Swords anthologies and a handful of small press magazines like Weirdbook, Swords Against Darkness kept Sword & Sorcery alive throughout the 70s and into the early 80s.

Offutt went on to some success with collaborator Richard K. Lyons, beginning with the War of the Wizards trilogy (1978-81). He also wrote the War of the Gods on Earth trilogy (1979-83), but was mostly known for his Robert E. Howard pastiche novels featuring Conan and Cormac Mac Art, including The Undying Wizard (1976), The Mists of Doom (1977), and Conan and the Sorcerer (1978). He was a noted contributor to Thieves’ World, appearing in several volumes in the ’80s and ’90s.

Offutt had a long hiatus after his last Thieves World work appear in 1993. He returned briefly to the field in the last decade, contributing a short story co-authored with Richard K. Lyon for 2009’s Rage of the Behemoth from Rogue Blades Entertainment.

Altogether Offutt wrote and edited more than 75 books. He also contributed to the field in other ways, including two terms as president of SFWA, from 1976-78. He died yesterday at the age of 78.

Basil Copper, February 5, 1924 – April 4, 2013

Sunday, April 7, 2013 John ONeill Comments 5 comments

It’s been a tough week for the genre. Science Fiction writer Iain M. Banks announced on Monday that he has terminal gall bladder cancer, both Eclipse Online and Night Shade Books packed it in on Thursday, and Roger Ebert died on Friday. And prolific English dark fantasy writer Basil Copper, a World Horror Grandmaster since 2010, also passed away Friday at the age of 89.

Basil Copper was born on February 5, 1924. His first short story, “The Curse,” was published when he was only 14; his first novel The Dark Mirror appeared in 1966. His is perhaps best known to genre fans for his popular Solar Pons stories, a character originally created by August Derleth as a tribute to Sherlock Holmes.

Copper wrote many detective books, including 58 novels featuring hard-boiled Los Angeles private detective Mike Faraday, but he is remembered today chiefly for his horror and dark fantasy work. His horror novels include The Great White Space (1974), Necropolis (1980), The House of the Wolf (1983), Into the Silence (1983), and The Black Death (1991).

He had a long-standing relationship with Arkham House, who published Necropolis and his short story collection From Evil’s Pillow — nominated for a World Fantasy Award in 1973 — and And Afterward, the Dark (1977).

For modern readers interested in trying some of his best work, I strongly recommend the 1999 Fedogan & Bremer collection Whispers in the Night, and the massive two-volume set Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, edited by Stephen Jones and published by PS Publishing in 2010.

Roger Ebert, June 18, 1942 – April 4, 2013

Friday, April 5, 2013 John ONeill Comments 5 comments

Here in Chicago, the airwaves and local newspapers are thick with commentary about the life of Roger Ebert, who died of cancer yesterday at the age of 70.

Roger Ebert was born in Urbana, Illinois in 1942 and began writing for the News-Gazette at age 15, covering high school sports. While at the University of Illinois, he became a reporter for The Daily Illini in Urbana, eventually becoming editor in his senior year. I lived in Urbana for four years while completing my Ph.D, from 1987-1991, and can attest to the mark he left on the city. Ebertfest, the annual film fest he started in Champaign-Urbana in 1998, continues to this day.

Roger Ebert won renown primarily as the nation’s preeminent film critic, starting at the Chicago Sun-Times in 1967. His columns were syndicated in more than 200 newspapers, and he published more than 20 books and dozens of collections of reviews. His TV show Sneak Previews, co-hosted with Gene Siskel, was nationally distributed beginning in 1978. He became the first film critic to win the Pulitzer Prize for Criticism in 1975.

But Ebert left his mark on the genre as well, starting with early fanzines. A life-long science fiction fan, he wrote for some of the most famous SF fanzines of the 60s and 70s, including Pat and Dick Lupoff’s Xero. He provided the introduction to The Best of Xero, the 2005 Tachyon collection gathering many of its best articles (including some of his).

Ebert was diagnosed with thyroid cancer in 2002, and underwent multiple surgeries. On July 1, 2006, his carotid artery burst and he narrowly escaped death. He lost the ability to speak, and to eat or drink, taking all nutrition through a feeding tube. But he continued to write. He died on April 4th at the age of 70; the last sentence on his final blog entry, two days before he died, read “So on this day of reflection I say again, thank you for going on this journey with me. I’ll see you at the movies.”

Perhaps the best way to remember him is to sample his legendary wit. Several blogs have collected some of his finest critiques, including BuzzFeed’s Roger Ebert’s 20 Most Epic Movie Pans, and Inquisitr’s Our 20 Favorite Ebert Quotes. He will be missed.

R.I.P. Lynn Willis, Game Designer Extraordinaire

Thursday, March 7, 2013 John ONeill Comments 5 comments

I was researching some recent OSR (Old School Renaissance) D&D releases at The Society of Torch, Pole and Rope blog when I came across a shocking post: an obituary for legendary Chaosium game designer and editor Lynn Willis, dated January 18.

It’s tough to describe the sense of loss I feel. I never met Lynn, so I didn’t know him personally. But he was a prolific designer and editor, and his name graces many of my favorite games. Like the other great designers of the era — Gary Gygax, Steve Jackson, Greg Stafford, Greg Costikyan, Sandy Peterson, Marc Miller — the name Lynn Willis quickly came to be synonymous with a top-notch product. In a tiny industry, that was no small thing.

I was introduced to gaming in 1978 by Metagaming, which offered enticing SF and fantasy microgames like Ogre and Melee in the pages of Analog and Asimov’s SF Magazine, and it was there I first encountered his work, in games like Godsfire (1976), Olympica (1978) and Holy War (1979). He designed the sci-fi guerrilla war game Bloodtree Rebellion for GDW in 1979, but found his permanent home when Chaosium published his post-apocalyptic game of a sunken America Lords of the Middle Sea in 1978.

Lynn became employee #3 at Chaosium, and had a spectacular career. He was the co-creator of Call of Cthulhu, perhaps his single most enduring contribution, and eventually became the mastermind behind the entire CoC line. Even a partial list of the Chaosium titles he worked on will give you an understanding of his energy and ability: Dragon Pass, Raiders and Traders, Arkham Horror, Thieves’ World, Ringworld, RuneQuest, Borderlands, Pavis, Big Rubble, Questworld, Stormbringer Companion, Elric, Shadows of Yog-Sothoth, Masks of Nyarlathotep, Cthulhu by Gaslight, Dreamlands, Horror on the Orient Express, and Beyond the Mountains of Madness.

On September 2008, Chaosium announced that Willis had been diagnosed with Parkinson’s disease. Chaosium President Charlie Krank, and company founder Greg Stafford, announced his death on January 18, 2013.

Lynn Willis left behind a formidable legacy — a body of work that literally changed the face of hobby gaming at arguably its most creative and formative time. For me, he was one of the backbones of the industry, a man whose contributions were so numerous and vital that you almost took him for granted

Almost. Rest in peace, Lynn. Though we never met, you lived your life in a way that immeasurably enriched mine. Thank you.

Gerry Anderson, April 14, 1929 – December 26, 2012

Sunday, January 6, 2013 John ONeill Comments 7 comments

I read on Tor.com that television writer, producer, and supermarionation pioneer Gerry Anderson died last week.

His name may not mean much to modern audiences, but Gerry Anderson was beloved among science fiction fans of the 1960s-1980s — and boy, did we love him. He had a long and fruitful career, especially with science fiction-themed children’s shows such as Fireball XL5 (1962), Stingray (’64–65), Captain Scarlet and the Mysterons (67-68), Joe 90 (68-69), and his biggest success, Thunderbirds (1965-1966).

Most of Anderson’s TV shows were co-produced with his wife, Sylvia Anderson. They were married from 1960 to 1981. Sylvia frequently directed the overdub sessions for the supermarionation programs, and even provided the voices of many characters, including Lady Penelope of the Thunderbirds.

Thunderbirds may have been his biggest success — and the defining kid’s show for an entire generation of science fiction fans — but there was nothing that could get my young heart rate up like the opening credits for Joe 90.

Gerry’s television career culminated in Space: 1999, the groundbreaking science-fiction television series that was the last Gerry and Sylvia Anderson co-production, and the most expensive series produced for British television up to that time. It ran for two seasons, from 1975 to 1977, and starred Martin Landau, the painfully wooden Barbara Bain, Barry Morse, and (in season two) Catherine Schell as Maya, the shape-changing alien hottie.

While it had an original premise and showcased enough intriguing plotlines to captivate its teenage fans, Space: 1999 is primarily remembered today for the superb results of effects artist Brian Johnson, whose detailed model work was hugely influential on Alien and other films that decade. His work was so impressive that George Lucas visited Johnson during production and offered him the role of effects supervisor for Star Wars. He later received an Academy Award for his work on The Empire Strikes Back.

Gerry Anderson continued to work well into the last decade; his New Captain Scarlet premiered in the UK in February 2005, and was said to be the most expensive children’s programme ever made in the UK. He died peacefully in his sleep on December 26, 2012 at the age of 83.

Kevin O’Donnell Jr, November 29, 1950 – November 7, 2012

Saturday, November 10, 2012 John ONeill Comments 4 comments

American science fiction writer Kevin O’Donnell Jr., who added “Jr.” to his byline to distinguish himself from his famous father Kevin O’Donnell, director of the Peace Corps, died this week.

O’Donnell graduated Yale University in 1972; his first short story “The Hand Is Quicker” appeared a year later in Analog. He published more than 70 short stories in a variety of genre publications, including Galaxy, Galileo, Isaac Asimov’s Science Fiction Magazine, Amazing/Fantastic, and Omni.

His first novel, Bander Snatch, appeared in paperback from Bantam Books in 1979. He published a total of ten over the next eleven years, including Mayflies (Berkley, 1979), War of Omission (Bantam, 1982), and ORA:CLE (Berkley, 1984).

Most of O’Donnell’s fiction was standalone, with the notable exception of his four-book series The Journeys of McGill Feighan for Berkley Books: Caverns (April 1981), Reefs (October 1981), Lava (April 1982), and Cliffs (February 1986).

His last novel was Fire on the Border from Roc Books, published in September 1990; he retired from writing fiction after his last short story, “The Boys from Bethlehem” (written with Denise Lee) appeared in the anthology The Darkness and the Fire in August, 1998.

O’Donnell was very active in the Science Fiction Writers of America, serving as chairman of the Nebula Award Novel Jury in 1990 and 1991, and chairing the Nebula Award Committee 1990-1998. He was the Business Manager of the quarterly SFWA Bulletin from 1994-1998, and in April 2005 he received the Service to SFWA Award.

Josepha Sherman, December 12, 1946 – August 23, 2012

Saturday, August 25, 2012 John ONeill Comments 0 Comment

Reports are pouring in that prolific fantasy writer Josepha Sherman, author of The Prince of the Sidhe novels and numerous licensed tie-in books, died on Thursday. She had been in poor health and struggled with dementia in the final years of her life.

Sherman began her career writing for The Adventures of the Galaxy Rangers, the animated Space Western TV series that ran between 1986 and 1989. Her first standalone fantasy novel was Golden Girl and the Crystal of Doom (1986). It was followed by more than a dozen others, including the Compton Crook Award winner The Shining Falcon (1990).

She began a lengthy and productive career writing tie-in novels for popular television and computer gaming properties in 1986 with The Invisibility Factor (Find Your Fate Junior Transformers, No 9). She produced licensed novels for Buffy the Vampire Slayer, Star Trek, Bard’s Tale, Highlander, Mage Knight, and Gene Roddenberry’s Andromeda. She also published All I Need To Know I Learned From Xena: Warrior Princess (1998), Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood (with T. K. F. Weisskopf, 1995), Mythology for Storytellers (2002), and more than 30 other non-fiction titles.

Sherman was also a prolific editor with eleven anthologies under her belt, beginning with A Sampler of Jewish-American Folklore (1992) and including Trickster Tales: Forty Folk Stories from Around the World (1996), Urban Nightmares (with Keith R.A. DeCandido, 1997), Merlin’s Kin: World Tales of the Heroic Magician (1998), and Young Warriors: Stories Of Strength (with Tamora Pierce, 2005).

Sherman frequently wrote in collaboration, producing more than a dozen books with a variety of talented partners including Susan M Shwartz (5 Star Trek novels), Laura Anne Gilman (2 Buffy novels), Mercedes Lackey (Bard’s Tale and Bardic Choices), Keith R.A. DeCandido (one anthology), Tamora Pierce (one anthology), T K F Weisskopf (one non-fiction book), and many others.

Writers including Pat Cadigan, Keith DeCandido, Theodora Goss, Nick Pollotta, Vera Nazarian, Ellen Kushner, and David B. Coe have been leaving testimonials on her Facebook page.

Harry Harrison, March 12, 1925 – August 15, 2012

Wednesday, August 15, 2012 John ONeill Comments 11 comments

Harry Harrison, the prolific author of nearly 60 novels (including Deathworld; Bill, the Galactic Hero; The Hammer and the Cross; and eleven titles in The Stainless Steel Rat series) has died.

Harrison’s first publication was the short story, “Rock Diver,” in the February 1951 issue of Worlds Beyond. But he entered the field as an illustrator, working on some of the most fondly-remembered comics of the 50’s, including EC Comics’ science fiction titles Weird Fantasy and Weird Science. He also wrote a number of syndicated comic strips, creating Rick Random and becoming the main writer of the Flash Gordon newspaper strip in the 50s and 60s.

Harrison also made a name for himself as an important and influential editor, beginning with the September 1953 issue of Rocket Stories. He was the editor of many of the field’s leading magazines, including Amazing Stories (1967 – 1968), Science Fiction Adventures (1953 – 1954), Fantastic (1968), and SF Impulse (1966 – 1967). With Brian Aldiss, he edited Nebula Awards 2, two volumes of SF Horizons, three volumes of the Decade anthology series (1940, 1950, and 1960), and nine volumes of The Year’s Best Science Fiction (1967 – 1975).

But it was as an author that Harrison really made his mark. His first novel was Deathworld (1960), a book that was still in print and much discussed two decades later, when I was in high school. He wrote two more in what was eventually to become The Deathworld Trilogy. His 1966 novel Make Room! Make Room! became the basis for the famous science fiction film Soylent Green (1973), starring Charlton Heston.

Harrison had an affinity for series work, and most of his 58 novels are part of a series including the Brion Brandd novels (2 titles), Tony Hawkin (2), To the Stars (3), The Hammer and the Cross (3), Stars and Stripes (3), Eden (3), Bill, the Galactic Hero (7), and The Stainless Steel Rat (11). Much of his short fiction also followed this pattern, including the nine “Matter Transmitter” stories.

Harrison’s career spanned nearly six decades. The monumental collection 50 in 50 (Tor, 2002) collects 50 stories written over 50 years. His last novel was The Stainless Steel Rat Returns, published by Tor in 2010.

According to The Official Harry Harrison Website, Harry Harrison died today at the age of 87. He was a vastly influential writer and editor during the formative years of the genre, and he will be much missed.

Art of the Genre: Joe Kubert [1926-2012]

Tuesday, August 14, 2012 Scott Taylor Comments 1 comment

Joe Kubert, comic icon and teacher, passed away August 12th 2012

When I think of Joe Kubert, I think of Sgt. Rock, of comic books and of incredible pencils, but first and foremost I think of an inspirational teacher. Most of the time, artists influence the marketplace and world with their art alone, students of their style learning from observing images, but now and again a great artist also becomes a teacher, and for this their lives, and our world, will be forever changed.

So it was for Joe Kurbert, comic icon, and master of his art. Joe’s school, and all the ‘Kubies,’ as his graduates were called, helped define nearly two generations of art since its inception in 1976. Notable names such as Dave Dorman, Tim Truman, and countless others have studied under this master, and because of that, his rank among the all time greats increases tenfold.

Two of his children, sons Adam and Andy, have gone on to follow in their father’s footsteps as well, now respected comic artists in their own right.

His art, so inspiring to all fans, had a subtle quality that somehow managed to be both hard and soft. Emotion was etched into each line, and the movement found in his figures always had a realism I found astonishing when reading gritty war stories from his formative, post WWII, years in the industry.

He was another outstanding member of ‘The Greatest Generation,’ and the principles for which he lived his life, and the kindness and generosity for which he was known, are a shining example to others who I hope will eventually follow in his footsteps.

To this, beyond talented and incredible father, artist, husband, and teacher, I raise a glass. He will be sorely missed, but his legacy, as well as his teachings, will continue. And for that, the world of art will be forever enriched.

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