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The Bard’s Tale IV Kickstarter Fully Funded After 12 Days

The Bard’s Tale IV Kickstarter Fully Funded After 12 Days

The Bards Tale IV

The Bard’s Tale was one of the first computer role playing games I ever played. It was developed in 1985 by Interplay, and published by Electronic Arts. I was in grad school at the time, and I’d play on the computers in the lab. Wandering around the 30×30 map of the ancient town of Skara Brae at night, getting killed by monsters, over and over (and over…) again. Good times, good times.

The Bard’s Tale sold, like, a billion copies, and became one of the big RPG franchises of the 80s (alongside Wizardry, Ultima, and SPI’s Gold Box games). There were two sequels and a construction set, before Interplay split off from Electronic Arts and began developing Dragon Wars (which was called Bard’s Tale IV until a month before its release in 1990). The Bard’s Tale franchise became dormant then, until Interplay founder Brian Fargo revived it for the first release from InXile Entertainment, The Bard’s Tale, in 2004. That game was a light-hearted console-style action game (with some absolutely killer tavern tunes).

Fast forward to 2015, where InXile Entertainment is now a triple-A studio with one of the finest RPGs in recent memory under its belt, Wasteland 2, and a reputation for record-breaking Kickstarter successes (Wasteland 2 and Torment: Tides of Numenera.) On June 2 Brian Fargo and team launched a new Kickstarter campaign, to fund a sequel to the original Bard’s Tale trilogy. The Bard’s Tale IV promises to be a modern single-player, party-based dungeon-crawler, an experience rich in exploration and combat, and “dungeons filled with challenging puzzles and devious riddles.” InXile set a goal of $1.25 million, and crossed that threshold in just 12 days. With 22 days to go, the campaign has over 28,600 backers, and plenty of exciting stretch goals, like free copies of the original games, a code wheel, and more. Check out the Kickstarter page here.

Erik Chevalier Reaches Settlement With FTC For Kickstarter Failure

Erik Chevalier Reaches Settlement With FTC For Kickstarter Failure

The Doom That Came to Atlantic City logoTwo years ago we reported on the spectacular failure of one of the biggest Kickstarter success stories of 2012.

Reports are coming in that Erik Chevalier, the man behind one of the most high-profile Kickstarter game successes of 2012, The Doom That Came To Atlantic City, has admitted that he will never produce the game… Over the past 13 months, Chevalier has been releasing increasingly bleak progress reports, culminating in this post Tuesday…

The Washington Post is reporting today that Chevalier has agreed to a settlement order with the FTC that includes a $111,793.71 judgment against him — although it’s unlikely he’ll ever be able to pay it.

In its first ever enforcement action against a crowdfunded project, the Federal Trade Commission went after a board game project gone wrong… Few, if any, supporters of the project ever received refunds, the FTC alleged in a complaint against Chevalier disclosed Thursday that accuses him of deceiving backers of the project. And instead of spending most of the funds raised through Kickstarter on making the game, he spent it on himself, the agency claimed. “In reality, Defendant never hired artists for the board game and instead used the consumers’ funds for miscellaneous personal equipment, rent for a personal residence, and licenses for a separate project,” the complaint said.

Chevalier has agreed to a settlement order with agency. Under the agreement, he’s prohibited from making misrepresentations about crowdfunding campaigns and failing to honor refund policies in the future. The order also contains a $111,793.71 judgment against Chevaliar, but it is suspended because of his inability to pay. “The full amount will become due immediately if he is found to have misrepresented his financial condition,” an FTC press release said.

Read the complete article here.

Support For Irene Gallo Continues to Grow

Support For Irene Gallo Continues to Grow

Tor Books logoSupport for Irene Gallo, the embattled Creative Director of Tor Books, has grown with astonishing speed over the last 24 hours. Writers, editors, bloggers, and fans are speaking out in numbers across the genre.

In her Daily Dot article “Why sci-fi authors are angry with Tor Books,” Gavia Baker-Whitelaw writes:

In the world of sci-fi/fantasy publishing, all anyone can talk about today is this Tor.com blog post from Tor Books founder Tom Doherty….

After Doherty denounced Gallo’s comment, many sci-fi fans and authors began accusing him of hypocrisy. If Gallo’s post was deemed objectionable enough to warrant a public disavowal, what about the controversial opinions published by other Tor authors and employees?

While Gallo’s opinions were offensive to some Sad Puppies supporters, it’s unclear why the single-paragraph Facebook comment resulted in such a public response almost a month after it was posted. Other Tor-affiliated writers have posted similar things on social media over the past few months, but none of the comments were addressed on the front page of Tor.com.

In an article titled “Tor’s Dumb Letter,” Harry Connolly highlights the differences in the way Irene Gallo and Tor contracts manager Sean Fodera were treated for embarrassing the company.

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Internet Explodes Around Irene Gallo

Internet Explodes Around Irene Gallo

Irene Gallo Tor Creative Director-smallIf you’ve been following science fiction publishing for the past 48 hours, you may have found yourself asking, “Who the heck is Irene Gallo?”

The talented Ms Gallo is the Creative Director of Tor Books, and the associate publisher of the marvelous Tor.com, where she’s done some exemplary work. On May 11, in response to a question on her personal Facebook page, she wrote a quick and rather clueless assessment of the Sad Puppies/Rabid Puppies movement:

There are two extreme right-wing to neo-nazi groups, called the Sad Puppies and the Rabid Puppies respectively, that are calling for the end of social justice in science fiction and fantasy. They are unrepentantly racist, sexist and homophobic. A noisy few but they’ve been able to gather some Gamergate folks around them and elect a slate of bad-to-reprehensible works on this year’s Hugo ballot.

Virtually no one took notice of Irene’s comments until Vox Day tweeted a screenshot on June 6th, and Larry Correia took note of it on Facebook, saying:

Irene Gallo is the Creative Director at Tor… I think we should share the love. Everybody deserves to see this wisdom in action.

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Clarkesworld Magazine Now Accepting Novelettes

Clarkesworld Magazine Now Accepting Novelettes

Clarkesworld 84-smallNeil Clarke has had quite a year. His magazine Clarkesworld published its 100th issue in January — an extraordinary milestone for any fiction magazine, let alone one of the earliest online venues — and in November he and fellow Clarkesworld folks Sean Wallace and Kate Baker received a Special Award from the World Fantasy Convention. And at the Nebulas this past weekend, Neil had no less than three stories he’d edited up for awards — more than any other editor. But I think the biggest news from Neil was this low-key announcement on his blog on June 2:

For several years now, I’ve capped the upper limit on Clarkesworld’s original fiction at 8,000 words. There were several good reasons for doing that, but they were mostly financial. This past week, we passed our latest Patreon goal and secured funding for a fourth original story in every issue… Assuming the Patreon pledge levels hold, this puts us in a situation that provides me with some flexibility.

I’m considering raising our upper limit to 16,000 words. That would take us firmly into novelette territory. (Right now, we barely scrape it.) Each issue would feature no more than one novelette… We would also accompany this change with an increase in pay rate on the 4000+ side of our scale.

And in a very brief post the next day, Neil confirmed that Clarkesworld would now publish fiction up to 16,000 words. Its rates have changed as well: it now pays 10¢ per word for the first 5,000 words, and 8¢ for each word over 5,000.

This is very good news for fantasy writers of all kinds. Clarkesworld is one of the most acclaimed publications in the industry, and the fact that it published exclusively short fiction was a source of continued frustration for many writers. So if your great fantasy novelette has been languishing in your desk drawer for years without a home, now’s the time to take it out and polish it up. Clarkesworld‘s submission page is here, and we covered the May issue here.

Presenting the 2015 Nebula Awards

Presenting the 2015 Nebula Awards

Presenting the 2015 Nebula Award for Best Novelette
Presenting the 2015 Nebula Award for Best Novelette. Photo by Keith Stokes

I don’t mean that title metaphorically. Like, “Here are the 2015 Nebula winners, so awesome!” I mean it literally. As in, presenting a Nebula Award on stage, in front of God and everybody, while wearing a suit and desperately hoping I pronounced all the names correctly. How’s that for awesome?

The 2015 Nebulas were presented by the Science Fiction Writers of America at the 50th Annual Nebula Awards Weekend on Saturday, June 4th, at the Palmer House in downtown Chicago. The event was attended by the brightest and most dazzling talents in the industry (plus, I was there too). I was invited to present the Nebula for Best Novelette, which was a fabulous honor that made me all giddy. If at any point on Saturday I shook your hand and tried to give you a Nebula Award, I hope you can understand — when I’m nervous, rehearsing make me feel better.

Please forgive me. Unless your name is Alaya Dawn Johnson, in which case, congratulations again on winning, and I’m very sorry I added three extra vowels to your first name. Ha ha ha, Alaya. It looked so damn easy on paper.

Anyways, the Nebulas. Super-big deal. The biggest names in the industry, gathered together to celebrate the very best writing of the year. And also to see and be seen, to socialize, discuss the big issues of the day, renew friendships, make new friends, gossip, catch up on all the news. Plus, to give out some Nebula Awards.

Derek Kunsken posted a fine summary of the weekend earlier today. After working with him for so many years, I was delighted to finally meet Derek for the first time, and he turned out to be just as articulate and entertaining in person. He wasn’t the only Black Gate writer to attend — I also caught up with Steven Silver, Jeremiah Tolbert, Tina Jens, and Beth Dawkins.

The highlight, of course, was the awards ceremony. And without any further ado, here’s a complete rundown on the winners.

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Blogging from the Nebulas Weekend

Blogging from the Nebulas Weekend

I’m in Chicago, at the 50th Annual Nebula Awards Weekend, and so far, it’s all pretty amazing. For Annihilation_by_jeff_vandermeerthose who don’t know, the Science Fiction and Fantasy Writers of America hold an annual Nebula Awards weekend that feels kind of like a very small fan con, except most of the attendees are SFWA members and networking and casual business discussion dominates.

My first Nebulas Weekend was in San José two years ago. Chicago is pretty impressive and the hotel, the Palmer House in downtown Chicago, is even moreso. And like at World Fantasy, attendees got loot bags upon arrival, provided by publishers. A small selection of by book bag contains: Tobias Buckell’s Sly Mongoose, an advance proof of Aliette de Bodard’s House of Shattered Wings, Daryl Gregory’s Afterparty, Ken Liu’s Grace of Kings, Nick Cutter’s The Acolyte and many more.

I don’t tend to go to as much programming as I used to at cons; I go more to meet editors, agents, publishers, and other writers, because hey, common interests. This weekend is an exception because the speakers are pretty uniformly the people who are steering the field itself.

I checked out a panel with Sheila Williams (Asimov’s) and Jacob Wiesman (Tachyon Press) about what editors are looking for. This is a bit in the same theme as Neil Clarke’s recent and excellent and data-based post about what he’s looking for at Clarkesworld. Based on the conversation, it struck me how much building Asimov’s each month is like building an anthology, where tone and editorial vision and story offering have to balance.

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Sarah Avery Nominated for 2015 Mythopoeic Award for Tales from Rugosa Coven

Sarah Avery Nominated for 2015 Mythopoeic Award for Tales from Rugosa Coven

tales-from-rugosa-coven-Avery-smallBlack Gate blogger Sarah Avery has been nominated for the 2015 Mythopoeic Award for her novel Tales from Rugosa Coven, published in 2013 by Dark Quest.

The Mythopoeic Fantasy Award for Adult Literature is given to the fantasy novel, series, or collection for adults published during the previous year that best exemplifies “the spirit of the Inklings,” the Oxford literary discussion group that included J. R. R. Tolkien and C. S. Lewis. The winners will be announced during Mythcon 46, held July 31 – August 3, 2015, in Colorado Springs, Colorado. Congratulations to Sarah, and all the nominees!

Sarah’s short story “The War of the Wheat Berry Year,” a slender and deceptively simple fantasy featuring The Traitor of Imlen, was published in Black Gate 15. The complete list of nominees for the 2015 Mythopoeic Awards follows.

Mythopoeic Fantasy Award for Adult Literature

  • Sarah Avery, Tales from Rugosa Coven (Dark Quest)
  • Stephanie Feldman, The Angel of Losses (Ecco)
  • Theodora Goss, Songs for Ophelia (Papaveria Press)
  • Joanne M. Harris, The Gospel of Loki (Gollancz)
  • Joe Hill and Gabriel Rodriguez, Locke & Key series (IDW Publishing)

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Tanith Lee, September 19, 1947 – May 24, 2015

Tanith Lee, September 19, 1947 – May 24, 2015

Tanith LeeTanith Lee’s website, tanith-lee.com, is reporting that she passed away on May 24th.

I read my first Tanith Lee novel, Kill the Dead, in 1987. It was her twenty-fifth novel. In her long career she wrote 90 novels and some 300 short stories, as well as two episodes of the BBC series Blake’s 7. Lee often mentioned that she was unable to read until she was 8, due to a mild form of dyslexia, and she began to write at the age of 9. Her first novel was the children’s book The Dragon Hoard (1971); her first book for adults, The Birthgrave, the first novel in The Birthgrave Trilogy, was published four years later. Lee wrote this small epitaph for her website, and it was posted this morning:

Though we come and go, and pass into the shadows, where we leave behind us stories told – on paper, on the wings of butterflies, on the wind, on the hearts of others – there we are remembered, there we work magic and great change – passing on the fire like a torch – forever and forever. Till the sky falls, and all things are flawless and need no words at all.
— Tanith Lee

Tanith Lee was nominated for the Nebula Award twice, and won the World Fantasy Award twice, for her short stories “The Gorgon” (1983) and “Elle Est Trois, (La Mort)” (1984). She received a Lifetime Achievement Award at the 2013 World Fantasy Award ceremonies. She was the first woman to win the British Fantasy Award for best novel, for Death’s Master (1980). Her most popular works include Don’t Bite the Sun (1976), Tales From The Flat Earth (five books, 1978-1986), The Silver Metal Lover (1981), The Secret Books of Paradys (four novels, 1988-1993), The Secret Books of Venus (four novels, 1998-2003), and the Lionwolf Trilogy (2004-2007), which John R. Fultz reviewed for us in 2010. Tanith Lee passed away on Sunday, May 24, 2015. She was 67 years old.