Black Gate

Sword & Sorcery is a clenched fist thrust into the sky, a raised middle finger in the face of the Unknown, an epithet spat into the dirt through a rictus of bared teeth. S&S demands an attitude of not merely surviving but of dominating living, all else—everything else—be damned. The heroes of S&S continue living deeply until there are no more breaths to take. The only -ism S&S promotes is LIVE!-ism. Absolutely a rebellion against meaninglessness, it also fully embraces an I-don’t-give-a-damn-if-it-is-all-meaningless creed. “I live, I burn with life, I love, I slay, and am content.” Robert E. Howard, through Conan, again saying it best in “Queen of the Black Coast.”

Jason M. Waltz from “It’s Not Gentle,” the foreword to Neither Beg Nor Yield

I reviewed Return of the Sword: An Anthology of Heroic Adventure over at Stuff I Like: A Blog (called Swords & Sorcery: A Blog back then) twelve years ago. I had discovered the book by way of a mention here at Black Gate, which I had discovered while on the hunt for contemporary sword & sorcery. This book, more than anything else, convinced me there was a wealth of new and, more importantly, good S&S writing being done.

I had created my site to focus on ensuring the classics of S&S weren’t forgotten in the face of the seemingly irresistible tide of grimdark fiction that was new back then. Waltz’s book forced me to direct an increasing portion of my efforts toward the new stories. Howard Andrew Jones, James Enge, and John Fultz were all authors I first encountered in that period. There are also dozens of writers I found reviewing hundreds of new stories right here on the pages of Black Gate.

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Fantasmagoriana Deluxe (Dark Moon Books, November 28, 2023). Cover art by Hellduriel

The history of Fantasmagoriana is rather complicated.

Originally the book was published in German as a ghost story collection, then translated into French in 1812. The first English translation under the title Tales of the Dead by Sarah Elizabeth Utterson appeared in 1813, but Utterson omitted three stories and added one written by herself, “The Storm,” which frankly is an unremarkable, weak imitation of some of the original tales included in the anthology.

The current volume, Fantasmagoriana Deluxe, includes all the stories featured in the two books Fantasmagoriana and Tales of the Dead, some of which were read aloud by Mary Shelley and her friends during the famous party at Villa Diodati (Switzerland) where Lord Byron suggested that the guests try their hand creating some new ghostly fiction. The more famous results of that challenge were Frankenstein by Mary Shelley and The Vampyre by JW Polidori.

But so much for history. Let’s move to the stories, which are all outstanding.

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Evenmere Tales and Other Stories (Ransom House, October 23, 2023)

James Stoddard, author of six novels including the delightful Evenmere trilogy (The High House, The False House, and Evenmere), has finally released a complete collection of his short stories. These stories at their best are first rate American fantasy. Even when they are not at their best, they are worth reading. Stoddard’s ambitions are extraordinary, and achieved often enough that he should be read, and read again.

Stoddard’s complete collection is slim — Evenmere Tales contains eleven tales, ranging from short story to novella. The oldest is “The Perfect Day,” a Bradburyesque tale published in 1985; the newest is the Evenmere novella “The Leechmont,” published here for the first time. Six appeared in The Magazine of Fantasy and Science Fiction between 2002 and 2011 — “The Star Watch” (Evenmere), “The Battle of York,” “The Star to Every Wandering Barque,” “The First Editions,” “Christmas at Hostage Canyon,” and “The Ifs of Time” (Evenmere). Three were published in various outlets between 2011 and 2020, although some were written earlier: “The Last Roadmaker,” “Day of the Shark,” and “Cage of Honor.” “The Coasts of Hope,” published in 2017 in a Hungarian magazine, is not included.

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