Black Gate

Mary W. Shelley’s gothic horror masterpiece Frankenstein; or, The Modern Prometheus, was published in 1818, shortly after the author turned 20. As we approach the 200th anniversary of one of the greatest horror novels in history, we can expect to see plenty of tribute volumes. But for my money, the only one you need is Stephen Jones’ massive In the Shadow of Frankenstein: Tales of the Modern Prometheus, a 712-page tome which collects pulp stories from Astounding and Weird Tales, modern riffs on the legend of Frankenstein, and three complete novels.

Frankenstein… His very name conjures up images of plundered graves, secret laboratories, electrical experiments, and reviving the dead. Within these pages, the maddest doctor of them all and his demented disciples once again delve into the Secrets of Life, as science fiction meets horror when the world’s most famous creature lives again.

Here are collected together for the first time twenty-four electrifying tales of cursed creation that are guaranteed to spark your interest — with classics from the pulp magazines by Robert Bloch and Manly Wade Wellman, modern masterpieces from Ramsey Campbell, Dennis Etchison, Karl Edward Wagner, David J. Schow, and R. Chetwynd-Hayes, and new contributions from Graham Masterson, Basil Copper, John Brunner, Guy N. Smith, Kim Newman, Paul J. McAuley, Roberta Lannes, Michael Marshall Smith, Daniel Fox, Adrian Cole, Nancy Kilpatrick, Brian Mooney and Lisa Morton. Plus, you’re sure to get a charge from three complete novels: The Hound of Frankenstein by Peter Tremayne, The Dead End by David Case, and Mary W. Shelley’s original masterpiece Frankenstein; or, The Modern Prometheus.

As an electrical storm rages overhead, the generators are charged up, and beneath the sheet a cold form awaits its miraculous rebirth. Now it’s time to throw that switch and discover all that Man Was Never Meant to Know.

In the Shadow of Frankenstein: Tales of the Modern Prometheus is a revised an updated edition of The Mammoth Book of Frankenstein (Carroll & Graf, 1994), and if you have that volume, you probably don’t need this one. This new hardcover edition adds a new Foreword by Neil Gaiman and one new story, Stephen Volk’s “Celebrity Frankenstein,” from Postscripts 28/29 (2012), bringing the total to 24 stories. Diabolique Magazine calls the new edition “a stunning array of stories;” check out their complete review here. In the Shadow of Frankenstein: Tales of the Modern Prometheus was published by Pegasus Books on July 5, 2016. It is 712 pages, priced at $27.95 in hardcover and $26.23 for the digital edition.

When I was at the Nebula Awards weekend I had a chance to catch up with my friend Jacob Weisman, publisher of Tachyon Books, and I asked him about his upcoming anthology Invaders: 22 Tales From the Outer Limits of Literature. I had assumed it was a collection of alien invasion tales but, as he patiently explained to me, that’s not it at all. Jacob has gathered a superb batch of stories by literary authors who have invaded science fiction — and left distinct footprints behind. Here’s the Publishers Weekly review.

In this very fine reprint anthology, Weisman has brought together 22 SF stories by authors who, although not generally associated with the genre, are clearly fellow travelers (not the ominous invaders suggested by the title). Among the major names are Pulitzer Prize–winner Junot Díaz, George Saunders, Katherine Dunn, Jonathan Lethem, Amiri Baraka, W.P. Kinsella, Steven Millhauser, Robert Olen Butler, and Molly Gloss. Among the best of the consistently strong stories are Díaz’s “Monstro,” the horrifying tale of a disease outbreak in Haiti; Gloss’s near-perfect first-contact story, “Lambing Season”; Kinsella’s totally bizarre “Reports Concerning the Death of the Seattle Albatross Are Somewhat Exaggerated”; Ben Loory’s fable-like “The Squid Who Fell in Love with the Sun”; and Saunders’s “Escape from Spiderhead,” a deeply sexy tale of wild experimental science. In general, the stories tend toward satire and emphasize fine writing more than hitting genre beats — technology is usually a means to an end rather than the center of the story — but most of them could easily have found homes in SF magazines. This volume is a treasure trove of stories that draw equally from SF and literary fiction, and they are superlative in either context.

Here’s the complete table of contents.

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Amazon.com’s high concept series The Man in the High Castle, based on the famous novel by Philip K. Dick, became a major hit for the online retailer, and it was renewed for a second season late last year.

I have not yet seen the series, but I find myself in total agreement with Peter Tieryas’s implied critique of the whole concept: that it would be 300% better with giant robots. Seriously, I think this Tieryas guy is on to something. Sure, there isn’t an artistic or creative endeavor in Western Civilization that wouldn’t be improved by adding giant robots (“Are you enjoying that double scoop pistachio ice-cream cone, young lady? Here, try it with giant robots.” See what I mean?), but there’s something about World War II alternate history that just screams, “More giant robots, please!” Come on, you know what I’m talking about.

I received a free copy of Tieryas’ second novel United States of Japan at the Nebula Awards back in April, and I finally settled in with it yesterday. It seems to be exactly what it promises: an action-packed detective story/alternate history successor to The Man in the High Castle. With honkin’ big robots. Financial Times says that “With its giant military robots, sumo wrestlers and body-transforming technology, [it’s] a gleeful love letter to Japanese pop culture,” and Lightspeed calls it “A hell of a ride, with plot twists as history is written and rewritten right in front of you… an ending as powerful as the iron grip of the godlike Emperor.”

United States of Japan was published by Angry Robot on March 1, 2016. It is 398 pages, priced at $14.99 in trade paperback and $6.99 for the digital edition. The cover is by John Liberto. Amazon.com currently has the Kindle version available for just $1.99 — grab it while you can.

William Schafer’s Subterranean Press is one of the most prolific and accomplished small presses in the industry. It has produced countless books by Dan Simmons, Stephen King, George R.R. Martin, James Blaylock, Robert McCammon, Paolo Bacigalupi, Neal Barrett, Jr., Steven Erikson, Neil Gaiman, Jack Vance, and many others.

I don’t typically report on them here, however. While we’re always happy to promote small press publishers at Black Gate, we like to make sure you can obtain the great books we’re telling you about. And Subterranean specializes in limited edition hardcovers that frequently sell out quickly.

That’s not always the case, however — and I’m very pleased to report on those rare instances when Subterranean makes its excellent books available in paperback. One such case is the splendid The Best of Robert Silverberg: Stories of Six Decades, a generous collection of Robert Silverberg’s best stories spanning over 50 years. It includes much of his most important and acclaimed short work, including “Nightwings” (the 1969 Hugo Award winner for Best Novella), “Passengers” (Nebula Award, 1970), “Good News from the Vatican” (Nebula, 1971), “Born with the Dead” (Best Novella Nebula, 1975) “Schwartz Between the Galaxies,” “Sailing to Byzantium” (Nebula Award, Best Novella, 1986), and “Enter a Soldier. Later: Enter Another” (Hugo winner, 1990).

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Matthew De Abaitua’s first novel for Angry Robot, If Then, was called “Stunningly original and superbly well written… everything science fiction should be aiming for,” by Nina Allen. In his review in Locus magazine, Paul Di Filippo said “This is the kind of post-apocalypse, after-it-all-changed novel that the Brits do with so much more classy, idiosyncratic style than anyone else. It is full of magisterial weirdness, logical surrealism, melancholy joy and hopeful terror.”

His follow-up novel, set in the same world as If Then (and sharing a single character, Alex Drown) is The Destructives, released in paperback in March. From what I’ve read so far, it seems packed with the same gonzo weirdness that made If Then such a success. Well worth checking out.

Theodore Drown is a destructive. A recovering addict to weirdcore, he’s keeping his head down lecturing at the university of the Moon. Twenty years after the appearance of the first artificial intelligence, and humanity is stuck. The AIs or, as they preferred to be called, emergences have left Earth and reside beyond the orbit of Mercury in a Stapledon Sphere known as the university of the sun. The emergences were our future but they chose exile. All except one. Dr Easy remains, researching a single human life from beginning to end. Theodore’s life.

One day, Theodore is approached by freelance executive Patricia to investigate an archive of data retrieved from just before the appearance of the first emergence. The secret living in that archive will take him on an adventure through a stunted future of asylum malls, corporate bloodrooms and a secret off-world colony where Theodore must choose between creating a new future for humanity or staying true to his nature, and destroying it.

The Destructives was published by Angry Robot on March 1, 2016. It is 415 pages, priced at $7.99 in paperback and $6.99 for the digital version. The cover is by Raid71. See more details at the Angry Robot website.

You know what I didn’t know I wanted? A Roman-era adventure tale/modern thriller mash-up. At least, I didn’t know I wanted it until a copy of Daniel Godfrey’s debut novel New Pompeii showed up on my doorstep, courtesy of Titan Books. Now I can’t wait to read it.

Calling New Pompeii a delightful mix of genres is something of an understatement. Alan Smale (Clash of Eagles) says it’s “That rare science fiction novel that reads like a thriller… an astonishing debut.” Gareth L. Powell (The Recollection, Hive Monkey) concurs, calling the novel “A smart, intriguing thriller in the tradition of Michael Crichton and Philip K. Dick.” And Barnes & Noble calls it, “Deliciously Readable.” And yeah, it’s their job to sell books, but you gotta admit they don’t say that about everybody.

Whatever the case, New Pompeii has one of the most original and intriguing premises I’ve heard this year. Not bad at all for a debut novel. Here’s the description.

In the near future, energy giant Novus Particles develops the technology to transport objects and people from the deep past to the present. Their biggest secret: New Pompeii. A replica of the city hidden deep in central Asia, filled with Romans pulled through time a split second before the volcano erupted.

Historian Nick Houghton doesn’t know why he’s been chosen to be the company’s historical advisor. He’s just excited to be there. Until he starts to wonder what happened to his predecessor. Until he realizes that NovusPart have more secrets than even the conspiracy theorists suspect.

Until he realizes that NovusPart have underestimated their captives…

New Pompeii was published by Titan Books on June 21, 2016. It is 422 pages, priced at $14.95 in trade paperback, and $7.99 for the digital edition.

Christopher Buehlman is a fast-rising horror star. His debut novel, Those Across the River, was nominated for a World Fantasy Award, and he followed it quickly with The Necromancer’s House and Between Two Fires. Last year’s The Lesser Dead, a novel of vampire clans in New York, won the American Library Association’s award for Best Horror Novel of the Year, and Tor.com called it “surprising, scary, and, ultimately, heartbreaking.” Based just on the gonzo description his latest, The Suicide Motor Club, may be his best yet. Check it out.

Remember that car that passed you near midnight on Route 66, doing 105 with its lights off? You wondered where it was going so quickly on that dark, dusty stretch of road, motor roaring, the driver glancing out the window as he blew by.

Did his greedy eyes shine silver like a coyote’s? Did he make you feel like prey?

You can’t remember now.

You just saw the founder of the Suicide Motor Club. Be grateful his brake lights never flashed. Be grateful his car was already full.

They roam America, littering the highways with smashed cars and bled-out bodies, a gruesome reflection of the unsettled sixties. But to anyone unlucky enough to meet them in the lonely hours of the night, they’re just a blurry memory. That is — to all but one…

Two years ago, they left a witness in the mangled wreck of her family car, her husband dead, her son taken. She remembers their awful faces, despite their tricks and glamours. And she’s coming for them — her thirst for vengeance even more powerful than their hunger for blood.

On the deserted highways of America, the hunters are about to become the hunted…

The Suicide Motor Club was published by Berkley on June 7, 2016. It is 368 pages, priced at $26 in hardcover, or $12.99 for the digital edition.