Black Gate

The 23rd Hero (Castle Bridge Media, August 13, 2024)

Hybrids are hardly unknown in the long history of fantasy and science fiction literature. It could easily be argued that the genre itself is a hybrid. In the case of Rebecca Anne Nguyen’s The 23^rd Hero, this mixing of literary media is an essential element, baked in from the ground up.

The story begins by wearing its dystopian stripes firmly on its sleeve. The characters we meet in near-future Vancouver, including our hero, Sloane Burrows, live in a world of ecological collapse. Outdoors, everyone wears a filtration mask, and the last working farm in Canada closed just months before when the last of its livestock died from drinking tainted water. The handbaskets of hell, if I may mix a metaphor, have most definitely come home to roost.

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Besting the Beast by Scott Forbes Crawford
(2024, Kindle); Cover art by Ben Greaves

Besting the Beast is Grimm-like tales for Grimdark readers

Fantasy readers often seek escapism and encounters with the unknown, but those adventures can become too weird to be accessible. Shorter forms help. Incorporating some grounding in history or reality helps too. One of the most accessible styles is the fairy tale, and Scott Forbes Crawford delivers five remarkable fun, and easy-to-read, adventures bridging the short story and fairy tale form in Besting the Beast (Aug 2024). All are rooted in Asian history/myth and feature relatable human protagonists to lead the way.

The cover art by Ben Greaves is appropriately derived from “Recovering the Stolen Jewel from the Palace of the Dragon King” (1853) by Utagawa Kuniyoshi (1798-1861). Don’t let the friendly style fool you. The beasts herein are pleasantly weird and gory. Excerpts from all the stories are below so you can get a flavor of the horrific creatures and antagonists you’ll experience. Sword & Sorcery and Grimdark fiction fans will enjoy these (indeed, Besting the Beast is Grimm-like fairy tales for Grimdark readers).

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Dastardly Damsels (Crystal Lake Publishing, October 11, 2024)

Dark fiction anthologies are currently very popular and, with a few exceptions, tend to be a medley of horror, fantasy, mild SF or something in between. I don’t like the expression “speculative fiction” but maybe this is an acceptable label.

Some are published exclusively in digital format, which explains why the number of stories included is getting increasingly higher.

The present anthology, for instance, features thirty-two contributions (including a couple of short poems). A distinctive characteristic of this book is that the contributing authors are all female (including the editor), and so are the leading roles in the various tales.

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Daughters of Chaos (Harry N. Abrams, July 9, 2024)

Back in 2021 I ran across a story collection by a writer I had never heard of – Tales the Devil Told Me, by Jen Fawkes. I wrote of it,

It comprises a set of reimaginations of fairy tales and other classic literature: there are radical takes on Rumpelstiltskin, the Odyssey, Moby Dick, Peter Pan, and more. In most cases they take a sympathetic view of the villain of the tale; and they are by turns witty and dark, extravagant and savage.

Fawkes has published one other collection, Mannequin and Wife. Now we have her first novel, Daughters of Chaos.

This is told by Sylvie Swift, who writes this for her twin daughters in 1877, 14 years after the events the novel depicts (and after their conception.) Sylvie and her own twin, Silas, were born as their mother died, and were raised in Kentucky until they were 14 by their devastated father and their ten years older sister, Marina. As they grow, it’s clear to Sylvie that Silas has an excessive fascination with fire – and he claims to see people in the fire.

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The Ministry of Time (Avid Reader Press, May 7, 2024)

Perhaps second only to space travel, science fiction is obsessed with time travel and in particular the paradox that if we go back to the past, how do we affect the future; can we inadvertently or purposely alter our “present”? Sometimes the answer is that your somehow being in the past is essential to determining your present (e.g., Kindred by Octavia Butler where the protagonist travels back to antebellum South to ensure an ancestor stays alive). Other times the innocent butterfly effect (e.g., Ray Bradbury’s A Sound of Thunder) has disastrous consequences; even attempting something seemingly good, such as thwarting a presidential assassination, proves catastrophic (e.g., Stephen King’s 1/22/63 ). Then there’s the question of how visitors from the future to our present seek to change future events (e.g., the Terminator movie franchise).

H.G. Wells’s The Time Machine is a canonical SF work because it offers a technology, rather than magical intervention, that enables time travel (hence the title). In addition to its social criticism, The Time Machine is a quintessential adventure tale. The hero enters a strange land populated by equally strange different beings nonetheless still sort of like us, whose use of advanced technology causes disaster. The hero manages escape, but then mysteriously disappears, perhaps in search of something better than what awaits back home.

Which brings us to Kaliane Bradley’s Ministry of Time, in which she reverse-engineers a number of these time travel and adventure tropes.

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