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Them Old Submission Blues: On Blogging, Writing Communities and Keeping Spirits Up

Them Old Submission Blues: On Blogging, Writing Communities and Keeping Spirits Up

bgdeskDear Black Gate Readers,

Something really cool just happened over on LiveJournal.

Since I’m sort of still grinning about it, I thought I’d take this opportunity to write about the importance of finding or creating a community of friends and artists who — even if they can’t do anything about your stack o’ rejections, those self-imposed deadlines you keep failing to make, or the number of times your head thumps a desk (in my case, the wall. I don’t know why, but I just find walls more… thumpable… somehow) — are there for you, in whatever way they can be. Even across the miles. Even across state lines! Or oceans!

This is a great age for long-distance friendships, isn’t it? I love it.

Writing is lonesome. And, you know what? THAT’S WHY IT’S APPEALING! You’re one on one with yourself, dueling with your demons, exploring your dreamscapes, loaded to the max with your Tools of Toil: laptop, fountain pen, coffee mug (in my case, tea cup, ’cause coffee? GROSS!), notebooks, dictionary (or dictionary.com), and nothing to disturb you except maybe the dishes, the laundry, the kids (well, NOT in my case, but I know plenty of writers who are parents), the bills, and everything else we have to deal with.

That great escape into lonesomeness is one of the best things about writing.

But sometimes you get discouraged, maybe. And maybe that’s when the lonesomeness is not so great anymore.

So you go to your community. Maybe you post about it on your blog. Anything to make the burden lighter.

And then, in the midst of your writer pals’ commiserations, something like this might happen…

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Broadly Speaking Interviews C.S.E. Cooney

Broadly Speaking Interviews C.S.E. Cooney

cseBroadly Speaking, the podcast about the adventures of women writing science fiction, fantasy, horror, has interviewed Black Gate website editor C.S.E. Cooney.

For their July episode Broadly Speaking host Julia Rios interviewed C.S.E. Cooney, Gwynne Garfinkle, and Mary Robinette Kowal (sort of) on the ins and outs of writing humor.

Here’s C.S.E. on Pride and Prejudice and Zombies:

The thing is, I love Jane Austen… I found it delightful to have Elizabeth Bennet wanting to cut off people’s heads when they threatened her honor. I liked the whole thing between samurais and ninjas. I liked that the Bennet sisters fought back-to-back at the Netherfield ball… I do think that there is something exquisitely funny in having girls in dresses with swords. It speaks to my inner She-ra, Princess of Power.

C.S.E. Cooney is the author of Jack o’ the Hills and The Big Bah-Ha. Her poem “The Sea King’s Second Bride” won the Rhysling award for long form poetry. Gwynne Garfinkle’s short stories and poems have appeared in The Wiscon Chronicles, Volume 4, Chicken Soup for the Soul: Teens Talk Growing Up, and No Body’s Perfect. Mary Robinette Kowal won the Campbell Award for Best New Writer in 2008, her latest fantasy novel is Shades of Milk and Honey.

The complete podcast is roughly 39 minutes; you can find it here. And you can find C.S.E. Cooney’s behind-the-scenes article on the interview (including how she managed to channel Mary Robinette Kowal) right here at Black Gate.

Conan Soundtrack: I Got a Fever, and the Prescription is MORE ANVIL!

Conan Soundtrack: I Got a Fever, and the Prescription is MORE ANVIL!

vikingsBack in the dim mists of 1997, the City of Prague Philharmonic Orchestra and Chorus recorded a music festival devoted to Warriors of the Silver Screen. All sword and sandal-type movie music. I was thrilled with it, mostly because the conductor clearly appreciated Nascimbene’s score for 1958’s The Vikings. He liked it so much, he ended the album with a suite from the score, featuring full orchestra and chorus. Who can forget those hearty longship voices singing, during the Viking funeral at the end:

Kirk Douglas! Kirk Douglas!
You should have worn your eyegear while training falcons!

I think. Wow, Taras Bulba too! Talk about a blast from the swashbuckler past. That one’s so old, Yul Brynner had hair. Great album, and well worth hunting up.

One of the most tantalizing pieces in the set was taken from Poledouris’s Conan The Barbarian (the “Conan Theme,” to be precise). It featured every metal percussion instrument you could think of, including a hammer and anvil, pounding in time to the Conan music. If a swordfight could be rendered on sheet music, Paul Bateman scored it. After that, I always wished I could get the whole soundtrack done with such innovative orchestration.

In 2010, my musical wet dream finally showed up. Topless. On a rocket sled.

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Fantasy Magazine Issue 48 Arrives — Including George R. R. Martin, Tanith Lee and Holly Black

Fantasy Magazine Issue 48 Arrives — Including George R. R. Martin, Tanith Lee and Holly Black

fantasy-mag-march-2011The March 2011 issue (#48) of the excellent Fantasy magazine is now online.

This issue includes original fiction from George R. R. Martin, Tanith Lee, Holly Black, and Genevieve Valentine. It is the first issue assembled by the new editor, John Joseph Adams.

Nonfiction includes author spotlights, and the articles “Three Real Historical Figures Who Embarked Upon the Hero’s Journey,” by Graeme McMillan, “Five Fantasy Worlds That You Wouldn’t Want to Visit,” by Te Jefferson & J. Corbeau, “From Story to Screen,” by LaShawn Wanak, and an interview with Steven Erikson, conducted by Andrew Bayer.

Each week in March one story and one nonfiction article is posted free online. So far they’ve posted an editorial by John Joseph Adams, and the HTML and podcast version of Genevieve Valentine’s “The Sandal-Bride.”

You can buy the complete issue at any time for just $2.99 USD, or subscribe via Weightless Books. The complete Table of Contents is here.

The cover is by Scott Grimando. David Soyka reviewed Fantasy #2 for us back in 2008.

Hadestown: An Interview with Artist Peter Nevins

Hadestown: An Interview with Artist Peter Nevins

bgalbumcoverOnce upon a time last November, I quoted a Greg Brown song in my LiveJournal. Greg Brown is a folk musician, and the song was “Rexroth’s Daughter,” from the album Covenant.

Now, if you know me, none of this is surprising. I often write in my LiveJournal, and I often quote Greg Brown, and yes, the song I most often quote is “Rexroth’s Daughter” — because every stanza is amazing!!!

So I was going along, being me, business as usual, when all of a sudden, an LJ friend said unto me:

“I know Greg Brown from Hadestownwhich, Oh em jee, Claire, is just the most wonderful folk rock opera ever. It’s a retelling of the Orpheus story. He lures Eurydice to the underworld in “Hey Little Songbird.” I heard this song and fell in love with him. And bought the album and listen to it constantly.”

bghades1After hearing “Hey, Little Songbird,” I sort of gallumphed over to Amazon and laid all my pretty pennies down in a row.

“MINE!” I said, like the seagulls in Little Nemo.

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Hadestown: A Review

Hadestown: A Review

bgalbumcover
Peter Nevin’s album artwork

On November 20th, 2010, at 1:46 PM, I received an e-mail from C.S.E. Cooney titled, “I got walls to build, I got riots to quell, and they’re giving me Hell back in Hades.”

If you know Claire at all, you’ll understand why I received this intelligence with equanimity. Of course she does; of course they are. Poor fools. They’ll soon learn better, and be begging our Claire for one cool disdainful look cast from beneath her mighty lashes.

If you don’t know Claire at all, I highly recommend the acquaintance.

I confess, however, to being somewhat surprised by the body of the message, which went as follows:

bghadescerberus
Hades and Cerberus

You don’t even KNOW!

Unless you did — and you didn’t TELL ME!

Aaaauuggggghhhh!!!

Hadestown — a folk rock opera with GREG BROWN!

Why? Why not until THIS MORNING???

Francesca Forrest sent me this. Now I must own the rest.

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