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Talking The Rings of Power – The Istari

Talking The Rings of Power – The Istari

So – season one of Amazon’s massively expensive Second Age epic, The Rings of Power, has fully aired. I have mixed feelings about it. It’s definitely better than MTV’s teen-drama take on Shannara (The Sword of Shannara is one of my all-time favorite novels). But I liked the Wheel of Time better than Rings. And that certainly had some flaws. So, still sorting through things.

I’m going to do a re-watch, really paying attention and trying to be a little less disappointed at the approach they took. I will say, if you’re a fan of The Silmarillion, it’s worth watching to see some of that book come to life – even if it could have been done more faithfully.

For the next month-ish, I’m going to identify some key aspects of the show, and look at some of the good and the bad for each. And the main part will be Tinkering With Tolkien – some discussion of what Tolkien actually wrote about the topic of the week.

The Silmarillion is my favorite Tolkien novel. I love the lore and the history of Middle Earth. The wars, the stories of dwarves, and elves; it’s incredible world-building. I like reading about what he created, more than reading the actual books straight through. I enjoy reading the appendices to the Lord of the Rings, and the events in the timelines. Unfinished Tales, which elaborated on the five main books, is actually my favorite Tolkien book of them all.

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Goth Chick News Reviews: The Cursed, A Surprising New Take on Werewolves

Goth Chick News Reviews: The Cursed, A Surprising New Take on Werewolves

October is, unsurprisingly, my favorite month of the year for all the reasons you would suspect. And though tucking into a new scary book or movie is a pleasure I indulge in throughout the year, October is the month I make very deliberate entertainment choices. My goal for each day of the month is to revisit my favorites while seeking out new works as well.

For instance, in homage to the great Peter Straub who we sadly lost in September, I have reread the only novel which still manages to scare the crap out of me regardless of how many times I’ve read it; Ghost Story. I have rewatched Sleepy Hallow, Halloween, American Werewolf in London and Fright Night (both the original and remake).

On the “new” side, I have watched The Invitation, House of Darkness and the new AMC series Interview with the Vampire, which I told you about last week. I am also nearly done with the Robert Galbraith (aka J.K. Rowling) novel Ink Black Heart, which, though not a horror novel strictly speaking, is still suspensefully written and the latest installment in one of my favorite series. But its another relatively new movie title that I want to share today.

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The Haunted Mansion: A Halloween Re-View

The Haunted Mansion: A Halloween Re-View

I love spooky, Halloween fun, type films, especially those with ghosts and haunted houses. I watch them all year long, but there’s something special about watching them in October. I’m not keen on gory, dead teenagers, blood-fest flicks. There’s no amount of money in the world that would entice me to watch the Saw franchise, no matter how well written, acted, and edited. I’m not putting them down; they’re just not for me. Which means that come October, I’m more likely to look to Disney than Netflix for viewing ideas.

I recently re-watched The Haunted Mansion. My only previous viewing was when it came out in theaters in 2003.

Promotional copy for the movie says,

Here’s the fright-filled comedy adventure loaded with hair-raising laughs and eye-popping special effects! Eddie Murphy stars as a real estate agent whose family comes face-to-face with 999 grim, grinning ghosts in the creepy old Gracey Manor!

I don’t know if there are actually 999 ghosts in the film, but there are a lot. They hit the whole range of emotions, including the silly barbershop quartet singing graveyard busts, the wise-cracking Jennifer Tilly who plays the psychic trapped inside her own magic ball, and the briefly-scary zombies in the family crypt, to name just a few.

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Goth Chick News: AMC’s Interview with the Vampire Brings a Classic Novel Back from the Dead

Goth Chick News: AMC’s Interview with the Vampire Brings a Classic Novel Back from the Dead

To say I have a lot of feels about what I’m about to tell you is an understatement.

Author Anne Rice, who passed away from complications of a stroke last December at age 80, had been a large part of my life for a very long time. I, like so many, fell in love with her first novel, Interview with the Vampire back in high school. From there I devoured all of her vampire and witch novels, buying each one in multiple formats. Because of Rice I took my first trip to New Orleans where much of these novels are set and where Rice herself lived at the time, in an antebellum mansion in the Garden District.

I fell as hard for NOLA as I did for Rice’s books and to this day I travel there several times a year to soak in atmosphere as dense and timeless as the immortals she wrote about. Throughout these years I came to have a nodding acquaintance with Rice herself, first seeing her at each of her book signings, and finally landing an annual invitation to attend her “Vampire Ball” held in NOLA each October. We didn’t hang out or anything, but she did call me by name and take time to chat each time we met.

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Ellsworth’s Cinema of Swords: Barbarian Boom Part 6

Ellsworth’s Cinema of Swords: Barbarian Boom Part 6

Amazons (1986)

By late 1986, the Barbarian Boom was well into its deliberate self-parody phase — and all the better for it, frankly. If nothing else, self-parody is inexpensive, and if you have a rock-bottom budget anyway you might as well aim for something that’s within reach. Though the spate of barbarian films in the Eighties is beloved by fantasy nerds of a certain age, as we’ve seen in our previous instalments in this series, very few of them hold up to a contemporary rewatch. Thus, it’s a pleasure this week to cover two movies we can actually recommend! To prepare yourself properly, practice your “Hur hur hur!” ahead of time so you can laugh like a real barbarian.

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What I’ve Been Reading: September, 2022

What I’ve Been Reading: September, 2022

So, I talked about what I’ve been watching. And then I followed that up with what I’ve been listening to. So naturally, this week it’s what I’ve been reading. Though, I considered a post on what I’ve been playing, as I loaded up a couple Diablo-style point and click games.

Another summer of A (Black) Gat in the Hand has come and gone, and I was deep into pulp and hardboiled goodness. Here’s a list of all the essays; we will hit the 100 mark next summer!

In my second installment of Back Porch Pulp, I talked about The Mad Butcher of Kingsbury Run; also known as The Cleveland Torso Murderer. I have long been a fan of this strange chapter in Eliot Ness’ latter career. Starting in 1935, a madman (or possibly more than one) killed a dozen people in Cleveland, dismembering their corpses. The murders suddenly stopped in 1938, and the killer was never identified. There were additional killings, including in Pennsylvania and New York, that may have been by the same person.

Cleveland was about to host the Republican National Convention, and famed Untouchable Eliot Ness was the city’s Public Safety Director. Along with Jack the Ripper, and Austin’s Servant Girl Annihilator, I find this to be an absolutely fascinating serial killer case. He was never identified, and only one man was officially charged in the killings. He was almost certainly innocent, and was found hung in his cell.

I have books by James Badal, Stephen Nickel, Max Allen Collins, John Barlow Martin; novels by Collins, and William Bernhardt; and even a graphic novel. A fellow Sherlockian, Daniel Stashower, just released a new book about it last month. I think it’s an absolutely fascinating subject, even though it’s largely forgotten outside of Cleveland. If you’re into true crime, you should definitely dig into it.

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Goth Chick News: Letting the Right One in Again

Goth Chick News: Letting the Right One in Again

Let the Right One In (Showtime Original)

With the Fall comes all manner of scary goodness to watch on both the big and small screens. As I’ve mentioned, vampires seem to be the monster-du-jour for 2022, though one might have expected zombies, with C19 still in the news. Still, I’m not complaining one bit, even when the offerings are less than stellar, as was the case with The Invitation. We can still look forward to the Interview with the Vampire series coming soon to AMC, and (maybe) House of Darkness, which started streaming this week on YouTube (if you’ve already seen it, don’t tell me anything).

And then there’s this.

Thanks to Stoker’s Dracula, one could argue that all the vampire stories that have come after are simply different takes on the same core idea; and you wouldn’t be far wrong. For instance, The Invitation was pretty much a modern take on Dracula’s brides. But to me at least, things are getting weird in the entertainment industry, when vampire tales begin… well… eating themselves.

Case in point is the vampire story, Let the Right One In.

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Andor: The Birth of a Rebellion

Andor: The Birth of a Rebellion

Episode 1: The Spoils of Empire

It is a time of growing oppression. Ordinary people, without the heft of a famous name or the gifts of the midi-chlorians and a Jedi guardian, must make a choice: Join the GALACTIC EMPIRE and accept a comfortable life of regimentation, obedience to orders, and acceptance of the official line or — something else.

Young CASSIAN ANDOR, an unknown scion of lost cargo cult on a half-forgotten world, has chosen something else. A life on the fringe, in the shadows, leaving as few traces of himself as possible and carefully watching each step. His search for his sister continues on the leased planets of PREOX-MORANA CORPORATE ZONE.

During his investigation, matters go awry. The hunter becomes the hunted. Now one man, increasingly caught in a web of what might be called “imperial entanglements” faces a choice, both for himself and his lost sister, that will alter the future of an entire galaxy . . .

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Ellsworth’s Cinema of Swords: Swashbucklin’ Talkies

Ellsworth’s Cinema of Swords: Swashbucklin’ Talkies

Treasure Island (1934)

Swords in hand, swashbucklers strode across the silver screen throughout the silent era, especially in the Twenties, when Hollywood budgets grew large enough to encompass grand historical spectacles. Then sound came in circa 1930, and swashbucklers went out, in part because early microphones didn’t record well outside, so most of the first “talkies” were filmed on interior sound stages — not the best venues for historical action.

But historical adventure films were saved by the insatiable American (and for that matter, European) appetite for Westerns. Rootin’, tootin’ horse operas had to be shot outside, so the problem of miking away from a sound stage had to be solved. By 1934, the technical issues had been sorted out, and swashbucklers were back on the screen, led by a trio of hits in The Count of Monte Cristo, The Scarlet Pimpernel, and the first talkie version of Treasure Island. This week we’re going to enjoy a look at the latter, and follow it up with two other notable Thirties swashbucklers.

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What I’ve Been Watching: September, 2022

What I’ve Been Watching: September, 2022

We’ve just wrapped up another successful summer run of A (Black) Gat in the Hand. What? How do I know it was successful? Because it didn’t get canceled, that’s how. It was also, unanimously, hands down, the favorite pulp series at Black Gate this summer. So… what now? Yes, it was the ONLY pulp series this summer. I believe even this year so far. Totally beside the point.

Anywhoo…while I was immersed in reading and listening for the series (I didn’t do any movies this year, I think), I was still watching ‘stuff,’ and reading non-Pulp stuff here and there. So, this week, I’m gonna talk about five things I’ve watched, lately. Next week, it will be five things I’ve listened to (audio books, radio plays).

I’m not necessarily a renaissance man, but as a friend once said of me, I’m more of a late medieval pretender.

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