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Goth Chick News: AMC’s Interview with the Vampire Brings a Classic Novel Back from the Dead

Goth Chick News: AMC’s Interview with the Vampire Brings a Classic Novel Back from the Dead

To say I have a lot of feels about what I’m about to tell you is an understatement.

Author Anne Rice, who passed away from complications of a stroke last December at age 80, had been a large part of my life for a very long time. I, like so many, fell in love with her first novel, Interview with the Vampire back in high school. From there I devoured all of her vampire and witch novels, buying each one in multiple formats. Because of Rice I took my first trip to New Orleans where much of these novels are set and where Rice herself lived at the time, in an antebellum mansion in the Garden District.

I fell as hard for NOLA as I did for Rice’s books and to this day I travel there several times a year to soak in atmosphere as dense and timeless as the immortals she wrote about. Throughout these years I came to have a nodding acquaintance with Rice herself, first seeing her at each of her book signings, and finally landing an annual invitation to attend her “Vampire Ball” held in NOLA each October. We didn’t hang out or anything, but she did call me by name and take time to chat each time we met.

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Ellsworth’s Cinema of Swords: Barbarian Boom Part 6

Ellsworth’s Cinema of Swords: Barbarian Boom Part 6

Amazons (1986)

By late 1986, the Barbarian Boom was well into its deliberate self-parody phase — and all the better for it, frankly. If nothing else, self-parody is inexpensive, and if you have a rock-bottom budget anyway you might as well aim for something that’s within reach. Though the spate of barbarian films in the Eighties is beloved by fantasy nerds of a certain age, as we’ve seen in our previous instalments in this series, very few of them hold up to a contemporary rewatch. Thus, it’s a pleasure this week to cover two movies we can actually recommend! To prepare yourself properly, practice your “Hur hur hur!” ahead of time so you can laugh like a real barbarian.

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What I’ve Been Reading: September, 2022

What I’ve Been Reading: September, 2022

So, I talked about what I’ve been watching. And then I followed that up with what I’ve been listening to. So naturally, this week it’s what I’ve been reading. Though, I considered a post on what I’ve been playing, as I loaded up a couple Diablo-style point and click games.

Another summer of A (Black) Gat in the Hand has come and gone, and I was deep into pulp and hardboiled goodness. Here’s a list of all the essays; we will hit the 100 mark next summer!

In my second installment of Back Porch Pulp, I talked about The Mad Butcher of Kingsbury Run; also known as The Cleveland Torso Murderer. I have long been a fan of this strange chapter in Eliot Ness’ latter career. Starting in 1935, a madman (or possibly more than one) killed a dozen people in Cleveland, dismembering their corpses. The murders suddenly stopped in 1938, and the killer was never identified. There were additional killings, including in Pennsylvania and New York, that may have been by the same person.

Cleveland was about to host the Republican National Convention, and famed Untouchable Eliot Ness was the city’s Public Safety Director. Along with Jack the Ripper, and Austin’s Servant Girl Annihilator, I find this to be an absolutely fascinating serial killer case. He was never identified, and only one man was officially charged in the killings. He was almost certainly innocent, and was found hung in his cell.

I have books by James Badal, Stephen Nickel, Max Allen Collins, John Barlow Martin; novels by Collins, and William Bernhardt; and even a graphic novel. A fellow Sherlockian, Daniel Stashower, just released a new book about it last month. I think it’s an absolutely fascinating subject, even though it’s largely forgotten outside of Cleveland. If you’re into true crime, you should definitely dig into it.

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Goth Chick News: Letting the Right One in Again

Goth Chick News: Letting the Right One in Again

Let the Right One In (Showtime Original)

With the Fall comes all manner of scary goodness to watch on both the big and small screens. As I’ve mentioned, vampires seem to be the monster-du-jour for 2022, though one might have expected zombies, with C19 still in the news. Still, I’m not complaining one bit, even when the offerings are less than stellar, as was the case with The Invitation. We can still look forward to the Interview with the Vampire series coming soon to AMC, and (maybe) House of Darkness, which started streaming this week on YouTube (if you’ve already seen it, don’t tell me anything).

And then there’s this.

Thanks to Stoker’s Dracula, one could argue that all the vampire stories that have come after are simply different takes on the same core idea; and you wouldn’t be far wrong. For instance, The Invitation was pretty much a modern take on Dracula’s brides. But to me at least, things are getting weird in the entertainment industry, when vampire tales begin… well… eating themselves.

Case in point is the vampire story, Let the Right One In.

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Andor: The Birth of a Rebellion

Andor: The Birth of a Rebellion

Episode 1: The Spoils of Empire

It is a time of growing oppression. Ordinary people, without the heft of a famous name or the gifts of the midi-chlorians and a Jedi guardian, must make a choice: Join the GALACTIC EMPIRE and accept a comfortable life of regimentation, obedience to orders, and acceptance of the official line or — something else.

Young CASSIAN ANDOR, an unknown scion of lost cargo cult on a half-forgotten world, has chosen something else. A life on the fringe, in the shadows, leaving as few traces of himself as possible and carefully watching each step. His search for his sister continues on the leased planets of PREOX-MORANA CORPORATE ZONE.

During his investigation, matters go awry. The hunter becomes the hunted. Now one man, increasingly caught in a web of what might be called “imperial entanglements” faces a choice, both for himself and his lost sister, that will alter the future of an entire galaxy . . .

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Ellsworth’s Cinema of Swords: Swashbucklin’ Talkies

Ellsworth’s Cinema of Swords: Swashbucklin’ Talkies

Treasure Island (1934)

Swords in hand, swashbucklers strode across the silver screen throughout the silent era, especially in the Twenties, when Hollywood budgets grew large enough to encompass grand historical spectacles. Then sound came in circa 1930, and swashbucklers went out, in part because early microphones didn’t record well outside, so most of the first “talkies” were filmed on interior sound stages — not the best venues for historical action.

But historical adventure films were saved by the insatiable American (and for that matter, European) appetite for Westerns. Rootin’, tootin’ horse operas had to be shot outside, so the problem of miking away from a sound stage had to be solved. By 1934, the technical issues had been sorted out, and swashbucklers were back on the screen, led by a trio of hits in The Count of Monte Cristo, The Scarlet Pimpernel, and the first talkie version of Treasure Island. This week we’re going to enjoy a look at the latter, and follow it up with two other notable Thirties swashbucklers.

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What I’ve Been Watching: September, 2022

What I’ve Been Watching: September, 2022

We’ve just wrapped up another successful summer run of A (Black) Gat in the Hand. What? How do I know it was successful? Because it didn’t get canceled, that’s how. It was also, unanimously, hands down, the favorite pulp series at Black Gate this summer. So… what now? Yes, it was the ONLY pulp series this summer. I believe even this year so far. Totally beside the point.

Anywhoo…while I was immersed in reading and listening for the series (I didn’t do any movies this year, I think), I was still watching ‘stuff,’ and reading non-Pulp stuff here and there. So, this week, I’m gonna talk about five things I’ve watched, lately. Next week, it will be five things I’ve listened to (audio books, radio plays).

I’m not necessarily a renaissance man, but as a friend once said of me, I’m more of a late medieval pretender.

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Goth Chick News Reviews: The Invitation

Goth Chick News Reviews: The Invitation

First, everything you’re about to read contains spoiler after spoiler. So, if you’re planning on seeing the new vampire flick, The Invitation, stop now – then again, maybe you should actually keep reading.

I pretty much love any story containing a vampire, so it was with a huge amount of anticipation that I first told you about The Invitation back at the beginning of August. All the better that I hadn’t heard of the stars or the director as it didn’t require me to suspend any disbelief about the characters. Though the trailer took some flack on the horror forums, I thought it looked fabulous. Sony Pictures clearly didn’t skimp on the production values. And yes, it was rated PG-13, but as a fan of classic horror films, I personally don’t think an R-rated blood bath equals a fabulous movie. So off I went to see The Invitation on the night it opened. I was even excited enough to drop some coin to see it in a swanky theater with waiter service, reclining lounge seats and craft cocktails.

If you’re still reading and haven’t seen it, here’s a quick synopsis.

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Ellsworth’s Cinema of Swords: Mondo Mifune

Ellsworth’s Cinema of Swords: Mondo Mifune

Vendetta of a Samurai (Japan, 1952)

If American and European film fans recognize only one Japanese actor, it’s the great Toshiro Mifune (1920-1997), who came to prominence in the west for his collaborations with director Akira Kurosawa — not just the historical films such as Rashomon (1950), Seven Samurai (1954), and Yojimbo (1961), but also Kurosawa’s acclaimed crime movies such as The Bad Sleep Well (1960) and High and Low (1963).

Mifune had a broad range, with the ability to inhabit a wide variety of characters of all sorts, though he had the kind of classically handsome face with regular features that often limit actors to matinee idol roles. A broadly physical actor when the role required, at need he could convey deep emotion by subtle changes of facial expression. Mifune was an ambitious actor who acknowledged few limitations, and he worked with many other leading directors other than Kurosawa, often co-producing on projects he felt strongly about. This week we’re taking a look at three of his lesser known features, movies that exhibit considerable diversity just in the genre of chambara swordplay films.

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Goth Chick New: A Grady Hendrix Novel (Finally) Makes It to Film

Goth Chick New: A Grady Hendrix Novel (Finally) Makes It to Film

In April 2016 my strange and unusual friends over at Quirk Books introduced me to one of their newly signed authors via a copy of his first book Quirk Books publication, and a pre-publication copy of his next one. At that time, Grady Hendrix already had four novels under his belt, including his first with Quirk, Horrorstör, a horror novel which takes place in an Ikea-like establishment and is documented inside an Ikea-like catalog. And though Hendrix already had a following due to his very unique approach to storytelling, Quirk was certain that his next novel with them was going to be the one that made him literary famous. The name of that novel was My Best Friend’s Exorcism, which was released in May 2016.

Grady released two more books with Quirk before decamping in 2020, but his book sales have continued to climb until his 2021 release which premiered on the New York Times best seller list, The Final Girl Support Group. I found a statistic stating only .0001% of all published books become movies, and those that do take an average of 10 years to get to the screen. With that in mind, Hendrix has bucked the odds on both accounts.

A movie adaptation of My Best Friend’s Exorcism is on the way, debuting on Amazon Prime Video on September 30, 2022.4

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