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Goth Chick News: Mrs. Torrance Goes Back in Front of the Camera

Goth Chick News: Mrs. Torrance Goes Back in Front of the Camera

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Shelley Duvall, 1970

By now it’s no secret that filming The Shining took a serious toll on Shelley Duvall. Calling this my number one favorite horror movie while acknowledging this fact takes some of the joy out of watching what is an incredible performance on Duvall’s part. Her vulnerability and frailness alongside her emotional bully of a husband, played by Jack Nicolson, is a big part of what Stephen King hated about director Stanley Kubrick’s interpretation of King’s work. If you’ve ever read the novel The Shining, then you know Duvall’s character Wendy as a much different person. But it is the performance Kubrick wrenched out of Duvall that really makes the film. She personifies the horrors happening around her, which are etched on her face in nearly every scene.

And before you say that perhaps Duvall was already mentally fragile when she went to work on the film, and Kubrick’s isolating, task-master tactics was him just being a brilliant director, I invite you to watch the documentary filmed by Kubrick’s daughter. Vivian Kubrick was 17 when she filmed and directed The Making of the Shining for the BBC, alongside the actual filming of the movie. The short film eventually appeared on DVD editions of The Shining. But it wasn’t until 30 years after its making, and a lot more enlightenment about mental health issues, that the documentary generated articles and conversation about the mistreatment of Duvall by Kubrick which was evident throughout.

I found The Making of the Shining in its entirety on YouTube if you want to see for yourself…

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Ellsworth’s Cinema of Swords: Buccaneers Three

Ellsworth’s Cinema of Swords: Buccaneers Three

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The Buccaneer (USA, 1958)

Pirates were a popular subject in midcentury Hollywood — but piracy, not so much, because it was obviously committed by bad people who would take all your stuff, given the chance (and maybe do worse). Thus the common cinematic usage of the term buccaneer, which sounds like it just describes a gentleman adventurer with an attitude rather than someone who would casually cut your throat and throw your corpse over the side. Aye, call your pirate movie a buccaneer’s tale, and even theatrical markets in the iron grip of the Legion of Decency will smile and let your film be shown at Saturday matinees to audiences full of kiddies. All keelhauling is to be conducted offscreen, if you please.

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Talking The Rings of Power: Miriel

Talking The Rings of Power: Miriel

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Talking The Rings of Power continues; wherein I look at something good, and something bad, about one element of the show. Then I talk a lot more about Tolkien’s actual writings about it. THIS SERIES IS FULL OF SPOILERS – related to the show, and Tolkien’s writings. You have been warned!

I’m still working on the Numenor entry, as that Middle Earth version of the Atlantis story is a favorite. This week, I’ll look at Miriel, a tragic figure in The Silmarillion. Hurin, Thrain, Beren, Fingolfin, Miriel – lot of tragic characters in that book.

THE GOOD

Miriel is the Queen Regent of the mighty human nation of Numenor. Her father, Tar-Palantir, is a bit brain-addled and she is ruling in his stead. He dies in the final episode, which will formally make her queen. Though, she’s on a boat, coming back to Numenor, blinded from evil doings in the Southlands.

Cynthia Adddai-Robinson does a pretty good job as Miriel. Miriel is merely Tar-Palantir’s daughter and does not rule at all in The Silmarillion. So, the RoP folks are once again playing pretty free with the storytelling; but not quite fast as usual.

Miriel is haughty, intelligent, thoughtful, and we see her nobility of character. Kind of snotty, which befits a Numenorian, but also representative of the ‘good ones.’ They became a rather bad lot, and I’m sure we’ll see the opposite side of the coin, in Pharazon.

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The Frighteners: A Re-View in 3 Parts, Part 2: Humor & Horror Examples + A Recap

The Frighteners: A Re-View in 3 Parts, Part 2: Humor & Horror Examples + A Recap

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The Frighteners (Universal Pictures, 1996)

Read Part I: The Real-Life Inspiration here.

I hadn’t seen The Frighteners since it was in the theaters in 1996, until I watched it again last week. Twice. I had drastically different reactions between the second and third viewings.

After my first 2022 re-view, I came away thinking the movie was mainly just paying homage through pastiche to a lot of things. While it had interesting vignettes with diverse tones and styles, it never fully gelled into its own thing. It’s as if it went to a Halloween costume shop, tried on and modeled a dozen different outfits, then later said, “What did you think of my costume?” It was more a fashion show than a full narrative arc.

It was equal parts horror and humor. Often, an equal ratio doesn’t work well. It comes off as a split personality, or two different films sharing a movie reel. This is especially true when the humor isn’t a coping mechanism for the protagonist or an emotional vent for the audience. The humor was there, but it never really served a purpose in the way humor normally does when mixed with horror. The two parts seemed at odds.

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I’ve got a fever, and the only prescription is more Andor

I’ve got a fever, and the only prescription is more Andor

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“Doctor, I’m at my wit’s end with my husband. He’s – changed. It’s like I’m in one of those paranoid movies.”

“I must repeat, madame, lie back. Take a deep breath. Tell me about it as if you are speaking to a trusted friend.”

“Well, it’s this show. Andor. It’s a Star Wars thing. My husband watches it every week. He’s anxious all Monday and Tuesday about it lately.”

“Ah yes. Tony Gilroy is the showrunner I believe.”

“I think so. At first it was just little things. So easy to dismiss. He’d be looking through his old Star Wars books, these sort of technical manuals, and when I asked him about it he said he was trying to figure out if the ship in ‘Kassa’ was an old BTL-B with the engine housing still on or something like that. He asked our son if any NERF guns looked like Cassian’s blaster.”

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The Frighteners: A Re-View in 3 Parts, Part One: The Real-Life Inspiration

The Frighteners: A Re-View in 3 Parts, Part One: The Real-Life Inspiration

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Charlie Starkweather and Caril Ann Fugate are not familiar household names, unless you’re a true-crime or serial-killer enthusiast, or, perhaps, a Nebraska history buff. While they’d received lurid national news coverage at the time of the killings (Dec. 1957-Jan 1958), I’d never heard of them when my then-fiancé, Barry (now husband), first played the Bruce Springsteen song “Nebraska” for me. Those sparse but chilling lyrics are spare enough that you wouldn’t necessarily realize it was about a real, serial, spree killer and his teenaged partner-girlfriend just by listening to the song.

The song was on a 1982 album of the same name. Though MTV debuted in the summer of 1981, the slow, melancholy song featuring a mournful harmonica throughout, was not viewed as a contender for a music video to run on the manically upbeat and cheerful MTV.

But I got to see a music video of it. One put together by my TV news producer husband and one of the anchors at KMTV in Omaha. It was broadcast to homes throughout the country that were tuned into Lloyd Dobyns and Linda Ellerbie’s show, NBC News Overnight.

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Talking The Rings of Power – Tolkien Trivia

Talking The Rings of Power – Tolkien Trivia

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Okay – you have seen all of season one of The Rings of Power. Well, if you haven’t, might be some spoilers below… After writing about The Istari last week, it was logical to cover the harfoots today. But they are ruining the show, and I’m just not up right now for a couple thousand words on criticizing the overbearing, completely unwarranted, hobbit presence in The Rings of Power.

The Second Age is about elves and men. With some dwarves mixed in. The hobbits have NOTHING to do with the story being told. But the showrunners, afraid to make Tolkien without the lazy, constantly hungry, hairy-footed things, had to make them a cornerstone part of the show.

I’m not ready to tackle Numenor, or why the show is more fan fiction than actual Tolkien pastiche, or real Book Tolkien (condensing over 3,000 years of history into one point of time is a part of it). So, I’m gonna share some Tolkien trivia; related to the show in some fashion. Well, mostly, anyways! You probably know a lot of it. Some might be new. But it’s time to Talk Tolkien!

BALROGS

I was playing D&D for several years before I read The Lord of the Rings (LotR). And I loved seeing the influences that Tolkien had on Gary Gygax. Type 6 Demons (Balors) clearly were based on balrogs. A balrog features prominently in my favorite part of LotR – the Mines of Khazad-dum section of book one, The Fellowship of the Ring.
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Vintage Treasures: A Second Chance at Eden by Peter F. Hamilton

Vintage Treasures: A Second Chance at Eden by Peter F. Hamilton

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“Sonnie’s Edge” by Peter F. Hamilton (adapted for Love, Death & Robots, 2019)

Peter F. Hamilton made a name for himself in the early 90s with a popular SF series featuring Greg Mandel, a veteran of a tactical psychic unit in the British army who becomes a psychic detective in a near-future Britain where the messy collapse of a communist government has left the country in ruins (Mindstar Rising, A Quantum Murder, and The Nano Flower).

By 1998 he had a bestselling space opera series on his hands, the Night’s Dawn trilogy. Set in a sprawling far-future timeline known as the Confederation Universe, it was a huge departure from his early gritty SF noir. Hamilton first explored the Confederation Universe and the Affinity tech in a series of short pieces published in 1991 and 1992, and when the first books in Night’s Dawn, The Reality Dysfunction and The Neutronium Alchemist, started hitting bestseller lists in Britain he released his first collection.

A Second Chance at Eden gathered all the early tales plus two new novellas (“A Second Chance at Eden” and “The Lives and Loves of Tiarella Rosa”) and a new short story, “New Days Old Times.” The first piece in the series, “Sonnie’s Edge,” was adapted as an episode of Tim Miller’s Netflix anthology series Love, Death & Robots in 2019.

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Goth Chick News: The Night at the Bride of Killer Piñata Movie Premier

Goth Chick News: The Night at the Bride of Killer Piñata Movie Premier

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Bride of Killer Piñata

It’s true that in the horror movie industry, premiers are often referred to as “black carpet” events, as opposed to “red carpets.” When you think about it, either color would work, but it makes sense that our more alternative industry would want to distinguish itself from the mainstream.

Regardless, the concept is the same.

A theater is booked for the first-ever big-screen showing of a new film. There’s a cool backdrop near the entrance, against which photos are snapped. The director, the stars, and the whole production staff roll up, along with their family and friends, while intermingled is press and local reviewers. Usually there are a few speeches before the lights go down, then an uproarious cheer when the movie title appears on the screen. It is literally one of the coolest things you could ever get to do, so if you get invited to one, accept immediately.

And that is exactly what happened to me recently.

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Ellsworth’s Cinema of Swords: Valiant Avenging Chivalry

Ellsworth’s Cinema of Swords: Valiant Avenging Chivalry

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The Valiant Ones (Taiwan/Hong Kong, 1975)

Wuxia, which can be translated as martial chivalry, is the term usually applied to tales of ancient Chinese armed martial arts, especially when retold in the context of the Hong Kong action film tradition that began in the Sixties. Wuxia movies were eclipsed by the Seventies kung fu boom but never quite went away, reviving full force in the Nineties and staying strong to this day.

By the late Seventies there was a changing of the guard, as the founding knights, directors King Hu and Chang Cheh, gave way to rising stars of chivalry such as Sun Chung and John Woo. The latter took the lessons of the founders, absorbed the frenetic dynamism of the kung fu years, and carried wuxia films forward with a new joy and energy.

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