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Ellsworth’s Cinema of Swords: Zatoichi at Large

Ellsworth’s Cinema of Swords: Zatoichi at Large

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Zatoichi and the Chess Expert (Japan, 1965)

Looking over my notes for the forthcoming Cinema of Swords collection (to be published by Applause Books on June 15th), I realized that there were several five-star entries in the Zatoichi series, absolute gems, that I’d never covered here at Black Gate. Worse, I hadn’t devoted an article to the blind swordsman in almost two years, and there might be newer readers who hadn’t been introduced to Shintaro Katsu and his samurai-era yakuza outlaw hero.

Well, we can’t have that. Herewith are three top-notch features from the Zatoichi series — try any one of them, and then just see if you can stop yourself from watching the rest.

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Left Behind: The Last of Us, Episode Seven

Left Behind: The Last of Us, Episode Seven

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Hello! We’re back with another episode review! This one, judging by the title, is based entirely on what was a DLC to the original game that explored Ellie’s backstory. I’m excited about this one… in a very masochistic way (honestly, the DLC left me sobbing). C’est parti!

I may have mentioned before, but I will again, how much I love the guitar introduction. I remember the game introduction being the same thing, though that might be my memory mixing things up (I do know it was guitar, and I’m reasonably certain it’s the same exact tune, but I’m open to being wrong.)

Winter proper. In the game, we open to a rabbit getting skewered by Ellie’s arrow. It’s probably for the best we don’t see that in the show.

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Still in Hell: Some Random and Rambling Thoughts on the Final Two Seasons of The Walking Dead

Still in Hell: Some Random and Rambling Thoughts on the Final Two Seasons of The Walking Dead

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The only thing more dangerous than the dead are the living

After all the praise, complaints and criticism finally subsided, I decided to watch the last two seasons of The Walking Dead, having taken a long break from the series for my own personal reasons. This is a follow-up to my 2-part article on 9 Seasons in Hell: The Walking Dead, from 2019, BC — Before Covid: 9 Seasons of Hell on Earth, Part One and 9 Seasons of Hell on Earth, Part Two. My thoughts are intended to be somewhat humorous, a bit critical, and slightly satirical. Whether I’ve succeeded or not, well, that’s up to you readers. I may be a day late and a dollar short on writing this article, but I figured there might still be a few fans of the show out there. I’ve written this article for those who have seen part of, if not all, of the TV series.

I know people who didn’t like that The Walking Dead was too character-driven. They wanted more zombie kills. It’s like they wanted Rick Grimes (Andrew Lincoln) and his posse to walk all the way from the Shire to Mordor, fighting and destroying zombie after zombie every step of the way. I also know people who, like me, loved the fact that the show was driven more by character than by plot, although a little more care in some of the later plotting would have helped the last handful of seasons. But I didn’t need every episode to be about destroying or being eaten by zombies. I enjoyed the characters and their interactions, their backstories, the dramatic situations, and the “family-type” of various storylines.

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Goth Chick News: Good and Bad News About World War Z

Goth Chick News: Good and Bad News About World War Z

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World War Z by Max Brooks (Three Rivers Press, October 16, 2007)

It’s a bit difficult to get my brain around, but it’s been ten years since the release of the movie version of World War Z. The film is based on the novel by Max Brooks, whom I had the pleasure of meeting back in 2015. In the midst of having a full-on fangirl moment I accomplished two things; first, Brooks signed my copy of WWZ, and second, I managed to irk him a bit by asking about a sequel. At the time I wasn’t sure why Brooks didn’t seem keen to talk about it. However, a few months later Paramount pictures announced they had green-lighted a second film, with Brooks signed on as a writer. It then seemed logical that, having just penned the agreement for a film, Brooks could not discuss it and therefore shut down my line of questioning.

And here we are in 2023. The good news is that WWZ fans are getting a special treat from Scream Factory, while the bad news is that a movie sequel seems all but finally and totally dead.

Let’s start with the good news.

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Ellsworth’s Cinema of Swords: Banditti!

Ellsworth’s Cinema of Swords: Banditti!

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The Bandits of Corsica (USA, 1953)

After the turkeys we covered in the previous Cinema of Swords article, it’s good to get back to something fun, in this case three films about bandits and brigands. We watch these, of course, because bandits are basically land pirates, and everybody loves a good pirate movie! Sword-swinging, wise-cracking outlaw heroes are always welcome, especially when played by Richard Greene, the 1950s Robin Hood, learning the outlaw ropes here in two films that preceded his role in that classic TV series.

When I was rounding out this article by adding Ali Baba and the Seven Saracens, I realized to my shock that its review had somehow gotten overlooked and left out of the Cinema of Swords compilation coming your way from Applause Books next month. So, if you’re some kind of completist collector (like Black Gate’s esteemed editor, John O’Neill), bookmark this post and save it, as otherwise, your Cinema of Swords collection will be… incomplete!

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What I’m Watching: April 2023

What I’m Watching: April 2023

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I haven’t done a What I’m Watching this year, so here’s a new installment.

DANGER! THERE BE SPOILERS

I’m talking about shows I’ve watched. I won’t give away anything huge, but in the context of the discussion, there will probably be spoilers. You have been warned.

STAR TREK PICARD: SEASON THREE

Prior to Strange New Worlds and the terrific job that Anson Mount continues doing as Captain Pike, ST: The Next Generation, was my favorite Trek series.

I wrote about ST: Picard a couple times here at Black Gate. I struggled through the plodding season one. With John de Lancie (Q) in the picture, season two was much better – excluding Picard’s child-hood angst.

Season three brought a wrap-up to TNG. More Picard-centric emotional angst slowed things down, but it was tremendous closure for TNG. Just about any face you wanted to see popped up.. It was wonderful to see Trekkers from the past (and not just TNG). And on the new side of things, Todd Stashwick as Captain Liam Shaw is in my Top Five for all time Trek-verse characters. He was terrific.

Phasers on Stun – I cannot believe I watched this entire season without realizing that Jack Crusher was the same actor who played James Kent in Downton Abbey. Completely didn’t register until I looked him up for this essay. Man, did I miss that one!

Quite simply, season three of Picard was fantastic, and the series finale was outstanding. They closed out the franchise in wonderful fashion. There was also a Marvel-esque credits scene which certainly could be the basis for a spin-off show.

Nothing has been announced in any fashion for one, but it would be nice.

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Goth Chick News: An Upcoming MCU Movie I’m Excited About

Goth Chick News: An Upcoming MCU Movie I’m Excited About

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It alarms quite a few people when I say I’m hit and miss on the Marvel Cinematic Universe. As far as the hardcore fans I’m acquainted with, it seems I must be either in or out, and my spotty fandom is definitely not something they approve of.

For example, in a convo with the guy that cleans my office aquarium, I discovered he was super excited when I said one of my favorite films was Iron Man, but was super put out when I had no plans to see Doctor Strange. I also loved Spider-Man with Tobey Maguire, but have been only so-so on the Spider-Man’s since. Yes, I’m missing out on all the cool, interconnectivity of the stories, and no, I’d agree I can’t say I’m a true MCU fan. I just like what I like in the standalone films and frankly do not have the attention-span to take my viewership much further.

At this point I’m lucky my fish aren’t dead.

When it came to comics, it’s no surprise I was more of a DC fan, from Wonder Woman, to House of Secrets and The Unexpected. It’s probably also no surprise that if there was an MC character I consistently enjoyed, it was Blade.

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Ellsworth’s Cinema of Swords: Near Misses in the Near East

Ellsworth’s Cinema of Swords: Near Misses in the Near East

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The Adventures of Hajji Baba (USA, 1964)

Though the vogue for Middle Eastern Orientalism in 20th-century movies wasn’t entirely a scourge — where would the history of fantasy films be without Harryhausen’s 7th Voyage of Sinbad? — by and large it was mainly responsible for a lot of crap and claptrap. This goes way back to the Silent Era, peaking with The Sheik in 1921, the movie that made Rudolf Valentino a household word. Orientalist films set in the Near East almost always relied on visual clichés of colorful and exotic luxury, with female characters who exhibit a sensuality forbidden in the Christian west, and male antagonists who are cruel, dishonest, greedy, and lecherous. The protagonists, almost exclusively male, are either European or Americans of European descent, heroes who exemplify the “Western” traits of courage, daring, integrity, and respect for decency. Even when the heroes are themselves Middle Eastern, as in the movies we cover this week, they still embody those qualities deemed “Western” and are usually played by Europeans or Americans.

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Goth Chick News: A24 Films Is Scaring the Snot Out of Me Again

Goth Chick News: A24 Films Is Scaring the Snot Out of Me Again

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Long ago A24 Films become my personal favorite independent film production company. Founded in 2012, they didn’t hit my radar until I discovered their 2015 horror hit The Witch, followed by Hereditary in 2018, then Midsommer in 2019. What I would call A24’s next-gen type scares ruled the company’s top box office earners until 2022 when Everything Everywhere All at Once and The Whale became this year’s Oscars darlings.

Just in case you’re wondering how A24 can crank out box office biggies like EEAaO, here’s the downlow. It’s less about the money than it is about the general principals guiding the company. A lot of what makes a production an “indie” movie is the director’s complete control over the creation and art of the final piece. Independent movie companies like A24 tend to work more on the funding, budget, and distribution of the movie, leaving the directors to be “independent” of studio content control.

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