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Category: Movies and TV

Goth Chick News: No to Sociopath Training Films, But Yes to Guerilla Marketing

Goth Chick News: No to Sociopath Training Films, But Yes to Guerilla Marketing

Nicole Kidman can’t catch a break. The Academy Award-winning actress has become a meme queen with behavior that has made her the unintentional darling of social media. It probably started in 2001 when Kidman was photographed leaving her lawyer’s office after finalizing her divorce from Tom Cruise. There was the famous “seal clap” at the 2017 Oscars which was supposedly her trying to protect her rings, but which just looked downright weird. Then there was her reaction to Will Smith slugging Chris Rock at the 2022 Oscars. But it was Kidman’s ad for AMC which began running on TV and prior to the theaters’ main feature in September 2021 that has probably garnered the most snark.

The dramatic ode to cinema narrated by Kidman was meant to inspire audiences to return to theaters following Covid. In the ad, Kidman enters and sits alone in an empty AMC theater while delivering a monologue describing the pleasures of the moviegoing experience, such as the “indescribable feeling we get when the lights begin to dim and we go somewhere we’ve never been before.”

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Goth Chick News: Kicking Off Spooky Season with a Ghost Story

Goth Chick News: Kicking Off Spooky Season with a Ghost Story


Ghost Story (Pocket Books paperback reprint, September 1, 1989)

When fall finally starts descending on Chicagoland there are a few rituals which are essential to getting me in the mood for Spooky Season. Granted, this time of year isn’t dramatically different from the rest of the year around here, considering. But there are certain things that ramp up the countdown to October 31st.

For example, a more than average quantity of gothic elements appears in the décor, the sweatshirts come out, and the scent of pumpkin candles permeates every room along with the music of Midnight Syndicate. September also finds me revisiting quite a few literary favorites as nothing sets the fall tone better than a good ghost story, and in this case, I mean that literally. Ghost Story by Peter Straub remains to this day, the only novel that scares the snot out of me every time I read it.

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Goth Chick News Reviews: How Did I Miss This Fab Vamp Film??

Goth Chick News Reviews: How Did I Miss This Fab Vamp Film??

Only Lovers Left Alive (Sony Pictures Classics, April 11, 2014)

Last week as I did research for my article about the upcoming reimagining of The Bride of Frankenstein, I stumbled across a vampire movie I had not only never seen but had never heard of, and the rarity of this occurrence cannot be understated. Vampires are my favs and though my crappy memory for names and dates means I’ll never consider myself an expert in the genre, I am proud to say that my experience of them in literature, movies, and folklore is pretty darn comprehensive. So, when I found the movie Only Lovers Left Alive (2013), there was nothing for it but to cancel all plans for the evening, order Door Dash, and tuck in to stream this title which had somehow eluded me for ten years.

The first thing to love is that the film cast was comprised of some incredible actors. Tilda Swinton and Tom Hiddleston play the two main characters Eve and Adam. But then there is Mia Wasikowska (Alice in Wonderland), the late great Anton Yelchin (Star Trek and Fright Night), Jeffrey Wright (Westworld), and the extraordinary John Hurt. The writer/director is Jim Jarmusch, who was also responsible for the zombie spoof movie The Dead Don’t Die (2019), which also starred Swinton, and who according to Jarmusch’s bio, is a bit of a muse of his.

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Goth Chick News: Here Comes Another Classic Monster Remake

Goth Chick News: Here Comes Another Classic Monster Remake

Much like fashion, movie themes come in repeatable waves, and if you wait long enough everything that was called “classic” will eventually come back around. Such seems to be the case with the classic movie monsters, originally made famous in the 1930’s and 40’s by Universal Studios. Recently we’ve seen The Invitation and The Last Voyage of the Demeter (Dracula), The Cursed (werewolf), and Birth/Rebirth (Frankenstein), but frankly, there are a whole list of projects currently in production which pay homage to the originals. Of late there have been industry announcements around titles such as Frankenstein vs Dracula, This Dark Endeavor: The Apprenticeship of Victor Frankenstein, and Feed to name a few. So, if you’re wondering if the bride of Frankenstein’s monster is going to get any love in the modern age, I’m here to tell you that she is.

A couple weeks back MovieWeb announced that Maggie Gyllenhaal was set to step behind the camera as the director of a remake of Bride of Frankenstein. Christian Bale was announced to be playing Victor Frankenstein, alongside Peter Sarsgaard (Gyllenhaal’s hubby) in a yet-to-be named starring role. There are rumors that in addition to directing, Gyllenhaal herself might play Elsa Lanchester’s iconic character, but I can’t find anything to substantiate this. The project, which is said to be titled The Bride, is set up at Netflix.

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The Film That Almost Killed Disney Animation: The Black Cauldron

The Film That Almost Killed Disney Animation: The Black Cauldron

The Black Cauldron (Disney, July 1985)

The Black Cauldron, an animated feature from Disney, was released on July 24th in 1985. It was one of a number of films I consulted on for the studio. At the time, it was purported to be the most expensive animated film ever made (though cheap by today’s standards). It had quite a turbulent history and almost killed off Disney animation entirely.

The film is based on two volumes of Lloyd Alexander’s Prydain series, a five-volume series of fantasy novels, aimed at the YA audience. Personally, I love these books. The story goes that Frank Thomas and Ollie Johnston, two of Disney’s “Nine Old Men,” recommended the books to Walt to adapt. Disney Studios acquired the rights back in 1971 and began adapting.

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Ellsworth’s Cinema of Swords: Deuces Wild

Ellsworth’s Cinema of Swords: Deuces Wild

The Swordsman II (Hong Kong, 1992)

In our last Cinema of Swords article, we talked about sequels gone wrong, follow-up films to surprise hits that just went off the rails. But sometimes, at the other end of the spectrum, you get sequels done right, movies that take the strengths of the first film in a series and then build and improve on them. As an example of this, I don’t think we can do better than three wuxia films from the early ‘90s, each of which managed to incorporate the good qualities of its predecessor and then exceed them. And it’s no coincidence that all three of these films were produced by that eclectic polymath of Hong Kong cinema, Tsui Hark.

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Movie of the Week Madness: Satan’s School for Girls

Movie of the Week Madness: Satan’s School for Girls

The Devil was one of the biggest success stories of the 1970’s, along with John Travolta, The Eagles, microwave ovens, and the Senate Select Committee on Presidential Campaign Activities. For this you can thank (or blame, if such is your inclination) William Peter Blatty and his runaway best seller The Exorcist, which got the decade off to a hell of a start when it was published in 1971.

Everyone knew that The Exorcist would make it to the silver screen sooner rather than later, and so it was; in 1973 blockbuster novel was followed by blockbuster movie, and the film directed by The French Connection’s William Friedkin became the year’s biggest hit, grossing one hundred and ninety-three million dollars (and that’s in 1970’s money).

However, three months before the premier of The Exorcist another film appeared that is, to my mind, the definitive celluloid treatment of the Fallen Angel and his diabolical dealings with Middle America. On September 19th, 1973, the ABC Movie of Week granted us a true glimpse of the abyss; during the seventy-eight-minute running time of Satan’s School for Girls, viewers truly knew what it was like to be one of the damned.

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A Hypnotic 71 Minutes: Last and First Men

A Hypnotic 71 Minutes: Last and First Men

Last and First Men (Zik Zak Filmworks, February 2020)

Just watched Last and First Men (2020), an Icelandic sci-fi film by the late composer Jóhann Jóhannsson who sadly died two years before the film’s release. It is based on the 1930 novel Last and First Men: A Story of the Near and Far Future by British writer Olaf Stapledon, and rather than employing a typical film narrative, Jóhannsson chose to present a meditation on the theme, with Tilda Swinton’s voice-over combined with a haunting score and stark, black and white images of forgotten monuments shot in grainy 16mm.

Swinton begins by saying “Listen patiently,” and you must be patient, in fact you might do well to approach it as an audiobook with a visual montage. The images are of inhospitable landscapes studded with brutalist architecture and the iconography of an extinct race (us) set two billion years in the future.

It’s fascinating, somewhat hypnotic, beautifully made, and worth 71 minutes of your time if you need a quiet moment alone with Tilda’s voice.

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Goth Chick News: I Believe The Exorcist: Believer Looks Pretty Good (Maybe)

Goth Chick News: I Believe The Exorcist: Believer Looks Pretty Good (Maybe)

If you’ve hung around here for a while, then you know how I feel about tampering with classics. We’ve had some close calls in the past. For instance, around 2014 and then again in December of last year, there was a lot of buzz around remaking Alfred Hitchcock’s The Birds. Frankly I’m still holding my breath hoping this one doesn’t actually happen, since as late as January of this year there was still Hollywood scuttle that Michael Bay would direct Scarlett Johansson in a reboot. 2016 saw remake rumors for, wait for it… Gone with the Wind, which were thankfully also gone just as quickly. I mean, some things just need to be left alone, I don’t care how desperate the entertainment industry is for material.

Admittedly, I am a bit of a hypocrite when it comes to classic horror. I cut my tiny goth girl fangs on Bela Lugosi, Boris Karloff and Lon Chaney who starred in the most classic of classic monster movies. But revisiting Dracula, Frankenstein and The Wolf Man in contemporary times has usually been done in films I’ve looked forward to. I guess it is because the monsters themselves have been ingrained in our collective conscience for so long, that it seems okay to update their stories for new generations of audiences. Which is why I’m on the fence about the news I am about to share.

When The Exorcist first hit screens in December 1973, it was late and over budget. No one, not even the studio, expected it to be successful. Instead, it became the first official horror blockbuster, driven by not only its shock-value, but by the stories of audience members going screaming out of theaters, or being sick in the aisles. In fact, there is a fascinating short film available on YouTube which documents the audience reactions.

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Goth Chick News: del Toro Takes on the Monster Universe… Maybe

Goth Chick News: del Toro Takes on the Monster Universe… Maybe

Forgive me if I’m a bit jaded when it comes to writer/director Guillermo del Toro’s announcements. Sometime back I stopped talking about the numerous horror-related projects he announced over the years including a scary adult-version of The Haunted Mansion, a sequel to Pan’s Labyrinth, and a film adaptation of Dan Simmons’ novel Drood. Why? Because almost as soon as the news hits, it is followed by a retraction. There is even a Wikipedia page dedicated to del Toro’s “unrealized projects,” (30 by the way) which is a nice way of listing out all the times he ghosted us.

But here I am again, about to give you details on an upcoming del Toro project I am too excited about to keep to myself. And the reason I’m going out on this limb one more time is that there are reasons to believe this one might happen.

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