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Category: Movies and TV

Goth Chick News: Does This Make the Xenomorph Queen a Disney Princess…?

Goth Chick News: Does This Make the Xenomorph Queen a Disney Princess…?

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I’m not sure what to think about this, so I’m asking all of you.

To begin, let’s base this discussion on two facts. First, with the 2019 acquisition of Fox, Disney became the owners of the long-running Alien sci-fi franchise. Second, in 2012 Ridley Scott, who created the original masterpiece that was Alien (1979), decided to leap back in after five other directors had a go at some portion of the story. This effectively scuttled the planned Alien movie we all deserved, which would have been a sequel to Aliens directed by Neill Blomkamp and would have ignored the movies which followed Aliens. This story would have reunited Ripley (Sigourney Weaver) and Hicks (Michael Biehn), and probably would have been awesome.

Instead, what we got was Sigourney Weaver permanently bowing out from the franchise, and two prequels from Scott, which were anything but awesome. Though nostalgia and eternal optimism caused die-hard fans to make Prometheus (2012) a technical box office hit ($130M budget against a $403M take), we’d learned our lesson by the time Alien: Covenant came around in 2017. It was considered a disappointment by Hollywood standards, bringing in less than half the ticket sales as its predecessor. Personally, I wished Scott would have kept his hands to himself.

Now, with this in mind, we have the news I’m about to share.

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Ellsworth’s Cinema of Swords: Sequel Debacle

Ellsworth’s Cinema of Swords: Sequel Debacle

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Highlander (20th Century Fox, 1986)

Most heroic fantasy films are one-shots, made to tell a single story and hopefully do well enough at the box office to recoup their substantial production expenses. But occasionally, one of these epics strikes a chord and finds enough of an audience to warrant a sequel. It’s often the case that the folks who made the first film didn’t really have a sequel in mind when they did it, and faced with making a follow-up they flounder about somewhat.

And sometimes, dazzled by unexpected success, they simply go mad. Everyone somehow forgets what made the first movie work so well, and the sequel just goes to crazytown. This can be terrible, or this can be wonderful — and sometimes, it can be both at once.

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Goth Chick News: How Many Horror Films Has Harrison Ford Been In? Two

Goth Chick News: How Many Horror Films Has Harrison Ford Been In? Two

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What Lies Beneath (DreamWorks Pictures, 2000)

This is the week when you can’t spit a piece of gum without hitting some reference to the fifth installment of the Indiana Jones franchise, Indiana Jones and the Dial of Destiny, which lands in theaters on Friday. Though due to quite a lot of early buzz my hopes are less than high, I will of course be in the theater on the 30th having purchased my tickets a month ago. Nostalgia alone will make Indy 5 a huge hit, even if it really is a master class in CGI and not much else (pardon my potentially unfounded snark).

But it did get me to wondering about Harrison Ford and horror.

I have vague memories of one horror movie in particular, starring Ford, called What Lies Beneath (2000) which costarred Michelle Pfeiffer and was directed by Robert Zemeckis. Ford plays an adulterous husband who murders his lover, placing her body in her car and sinking it into the nearby lake. However, the unquiet ghost comes back both for revenge and to save Ford’s wife (Pfeiffer) from being the next victim.

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So Many Choices, So Little to Choose

So Many Choices, So Little to Choose

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Old Man Rant, take one. Lights, camera, Action!

Ask anyone who really knows and loves movies — what was the greatest decade in the history of American film? You will get many different answers, depending on the respondent’s preferences and degree of familiarity with the films of the past.

The familiarity part is essential, of course; without it you may think that the latest entry in the Fast and Furious franchise is the Greatest Movie You’ve Ever Seen, and tragically, you’ll probably be right. (That kind of presentism is why I can’t stand The Ringer’s popular Rewatchables podcast, which I should love, being movie-obsessed as I am; even when they’re talking about a film I like, the unspoken, always-lurking assumption that cinema didn’t exist before Star Wars drives me up the wall.)

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Look for the Light: The Last of Us, Episode Nine

Look for the Light: The Last of Us, Episode Nine

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Well, here it is. The final episode. I didn’t really want to get here for two reasons. One, it’s the end of a most excellent season of a most excellent show. Two, I have absolutely no idea what my next article will be about. There was some comfort in having an article already decided two weeks before it must be written. But enough of the pity party. C’est parti!

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Lawrence Ellsworth’s Cinema of Swords Arrives Next Week

Lawrence Ellsworth’s Cinema of Swords Arrives Next Week

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Cinema of Swords by Lawrence Ellsworth (Applause, June 15, 2023)

Next Thursday is a big day in the Black Gate offices, as the most anticipated book of the year finally arrives: the hardcover edition of Lawrence Ellsworth’s monumental Cinema of Swords.

What’s in this great beast of a book? Every one of Lawrence’s informative and entertaining Cinema of Swords columns from Black Gate — Over four hundred movies and television shows featuring swashbucklers: knights, pirates, samurai, Vikings, gladiators, outlaw heroes like Zorro and Robin Hood, and anyone else who lives by the blade and solves their problems with the point of a sword — pus full-color stills, poster reproductions, a handy index (both Title and Subject), and plenty of fascinating sidebar articles by Lawrence, covering topics like The First British Invasion (50s swashbuckling TV series from ITV) to Wholesome Buccaneers (family-friendly pirate ) and Mighty Maciste (the roving strongman of two dozen films of the 60s-era post-Hercules peplum craze).

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Ellsworth’s Cinema of Swords: Invitation to a Keelhauling

Ellsworth’s Cinema of Swords: Invitation to a Keelhauling

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Pirates of Tortuga (USA, 1961)

Once upon a time, back in the mid-20th century, pirate movies were a genre unto themselves, like Westerns, gangster films, or jungle adventures, familiar fare at Saturday matinees with rollicking stories and reliable action, with cutlass duels and fiery ship battles. Though the genre dwindled and then died by the late ‘60s, it evoked fond memories and was regularly revived thereafter in big-budget epics that were mostly too overblown and bloated for their own good.

Fortunately, the original modest but tight buccaneering adventures the blockbusters attempted to evoke are still available to watch and enjoy. Some of them hold up pretty well even in the 21st century, and you can see why they struck a chord with movie audiences back in cinematic piracy’s heyday.

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Ellsworth’s Cinema of Swords: Zatoichi at Large

Ellsworth’s Cinema of Swords: Zatoichi at Large

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Zatoichi and the Chess Expert (Japan, 1965)

Looking over my notes for the forthcoming Cinema of Swords collection (to be published by Applause Books on June 15th), I realized that there were several five-star entries in the Zatoichi series, absolute gems, that I’d never covered here at Black Gate. Worse, I hadn’t devoted an article to the blind swordsman in almost two years, and there might be newer readers who hadn’t been introduced to Shintaro Katsu and his samurai-era yakuza outlaw hero.

Well, we can’t have that. Herewith are three top-notch features from the Zatoichi series — try any one of them, and then just see if you can stop yourself from watching the rest.

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Left Behind: The Last of Us, Episode Seven

Left Behind: The Last of Us, Episode Seven

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Hello! We’re back with another episode review! This one, judging by the title, is based entirely on what was a DLC to the original game that explored Ellie’s backstory. I’m excited about this one… in a very masochistic way (honestly, the DLC left me sobbing). C’est parti!

I may have mentioned before, but I will again, how much I love the guitar introduction. I remember the game introduction being the same thing, though that might be my memory mixing things up (I do know it was guitar, and I’m reasonably certain it’s the same exact tune, but I’m open to being wrong.)

Winter proper. In the game, we open to a rabbit getting skewered by Ellie’s arrow. It’s probably for the best we don’t see that in the show.

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