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Goth Chick News: del Toro Is Making Frankenstein for Realz (We Think)

Goth Chick News: del Toro Is Making Frankenstein for Realz (We Think)

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Back in July of last year, I wrote a cautiously optimistic piece about Guillermo del Toro working on his own adaptation of Mary Shelley’s Frankenstein. I say “cautiously” because as part of that article I also provided a Wikipedia page dedicated to del Toro’s “unrealized projects,” (30 by the way) which was a nice way of listing out all the times he ghosted us. Ironically, this list included Frankenstein. Since that time there has been a lot of back and forth, specifically regarding the strike by writers and actors, and whether or not those would kill del Toro’s film, or at the very least delay it right back into an “unrealized project.”

However, on January 7th, Deadline reported that Jacob Elordi whose movie career took off last year with starring roles in Priscilla and Saltburn, will take over the role of Frankenstein’s iconic monster in the del Toro treatment; a role that had been long rumored as going to actor Andrew Garfield. Deadline also reported that filming was getting underway in February (confirmed by a tweet from del Toro), possibly in Scotland where del Toro had been spotted off and on since 2022, at various sites in and around Edinburgh.

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Five Things I Think I Think (January, 2024)

Five Things I Think I Think (January, 2024)

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It’s the first 2024 version of Ten Things I Think I Think – albeit, in abbreviated form. And awaaaay we go!

1) ARCHER KNOWS HOW TO DO HOMAGE

Back in November’s What I’m Watching post, I mentioned I would talk about Archer Later. I’m not yet ready to do a deep dive, but I want to give a shout out for a couple seasons I just watched.

The adult cartoon just wrapped up its fourteenth and final season, last month. It had its ups and downs, but it was terribly wrong and almost always funny, for 144 episodes. Archer is the chief spy at the international Secret intelligence Service. The fact that their name is ISIS, tells you all you need to know about this satirical show. Archer is the most self-absorbed, irresponsible person imaginable, and his office mates are all terribly flawed as well (though Lana is pretty close to normal).

A lot happens over fourteen seasons (I’m on season eleven). A few seasons take place with Archer in a coma – they’re dream seasons. The first of those was an homage forties hardboiled/noir. Centered on The Maltese Falcon, with a dash of Chinatown thrown in, I LOVED it. Visually it was wonderful. As a fan of the genre, it was clear that the show’s staff were as well. Still ‘wrong’ in that Archer way, it was a terrific take on the genre. Extremely well done.

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Netflix’s The Fall of the House of Usher is a Masterpiece

Netflix’s The Fall of the House of Usher is a Masterpiece

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The Fall of the House of Usher (Netflix, October 2023)

Mike Flanagan’s The Fall of the House of Usher is a masterpiece.

I say this having recently finished watching the final episode. And yet, a couple of episodes in, I was feeling a bit ambivalent towards the series, wondering how it could possibly sustain itself over 8 episodes.

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Goth Chick News: It’s January, So Let’s Start Our 2024 WTF File…

Goth Chick News: It’s January, So Let’s Start Our 2024 WTF File…

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Writing a column called “Goth Chick News” is pretty much a dead giveaway that I love almost everything to do with the horror genre. I have, in past posts, made clear exceptions for what I call “sociopath training films” (Saw franchise, I’m looking at you), as well as examples of violence for violence’s sake such as haunted attractions like those explored in the Hulu documentary Monster Inside.

These exceptions have huge fan-bases and I make no judgment. They are just not my thing. It perhaps sounds weird to say, but to me, being scared is only entertaining when it doesn’t depict something that I could find on the True Crime channel. However, that’s not to say I still don’t frequently stare at my computer monitor and say “WTF” to it like I expect it to explain itself.

So, as we embark on this brave new year, I had to tell you about my first slow clap of 2024.

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Ellsworth’s Cinema of Swords: Consider the Rapier

Ellsworth’s Cinema of Swords: Consider the Rapier

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The Mask of Zorro (USA, 1998)

Swashbucklers come in many forms and from many cultures, settling differences with their wicked nemeses with long blades of many shapes. Some leap aboard slashing with cutlasses; some coolly assume their stances with katanas at the ready, in one hand or two; some gallop to the charge, sabers waving; some wait for their attackers with claymores held high.

But I put it to you that there is no more iconic weapon for a swashbuckler to wield than the rapier. It’s a finesse weapon that relies as much on dexterity as strength, relatively light despite its three-foot blade, encouraging movement and rapid footwork. It hangs easily at the waist, from belt or baldric, an accent that adds martial flair to every bold outfit, and it looks as good on a woman as it does on a man. And crucially, it has a point but no edge, so it’s no battlefield weapon — its only function is to settle personal conflicts between antagonists with precision, by means of a thrust to wound or to kill.

The rapier is the weapon of choice of the heroes in all three of the movies from the late ‘90s we’re considering this time around: in the global hit that should have been a flop, in the critical darling that should have been a hit, and in the triumph that was both. Keep your knees flexed, your wrist loose, and don’t grip the hilt too tightly.

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So Much More than an Action-Thriller: Victor Frankenstein

So Much More than an Action-Thriller: Victor Frankenstein

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Victor Frankenstein (20th Century Fox, 2015)

I really enjoyed this movie. Victor Frankenstein (2015) is an intelligent, well-written, dramatic horror film, a true actor’s film, and so much more than an action-thriller.

Daniel Radcliffe shows off the acting chops I knew he had, from both pre- and post-Harry Potter. James McAvoy is terrific, and once again, the wonderful Charles Dance shows what he can bring to the table. Jessica Brown Findlay adds heart, charm, beauty and class to this production. This film reminded me of the best of the classic Hammer films, but with a bigger budget and state-of-the art special FX, both practical and CGI.

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Godzilla Minus One Is One of the Crowning Achievements of the Series

Godzilla Minus One Is One of the Crowning Achievements of the Series

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godzilla-minus-one

The Godzilla franchise turns seventy next year, and 2023 has been chock-full of new G-media to get everyone amped. Godzilla: Tokyo S.O.S. and Godzilla 2000: Millennium got special theatrical re-releases. Shigeru Kayama’s original novelizations of Godzilla and Godzilla Raids Again were finally published in English translations. AppleTV produced Monarch: Legacy of Monsters, a new episodic series based on Legendary’s Monsterverse. Toho released new short Godzilla films with the famous monster smacking around Gigan and Megalon in old-school grudge matches.

The biggest gift arrives this weekend: Godzilla Minus One, Toho’s first live-action film since 2016’s Shin Godzilla. And what a gorgeous, furious, thrilling, tear-stained gift it is. It’s a fitting anniversary homage to the creators of the 1954 classic, especially original director Ishiro Honda, and easily one of the best Godzilla films—and best giant monster films—ever made. It places Godzilla into a period setting for the first time and fills the screen with exciting kaiju terror and an engrossing human story that doesn’t exist just to string along the spectacle. This is the Godzilla film that conventional wisdom says couldn’t be made. Yet here it is … because conventional wisdom is rarely genuine wisdom. 

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Ellsworth’s Cinema of Swords: Ashes of Time

Ellsworth’s Cinema of Swords: Ashes of Time

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Ashes of Time (Hong Kong, 1994/2008)

Chinese director Wong Kar-wai, whose films are visually intense, almost hallucinogenic, had a long-time love of the wuxia genre, and in the early ‘90s, when he was having trouble raising money for his production company, he agreed to make a historical martial arts film based on the classic Condor Heroes stories. Excited by the story but wanting it to be perfect, he spent almost three years on the project, but the result was Ashes of Time (1994), one of the most beautiful films ever to come out of Chinese cinema.

However, Wong nearly broke himself (and his cast) in making it, so he took a break to produce a spirited parody of the Condor Heroes story with essentially the same cast, The Eagle Shooting Heroes (1993), also covered below. It’s a hoot. Finally, I’ve added the undeservedly obscure Journey to the Western Xia Empire (1996), which though shot in the same western Chinese wastes as Ashes of Time is a different visual experience entirely.

And with that, we’re at the end of the ‘90s wuxia film boom, so next time, it’s back to classic swashbucklers!

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Goth Chick News: In Praise of Netflix’s The Fall of the House of Usher

Goth Chick News: In Praise of Netflix’s The Fall of the House of Usher

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Having fallen behind on my normal planned October activities, I am admittedly a bit late to the party when it comes to Mike Flannigan’s latest outing for Netflix, The Fall of the House of Usher, which debuted on October 12th. Flannigan is batting about 500 on the Goth Chick News stats board of directorial successes, so I was holding my breath in hopes he wouldn’t butcher one of my beloved Edgar’s properties.

On the plus side Flannigan helmed The Haunting of Hill House, The Haunting of Bly Manner and Midnight Mass, all for Netflix and all in my top ten fav series list. On the downside, and this is a huge one for me, he is personally responsible for completely hosing the big screen version of one of my favorite Stephen King books, Doctor Sleep, for which I am hard pressed to forgive him. But perhaps Netflix is his true medium. So, with this in mind, I queued up The Fall of the House of Usher.

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What I’m Reading: November 2023

What I’m Reading: November 2023

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I’ve been juggling reading with catching up on a bunch of TV/streaming stuff. But I’ve worked in a couple of good reads.

I thought about a post on series’ I’m behind on in my reading. I probably will do one – sadly, it would be VERY long. But I did just finish two novels in one such, and I started a third.

HOLMES ON THE RANGE

I wrote this essay back in 2019 on Steve Hockensmith’s Sherlock Holmes-influenced cowboy brothers. Dear Mr. Holmes is a collection of the seven short stories that kicked off the series. And just last month, the seventh novel – Hunters of the Dead– came out.

I had read the first three novels and the short stories. But book four – The Crack in the Lens – came out in 2009. I was WAAAAY behind. So last week I read Crack… – and then immediately tore through The World’s Greatest Sleuth!. Now I’m on book six, The Double-A Western Detective Agency.

Check out my prior essay for a more in-depth look at the series. But the premise is that brothers Gustav (Old Red) and Otto (Big Red) Amlingmeyer, are trail-riding cowpunchers in the Old West. This is during the time of Sherlock Holmes’ Adventures and Memoirs. Gustav can’t read. So, while they’re sitting around the campfire at night, Otto reads aloud the Holmes stories from a dog-eared magazine.

Gustav is totally enthralled with Holmes’ methods and sets out to do some deducifyin’ on the trail. And these two fall into malice and mayhem like a spinster in one of Agatha Christie’s villages. Gustav is the brains, and Otto is the brawn.

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