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Retro Review: The Magazine of Fantasy & Science Fiction, June 1955

Retro Review: The Magazine of Fantasy & Science Fiction, June 1955

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The Magazine of Fantasy and Science Fiction, June 1955. Cover by George Salter

By 1955 J. Francis McComas had resigned as co-editor of F&SF, and Anthony Boucher was sole editor. George Salter remained art director. Both Boucher and Salter left the magazine in 1958. This issue also has a cover by Salter — his last but one for the magazine — he did one more in 1966. I really enjoy Salter’s work, and I learned today that he did the covers for such significant works as the first editions of The City and the Stars, Atlas Shrugged, and A Fine and Private Place. He also shares a birthday with me.

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The Fantastic Realms of Luis Royo

The Fantastic Realms of Luis Royo

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Realms of Fantasy covers by Luis Royo. Row 1: October 1997, April 1998, October 1998.
Row 2: December 1999, October 2001, December 2002. Row 3: October 2004, August 2005, June 2006

Three days ago I wrote a quick piece about a pair of late 90s Ace paperbacks by Cary Osborne, Deathweave and Darkloom. The thing that first attracted my interest — as it often is — was the great covers for both books, in this case the work of the talented Spanish artist Luis Royo. Royo got his start in Heavy Metal in the early 80s, and by the mid-90s was a fixture on SF and fantasy book covers in the UK and US. IMDB credits him with well over 300 covers, for every major book publisher, including Bantam, Tor, DAW, Roc, Ace, Questar, Avon Eos, Pocket Books, HarperPrism, the Science Fiction Book Club, and many, many others.

Royo has a distinctive style, one well suited to selling adventure fantasy, and he helped launch the career of several major genre writers of the era, including Julie E. Czerneda (with her Trade Pact novels), Walter Jon Williams (Hardwired), David Gemmell (Druss the Legend), Elizabeth Haydon (The Rhapsody Trilogy) Sara Douglass (The Wayfarer Redemption), and many others.

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Random Review: “The Devil Was Sick” by Bruce Elliott

Random Review: “The Devil Was Sick” by Bruce Elliott

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Cover by George Salter
Cover by George Salter

Bruce Elliott was the author of ten short stories and three novels during a career that ran from 1944 until 1970, with seven of his stories appearing between 1951 and 1953. “The Devil Was Sick” appeared in the April 1951 issue of The Magazine of Fantasy and Science Fiction and was promptly reprinted in the anthology Adventures in Tomorrow, edited by Kendell F. Crossen.  It was subsequently reprinted in Deals with the Devil, Heaven and Hell, and Isaac Asimov’s Magical Worlds of Fantasy #8: Devils.

Set in the distant future (the forty-sixth century is well in the past), the only route off Earth is through original research. Acleptos is hoping to leave the home planet for a planet in orbit around Alpha Centauri, where the love of his life had emigrated following her successful research. Running some ideas for research through the almost-all-knowing Machine, he comes up with the question of whether devils and demons are real or hallucinatory. Ascleptos tackled the issue with the hopes of being reunited with his lost love.

Acleptos’ research leads him to an attempt to summon a demon with the assistance of his friend Ttom. Although they are successful, it is the appearance of the demon that causes the story to fail. Elliott offers up some interesting ideas, but there is a lack on internal consistency in the story and it seems he wasn’t able to decide exactly what was happening. It is possible this is caused by Acleptos’ inability to accurately understand the situation, but it feels as if Elliott hadn’t thought it through carefully enough. …

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Mars Missions, Vengeful Djinn, and Haunted Dolls: The Magazine of Fantasy & Science Fiction, April 1952, a Retro-Review

Mars Missions, Vengeful Djinn, and Haunted Dolls: The Magazine of Fantasy & Science Fiction, April 1952, a Retro-Review

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The Magazine of Fantasy & Science Fiction, April 1952 (Mercury Press). Cover by George Salter

In its early years, one of the most notable characteristics of The Magazine of Fantasy and Science Fiction was its regular use of reprints — fantastical stories from outside the genre, often by very well-known writers, given exposure to SF and Fantasy readers. Another notable characteristic was covers by its art director, George Salter.

Both aspects are features of this issue — indeed, this seems almost a comically pure exemplar of the Boucher/McComas era. I’ll highlight the non-genre history of some of the writers in the issue. (As for Salter, I enjoy his delightfully weird art quite a bit.)

Here are the stories. There is also one feature, “Recommended Reading,” by the Editors.

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Give Yourself Some Weird Horror for Christmas

Give Yourself Some Weird Horror for Christmas

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Weird Horror issues 4 and 5 (Undertow Publications, Spring & Fall 2022). Covers by Drazen Kozjan and Barandash Karandashich.

I love watching a new fantasy magazine get its sea legs. It’s been a real treat to see this decade’s crop of best new mags — including Tales from the Magician’s Skull (edited by Howard Andrew Jones), Startling Stories (helmsman Douglas Draa), New Edge Sword and Sorcery (edited by Oliver Brackenbury), and Wyldblood (Mark Bilsborough) — carve out unique identities, and grow better and better with each issue.

One of the best of the new lot — and there are times when I think it is the best — is Weird Horror, published by Michael Kelly’s Undertow Publications. Michael has been editing horror and dark fantasy for over a decade, and he’s one of the most gifted and respected editors in the industry. The roster at Weird Horror reflects that; in the last two years they’ve published new fiction from the best new horror writers in the biz, including John Langan, Steve Rasnic Tem, Brian Evenson, Josh Rountree, Stephen Volk, Steve Duffy, and Richard Strachan.

But the very best mags don’t rely on fiction alone. And what really makes we look forward to each new issue of Weird Horror are the lively columns by an enviable stable of authors, including Simon Strantzas On Horror, Orrin Grey Grotesqueries, Lysette Stevenson’s The Macabre Reader review column, and Tom Goldstein’s Aberrant Visions.

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A (Black) Gat in the Hand: Norbert Davis’ Max Latin

A (Black) Gat in the Hand: Norbert Davis’ Max Latin

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A Black Gat in the Hand makes a rare Fall guest appearance! I think that John D. MacDonald was one of the greatest writers of the 20th Century – in any genre. He’s my favorite author, and I’ve written several essays about him here at Black Gate. His last piece of professional writing before he died was an introduction to The Mysterious Press’ collection of Norbert Davis’ Max Latin short stories. Written for Dime Detective magazine, they are one of my favorite private eye series’.

Unfortunately, MacDonald comes across as a grumpy old man shaking his cane and yelling “Get off my lawn, you kids!” He essentially accused Davis of being  a sell-out for moving from the pulps to the slicks. It’s a very unflattering intro. Steeger Books has reissued the collection, but with a new introduction: by me!

Getting to replace something that John D. MacDonald wrote is a thrill for me. As I am an unabashed Norbert Davis fan, it’s a lot more complimentary than JDM’s was. I listen to the audiobook of these stories several times a month. I really enjoy them. Below, find my new intro. And if it sounds like something you might like, swing by Steeger Books and order a copy. It really is one of my favorites.

Norbert Davis is considered one of Joseph ‘Cap’ Shaw’s Black Mask Boys: Those writers who formed the core of the legendary magazine editor’s stable. But Shaw only accepted four of Davis’ submissions, and one has to think it likely that there were more, but which were rejected. Davis would sell ten stories to subsequent Mask editors. Shaw did include a Davis story in his ground-breaking The Hard-Boiled Omnibus, but in reality, Davis was much less of a ‘Shaw guy’ than those more commonly identified, like Dashiell Hammett, Erle Stanley Gardner, Raymond Chandler, Frederick Nebel, Raoul Whitfield, or even Horace McCoy.

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Ruined Spaceships, Post-Apocalyptic San Francisco, and the Return of Gil Hamilton: November-December Print SF Magazines

Ruined Spaceships, Post-Apocalyptic San Francisco, and the Return of Gil Hamilton: November-December Print SF Magazines

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November/December 2022 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and
The Magazine of Fantasy & Science Fiction. Cover art by Maurizio Manzieri (x2), and Mondolithic Studio

More than a month after their October 18th on-sale date, the November/December issues of Asimov’s SF and Analog are still not on the newsstand at my local B&N here in Illinois, which is annoying. At least I was able to find the Sept/Oct issue of F&SF, so I suppose that’s something.

I’m left relying on their (excellent) websites to learn what’s packed into the end-of-year issues of each magazine. And there’s a great deal to anticipate — including a brand new Gil Hamilton tale from Larry Niven & Steven Barnes, a story of desperate survival on a ruined spaceship by Suzanne Palmer, a novella of an enigmatic Galactic Federation by Mark W. Teidermann, and a cyberpunk mystery in post-apocalyptic San Francisco by J.C. Hsyu, plus tales by Marc Laidlaw, Nick Wolven, Ray Nayler, Michael Cassutt, Tom Purdom, James Maxey, Nick Mamatas, John Shirley, Sam J. Miller, Bennett North, and many others.

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Random Reviews: “The Perfect Diamond” by Steve Rasnic Tem and Melanie Tem

Random Reviews: “The Perfect Diamond” by Steve Rasnic Tem and Melanie Tem

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Cover by Allan Koszowski
Cover by Allan Koszowski

The husband and wife team of Steve Rasnic Tem and Melanie Tem published the short story “The Perfect Diamond” in the first issue of Fantastic Worlds in 1996. This incarnation of Fantastic Worlds was a fanzine edited by Scott A. Becker, and was unrelated to an earlier fanzine of the same name published in the 1950s by Sam Sackett and Edward W. Ludwig. It isn’t clear how many issues Becker published, but the first issue included fiction not only by the Tems, but also Jeff VanderMeer, Stepan Chapman, Ken Rand, James S. Dorr, and other authors.

Christopher has just been released from jail with a small amount of money in his pocket and a nearly perfect diamond, which he had owned for as long as he can remember. In his memory, there was a time that the diamond was flawless, but at some point it somehow developed a gouge. Although he always carries the diamond with him, there are few people in his life who know of its existence.

During his first day of release, Christopher wanders through town, trying to figure out where to live and what to do with his life. He bumps into Gina, his ex-girlfriend, in a bar. Their connection goes poorly and Gina leaves him with a taunt that as long as he has his perfect diamond, he doesn’t need anything else, clearly unaware that the diamond is no longer perfect. He also bumps into the father who adopted him, another person who knows of the diamond, although his father doesn’t mention the diamond.

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Mike Ashley’s British Library Science Fiction Classics, Volumes 1-3: Moonrise, Lost Mars, and Menace of the Machine

Mike Ashley’s British Library Science Fiction Classics, Volumes 1-3: Moonrise, Lost Mars, and Menace of the Machine

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The first three anthologies in the British Library Science Fiction Classics: Moonrise,
Lost Mars, and Menace of the Machine. Covers by Chesley Bonestell and David A. Hardy

Two weeks ago I gazed in wonder at Mike Ashley’s 10-volume anthology series of science fiction from the pre-spaceflight era, the British Library Science Fiction Classics.

The first three in the series — Moonrise: The Golden Age of Lunar Adventures, Lost Mars: The Golden Age of the Red Planet, and Menace of the Machine: The Rise of AI in Classic Science Fiction — make an impressive set, containing nearly three dozen stories originally published between 1887 – 1965 by H.G. Wells, Gordon R. Dickson, John Wyndham, Edmond Hamilton, Arthur C. Clarke, Stanley G. Weinbaum, Ray Bradbury, E. C. Tubb, Walter M. Miller, Jr., J. G. Ballard, Ambrose Bierce, Isaac Asimov, Henry Kuttner and Catherine Moore, Brian W Aldiss, Murray Leinster, and many others. Each volume also includes a fascinating and impeccably researched introduction by Ashley that’s sure to whet your appetite.

Let’s take a closer look. (Warning: entirely superfluous pulp magazine covers ahead).

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Monsters, Mech Warriors, and More: Startling Stories Magazine, 2022 Issue

Monsters, Mech Warriors, and More: Startling Stories Magazine, 2022 Issue

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The first two issues of Startling Stories in 65 years, courtesy of
Wildside Press and Douglas Draa. Covers: uncredited, and GrandeDuc.

One of the big news stories of last year was the return of Startling Stories, the legendary science fiction pulp mag of the 40s and 50s, which published classic SF by Arthur C. Clarke, Jack Vance, Leigh Brackett, Fletcher Pratt, Henry Kuttner, A.E. van Vogt, Manly Wade Wellman, Edmond Hamilton, Stanley G, Weinbaum, and numerous others. The new venture is the brainchild of John Betancourt at Wildside Press, and at the helm is Douglas Draa, who worked tirelessly to resurrect Weirdbook a few years back.

The first new issue of Startling Stories in 65 years appeared in February of last year, and contained stories by Robert Silverberg, Steve Dilks, Adrian Cole, Cynthia Ward, Ahmed A. Khan, and many others. A second issue arrived in September of this year, with an even more impressive list of contributors, including John Shirley, Darrell Schweitzer, Mike Chin, Adrian Cole, Cynthia Ward, and more.

Douglas Draa understands the true magic of pulp fiction, and I was delighted to see that along with the fiction he has worked hard to bring great art to the pages of Startling Stories — and he has absolutely succeeded, with original black & white art by Vincent Di Fate, Bob Eggleton, Allen Koszowski, and even the MidJourney AI, all packaged under a terrific color cover by GrandeDuc. Startling Stories is one of the most visually impressive print SF mags on the stands. Check out some of the eye-catching art below.

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