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NEW EDGE SWORD & SORCERY Magazine Launches!

NEW EDGE SWORD & SORCERY Magazine Launches!

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Last October, Michael Harrington hosted an interview with Oliver Brackenbury on Black Gate; Brackenbury is the editor and champion of the New Edge Sword & Sorcery Magazine. That post coincided with the release of the teaser Issue #0 including short fiction & non-fiction (free in digital format, or priced at cost on Amazon Print-on-Demand, through the New Edge Website). And now we announce:

NEW EDGE SWORD & SORCERY launches

KICKSTARTER FOR ISSUES 1 & 2
Thirty-day crowdfunding campaign begins on Feb 2nd, with issues shipping in Fall 2023

    • The legendary Michael Moorcock will have a brand new, original story featured in issue #1.
    • He joins twenty other fiction & non-fiction authors, such as Canadian horror master Gemma Files, Margaret Killjoy, David C. Smith, Hugo Award-winner Cora Buhlert, Milton Davis, and more. There will also be a tale by Jesús Montalvo, an author from the burgeoning S&S scene south of the US border, translated from its original Spanish.
    • Nineteen artists are spread across the two issues, including Morgan King, who directed Lucy Lawless in his 2021 rotoscope-animated Sword & Sorcery film The Spine of Night (featured on Black Gate in 2021). Samples of the various artists’ work are available on the Kickstarter campaign page, while also being shared across the magazine’s Facebook, Instagram, and Twitter accounts.
    • Each issue will feature seven original stories and four works of non-fiction: one book review, one essay, one in-depth interview, and one historical literary profile of figures like Charles Saunders or Cele Goldsmith. All stories, essays, and the profiles will be paired with at least one original B&W illustration.

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Colony Ships, Cowboy Ghosts, and Jeeves and Wooster in Space: January-February Print SF Magazines

Colony Ships, Cowboy Ghosts, and Jeeves and Wooster in Space: January-February Print SF Magazines

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January/February 2023 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and
The Magazine of Fantasy & Science Fiction. Cover art by Shutterstock, Tomislav Tikulin, and Kent Bash

The big news for print SF mags over the past few months has been price increases. Asimov’s SF and Analog, both published by Dell Magazines, increased prices by a buck in July of last year, from $7.99 to $8.99 per issue. Subscriptions increased from $35.97 to $47.94 for six issues/one year. The Magazine of Fantasy & Science Fiction increased from $9.99 per issue to $10.99 with the January/February issue, and subs jumped to $65.94 for one-year. Considering how much fiction and overall content you get per issue, all of the magazines remain a bargain.

Consider the January/February issues, for example. They contain brand new fiction from some of the biggest names in the biz, including Norman Spinrad, Alec Nevala-Lee, Robert Reed, James Van Pelt, David D. Levine, Maurice Broaddus, Mary Soon Lee, Bruce McAllister, Shane Tourtellotte, Dominica Phetteplace, Rudy Rucker, Tochi Onyebuchi, Genevieve Williams, Karen Heuler, and many others.

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Retro Review: The Magazine of Fantasy & Science Fiction, June 1955

Retro Review: The Magazine of Fantasy & Science Fiction, June 1955

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The Magazine of Fantasy and Science Fiction, June 1955. Cover by George Salter

By 1955 J. Francis McComas had resigned as co-editor of F&SF, and Anthony Boucher was sole editor. George Salter remained art director. Both Boucher and Salter left the magazine in 1958. This issue also has a cover by Salter — his last but one for the magazine — he did one more in 1966. I really enjoy Salter’s work, and I learned today that he did the covers for such significant works as the first editions of The City and the Stars, Atlas Shrugged, and A Fine and Private Place. He also shares a birthday with me.

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The Fantastic Realms of Luis Royo

The Fantastic Realms of Luis Royo

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Realms of Fantasy covers by Luis Royo. Row 1: October 1997, April 1998, October 1998.
Row 2: December 1999, October 2001, December 2002. Row 3: October 2004, August 2005, June 2006

Three days ago I wrote a quick piece about a pair of late 90s Ace paperbacks by Cary Osborne, Deathweave and Darkloom. The thing that first attracted my interest — as it often is — was the great covers for both books, in this case the work of the talented Spanish artist Luis Royo. Royo got his start in Heavy Metal in the early 80s, and by the mid-90s was a fixture on SF and fantasy book covers in the UK and US. IMDB credits him with well over 300 covers, for every major book publisher, including Bantam, Tor, DAW, Roc, Ace, Questar, Avon Eos, Pocket Books, HarperPrism, the Science Fiction Book Club, and many, many others.

Royo has a distinctive style, one well suited to selling adventure fantasy, and he helped launch the career of several major genre writers of the era, including Julie E. Czerneda (with her Trade Pact novels), Walter Jon Williams (Hardwired), David Gemmell (Druss the Legend), Elizabeth Haydon (The Rhapsody Trilogy) Sara Douglass (The Wayfarer Redemption), and many others.

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Random Review: “The Devil Was Sick” by Bruce Elliott

Random Review: “The Devil Was Sick” by Bruce Elliott

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Cover by George Salter
Cover by George Salter

Bruce Elliott was the author of ten short stories and three novels during a career that ran from 1944 until 1970, with seven of his stories appearing between 1951 and 1953. “The Devil Was Sick” appeared in the April 1951 issue of The Magazine of Fantasy and Science Fiction and was promptly reprinted in the anthology Adventures in Tomorrow, edited by Kendell F. Crossen.  It was subsequently reprinted in Deals with the Devil, Heaven and Hell, and Isaac Asimov’s Magical Worlds of Fantasy #8: Devils.

Set in the distant future (the forty-sixth century is well in the past), the only route off Earth is through original research. Acleptos is hoping to leave the home planet for a planet in orbit around Alpha Centauri, where the love of his life had emigrated following her successful research. Running some ideas for research through the almost-all-knowing Machine, he comes up with the question of whether devils and demons are real or hallucinatory. Ascleptos tackled the issue with the hopes of being reunited with his lost love.

Acleptos’ research leads him to an attempt to summon a demon with the assistance of his friend Ttom. Although they are successful, it is the appearance of the demon that causes the story to fail. Elliott offers up some interesting ideas, but there is a lack on internal consistency in the story and it seems he wasn’t able to decide exactly what was happening. It is possible this is caused by Acleptos’ inability to accurately understand the situation, but it feels as if Elliott hadn’t thought it through carefully enough. …

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Mars Missions, Vengeful Djinn, and Haunted Dolls: The Magazine of Fantasy & Science Fiction, April 1952, a Retro-Review

Mars Missions, Vengeful Djinn, and Haunted Dolls: The Magazine of Fantasy & Science Fiction, April 1952, a Retro-Review

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The Magazine of Fantasy & Science Fiction, April 1952 (Mercury Press). Cover by George Salter

In its early years, one of the most notable characteristics of The Magazine of Fantasy and Science Fiction was its regular use of reprints — fantastical stories from outside the genre, often by very well-known writers, given exposure to SF and Fantasy readers. Another notable characteristic was covers by its art director, George Salter.

Both aspects are features of this issue — indeed, this seems almost a comically pure exemplar of the Boucher/McComas era. I’ll highlight the non-genre history of some of the writers in the issue. (As for Salter, I enjoy his delightfully weird art quite a bit.)

Here are the stories. There is also one feature, “Recommended Reading,” by the Editors.

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Give Yourself Some Weird Horror for Christmas

Give Yourself Some Weird Horror for Christmas

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Weird Horror issues 4 and 5 (Undertow Publications, Spring & Fall 2022). Covers by Drazen Kozjan and Barandash Karandashich.

I love watching a new fantasy magazine get its sea legs. It’s been a real treat to see this decade’s crop of best new mags — including Tales from the Magician’s Skull (edited by Howard Andrew Jones), Startling Stories (helmsman Douglas Draa), New Edge Sword and Sorcery (edited by Oliver Brackenbury), and Wyldblood (Mark Bilsborough) — carve out unique identities, and grow better and better with each issue.

One of the best of the new lot — and there are times when I think it is the best — is Weird Horror, published by Michael Kelly’s Undertow Publications. Michael has been editing horror and dark fantasy for over a decade, and he’s one of the most gifted and respected editors in the industry. The roster at Weird Horror reflects that; in the last two years they’ve published new fiction from the best new horror writers in the biz, including John Langan, Steve Rasnic Tem, Brian Evenson, Josh Rountree, Stephen Volk, Steve Duffy, and Richard Strachan.

But the very best mags don’t rely on fiction alone. And what really makes we look forward to each new issue of Weird Horror are the lively columns by an enviable stable of authors, including Simon Strantzas On Horror, Orrin Grey Grotesqueries, Lysette Stevenson’s The Macabre Reader review column, and Tom Goldstein’s Aberrant Visions.

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A (Black) Gat in the Hand: Norbert Davis’ Max Latin

A (Black) Gat in the Hand: Norbert Davis’ Max Latin

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A Black Gat in the Hand makes a rare Fall guest appearance! I think that John D. MacDonald was one of the greatest writers of the 20th Century – in any genre. He’s my favorite author, and I’ve written several essays about him here at Black Gate. His last piece of professional writing before he died was an introduction to The Mysterious Press’ collection of Norbert Davis’ Max Latin short stories. Written for Dime Detective magazine, they are one of my favorite private eye series’.

Unfortunately, MacDonald comes across as a grumpy old man shaking his cane and yelling “Get off my lawn, you kids!” He essentially accused Davis of being  a sell-out for moving from the pulps to the slicks. It’s a very unflattering intro. Steeger Books has reissued the collection, but with a new introduction: by me!

Getting to replace something that John D. MacDonald wrote is a thrill for me. As I am an unabashed Norbert Davis fan, it’s a lot more complimentary than JDM’s was. I listen to the audiobook of these stories several times a month. I really enjoy them. Below, find my new intro. And if it sounds like something you might like, swing by Steeger Books and order a copy. It really is one of my favorites.

Norbert Davis is considered one of Joseph ‘Cap’ Shaw’s Black Mask Boys: Those writers who formed the core of the legendary magazine editor’s stable. But Shaw only accepted four of Davis’ submissions, and one has to think it likely that there were more, but which were rejected. Davis would sell ten stories to subsequent Mask editors. Shaw did include a Davis story in his ground-breaking The Hard-Boiled Omnibus, but in reality, Davis was much less of a ‘Shaw guy’ than those more commonly identified, like Dashiell Hammett, Erle Stanley Gardner, Raymond Chandler, Frederick Nebel, Raoul Whitfield, or even Horace McCoy.

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Ruined Spaceships, Post-Apocalyptic San Francisco, and the Return of Gil Hamilton: November-December Print SF Magazines

Ruined Spaceships, Post-Apocalyptic San Francisco, and the Return of Gil Hamilton: November-December Print SF Magazines

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November/December 2022 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and
The Magazine of Fantasy & Science Fiction. Cover art by Maurizio Manzieri (x2), and Mondolithic Studio

More than a month after their October 18th on-sale date, the November/December issues of Asimov’s SF and Analog are still not on the newsstand at my local B&N here in Illinois, which is annoying. At least I was able to find the Sept/Oct issue of F&SF, so I suppose that’s something.

I’m left relying on their (excellent) websites to learn what’s packed into the end-of-year issues of each magazine. And there’s a great deal to anticipate — including a brand new Gil Hamilton tale from Larry Niven & Steven Barnes, a story of desperate survival on a ruined spaceship by Suzanne Palmer, a novella of an enigmatic Galactic Federation by Mark W. Teidermann, and a cyberpunk mystery in post-apocalyptic San Francisco by J.C. Hsyu, plus tales by Marc Laidlaw, Nick Wolven, Ray Nayler, Michael Cassutt, Tom Purdom, James Maxey, Nick Mamatas, John Shirley, Sam J. Miller, Bennett North, and many others.

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Random Reviews: “The Perfect Diamond” by Steve Rasnic Tem and Melanie Tem

Random Reviews: “The Perfect Diamond” by Steve Rasnic Tem and Melanie Tem

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Cover by Allan Koszowski
Cover by Allan Koszowski

The husband and wife team of Steve Rasnic Tem and Melanie Tem published the short story “The Perfect Diamond” in the first issue of Fantastic Worlds in 1996. This incarnation of Fantastic Worlds was a fanzine edited by Scott A. Becker, and was unrelated to an earlier fanzine of the same name published in the 1950s by Sam Sackett and Edward W. Ludwig. It isn’t clear how many issues Becker published, but the first issue included fiction not only by the Tems, but also Jeff VanderMeer, Stepan Chapman, Ken Rand, James S. Dorr, and other authors.

Christopher has just been released from jail with a small amount of money in his pocket and a nearly perfect diamond, which he had owned for as long as he can remember. In his memory, there was a time that the diamond was flawless, but at some point it somehow developed a gouge. Although he always carries the diamond with him, there are few people in his life who know of its existence.

During his first day of release, Christopher wanders through town, trying to figure out where to live and what to do with his life. He bumps into Gina, his ex-girlfriend, in a bar. Their connection goes poorly and Gina leaves him with a taunt that as long as he has his perfect diamond, he doesn’t need anything else, clearly unaware that the diamond is no longer perfect. He also bumps into the father who adopted him, another person who knows of the diamond, although his father doesn’t mention the diamond.

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