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The Opportunity for Awe: An Interview with Scott Andrews

The Opportunity for Awe: An Interview with Scott Andrews

Scott H Andrews Beneath Ceaseless Skies-smallBeneath Ceaseless Skies is a five-time Hugo and seven-time World Fantasy Award-finalist online magazine of literary adventure fantasy. In nine years, BCS has published over 475 stories and 200 audio podcasts by authors such as Saladin Ahmed, Richard Parks, Marie Brennan, Yoon Ha Lee, Aliette de Bodard, Bradley P. Beaulieu, Seth Dickinson, and more.  Find their ebooks and Best of BCS anthologies on Amazon and WeightlessBooks.com, their podcasts on Google Play and iTunes, and stories, artwork, new issues, and more at beneath-ceaseless-skies.com.

For nearly a decade now, BCS has been showcasing the work of both new and established writers in the realms of fantasy with a literary bent. My first professional sale was to BCS, and the magazine has published several of my stories since then, including my most recent, “Deathspeaker,” in the August 3rd issue. Recently I approached BCS editor Scott Andrews with some questions about “literary adventure fantasy” and its appeal to readers of sword & sorcery.

Beneath Ceaseless Skies publishes “literary adventure fantasy.” It’s pretty clear what those first two words mean separately, but can you explain the juxtaposition? What does adventure fantasy lack when it’s not literary (or gain when it is)? What does literary fantasy miss when it lacks adventure?

“Literary adventure fantasy” is my tagline for literary fantasy set in other worlds. The literary element that’s for me the most enjoyable and rewarding is a focus on character. A lot of secondary-world fantasy feels to me focused on the setting or the plot, but I like it on the characters, for example using narrative approaches like close points-of-view or conflicts that are internal in addition to external.

What adventure fantasy gains for me when it’s literary like that is the human highs and lows, the emotional exhilaration and gut-punch, that great literary fiction has. I love the line from Faulkner’s Nobel Prize speech that the only thing worth writing about is the human heart in conflict with itself. That may sound like highbrow English-class stuff, but there’s an author in SF/F/H today who I’ve heard reference that Faulkner quote:  George R. R. Martin. His fantasy is the most popular in the world, and he’s constantly praised for his characters and how realistic and emotive they feel. His work absolutely has those human highs and lows, those profound comments on what it feels like to be a parent or a sibling or a hero or a failure or a survivor. That’s character-centered focus I love to read.

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July/August Issue of Black Static Now Available

July/August Issue of Black Static Now Available

Black Static July August 2017-smallBritish horror magazine Black Static #59, cover-dated July/August 2017, is now available. Over at Tangent Online, Jennifer Burroughs offers a detailed review of the entire issue, including “Ghost Town” by Bonnie Jo Stufflebeam.

“Ghost Town” is a story of dark magic and gruesome secrets that explores the difficult question of what the living owe the dead… A river full of a strange substance flows around a small town haunted by thousands of ghosts, the economy fueled by a black market for human bodies. Three years ago, the body of Rae’s dead wife, Emily, was stolen, which has prevented Emily’s spirit from fully passing on. She haunts Rae every night…

Stufflebeam has imagined a strange place full of horrors caused both by the power of the river and simple human ingenuity. She raises an interesting question about what people would do in a reality where the dead need a corpse, any corpse, in order to leave the physical world, and there are more ghosts than corpses. This is an eerie tale that leaves the reader with several layers of meaning to contemplate.

And “Endoskeletal” by Sara Read

A well-executed, nightmarish tale of body horror. Ashley, an ambitious archaeologist, ignores rules of policy and respect for a strange discovery found in a Swedish mountain cave, where a strange burial has been hidden away for tens of thousands of years. She finds several jars inexplicably sealed after all this time, and takes one back to the lab, setting off a horrifying chain of events…

Not a story for the squeamish, “Endoskeletal” reads like a fevered nightmare full of warnings about foolish mistakes.

Read the complete review here.

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August Short Story Roundup

August Short Story Roundup

oie_225359V0Ky2mKfWith summer’s end in sight, I’m back with another short story roundup. For those paying attention, you probably noticed I’m calling this the August roundup instead of the July one. That’s because there’s so much stuff I have to pick and choose from (and more coming soon – see this post at Howard Andrew Jones’ site), I can’t always get to it in a timely manner. From now on, each roundup will focus on whatever new short stories I’ve managed to read since the previous one. It’s a minor thing, but there it is.

Heroic Fantasy Quarterly, produced under the expert guidance of Adrian Simmons and company, continues to be the fieriest star in the S&S heavens. #33 contains not only the usual three stories and three poems, but an announcement that HFQ’s second Best of collection has been fully funded and will appear this fall. I really dug the first one and have high hopes for this one. Also, they played a fun game in this issue that I won’t describe, but it’s clever and I applaud the editors for pulling it off.

The new issue kicks off with “Between Sea and Flame” by Evan Dicken. Set in an alternate universe where Tenochtitlan fell not to Cortes, but to a strange priesthood from the sea, it’s a sequel to “Mouth of the Jaguar.” Once again, Hummingbird, refugee warrior from the fallen Mexica Empire, finds herself at the center of chaos and death. This time around she is caught between two deadly and evil forces: the Sea People who serve the terrible god Dagon, and that of the even more malevolent Destroyer. Convinced by one of the Sea People’s generals, she joins them and their allies to storm the stronghold of the Destroyer’s great follower, PedrariasHer decision brings her to a land already being twisted by the Destroyer’s malign aura:

If Hummingbird had any doubts about the threat posed by the Destroyer, the mountain put them to rest. Ometepe’s animals had become strange, monstrous things, twisted as if by some terrible hand. Flocks of bat-winged hummingbirds flitted around the war party, darting in to stab at the warriors with beaks barbed like fishing harpoons. If they were not crushed quickly enough, they burrowed inside the body. Many Mankeme fell shrieking down the hill, digging at their own flesh with knives and axes.

Clawed hands reached down from the tangled foliage above to pluck the heads from passing warriors. Diriangen would’ve been among them had not Hernández dragged him back at the last moment. Hummingbird joined the Mankeme in flinging javelins into the trees. What fell resembled sloths, but grown large and bloated. Their arms were thin, boneless things, little more than ropes of muscle with claws sharp as knapped flint. A warrior buried her axe in one of the things, only to have the creature burst like an overripe fruit to disgorge a swarm of fleshy mosquitos.

This is a swell story, filled with well-paced and -choreographed action. Dicken effortlessly combines elements of real history with his fictional reality, and has created a darkly wonderful world of elder terrors and bold, strong-armed adventurers.

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Galaxy Science Fiction, November 1953: A Retro-Review

Galaxy Science Fiction, November 1953: A Retro-Review

Galaxy Science Fiction November 1953

The November, 1953 issue of Galaxy Science Fiction is one of the better ones, from my perspective. Aside from the continuation of The Caves of Steel by Asimov, Michael Shaara and Roger Dee contributed a pair of good tales.  (The cover art is by Ed Emshwiller.)

“Keep Your Shape” by Robert Sheckley – Pid and his crew arrive on Earth to prepare for a mass invasion. All previous teams failed in their missions for unknown reasons. The Grom (a race of shape-shifters), conquer new worlds as a course of survival. The dangers of Alterationism and Shapelessness are at the forefront of Pid’s mind, but he’s determined to succeed where all other teams failed.

Sheckley does a good job with the Grom, who aren’t very close to humans but still have motives and ideas that I can understand. It’s a fun read.

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Heroic Fantasy Quarterly 33 Now Available

Heroic Fantasy Quarterly 33 Now Available

Heroic Fantasy Quarterly Q33

While I was strolling through the streets of my hometown of St. Charles, a mysterious traveler in black slipped me a tightly bound scroll. “Keep if safe,” he whispered. “And honor the pact of knowledge.” When I got home, I found it contained a copy of the latest issue of Heroic Fantasy Quarterly, plus a tasty-looking recipe for Canadian date squares. Looks like it’s my lucky week.

The latest issue of HFQ includes stories by Evan Dicken, Raphael Ordoñez, and Jason Carney, plus poetry from Andrew Crabtree, Kendall Evans, and Michael Tilbury. Here’s the complete TOC, with fiction links.

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New Treasures: Graphic Classics Volume 26: Vampire Classics

New Treasures: Graphic Classics Volume 26: Vampire Classics

Gothic Classics Graphic Classics Volume 14-small Graphic Classics Volume 23 Halloween Classics-small Graphic Classics Volume 26 Vampire Classics

I’ve been a huge fan of Tom Pomplun’s Graphic Classics comic anthologies for years, ever since I received a copy of the first one, Volume 1: Edgar Allan Poe, in 2001 (back when they were Rosebud Graphic Classics, a spin-off of Rosebud magazine). Some of my favorites are Volume 4: H. P. Lovecraft, Volume 14: Gothic Classics, and Volume 23: Halloween Classics (back cover here). But I hadn’t seen a new release in over three years, ever since Volume 25: Canine Feline Classics back in 2014. So imagine my surprise when I accidentally stumbled on a copy of Graphic Classics Volume 26: Vampire Classics, which snuck into bookstores on June 28. Here’s the description.

Vampire Classics features a unique adaptation of the 1922 silent film, Nosferatu. Plus a horror-western by “Conan” creator Robert E. Howard and Ray Bradbury’s “The Man Upstairs.” With “The Strange Orchid” by H.G. Wells, “Olalla” by Robert Louis Stevenson, and a short story by famed horror writer and co-editor Mort Castle.

Our previous coverage of Graphic Classics includes:

Graphic Classics Half-Price Sale
It’s Halloween Already with Graphic Classic’s Halloween Classics
Get Graphic Classics Volume 23: Halloween Classics for only $10 in October

Graphic Classics Volume 26: Vampire Classics was published by Eureka Productions on June 28, 2017. It is 144 pages, priced at $19.95. See all our recent Comics coverage here.

Amazing Stories, July 1964: A Retro-Review

Amazing Stories, July 1964: A Retro-Review

Amazing Stories July 1964-smallThis was the last issue edited by Cele Goldsmith — with the next issue she became Cele Lalli, after her marriage.

Ed Emshwiller contributes the cover this time, to my taste not one of his best. Interiors are by Virgil Finlay, George Schelling, and a couple I don’t recognized, identified in the magazine only by their last names: McLane and Blair. Norman Lobsenz’ editorial discusses the effects of space and alien environments on humans, and goes on to wonder how we can justify terraforming planets on which other species live. Ben Bova’s science article, “Operation Shirtsleeve,” then discusses exactly that — how to terraform other planets so that humans can live comfortably there (in “shirtsleeves”).

Robert Silverberg’s book review column, The Spectroscope, first takes on Edgar Rice Burroughs, both on his own (The Cave Girl) and via a slavish imitator (Otis Adelbert Kline, with Prince of Peril). Silverberg’s verdict: “unmitigated trash, subliterate claptrap barely worth the time of children.”

(My verdict, based on a very limited sample (ERB’s first novel, A Princess of Mars aka “Under the Moons of Mars“) is a bit more forgiving — claptrap and trash it may be, but it’s definitely mitigated — at least early in his career Burroughs offered an energetic glee that made him worth reading despite the silliness.)

Next he reviews a couple of collections by major writers — one is an SFWA Grand Master, the other died too young to be named a Grand Master but would certainly have been one eventually, and one of the very best. So: Silverberg finds James Gunn’s Future Imperfect somewhat disappointing next to the best of Gunn’s work; but he finds Sturgeon in Orbit surprisingly better: even though it features uncollected early ’50s stories it manages to surprise with some good stuff, particularly “The Incubi of Parallel X,” a wild piece full of cliches from Planet Stories in 1951 that Sturgeon redeemed with his panache. (I read that story in the Planet Stories issue it appeared in (not in 1951 though!) and I completely agree!)

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July/August 2017 Analog Now on Sale

July/August 2017 Analog Now on Sale

Analog July August 2017-smallI’ve been buying Analog Science Fiction and Fact for over 40 years. Remarkably little has changed in that time. It’s still a digest magazine. It still has interior art by Vincent Di Fate. And I still read “Probability Zero” first.

The July’August issue has a big novella by Martin L. Shoemaker, “Not Far Enough,” featuring the return of Captain Nick Aames, Carver, and Smith, who’ve previously appeared in the pages of Analog in “Murder on the Aldrin Express” (September 2013), “Brigas Nunca Mais” (March 2015), and “Racing to Mars,” (September 2015, winner of the Analog Award for Best Novella of the year). Here’s editor Trevor Qachari on the issue.

We kick off our July/August issue by checking in on Captain Nick Ames and his crew, last seen in “Racing to Mars,” September 2015, by Martin Shoemaker. When a routine mission goes off the rails, it’s more than just a matter of shipboard politics: lives are at stake, and people will die if they go too far, or “Not Far Enough.”

Then we have the kind of fact article that we only pull off all too rarely: H. G. Stratmann gives us a look at the science behind Stanley Schmidt’s story in this very issue, “The Final Nail.”

We also have fiction ranging from “Across the Streaming Sea,” an adventure that perfectly embodies Clarke’s Law, by Rob Chilson; to a story of the bond between a captain and his ship in Brian Trent’s “Galleon”; a follow-up to Maggie Clark’s “Seven Ways of Looking at the Sun-Worshippers of Yul-Katan,” in “Belly Up”; and an almost-could-have-happened-this-way tale of early space travel, “For All Mankind,” from C. Stuart Hardwick.

There’s also a slew of short pieces from such folks as Andrew Barton, Tom Easton, Tim McDaniel, Robert R. Chase, Ron Collins, Kyle Kirkland, Aubry Kae Andersen, Edward M. Lerner, Eve Warren, Holly Schofield, Uncle River, and Howard V. Hendrix, as well as an awesome array of compelling columns.

Although Trevor says “H. G. Stratmann gives us a look at the science behind Stanley Schmidt’s story in this very issue, ‘The Final Nail,'” don’t look too hard for Stan’s story. It actually appeared last issue.

The cover this issue is by Rado Javor. Here’s the complete Table of Contents.

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July/August Interzone Now on Sale

July/August Interzone Now on Sale

Interzone 271-smallThe July/August issue of Britain’s longest running science fiction and fantasy magazine has new fiction by Julie C. Day, Tim Casson, Michael Reid, Eliot Fintushel, Chris Barnham, and Andy Dudak, plus David Langford’s Ansible Link, film reviews by Nick Lowe; book reviews, and columns by Jonathan McCalmont and Nina Allan. Here’s Robert L Turner III, writing at Tangent Online.

Michael Reid’s “If Your Powers Fail you in a City Under Tin” is set in a future where magic has returned to the world after the God Beast tore a hole into this dimension. Jun, a portalist with control problems and a haunted past, starts to panic when his lover, Riel, disappears while fighting for the UN. As a week passes without word, Jun finally discovers how to control his abilities and makes an attempt to rescue Riel…

Eliot Fintushel creates a world in which people are partnered by genetic match in “Chubba Luna.” Sweeney, the protagonist, lives in a chaotic world where society has almost broken down and due to NPJ, Non-Punitive Justice, there are few consequences for any actions. He, Mo, Sheila Mo’s paired partner, and the Bartender gather together to argue, drink and decide what to do with their lives and partners…

“When I Close my Eyes” by Chris Barnham is the story of the first manned expedition to Titan. Darlo, one of the team, becomes trapped in an ice cave and has to make his way out while dealing with visions of his dead wife. When he discovers that there is life on the moon and that it seems to dislike his light he has to rely on faith in his hallucinations to save him. The story, an explorer facing a hostile environment is a common one, but Barnham does a good job of mixing the psychological elements to add depth to the piece…

Professor Turner’s complete review is here.

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July/August Magazine of Fantasy & Science Fiction Now on Sale

July/August Magazine of Fantasy & Science Fiction Now on Sale

Magazine of Fantasy and Science Fiction July August 2017-smallThe July/August F&SF features fiction by Gardner Dozois, William Ledbetter, Marissa Lingen, and many others. Here’s Victoria Silverwolf from Tangent Online with the lowdown.

Leading off the magazine is its only pure SF story, “In a Wide Sky, Hidden” by William Ledbetter. Human beings have explored many worlds throughout the galaxy by transmitting their minds into artificial bodies created at the point of arrival. The protagonist is one such explorer. As a child, his older sister, who designed vast, technologically sophisticated works of art, disappeared with a promise that she was going to create her masterpiece, and a request that her brother find her. Many years later, after journeying to multiple planets, he discovers what became of her. This a fine story, written with grace, clarity, and imagination. It balances sense of wonder with empathy for its characters.

Readers familiar with classic science fiction will recognize a tribute to Robert A. Heinlein’s 1941 story “—And He Built a Crooked House—” in “There Was a Crooked Man, He Flipped a Crooked House” by David Erik Nelson. Not only are the title and the theme of the story similar, but a minor character, mentioned only in passing, has the same name as a major character in Heinlein’s story. In modern Detroit two men who work for a fellow who buys abandoned properties in order to sell them at a vast profit are sent to examine his latest acquisition. It turns out to be a beautiful old mansion in immaculate condition, despite the fact that it is located in one of the worst places in the city. The moment the narrator enters the front door he winds up in the back yard. Other dimensional paradoxes abound. Once a way into the house is discovered, things take a darker turn…

Read Victoria’s complete review here.

Here’s the complete Table of Contents.

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