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Birthday Reviews: Henry Kuttner’s “Ghost”

Birthday Reviews: Henry Kuttner’s “Ghost”

Cover by William Timmins
Cover by William Timmins

Henry Kuttner was born on April 7, 1914 and died on February 4, 1958. From 1940 until his death in 1958, he was married to science fiction author C.L. Moore. The two had their own careers and also collaborated, although they claimed that they each worked on all of the other one’s stories, sitting down and continuing whatever was in the typewriter at the time. Kuttner (or Moore/Kuttner) also used the pseudonyms Lawrence O’Donnell, C.H. Liddell, and Lewis Padgett.

In 1956, their collaboration “Home There’s No Returning” was nominated for the Hugo for Best Novelette and Kuttner was nominated for two Retro Hugos in 2014 for his novelette “Hollywood on the Moon” and the novella “The Time Trap.”  In 2004, he and Moore were named the Cordwainer Smith Rediscovery Award recipients.

“Ghost” was first published in Astounding Science Fiction in May 1943, edited by John W. Campbell, Jr. and credited only to Kuttner. Kuttner reprinted it a decade later in his collection Ahead of Time. In 2005, it appeared in the Centipede Press collection Two-Handed Engine. The story has been translated into French, where it was credited to Kuttner and Moore, as well as Italian, where it was only credited to Kuttner.

In “Ghost,” Kuttner attempts to do quite a bit, which means that he only succeeds at some of it. The story is about a modern ghost, perhaps the first real ghost in history, haunting a research facility in Antarctica. Elton Ford has been sent down to investigate what is causing the men assigned to the base to go insane. Ford arrives to find the base’s sole caretaker Larry Crockett. The main lesson of the story, given the set up, is that perhaps having a single man in an isolated research base might not be the best idea, although we see it even in the present day in films such as Moon. That, however, is not where Kuttner takes his story.

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Birthday Review: Sonya Dorman’s “When I Was Miss Dow”

Birthday Review: Sonya Dorman’s “When I Was Miss Dow”

Cover by Gray Morrow
Cover by Gray Morrow

Sonya Dorman was born on April 6, 1924 and died on February 14, 2005. She occasionally published as Sonya Dorman Hess or Sonya Hess and had a career as a poet independent of her career in science fiction.

Dorman received a Rhysling Award in 1978 for her poem “Corruption of Metals.” Her story “When I Was Miss Dow” was nominated for a retrospective James Tiptree, Jr. Award in 1995.

“When I Was Miss Dow” was first published by Frederik Pohl in the June 1966 issue of Galaxy Magazine and it made the initial Nebula ballot the next year. Brian W. Aldiss and Harry Harrison included the story in Nebula Award Stories 1967.  It was also reprinted in the British edition of Galaxy in January 1967. Judith Merril included it in SF 12 and Pamela Sargent reprinted it in Women of Wonder. The story appears in The Norton Book of Science Fiction, edited by Ursula K. Le Guin and Brian Attebery. Ellen Datlow published it on-line in Sci Fiction on May 21, 2003. Many of the volumes that reprinted the story have gone by multiple titles.

Martha Dow is serving as a research assistant to Dr. Arnold Proctor on a colony planet. Although Martha looks and acts like a human woman, she is actually one of the indigenous species, a protean, who can change its shape at will. The proteans have adopted human form to better interact with the colonizers. While most of them take on the form for short periods of time, Martha has been forced to retain her human shape indefinitely, causing her to blur the distinctions between her natural self and the persona she has adopted.

As with many high concept stories, “When I Was Miss Dow” could benefit from being fleshed out more and giving an examination of the culture and world Dorman has created, but the focus of the piece, on how form impacts psychology and the male-female interaction, is strong. The humans have brought only men to the planet and the Proteans, who do not have gender the way humans think of it, fill the gap, although it would have been nice to see the humans have more curiosity about the situation.

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Birthday Reviews: Robert Bloch’s “The Fane of the Black Pharoah”

Birthday Reviews: Robert Bloch’s “The Fane of the Black Pharoah”

Weird Tales December 1937-small Weird Tales December 1937-back-small

Cover by Virgil Finlay

Robert Bloch was born on April 5, 1917 and died on September 23, 1994.

His short story “That Hell-Bound Train” won the Hugo Award in 1959, and he won the Bram Stoker Award for his non-fiction book Once Around the Bloch: An Unauthorized Autobiography, for his collection The Early Fears, and his novelette “The Scent of Vinegar.” His screenplay for the film Psycho, based on his novel, received the Edgar Allan Poe Award.

Bloch was the Guest of Honor for each of the three Toronto Worldcons, Torcon I in 1948, Torcon II in 1973, and posthumously for Torcon 3 in 2003. He also received a Special Worldcon Committee Award in 1984. Bloch was named a Grandmaster by the World Horror Con and received a Lifetime Achievement Award at the World Fantasy Convention. He has also received the Big Heart Award, the First Fandom Hall of Fame Award, and a Forry Award.

“The Fane of the Black Pharoah” was first published in Weird Tales in the December 1937 issue, edited by Farnsworth Wright. Donald Wollheim reprinted it a decade later in the Avon Fantasy Reader, No. 5, 1947 and Bloch included it in his Lovecraftian collection Mysteries of the Worm. Robert M. Price included it in two Lovecraft anthologies: Tales of the Lovecraft Mythos, from Fedogan & Bremer, and The Nyarlathotep Cycle: The God of a Thousand Forms, from Chaosium. In 1983 it was translated into French.

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Birthday Reviews: Stanley G. Weinbaum’s “The Worlds of If”

Birthday Reviews: Stanley G. Weinbaum’s “The Worlds of If”

Wonder Stories August 1935-small Wonder Stories August 1935-back-small

Cover by Frank R. Paul

Stanley G. Weinbaum was born on April 4, 1902 and died of lung cancer on December 14, 1935, only 17 months after publishing his first story. During that time, he made an indelible mark on the field. Weinbaum Crater on Mars is named in his honor and in 2008, he received the Cordwainer Smith Rediscovery Award.

Weinbaum’s “The Worlds of If” was first published in the August 1935 issue of Wonder Stories, edited by Hugo Gernsback. Following Weinbaum’s death, it was included in Dawn of Flame: The Weinbaum Memorial Volume. Mort Weisinger reprinted the story in the March 1941 issue of Startling Stories and it was included in issue 1 of Fantasy, edited by Walter Gillings.

When Fantasy Press published A Martian Odyssey and Others, a collection of Weinbaum’s stories, “The Worlds of If” was included. Robert Silverberg selected it for Other Dimensions: Ten Stories of Science Fiction. Julie Davis included it in Science Fiction Monthly, in the July 1975 issue of the paperback series. When Ballantine published The Best of Stanley Weinbaum, the story was reprinted again.

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Beyond Fantasy Fiction, May and July, 1954: A Pair of Retro-Reviews

Beyond Fantasy Fiction, May and July, 1954: A Pair of Retro-Reviews

Beyond Fantasy Fiction May 1954-small Beyond Fantasy Fiction July 1954-small

Most long-time SF fans are aware of the early ’40s fantasy magazine Unknown, edited by John Campbell as a companion to Astounding, and famous for encouraging a sort of “rational” fantasy. Much less well-known is the early 50s magazine Beyond, conceived by H. L. Gold as a fantasy companion to Galaxy. I recently read a couple of issues. I found interesting the degree to which they seem to be a sort of fantasy Galaxy-analogue in a way similar to the way Unknown was a fantasy Astounding-analogue. (That last pun definitely intended.)

Basically, I see the early 50s Galaxy as focusing on near-contemporary SFnal extrapolation, with typical “women’s magazine” characters (stereotypical housewives, stereotypical middle managers, etc.) dealing with mildly futuristic concepts. That’s an exaggeration, of course, and rather a caricature, but still I think it is true of at least a good portion of the early Galaxy. And in Beyond we see the same sort of characters, in almost exclusively contemporary situations, dealing with mildly fantastical concepts: genies, the devil, witches, wishes granted with undesirable side-effects, etc. I suppose another categorization might be “low-grade John Collier imitations.”

Each issue opens with a novella, and features a novelette or two and a few short stories. In longstanding Galaxy tradition, the dividing line between short story and novelette is pretty low — about 6000 words maybe, and one of the two novellas is about 16,000 words. Still, there was certainly no formal definition then, so who could complain? At least they didn’t label 10,000 word stories “Complete Novels.”

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Birthday Reviews: Colin Kapp’s “Ambassador to Verdammt”

Birthday Reviews: Colin Kapp’s “Ambassador to Verdammt”

Analog Science Fiction April 1967-small Analog Science Fiction April 1967-back-small

Cover by John Schoenherr

Colin Kapp was born on April 3, 1928 and died on August 3, 2007.

Kapp was the author of the Cageworld series as well as a series of short stories featuring the unorthodox engineers. Capp’s first short story “Life Plan” appeared in New Worlds in 1958 and his first novel, The Dark Mind, was published in 1964, although serialized the year before.

“Ambassador to Verdammt”  was first published by John W. Campbell, Jr. in Analog Science Fiction/Science Fact in April 1967. It was picked up by Donald A. Wollheim and Terry Carr for inclusion in World’s Best Science Fiction 1968. The story was also included in a 2013 collection edited by John Pelan, The Cloudbusters and Other Marvels. It was translated in 1972 for an Italian edition of the Wollheim and Carr. It was included in Science Fiction Stories 33 from German publisher Ullstein.

Kapp focuses on the struggle between the military and the bureaucracy in “Ambassador to Verdammt.” A bureaucrat is preparing a planet for the arrival of its first human ambassador. Lieutenant Sinclair is opposed to building a landing pad for a faster than light ship on the planet Verdammt, especially when he learns it is so an ambassador can be brought to the planet, which is noted as having no sentient species. Orders are orders, however, and he does the work, even while clashing with Administrator Prellen and psychologist Anton Wald.

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Birthday Reviews: Joan D. Vinge’s “Eyes of Amber”

Birthday Reviews: Joan D. Vinge’s “Eyes of Amber”

Cover by John Schoenherr
Cover by John Schoenherr

Joan D. Vinge was born on April 2, 1948.

Vinge was nominated for the John W. Campbell Award for Best New Writer in 1976. She won a Hugo Award in 1978 for her novelette “Eyes of Amber” and a second Hugo in 1981 for the novel The Snow Queen, which was also nominated for a Nebula Award, Ditmar Award, and the coveted Balrog Award. The sequel to The Snow Queen, The Summer Queen, was also nominated for the Hugo Award.

“Eyes of Amber” originally appeared in Analog Science Fiction/Science Fact’s June 1977 issue, edited by Stanley Schmidt. The next year,  not only did Donald A. Wollheim and Arthur W. Saha include the story in The 1978 Annual World’s Best SF, but Pamela Sargent selected it for her The New Women of Wonder anthology.  Vinge named her 1979 collection Eyes of Amber and Other Stories. In 1982, Schmidt reprinted the story in Analog Anthology #2: Readers’ Choice. It appeared in The Hugo Winners: Volume 4, edited by Isaac Asimov who also included it in the anthology The Dark Void. Over the years, the story has been translated into Dutch (twice), French, German (twice), Italian (twice), Hungarian, and Polish.

The opening of “Eyes of Amber” has a distinct fantasy feel, describing an apparently feudal society in which T’uupieh has been dispossessed of her estate. Turned assassin, he is offered a chance of some level of vengeance if she will kill the current estate owner and his family, which includes her sister. As soon as Vinge sets this situation up, however, she subverts the reader’s expectations by revealing that T’uupieh’s society is on Saturn’s moon Titan and she is being watched remotely by humans on Earth who are studying her society and language.

The primary linguist onEearth is musician turned scientist Shannon Wyler, whose attempts to make his own life away from the expectations of his scientist parents have only been partially successful. Wyler’s musical background helps him in his attempts to communicate with the race through a device which T’uupieh carries and believes to be a demon who has chosen her.

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Birthday Reviews: Samuel R. Delany’s “High Weir”

Birthday Reviews: Samuel R. Delany’s “High Weir”

Cover by Douglas Chaffee
Cover by Douglas Chaffee

Samuel R. Delany was born on April 1, 1942.

Delany won back-to-back Nebula Awards for Best Novel for Babel-17 and The Einstein Intersection. The second year also saw him winning a Nebula for Best Short Story for “Aye, and Gomorrah.” In 1970, his novelette “Time Considered as a Helix of Semi-Precious Stones” won both the Hugo and the Nebula Award and he won a second Hugo for The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, 1957-1965.

His novel Dhalgren received a Gaylactic Spectrum Hall of Fame Award and he received a Lambda Lifetime Achievement Award and a Pilgrim Award. Delany was the Guest of Honor at Intersection, the 1995 Worldcon. He was inducted into the Science Fiction Hall of Fame in 2002, received the Eaton Award in 2010, and in 2014 was named a SFWA Grand Master.

“High Weir” was first published in If by Frederik Pohl in the October 1968 issue. Delany included it in his collection Driftglass and Robert Hoskins reprinted it in the anthology Wondermakers 2. Brian Attebery and Ursula K. Le Guin selected the story for the collection The Norton Book of Science Fiction: American Science Fiction, 1960-1990 and Ellen Datlow published it on Sci Fiction on May 7, 2003. Delany included it in his 2013 collection Aye, and Gomorrah. The story was translated into French in 1970 for inclusion in Galaxie #76 and into German in 1982 when Delany’s Driftglass was published as Treibglas.

“High Weir” features a team of scientists and academics exploring a dead Mars and a ruin that indicates a high level of ancient Martian civilization. The story is told from Rimkin’s point of view. As the team linguist, there is little for him to do since the Martians did not appear to have any sort of written language. Furthermore, Rimkin exhibits signs that would now be recognized as autistic. He is a brilliant linguist, but his interpersonal skills are completely lacking to the point where he can’t identify his teammates when they are in their space suits, nor can he distinguish between their voices on the radio. Part of the team, he is entirely separate from it.

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The Late March Fantasy Magazine Rack

The Late March Fantasy Magazine Rack

Apex Magazine March 2018-small Broadswords and Blasters 4 Winter 2018-small Cirsova 7-small Gathering Storm magazine 7-small
Lightspeed March 2018-small Clarkesworld March 2018-small Locus March 2018-small Tales-From-the-Magicians-Skull-small

The big magazine news in March is the arrival of the first issue of the most exciting new adventure fantasy periodical in years — Tales From the Magician’s Skull, edited by our very own Howard Andrew Jones and packed with writers and characters familiar to readers of Black Gate, including a brand new Morlock tale by James Enge, a Gaunt and Bone story from Chris Willrich, a graveyard fable from John C. Hocking, “There Was an Old Fat Spider” by C. L. Werner, the start of a brand new fantasy series from Howard Andrew Jones, a tale of wharf pirates and deep-sea creatures from Bill Ward, and the story of a sorcerous tyrant by Aeryn Rudel — all under a beautiful cover by Jim Pavelec.

TFtSK isn’t the only magazine worth reading in March. Far from it. Locus has an excellent tribute to the great Ursula K. Le Guin, and the regular crop of fiction mags include brand new stories from Kij Johnson, Juliette Wade, Xiu Xinyu, E. Lily Yu, Rachel Harrison, Cassandra Khaw (twice!), Adrian Cole, Bryan Camp, Ken Liu, and lots more.

Here’s the complete list of magazines that won my attention in late March (links will bring you to magazine websites).

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Birthday Reviews: Alaya Dawn Johnson’s “Far and Deep”

Birthday Reviews: Alaya Dawn Johnson’s “Far and Deep”

Cover by Adam Tredowski
Cover by Adam Tredowski

Alaya Dawn Johnson was born on March 31, 1982. She began publishing in 2005 with her story “Shard of Glass.” Her first novel, Racing the Dark, appeared in 2007. She was a Guest of Honor at Wiscon in 2015 and the convention published the guest of honor book, Metamorphosis, containing works and interviews with Johnson and her co-guest of honor Kim Stanley Robinson.

In 2015 Johnson won the Nebula Award for Best Novelette for “A Guide to the Fruits of Hawai’i” and the same evening won the Andre Norton Award for Best Young Adult Novel for Love Is the Drug. The year before, she also had nominated work in each of those categories. Johnson’s fiction has been nominated for the James Tiptree, Jr. Memorial Award, the Theodore Sturgeon Memorial Award, and the Carl Brandon Award.

“Far & Deep” was published in the March-April 2009 issue of Interzone, edited by Andy Cox, Andy Hedgecock, and David Mathew. It has not been reprinted.

The story is set on an unnamed Polynesian island and opens with Leilani discovering that her mother, Pineki, has been murdered. In her mourning, Leilani approaches the Council of Elders, of which her mother was a member, and is told that she will be denied a traditional funeral because of unspecified crimes she had committed.

It is clear that Pineki was not well liked on the island, although she didn’t care. Leilani must not only come to terms with her mother’s death, but also the way the other islanders perceived Pineki. In the few thousand words Johnson uses to tell the story, she manages to briefly tackle the questions of people who commit taboo behavior in a small community, the sense of filial love and duty, and the need for individuality in a society which demands at least of modicum of conformity. Despite Pineki’s position on the Council, she was seen as an outsider by the Council, who viewed her murder as the opportunity to get rid of a problem, rather than a crime that should be explored and punished. Leilani, who lost her parent, challenges the Council, an act worthy of her mother.

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