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The Golden Age of Science Fiction: “Build Your Own A-Bomb and Wake Up the Neighborhood,” by George W. Harper

The Golden Age of Science Fiction: “Build Your Own A-Bomb and Wake Up the Neighborhood,” by George W. Harper

Cover by John Sanchez
Cover by John Sanchez

The Analog Award was launched in 1979 for works published in the magazine in the preceding year. The Science Fact category is one of the original categories, although it is now called Best Article. The award has been given every year. The first award, presented in 1979, was presented to Joe Haldeman for his article “This Space for Rent.” In 1980, the award was won by George W. Harper for the lengthy article “Build Your Own A-Bomb and Wake Up the Neighborhood,” which appeared in the April, 1979 issue.

Looking at George W. Harper’s “Build Your Own A-Bomb and Wake Up the Neighborhood” from a distance of 40 years makes the article, which is a mix of light-heartedness and earnest description of the way an atomic bomb can be built seem a bit off. Partly, that is because of the different political situation four decades can bring about.

In the late 1970s, the thought that the world might perish in a nuclear holocaust, either brought about by conflict between the great world powers or because a terrorist organization acquired a nuclear bomb, seemed like the way to bet. In the beginning of his article, Harper even refers to a college student who was afraid he would be kidnapped by terrorists for his knowledge of nuclear physics. Harper also mentioned an episode of the sitcom Barney Miller which treated the possibility of a college student building an atomic bomb as a realistic scenario.

Harper sets out in the article to describe how easy it would be to build an atomic bomb under either of the scenarios he references. While he does go into some depth, he does so with a satirical vibe, indicating that none of the “simple” steps that need be followed are actually simple.

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Hither Came Conan: Steven H. Silver on “Man-Eaters of Zamboula”

Hither Came Conan: Steven H. Silver on “Man-Eaters of Zamboula”

Of course, that's a Margaret Brundage cover
Of course, that’s a Margaret Brundage cover

Why “Man-Eaters of Zamboula” Is the Best Conan Story of All Time, with the Possible  Exception of “Shadows of Zamboula,” which Is the Same Story, So It Really Is the Best of All Time

“Man-Eaters of Zamboula” is, without a doubt, the best, and most quintessential story about Conan the Barbarian written by Robert E. Howard.  And since stories by other authors don’t count (with one exception noted below), that means that “Man-Eaters of Zamboula” is the absolute best Conan the Barbarian story ever written.  I suppose a case could be made that “Shadows of Zamboula” is a better Conan the Barbarian story, but since the only difference between those two stories is the replacement of the phrase “Man-Eaters” with “Shadows,” I’d be willing to concede the point.

Howard first published “Man-Eaters of Zamboula” in the November 1935 issue of Weird Tales, where Margaret Brundage provided a lurid piece of cover art showing Zibibi naked and standing between four cobras preparing to strike, an image taken directly from the story’s climax.

The story has everything: a mysterious stranger giving Conan an enigmatic warning, which the Cimmerian completely ignores, a power struggle between a mad priest and a distant satrap and his power-behind the throne wife, mystical potions, star-crossed lovers, beautiful (naked) women, the one man who can give Conan a physical challenge, snakes, cannibals, revenge, a precious gemstone.  You can practically see the over-the-top movie trailer proclaiming the various elements of Conan’s day in Zamboula, because all of that action takes place in a single day and night.

In the beginning, the story opens with Conan, bereft of all his possessions save the clothes he is wearing and his massive sword,  walking through the Zamboulan suq. A Zuagir tribesman sidles up to Conan and warns him not to go to stay in the House of Aram Baksh because anyone who stays at the inn who isn’t a native Zamboulan winds up disappearing.  Although Aram Baksh claims they’ve all left town, many of their possessions wind up being sold in the suq.  The tribesman does not give a reason why a Zamboulan would spend the night at Aram Baksh’s, but the important part of the message is that Conan, under no circumstances whatsoever, should spend the night at the House of Aram Baksh.

Naturally, Conan immediately heads to the House of Aram Baksh to spend the night because it is inexpensive, located at the edge of the city, surrounded by a wall, and he has been told that staying there is a phenomenally bad idea. He also has already paid Aram Baksh for his night’s lodging even before getting the warning.

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Ancient Astronauts, the Thing in the Pond, and the Cobweb Queen: The Weirdbook Annual #2: Cthulhu

Ancient Astronauts, the Thing in the Pond, and the Cobweb Queen: The Weirdbook Annual #2: Cthulhu

Weirdbook Annual 2 Cthulhu-smallWeirdbook‘s editor Doug Draa explains the rationale behind the magazine’s new line of Annuals in his editorial this issue.

We here at Weirdbook decided to do a yearly themed fifth issue. An annual if you will.

Last year’s theme was “Witches” and it turned out to be one of our most popular issues to date. After much soul searching it was decided that this year’s theme would be the ever popular “Cthulhu Mythos”… even after more than 9 decades, Mr. Lovecraft’s literary universe still continues to fire the imaginations of both writers and readers alike. It’s not an overstatement to say that Mr. Lovecraft’s fans and those of his Mythos are truly legion and beyond numbering.

I think that you, the reader will find this a highly enjoyable issue full of eldritch, unspeakable, and nameless horrors. I decided that this issue should contain stories by the finest of Weirdbook‘s regular contributors. This list includes such luminaries as Lucy A. Snyder, Ann K. Schwader, Leanna Falconer, Cynthia Ward, Darrell Schweitzer, Adrian Cole, and John R. Fultz to name just a few. I’m also very proud to have a brand new story from Mr. Robert M. Price which marks his very first appearance in this incarnation of Weirdbook! I can honestly call this Weirdbook‘s very first All Star Issue!

That’s an impressive list of contributors, and it includes at least two names well known to our readers: John R. Fultz, who published four stories in Black Gate, and Darrell Schweitzer, who appeared in BG 3 and BG 15.

Here’s the complete Table of Contents for the Weirdbook Annual #2: Cthulhu.

Short Stories

“The Shining Trapezohedron,” by Robert M. Price
“A Noble Endeavor,” by Lucy A. Snyder
“Ancient Astronauts,” by Cynthia Ward
“The Thing in the Pond,” by John R. Fultz

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The Golden Age of Science Fiction: The 1973 Locus Award for Best Fanzine: Locus

The Golden Age of Science Fiction: The 1973 Locus Award for Best Fanzine: Locus

Locus magazine lot 3-small

Steven Silver has been doing a series covering the award winners from his age 12 year, and Steven has credited me for (indirectly) suggesting this, when I quoted Peter Graham’s statement “The Golden Age of Science Fiction” is 12, in the “comment section” to the entry on 1973 in Jo Walton’s wonderful book An Informal History of the Hugos. You see, I was 12 in 1972, so the awards for 1973 were the awards for my personal Golden Age. And Steven suggested that much as he is covering awards for 1980, I might cover awards for 1973 here in Black Gate.

In discussing this award I must begin with the obvious disclaimer – I write a regular column for Locus, and have done so since 2002. As such I am, I freely acknowledge, prejudiced in favor of the magazine. And I remember the thrill it was, sitting in the audience at the Hugo ceremonies, to hear my name mentioned by Liza Groen Trombi, the current editor, when she accepted our final Hugo for Best Semiprozine in Chicago in 2012 (coincidentally the final Hugo that Locus would receive, as rules changes made us ineligible in that category.) (Side personal note – I was sitting with Alec Nevala-Lee at that award ceremony – and Alec this year is nominated for a Hugo for Best Related Book for his exceptional biography Astounding.)

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Wordsmiths: An Interview with Diane Walton of On Spec Magazine

Wordsmiths: An Interview with Diane Walton of On Spec Magazine

downloadAs promised, readers, I’ve got a few more interviews coming down the pipe this year with writers and editors in the SFF community. Recently I had the opportunity to chat via email with Diane Walton, managing editor of On Spec Magazine, after meeting her in person at Can*Con. Had a blast digging into her past and the history of the magazine. Check it out below!


Brandon: This is going to sound like a slightly generic question to start, but it genuinely interests me. What first got you into science fiction and fantasy? Was there a particular work or author that hooked your interest, and when was that?

Diane: It sort of began in Grade 7. The kids in my class all seemed to be voracious readers — the girls had their Nancy Drew and Trixie Belden and Dana Girls mysteries, while the boys had Hardy Boys and Tom Swift. At a certain point, we just naturally began to trade books, to get a fresh supply. So I kind of started reading SF with Tom Swift by default.

Interestingly enough, at that time, there was no stigma of the “these are ‘boy books’ and those are ‘girl books'” kind. We were equal opportunity readers.

The following year when I was 13, my family moved to a new community, the charming city of Belleville, ON.  My dad and I both took out library cards at the branch down the street from our house, and made a once a week jaunt to get the 8 books we were each allowed.

I can’t recall precisely when it happened, but one day I was bored with the “girl and her horse” stories, and so I curiously picked up a book with a rocket ship on the cover. The author was Andre Norton, and the book was called The Stars Are Ours!

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Hither Came Conan: Keith West on “Beyond the Black River”

Hither Came Conan: Keith West on “Beyond the Black River”

Gregory Manchess for Del Rey's 'The Conquering Sword of Conan'
Gregory Manchess for Del Rey’s ‘The Conquering Sword of Conan’

Welcome back to the latest installment of Hither Came Conan, where a leading Robert E. Howard expert examines one of the original Conan stories each week, highlighting what’s best. Keith West (love his Adventures Fantastic blog) landed one of my favorites, “Beyond the Black River.”

I. Introduction

“Beyond the Black River” is the best Conan story. There are several reasons why.  First, there is plenty of action.  It’s well choreographed and the pacing is superb.  Unlike some of the Conan stories, which are simply adventures stories (not that there’s anything wrong with simple adventure stories), this one contains quite a bit of philosophizing.  Finally, the structure of the story is such that not only do we see Conan through the eyes of the supporting cast, Howard gives us enough information to place the Conan of this story in the context of the rest of the stories. We’ll look at each of these strengths. And just so you know, there will be spoilers.

 

II. The Action

The story opens with a young man named Balthus heading through the region known as Conajohara towards a fort on the Black River.  He’s not sure if he wants to join the garrison there as a recruit or try to clear some land and build a cabin. Although a competent woodsman by the standards of the Bossonian Marches, he’s out of his league in the wilderness, as he soon learns. Conan saves his life from a Pict who’s been watching him.

Balthus was completely unaware of both Conan and the Pict. On their way back to the fort, they come across the headless body of a merchant. Hearing something in the forest, Conan throws his ax at it but misses. Conan tells Balthus that the commander of the fort had recently imprisoned a Pict sorcerer named Zogar Sag who had stolen some liquor and drank enough that he passed out before he made it back across the Black River. They should have either killed him or let him go with gifts since imprisoning a Pict is a mortal insult.

Now Zogar Sag has summoned some type of demon. It has been killing men one by one and removing their heads. Conan and Balthus reach the fort and learn that Zogar Sag has managed to unite the quarreling Pict into a massive army. He plans to wipe out all the Aquilonian settlements from the Black River all the way back to Thunder River and beyond. Conan leads a small group across the Black River to reconnoiter.  All but Conan and Balthus are wiped out.

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The Golden Age of Science Fiction: Titan, by John Varley

The Golden Age of Science Fiction: Titan, by John Varley

Cover by Paul Lehr
Cover by Paul Lehr

Cover by Anthony Russo
Cover by Anthony Russo

Cover by Ron Walotsky
Cover by Ron Walotsky

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Publisher Award dates back to 1972, although in 1975 and 1976 the Publisher Award was split into paperback and hardcover categories. Ballantine Books won the award each year from its inception through 1977 (winning the paperback for the two experimental years with the Science Fiction Book Club winning the hardcover award). In 1978, when Del Rey was established as an imprint of Ballantine, Ballantine/Del Rey began winning the award. The award was not presented in 1979 for works published in 1978, but when it was reinstituted in 1980, Ballantine/Del Rey picked up its winning streak. In 1980. The Locus Poll received 854 responses.

Titan belongs to the subgenre of science fiction that Roz Kaveny described as “Big Dumb Objects,” or BDO, in her 1981 essay “Science Fiction in the 1970s.” As such, the novel is reminiscent of some of the earlier examples of that genre, such as Larry Niven’s Ringworld or Arthur C. Clarke’s Rendezvous with Rama. As with those earlier novels, a group of explorers, in this case human astronauts, find themselves exploring a massive artifact in space, often traveling into the interior of the world, as if they were space-faring European explorers delving into nineteenth century Africa.

In Titan, the BDO is referred to initially as Themis, and later as Gaea. The explorers are a band of human astronauts assigned to the Ringmaster: Captain Cirocco “Rocky” Jones and her group of six, split evenly between men and women. On a trip to explore Saturn’s moons and rings, they discover a strange object and immediately change their mission profile to explore it. As they close in on the object, their ship is grasped and pulled in. The crew awakens, widely separated with various levels of amnesia. Although Rocky manages to reconnect with four members of her crew, two of them, August, whose twin sister April is missing, and Calvin, who has managed to acquire a magical understanding of the world and creatures in it, go off to make their own way while Rocky, Bill, and Gaby begin their own exploration with only the knowledge imparted to them by the now absent Calvin to guide them.

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The Golden Age of Science Fiction: Omni

The Golden Age of Science Fiction: Omni

Cover by De Es Schwertberger
Cover by De Es Schwertberger

Cover by Pete Turner
Cover by Pete Turner

Cover by Ernst Fuchs
Cover by Ernst Fuchs

The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won the award. The final awards were presented in 1985. The Best Professional Publication Balrog was presented each year from 1979 to 1985. Won by either Omni or F&SF from its second year to its sixth year, it was won by the book Age of Dreams, and art book by Alicia Austin in its first and J.N. Williamson’s anthology Masques in its last year.

1979 was Omni magazine’s first full year of publication. The magazine had been founded in 1978 by Bob Guccione, best known as the publisher of Penthouse, and Kathy Keeton. Omni, with a focus on science, science fiction, and the paranormal was a glossy magazine that acquired some level of prestige, in part because Guccione was able to hire Analog editor Ben Bova to co-edit the magazine, along with Frank Kendig. Keeton described the magazine as exploring “all realms of science and the paranormal, that delved into all corners of the unknown and projected some of those discoveries into fiction.””

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The Golden Age of Science Fiction: Fantasy Tales

The Golden Age of Science Fiction: Fantasy Tales

Cover by Jim Pitts
Cover by Jim Pitts

Cover by David Lloyd
Cover by David Lloyd

In 1972, the British Fantasy Society began giving out the August Derleth Fantasy Awards for best novel as voted on by their members. In 1976. The name of the awards was changed to the British Fantasy Award, although the August Derleth Award was still the name for the Best Novel Award. A category for Best Small Press was created in 1977 and has continue to be awarded, although it is now given for Independent Press. The award’s first winner was John Martin for Andurile and it was won from 1978-1987 by Stephen Jones and David Sutton for Fantasy Tales with the exceptions of 1981, 1984, and 1985. A re-alignment of the awards in 2012 means the awards are now selected by a jury rather than the full membership of the British Fantasy Society. In 1980, the awards were presented at Fantasycon VI in Birmingham.

Fantasy Tales was a small press magazine published by Stephen Jones and David A. Sutton. The first issue was published in Summer 1977 and the magazine ran for a decade, until Summer 1987, at which time it was relaunched as a professional magazine. Jones and Sutton published 17 issues as, essentially a fanzine, before publication was taken over by Robinson Publishing Ltd, which published an additional 7 issues between 1988 and 1991.

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Hither Came Conan: Scott Oden on “The Devil In Iron”

Hither Came Conan: Scott Oden on “The Devil In Iron”

Boris Vallejo for 'Conan the Wanderer'
Boris Vallejo for ‘Conan the Wanderer’

There is a weird synchronicity at work, here, Gentle Readers.  Between the time when Bob Byrne solicited a few of us for this series and him handing out our story assignments, I wrote a Conan novella for Marvel (currently being serialized in the pages of the renewed Savage Sword of Conan, over a span of twelve issues).  Specifically, it is a sequel to Robert E. Howard’s “The Devil in Iron”.  Then, a few days later, I received my randomly selected story assignment from the good Mr. Byrne.  My story?  “The Devil in Iron.”  Thus, the gods have spoken . . .

“The Devil in Iron” marked Howard’s return to the Hyborian Age after an absence of about six months.  Written in the autumn of 1933, it employs a technique common to pulp-era writers in that Howard cannibalized plot elements of his own previous stories – the eerie resurrected villain á la “Black Colossus” (also used in The Hour of the Dragon); the greenish stone ruins from “Xuthal of the Dusk” (AKA, “The Slithering Shadow”); the sentient iron statues from “Iron Shadows in the Moonlight”; and even stylistic echoes from “Queen of the Black Coast.”

Howard sent the story off to Farnsworth Wright at Weird Tales, who accepted it for publication on December 14, 1933.  It appeared in the August 1934 issue.  The story was lurid enough to take top billing, with Margaret Brundage providing one of her signature covers – this one depicting a rather anemic-looking Conan against a black background, struggling in the grips of a giant serpent while a gauzily-clad woman swooned at his feet.  Hugh Rankin illustrated the story itself.

It is a fairly straightforward tale, if a bit formulaic.  According to both Patrice Louinet and Howard Andrew Jones, who are scholars of Howard and his sources, it’s one of the few stories of the Conan canon that displays the clear and overt influence author Harold Lamb had over Howard.

Lamb wrote primarily for Adventure, his tales of Cossacks and crusaders fitting nicely with the works of Talbot Mundy, Rafael Sabatini, Arthur Gilchrist Brodeur and Farnham Bishop, and Arthur D. Howden-Smith.  These were Robert Howard’s inspirations – writers of what we’d call today pure historical fiction.  REH wrote what he knew he could sell, or what he believed had a good chance of selling; though he’d rather have spent his days writing the kinds of tales he loved from Adventure, it was proving a difficult market to break into. But, he knew by adding a splash of the Weird to the same rollicking adventure yarns, Weird Tales’ editor Farnsworth Wright would more than likely buy it.

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