Black Gate

November/December 2021 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and The Magazine
of Fantasy & Science Fiction. Cover art by Maurizio Manzieri, Shutterstock, and Maurizio Manzieri (again)

The November/December print magazines have an impressive list of contributors, including Jack McDevitt, Nalo Hopkinson, Robert Reed, Eleanor Arnason, David Gerrold, Megan Lindholm, Bill Pronzini & Barry N. Malzberg, Jack Skillingstead, Sandra McDonald, Sheila Finch, R. Garcia y Robertson, Ray Nayler, Gregory Feeley, Shane Tourtellotte, Alice Towey, and many others.

Sam Tomaino at SFRevu has been covering science fiction magazines for over a decade. Here’s a few of his thoughts on the latest Analog.

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Galaxy Science Fiction, December 1954. Cover by Emsh

At the time I’m writing this article, we’re approaching the holiday season, just as people were when Galaxy’s December, 1954 issue arrived. And what could usher in the Yuletide spirit better than some festive, science-fiction artwork by Ed Emshwiller? That’s right. Nothing.

“Skulking Permit” by Robert Sheckley – The colony on the forested planet of New Delaware has been isolated from Earth for 200 years. It operates as a peaceful, small town, where the residents are harmonious, and crime doesn’t exist. When their ancient radio becomes active again, a person from Earth tells the mayor that an inspector is coming in two weeks to determine if the colony conforms to the “customs, institutions, and traditions of Earth.” The mayor takes action, determined to uphold those customs, institutions, and traditions. The colony builds a schoolhouse, a church, and a jail. And the mayor assigns new roles to people, such as Postman and Police Chief.

Tom Fisher wants to enjoy his vacation, but the mayor assigns Tom an important role – the Criminal.

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September/October 2021 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and The Magazine
of Fantasy & Science Fiction. Cover art by Eldar Zakirov, Kurt Huggins, and David A. Hardy

The September/October print magazines are still on sale for a few more days, which means there’s still time to grab them before the November/December issues push them off shelves. Here’s a few reasons to do that. We’ll start with Victoria Silverwolf’s Tangent Online review of the current Asimov’s.

“Sleep and the Soul” by Greg Egan takes place in the United States in the first half of the Nineteenth Century. In this version of the past, however, people do not sleep, and any form of unconsciousness is considered to be equivalent to death. The protagonist is knocked out in an accident and is buried. He manages to escape from his coffin, but finds out that his parents think of him as a demon wearing their dead son’s body. He leaves his home with the woman he loves, taking on a new identity in an attempt to avoid the mobs who would destroy him as a monster. He goes on to become involved with a showman and a dentist experimenting with anesthesia…

The narrator of “Shooting at Warner’s Bay” by Michèle Laframboise is an actress, with a role in a monster movie being filmed on a remote, uninhabited island. The place turns out to have its own weird dangers. This story about making a cheap horror film is, itself, similar to a B movie…

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Heroic Fantasy Quarterly #49 was released to the world in August. 

Fiction

“A Song of Pictish Kings,” by Adrian Cole, artwork by Andrea Alemanno and Gary McClusky. Elak of Atlantis returns to our electronic pages! Generations of Pictish raiding along the Atlantean coast comes to a sudden halt and a bold Chieftain of the Picts requests the aid of the Atlanteans against a mutual supernatural enemy. Or is it a trap? Or is it both? Thrill to the adventure of young King Elak as he unthreads the mystery!

“Old Ghosts,” by Greg Mele, artwork by Justin Pfiel. Mele returns with another tale set in his alternate history Meso-American Azatlán world. Few living men would dare to cross seasoned warrior Nopaltzin Seven-Reed, but the dead play by different rules and have different goals. Even the greatest warrior cannot live without sleep and Nopaltzin must take the fight into the world of the dead. A phenomenal tale!

“The Pass,” by Nick Mazolillo, artwork by Andrea Alemanno. Young Strand has nearly finished his training guarding the world from Otherworld. But the Otherworld has its own rules and logic and young Strand’s difficult apprenticeship is coming to a difficult end. A great, dreamy work that drifts into nightmare.

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Interzone 290-291. Wraparound cover by Vincent Sammy

There was some uncertainty about the fate of British SF magazine Interzone at the beginning of the year. Well, I was uncertain, anyway. Long-time publisher and editor Andy Cox announced the magazine was being sold, then quietly announced it wasn’t. The January-February 2021 issue never appeared. But then, out of the blue, this beautiful and massive double issue appeared in June to lay all doubts to rest. Here’s the description from the website.

192 gorgeous full color pages packed full of modern science fiction and fantasy: New long and short stories by Alexander Glass, Tim Major, Lyle Hopwood, Daniel Bennett, Cécile Cristofari, Matt Thompson, John Possidente, Lavie Tidhar, and Shauna O’Meara; Climbing Stories by Aliya Whiteley (x2); Ansible Link by David Langford; lots of book reviews; six and a half thousand words of Nick Lowe’s Mutant Popcorn; wraparound cover art by Vincent Sammy and story illustrations by Jim Burns, Vince Haig, Richard Wagner, Dave Senecal, Ev Shipard and others.

Interzone is one of the most beautiful SF magazines on the market. Here’s a sample of some of the gorgeous interior art.

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