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Random Reviews: “Sweeping the Hearthstones” by Betsy James

Random Reviews: “Sweeping the Hearthstones” by Betsy James

Cover by Ruth Sanderson
Cover by Ruth Sanderson

Betsy James published the Seeker Chronicles trilogy of YA novels between 1989 and 2006, but didn’t publish her first short story until 2008. Three years later, in October 2011, her second short story, “Sweeping the Heathstone,” appeared as the penultimate story in the final issue of the late, lamented Realms of Fantasy.

Corrie is a sixteen year old orphan who was raised by the Roadsouls and turned over to Neely Sheeker, who needed help running her roadhouse near Carmony. For Corrie, the change comes at the perfect time, as she is entering womanhood and she views it as a reflection of that change in status.  Neely is a reasonable boss, concerned about Corrie’s well-being as well as her ability to do the job for which she was hired. Her biggest concern is that Corrie is discovering her own sexuality and appears to be a bit boy-crazy in a setting which gives her the opportunity to experiment in ways that Neely doesn’t consider appropriate.

Neely also gives Corrie her own room, one of the main features of which is an enormous hearthstone which appears to have been in place since time immemorial. The presence of the hearthstone fills Corries with a sense that there is something strange about it and she takes Neely’s warning that “you’d let the man under that stone feel you up” seriously, despite Neely pointing out that if there is a man under the hearthstone, he has lain there for over a millennium.

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A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My area of expertise is the hardboiled/Pi genre. But today, we’ll jump over to the ‘shudder pulps.’ In 1933, Popular Publications (Harry Steeger) switched the ailing Dime Mystery over to a new, weird menace format. This started a short fun of success for that pulp sub-genre. Popular jumped in with both feet, shortly after launching Terror Tales, and then Horror Stories. As the tone shifted from weird, eerie, menacing elements to torture, depravity and sadism, a public outcry arose against these shudder pulps and the sub-genre died in the early forties.

Robert E. Howard, always looking for new markets, succeeded in placing “Black Talons” in the December, 1933 issue of Strange Detective Stories. “Fangs of Gold” (a Steve Harrison tale) followed there in February of 1934. Another Harrison story, “The Tomb’s Secret, was in that same February issue, under the pseudonym, Patrick Ervin.

Assuming he was actually getting paid (something that happened with irregularity from Weird Tales), this was a good market for Howard. “Dead Man’s Doom,” the next Harrison story, was slated for the March, 1934 issue. And then, the magazine folded. The story wouldn’t see print until 1978 as “Lord of the Dead” in the Sukll-Face paperback.

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A Lush Visual History of Science Fiction: Futures Past by Jim Emerson

A Lush Visual History of Science Fiction: Futures Past by Jim Emerson


The first two issues of Futures Past, a Visual History of Science Fiction, edited and published by Jim Emerson

Way back in the 90s, before most of you young whippersnappers were born, Jim Emerson had a very fine fanzine called Futures Past, covering the birth of modern science fiction. He published four issues, each covering one year of SF history, from 1926-29.

In 2014 Jim resurrected his fondly-remembered zine as a 64-page digital magazine, with gorgeous full-color pages. The first issue covered 1926, the year Hugo Gernsback founded Amazing Stories. Futures Past Vol. 1 illuminated the Birth of Modern Science Fiction, covering all the highlights of science fiction publishing in magazines and books.

A Kickstarter intended to fund full-color print versions of the new version in 2014 wasn’t successful. Undaunted, Jim funded the project himself, and earlier this year I was surprised and very pleased to receive a print copy of Futures Past, Volume 2 in the mail. Covering the year 1927 and the Dawn of the SF Blockbuster, this 144-page publication is a love letter to a forgotten era, when a brand new literary genre was being born in the pages of pulp magazines, books, and on the silver screen.

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Random Reviews: “The Case of the Somewhat Mythic Sword” by Garth Nix

Random Reviews: “The Case of the Somewhat Mythic Sword” by Garth Nix

Cover by Micah Epstein
Cover by Micah Epstein

The Case of the Somewhat Mythic Sword” is Garth Nix’s second story about Magnus Holmes, the less capable brother of Sherlock and Mycroft Holmes, a fact that Nix addresses almost immediately when Magnus notes that “Everyone wants Sherlock.” in response to a bar owner’s comment that he was hoping Sherlock had taken the case. However, Magnus and his partner, “Almost-Doctor” Susan Shrike have their own strengths which can be brought to bear in this particular case.

While the Sherlock Holmes stories by Arthur Conan Doyle tend to rely on logic and deduction, Nix’s story about Magnus Holmes focuses more on the supernatural. Magnus, himself, is the subject of an amorphous curse that equates his being in darkness with the death and destruction of those around him. When the nature of this curse is revealed, it has a bigger impact on the reader who has not read Nix’s earlier Magnus Holmes story, “The Curious Case of the Moondawn Daffofils Murder as Experienced by Sir Magnus Holmes and Almost-Doctor Susan Shrike,” which appeared nine years before the current story.

Investigating the tavern’s cellar at the request of the publican, Magnus and Susan discover a medieval knight who has been enjoying the pub’s wine and paying with faery gold. The publican called for their assistance (or actually Sherlock’s) when a river appeared in his cellar around the knight. Discussion with the phantom reveals a link to the Arthurian legends and Magnus determines that he must help the knight achieve his goal in order to resolve his appearance in the cellar

When Mrs. Davies, a magical adept shows up and attacks Magnus, he determines that in order to defeat her, he must voluntarily unleash his curse and the rest of the story involves the battle between Magnus and his opponent and the destruction caused by both as Almost-Doctor Susan Shrike attempts to mitigate further disaster.

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The Timeless Strangeness of “Scanners Live in Vain”

The Timeless Strangeness of “Scanners Live in Vain”

Fantasy Book No. 6, January 1950, first appearance of
“Scanners Live in Vain” by Cordwainer Smith. Cover by Jack Gaughan

I recently had occasion to reread Cordwainer Smith’s Science Fiction Hall of Fame story “Scanners Live in Vain.” This was probably my fifth rereading over the years (soon followed by a sixth!) — it’s a story I’ve always loved, but for some reason this time through it struck me even more strongly. It is a truly great SF story; and I want to take a close look at what makes it work.

In this series I often discuss the background details of a story’s publication history, and of its author, first — and these are especially interesting in the case of this story; but I don’t want to bury the lede either. So I’ll discuss the story first, and then go over the history of its publication, and its author’s career. As ever in these essays, the discussion will be rife with spoilers.

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Random Reviews: “Wizard’s Bounty” by Charles de Lint

Random Reviews: “Wizard’s Bounty” by Charles de Lint

Cover by Gene Day
Cover by Gene Day

Wizard’s Bounty” is an early short story by Charles de Lint, first published in 1979 in Dark Fantasy magazine and only reprinted in de Lint’s collection A Handful of Coppers. As such an early appearance, it does not have the feel of much of de Lint’s work as he was clearly trying to find his voice when the story was written, which certainly does not mean that it isn’t a story worth reading.

de Lint has published a handful of stories surrounding the character Aynber, of which “Wizard’s Bounty” was the second. In this story, which would not have been out of place if it appeared in TSR’s The Dragon magazine of the same era, sets Aynber as a bounty hunter nicknamed “The Huntress” who is after the wizard Nemenor, who has a 5,000 gold piece bounty on his head. A chance encounter at a tavern with Boadar, who claims to know where she can find Nemenor, gives Aynber an unwelcome companion who can lead her to the wizard at the cost of part of the bounty.

Against her better judgement, Aynber accepts Boadar’s company and knowledge on her quest and he does lead her to the wizard’s tower. As a companion, Boadar proves useless when they are attacked. Furthermore, during their journey, Boadar takes liberties with her body when she sleeps, which seems gratuitous, but serves to reinforce Aynber’s own judgment of Boadar for the reader, even if she is unaware of Boadar’s action.

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Random Reviews: “Faith” by Mario Milosevic

Random Reviews: “Faith” by Mario Milosevic

Cover by Tais Teng
Cover by Tais Teng

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week, I rolled 11,028 which turned out to be Mario Milosevic’s short story “Faith.”

One of the things I’m hoping to get out of this series, from a personal point of view, is to discover authors and short stories that I’ve owned and have never read. Of course, I’m also hoping to share those discoveries, good or bad, with the readers of Black Gate.

Mario Milosevic’s short story “Faith” was published on Daily Science Fiction on November 1, 2010. It would eventually be reprinted in the anthology Not Just Rockets and Robots, which collected the short fiction published during the first year Daily Science Fiction was on-line.

The story is told from the point of view of a man who is undergoing an interrogation. The details of the questioning are not directly provided and everything about the events that preceded the interview and the background to the world Milosevic builds up at second hand.

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Space Traders, Backwater Planets, and Rocket Girls: May/June 2022 Print SF Magazines

Space Traders, Backwater Planets, and Rocket Girls: May/June 2022 Print SF Magazines

May/June 2022 issues of The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction, and
Analog Science Fiction & Fact. Cover art by Alan M. Clark, 123RF, and NASA

There’s a fine batch of print magazines piled on my nightstand this week. But the clear highlight is the return of James Enge’s delightful traveling wizard Morlock Ambrosius, who made his debut in Black Gate 8. “The Hunger” appears in in the pages of F&SF; Sam Tomaino at SF Revu calls it “Richly done fantasy with a lot of detail in so few pages.”

On the thirteenth of Bayring on her world with three moons, Tilsyni escapes her servitude in a house and dares to walk out into Skeleton Park, a very risky venture. She winds up joining a man who looks like an old peddler but is really a warrior named Morlock Ambrosius with a great sword. When animated skeletons attack, Morlock chops them up. But they just come back together. What can they do about them? Morlock finds a way.

The May/June print magazines contain stories by Norman Spinrad, Octavia Cade, Albert Cowdrey, Paul Di Filippo, Kristine Kathryn Rusch, Rich Larson, Sheila Finch, R. Garcia y Robertson, James Van Pelt, Bruce McAllister, Robert Reed, Adam-Troy Castro, C.H. Hung, Alice Towey, Jerry Oltion, Sean McMullen, Brendan DuBois, and many others.

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Random Reviews: “The Pilot and the Bushman” by Sylvia Jacobs

Random Reviews: “The Pilot and the Bushman” by Sylvia Jacobs

Galaxy, 8/51, Cover by Emsh
Galaxy, 8/51, Cover by Emsh

Sylvia Jacobs has a career in science fiction spanning eighteen years, from the publication of “A Stitch in Time” in the April 1951 issue of Astounding Science Fiction and running through the April 1969 issue of Galaxy Magazine, when her story “Slave to Man” appeared. Her body of work, however, is not entirely reflective of that longevity, consisting of eight short stories and two essays, all except one of which were published within a decade of her first appearance.

Her second story, “The Pilot and the Bushman,” appeared in the August 1951 issue of Galaxy Magazine and would eventually be reprinted in Galaxy Reader of Science Fiction the following year. It belongs to the same category of science fiction as Fred Pohl and C.M. Kornbluth’s The Space Merchants (originally published in Galaxy as Gravy Planet), using an advertising executive to look at consumerism and aliens, although Jacobs’ work has a very different feel than the more famous story.

Jacobs tells the tale of Jerry Jergens, a New York advertising executive, and the Ambassador from Outer Space.  Following an accidental statement by the Ambassador that aliens had a Matter Repositor which made trade and manufacturing unnecessary, Earth began to suffer from a buyer’s strike. The Ambassador admits that discussing the Repositor was a mistake, but he refuses to deny its existence and interstellar law forbids him from sharing the technology with humans. Jerry, however has an offer to help get the Ambassador out of the fix he’s in. In return for which, Jerry wants to be able to market Earth to aliens, a proposition that the Ambassador does not see as something that can be successful.

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Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

Galaxy, March 1969, containing “The Last Flight of Dr. Ain,” by James Tiptree, Jr. Cover by Chaffee

“. . . Take ‘The Last Flight of Dr. Ain.’ That whole damn story is told backward. . .. It’s a perfect example of Tiptree’s basic narrative instinct. Start from the end and preferably 5,000 feet underground on a dark day and then DON’T TELL THEM.”

This is James Tiptree, Jr., on his story “The Last Flight of Dr. Ain.” Or, this is Alice Sheldon, referring to “Tiptree” in the third person — and, still, NOT TELLING US.

“Tiptree”/Sheldon was a little dismissive of “The Last Flight of Dr. Ain” at times. I disagree. It was certainly the first of her stories to gain wide notice (and a Nebula nomination.) And it’s the earliest of her publications to really light me up. Thus I’d like to take a very close look at it here, in my latest piece trying to figure out how stories, particularly good stories, really work. (I note with some amusement that this essay is roughly the same length as the original story. I also add that of necessity I have “spoiled” the story, but I add that this story in particular is unspoilable, partly because it demands and rewards rereading. That said, if you haven’t read the story and you can find a copy, do go ahead and read it first!)

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