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Category: Interviews

The Poison Apple: What do The Watchmen, Sandman, Frankenstein, Dracula, H.P. Lovecraft and Sherlock Holmes have in Common?

The Poison Apple: What do The Watchmen, Sandman, Frankenstein, Dracula, H.P. Lovecraft and Sherlock Holmes have in Common?

Leslie Klinger in Sherlock mode

Leslie Klinger in Sherlock mode

An Interview with Leslie S. Klinger

Crowens: What drew you to the Victorian era? That seems to be the common thread for most of your books except for your annotated graphic novels.

Klinger: When I was young, I was a big science fiction reader. In my second year of law school, my girlfriend bought me a copy of the William S. Baring-Gould Annotated Sherlock Holmes. I was hooked. Like most people, I probably read one or two stories as a kid, paid little attention to them, and wasn’t really interested in mysteries. Then I started reading this, and I enjoyed the footnotes — the idea that there was this scholarship. One of my responses to the Baring-Gould edition was a weird one: Some day when I’m old and retired, maybe I’ll be the person who will update it. I became immersed and decided I was going to become a Sherlockian.

In 1976, there was a classified ad in the Baker Street Journal placed by somebody selling his collection of 300 books, a real collection, not like the junk I’d been buying. It was very expensive… like thirty-five hundred dollars. I talked it over with my wife. For that time that was a lot of money. She said, “You’re the kind of person who should be a collector. Go for it.”

Suddenly I had the core of a really good collection and became known in some small circles as a nut about Sherlock Holmes. I started giving talks about Sherlock Holmes, and I got invited to a dinner at the BSI back in 70s. It was one of those bucket list things where I never thought about it again. In 1995 a friend arranged for another invitation. I went to the dinner, and I haven’t missed one since then.

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Goth Chick News: 13 Questions for Misty Keasler, Creator of Haunt

Goth Chick News: 13 Questions for Misty Keasler, Creator of Haunt

Misty Keasler Haunt-small

Our annual road trip to the Haunted Association and Attractions Show this year yielded some very unique finds, not the least of which being the photo-journal / coffee table book Haunt, created by photographer Misty Keasler.

Ms. Keasler toured and photographed professional haunted attractions across American and her work was recently the subject of an entire exhibit at the Modern Museum in Fort Worth, TX. Haunt includes 104 photographs many of which are unpopulated “scenes” from some of the season’s most famous attractions. Who would put these rooms together this way? Who makes up the market for such places, paying to be scared? And what does this say about American culture?

As you can imagine, we were just dying to find out so Misty, meet everyone – everyone, meet photo journalist extraordinaire, Misty Keasler.

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Tripping on the Void: An Interview with Plaid Klaus of Image’s Void Trip

Tripping on the Void: An Interview with Plaid Klaus of Image’s Void Trip

Void Trip 1 alternate-small

This May, Image Comics will be collecting the five issues of Void Trip, by Ryan O’Sullivan and Plaid Klaus. I took advantage of the chance to interview Plaid. Here’s the description for Void Trip:

Meet Ana and Gabe — the last two humans left alive in the galaxy. They’re low on fuel, they’re low on food, and they’re low on psychedelic space froot, but they’re still determined to make it to the promised land: hippy-paradise super-planet Euphoria. VOID TRIP is the story of their journey, the friends and enemies they made along the way, and how the universe responded to those who dared to live freely within it. “VOID TRIP aims to answer the question: ‘how can we be free in a universe that will always course-correct to limit us?’” said O’Sullivan. “This isn’t your typical adventure comic, with violence as the solution to every conflict. It’s a road trip story. Its main concern is exploring the human condition. It’s Jack Kerouac and Hunter S. Thompson meets Herman Melville and Cormac McCarthy. Expect laughter, tears, and existential dread in equal measure.”

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Backstory Cards: for Roleplayers, Writers, and Game-Runners

Backstory Cards: for Roleplayers, Writers, and Game-Runners

Tim

So, our friend Tim Rodriguez came by our home a few weeks back when we were hosting a game-night. We’d thrown the doors open to a bunch of game-lovers of our acquaintance for a night of food and play, and they flocked in with their favorite games (Wari, or Oware, being the game that got the most giggles) and some very fine (I was told) single malt whiskey. (Or maybe it was double-barreled? Something. I don’t know; I was too busy making lasagna.)

Anyway, Tim brought some new Backstory Cards to playtest. Most of us (including me) who volunteered to playtest with him hadn’t role-played in, well, ever. Or at least for years, the fog of memory obscuring most of the details.

. . . But since we were just testing the cards for story-potential and not playing an actual game, it seemed to work out well enough, and pretty soon we were all, like, a gaggle of giant fungal glow-in-the-dark monster crabs running around ravaged urban landscapes bringing down mobsters. You know. Like you do.

And sometime in all the chaos, Tim may have mentioned something about a new Kickstarter project.

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Fire Dance: An Interview with Ilana C. Myer

Fire Dance: An Interview with Ilana C. Myer

Last-Song-Before-Night-small Fire Dance Ilana C Myer-small

At GenCon in 2017 I met the brilliant and engaging writer Ilana C. Myer. I soon discovered that her first book, Last Song Before Night, was as brilliant and engaging as its creator; it was one  of the finest modern fantasy novels I’ve read in years. I’ve eagerly been awaiting its sequel, Fire Dance. It was just released this week, but it’s already receiving accolades. Kirkus gave it a starred review, and it was chosen by the Washington Post, Amazon, and Barnes & Noble as one of the best SFF releases of the month.

More people need to know about Myer and her work, so I invited her to Black Gate to answer a few questions and convince you to start reading her. You can find our conversation below.

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Nazis and Superheroes Warring in the Shadows: An Interview with Kay Kenyon

Nazis and Superheroes Warring in the Shadows: An Interview with Kay Kenyon

At the Table of Wolves Kay Kenyon-small Serpent in the Heather-small

The Dark Talents novels by Kay Kenyon

I was lucky enough to hear Kay Kenyon read from her novel At the Table of Wolves in 2016, and I was immediately captivated. Her tale of a young English woman with superhuman abilities in the late 1930s who is drawn into the world of intelligence services warring in the shadows — and who stumbles on a chilling Nazi plan to invade England, utilizing their own superhuman agents — was one of my favorite novels last year. I jumped at the chance to interview Kay for Black Gate last week; the transcript of our conversation is below.

The next book in the series, Serpent in the Heather, arrives in hardcover on April 10th, and Saga Press is offering a Goodreads Giveaway which runs until March 27. Check it out here!

Kay, thanks so much for joining us! I first became acquainted with your work through your marvelous standalone SF novels from Bantam Spectra beginning in the late 90s, like The Seeds of Time, Rift, and Maximum Ice, which was nominated for the Philip K. Dick Award. More recently you’ve embraced series fiction, starting with The Entire and The Rose from Pyr, and now the Dark Talents books from Saga. Why the switch?

Do you want the deep artistic reason or the crass marketing one? I mean, I’m tempted to go all artistic on you with the vision thing and growth as a writer, but I know you too well to lie that brazenly.

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The Latchkey Revelation: An Interview with Nicole Kornher-Stace

The Latchkey Revelation: An Interview with Nicole Kornher-Stace

Latchkey Nicole Kornher-Stace-small Latchkey Nicole Kornher-Stace-back-small

O long, long have I anti…cipated (yes, just like that) the sequel to Nicole Kornher-Stace’s Archivist Wasp. A book about ghosts and girls, ferocity and friendship, catastrophe and cataclysm and katabasis and a whole badass bunch of other alliterative nouns, Archivist Wasp published in 2015 by Big Mouth House, an imprint of Small Beer Press.

So you see, that was ALMOST THREE WHOLE YEARS AGO! I’ve been WAITING and WAITING and WAAAAIIIITIIINNNGGG!

But fear not. That time of endlessly unfulfilled appetite has not been wasted. I have not waited in vain. For now — at last! — the day I have yearned for is AT HAND!

(*cues Phantom of the Opera synthesizers and a falling chandelier*)

Nicole Kornher-Stace has done her job, and done it well. And Mythic Delirium has abetted her by publishing it. Soon! In July! This year! And you can PRE-ORDER IT HERE!

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Wordsmiths: Black Gate Interviews Jim Butcher at ConFusion 2018

Wordsmiths: Black Gate Interviews Jim Butcher at ConFusion 2018

If you talk to Jim Butcher, he might tell you that he’s a “crazy hermit shut-in” and scoff at being referred to as the Jim Butcher — showing that even one of the greatest fantasy writers around might be as uncomfortable with accolades as the rest of us mere mortals. How do I know this? Because I got the chance to sit down with Jim at ConFusion last month, for an hour-long chat about his published work, his craft, and what makes him tick.

I’ve been a huge fan of Jim’s ever since a friend shoved Storm Front at me and insisted I read it, and I sincerely hope you enjoy watching it as much as I enjoyed taking part in it. There is a lot that can be learned from Jim Butcher, and I’m really happy with what we were able to get into here.

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Plants as Protagonists: An Interview with Semiosis author Sue Burke

Plants as Protagonists: An Interview with Semiosis author Sue Burke

Semiosis Sue Burke-smallThe science fiction world has been abuzz with the release of the novel Semiosis by Sue Burke. Known for her short stories in publications such as Interzone and Asimov’s, this Clarion alumnus is now making waves with her debut novel, out from Tor this month. James Patrick Kelly said it’s “a first contact novel like none you’ve ever read… The kind of story for which science fiction was invented.” David Brin wrote, “In Semiosis, Sue Burke blends science with adventure and fascinating characters, as a human colony desperately seeks to join the ecosystem of an alien world.”

Those recommendations would be enough for me to buy a copy if I hadn’t already read it several years ago. Sue and I used to be in the Madrid Writer’s Critique Group here in Spain before she moved back to Chicago. The early draft I read fascinated me with its tale of human colonists settling on a planet only to find that is already inhabited by intelligent life… plant life. I caught up with Sue to talk with her about her new publication.

What was the seed of an idea that grew into a giant, sentient plant?

Seed… I see what you did there.

It started back in the mid-1990s when a couple of my houseplants attacked other houseplants. One vine wrapped around a neighbor, and another vine tried to sink roots into another plant. I began researching botany and discovered that plants are active, aggressive, and fight to the death for sunlight. They have weapons and cunning strategies, both offensive and defensive.

For example, strangler figs (several varieties of Ficus) start as seedlings germinating up on tree branches and trunks in jungles, and as they grow, their roots wrap around the host tree and eventually strangle and kill it. The fig starts halfway up to sunshine, which is an advantage. But how do the seeds get up there? Birds eat fig fruit, and the seeds have a gluey covering that sticks to a bird’s feathers when it defecates. The bird wipes off its vent on tree branches and trunks, where the seeds adhere and germinate.

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The Poison Apple: Remember Buffy? An Interview with Tie-in Author Nancy Holder

The Poison Apple: Remember Buffy? An Interview with Tie-in Author Nancy Holder

Buffy Encyclopedia
Buffy Encyclopedia

Let’s talk about Buffy the Vampire Slayer.

When I was doing the episode guidebooks for Buffy, I was taping Joss Whedon… Remember when Spike moves into the crypt? It was pitch-black dark in there and we were sitting on the crypt for our interview. It had been hard to get him, because he was been busy. I had sat waiting and waiting with these old-fashioned tape recorders that looked like movie cameras, and for both of them the batteries had run down and the tape was spooling out. When we got outside in the bright sunlight, I saw what had happened. I had been going for days without much sleep and there was my interview with Joss… not. The first thing I did was say the f-bomb and then, “Why you? Why you?”

He fixed the tape and said, “It’s okay.” I put more batteries in and asked, “Can you say everything you said over again? And he said, “I’ll try.” I was so embarrassed. But we got it done, and he was great. So articulate and smart.

How often did you get over to the set?

If you add all the days together, I was probably on the Buffy set for the total of a month. I was over on Angel, maybe a week or two.

Buffy had been set up in some empty warehouses in Santa Monica in this place called Bergamot Station. Mutant Enemy was there, and they had all the Buffy stuff there plus the writers offices and post production for Angel. When you went to Angel, it was very Hollywoody, because it was on the Paramount lot. You had the golf cart guys, the scrolly gates at the front…

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