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Category: Interviews

What Makes Us Human, the Challenges of Writing Cultures in Deep Time, and Important Skills Learned as a Party Clown: An Interview with Benjamin Rosenbaum

What Makes Us Human, the Challenges of Writing Cultures in Deep Time, and Important Skills Learned as a Party Clown: An Interview with Benjamin Rosenbaum

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Benjamin Rosenbaum has been nominated for the Hugo, Nebula, BSFA, Sturgeon, and World Fantasy Awards and is the author of the short story collection The Ant King and Other Stories. (The Ant King was the first story of his I ever read.) He also created the Ennie-nominated Jewish historical fantasy tabletop roleplaying game Dream Apart and is the co-host of the podcast Mohanraj and Rosenbaum Are Humans. His stories have been translated into 25 languages.

He and I were in the Clarion West class hailed as the future of science fiction. Three Black women, three Asian women (including me), three Jewish men (including Ben), people from five different countries altogether: nowadays that may seem quaint, and that’s part of what we talk about in this interview. The world has changed a lot and as an author always exploring the limits of what it is to be human, Ben has gotten a front row seat to the challenge of asking questions that are relevant not just now, but ten years from now. Edgy questions about gender in one decade can become absurdly sexist by the next. Gender is one of the many concepts he explores in his upcoming novel, The Unraveling.

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Behind the Scenes with Skull & Friends

Behind the Scenes with Skull & Friends

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I finally got around to listening to the epic podcast produced earlier this year by the staff and contributors to Tales From the Magician’s Skull. It features the brain trust behind my favorite sword & sorcery magazine, including its illustrious publisher Joseph Goodman, mastermind behind Goodman Games; editor Howard Andrew Jones (Managing Editor emeritus of Black Gate); and authors John C (Chris) Hocking, James Enge, and S.E. (Seth) Lindberg.

The whole thing is well worth listening to, roaming free-form over topics of interest to anyone who enjoys reading or writing quality short fantasy, including horror stories from the slush pile, the rising influence of Clark Ashton Smith and Warhammer, the importance of the establishing shot in fantasy fiction, other sources of quality S&S (including Adrian Simmons’ Heroic Fantasy Quarterly, Jason Ray Carney’s Whetstone, Dave Ritzlin’s DMR Books, Cirsova, and Weirdbook), Icelandic sagas, the timeline of James Enge’s Morlock tales, Hocking’s Benhus stories, Howard Hanuvar tales, and the mysterious and untimely demise of an unusual number of magazine interns.

A couple of friends tipped me off that I was name-checked about forty minutes in, so it wasn’t a surprise when I heard it, but it was certainly worth the wait. The topic under discussion was the rare and classic Fighting Fantasy board games, including The Warlock and Firetop Mountain and especially Legend of Zagor. Here’s a transcription from around the 36-minute mark.

Howard: I bet John O’Neill has all of that, probably multiple copies in shrink.
S.E. Lindberg: Oh my god.

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Humans Are the Real Horror; GCN Interviews Lt. Joe Kenda, Star of Homicide Hunter and Author of New Release, Killer Triggers

Humans Are the Real Horror; GCN Interviews Lt. Joe Kenda, Star of Homicide Hunter and Author of New Release, Killer Triggers

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When the crew at one of my favorite publishing houses, Wunderkind, contacted me about interviewing a former homicide detective about his new book, I had to give it some thought. Long before Black Gate and my current day job, I was working on a master’s degree in criminal psychology with a view to become a criminal profiler. As an undergraduate I became fascinated with the question of what happens in the human mind that tips a person from contemplating violence to committing violence? I wanted to look for patterns and to discover if violent behavior could by typecast.

At the master’s degree level, the weight of what I was studying started to hit me – hard. This was no longer theory, but a pursuit that was bringing me eyeball to eyeball with real violence. As a 22-year-old from a very small Midwestern town, I was in no way mentally prepared for what I was seeing and learning about. I left the program for what I thought was a brief break, but I never went back, changing careers entirely. I feel lucky to have made that decision before my interest in ghosts and made-up monsters was forever ruined by real horrors.

So, when Wunderkind reached out, sending me an advanced copy of Lt. Joe Kenda’s new book Killer Triggers, I thought about whether I wanted these two worlds to cross again. I decided I would read a couple chapters of the book before making a decision. Hours later, with the Killer Triggers completely consumed, the decision was made. Yes, this is a departure from the pretend worlds I normally write about, but the book is just – well – very good. It’s not uncomfortably graphic and Lt. Kendra has a sense of humor that I couldn’t help but fall in love with a little.

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Neverwhens, Where History and Fantasy Collide: Of Tudor Scum and Georgian-Gallants; an Interview with Peter McLean

Neverwhens, Where History and Fantasy Collide: Of Tudor Scum and Georgian-Gallants; an Interview with Peter McLean

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My guest this month is Peter McLean, a successful short story writer and contemporary fantasy novelist who has cast his authorially eye on more traditional fantasy, with his War for the Rose Throne, series, the first two volumes of which (Priest of Bones and Priest of Lies) are now available, and currently in development for television by Heyday Productions. For those who may not have read them (and if that’s you, go do that now, we’ll wait) here is the bird’s view summary:

Tomas Piety was once a successful crime boss in the rough and tumble city of Ellinburg. Then came the War, which left its scars and also, ironically, his ordinance as a priest of Our Lady – not for any great change of faith, but because the unit needed a new cleric and Tomas could read. War-weary, the cynical priest heads home with Bloody Anne, his sergeant and confidant, to reclaim his streets. But rival gangs have carved up what was his and Ellinburg is collapsing from within. Tomas decides to reclaim what was his, with his new gang: the Pious Men. Unfortunately, there is more than just a few legs to be broken, as Tomas finds himself dragged into political and magical intrigue that extends well beyond the city.

The story is narrated by Tomas himself, and the limited viewpoint is used to great effect. We only see what Tomas sees, and while he is a mostly faithful narrator, there’s no doubt that he isn’t always entirely honest with himself, and there are times the reader is left sighing or shaking his head on Piety’s behalf.

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God, Darkness, & Wonder: An Interview with Byron Leavitt

God, Darkness, & Wonder: An Interview with Byron Leavitt

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Art & Beauty in Weird/Fantasy Fiction

It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven by strange muses.  These interviews engage contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Recent guests on Black Gate have included Darrell Schweitzer, Sebastian Jones,  Charles Gramlich, Anna Smith Spark, & Carol Berg. This one features Byron Leavitt, novelist and game-author for Diemension Games. 

Byron Leavitt is also the author of the bizarre children’s novel The Fish in Jonah’s Puddle (To Say Nothing of the Demon) and the non-fiction book Of Hope and Cancer: One Man’s Story of God, Darkness, and Wonder, as well as the story content for the board game Deep Madness and its accompanying book Shattered Seas (recently reviewed on BlackGate). Byron is currently working on the storybooks for the forthcoming Deep Madness prequel Dawn of Madness, a story-driven horror experience in a board game.

“Darkness. Light. Wonder. Beauty. God. Tentacles. Those who know me best would say that pretty well sums me up.” – Byron Leavitt

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Wordsmiths: Interview with Zig Zag Claybourne

Wordsmiths: Interview with Zig Zag Claybourne

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Courtesy: ZZ Claybourne

You’ve hopefully seen him around the Interwebs, or had the chance to take in his smiling face and genuine warmth back when we went to in-person cons. If you haven’t, then I hope you’ve at least heard of Zig Zag Claybourne or one of his pseudonyms. If you can’t even say that… let this be an introduction, and then go check out his work. Because you really need to.

Claybourne’s latest work is Afro Puffs are the Antennae of the Universe, sequel to The Brothers Jetstream: Leviathan. He describes it as “four women accidentally create an AI goddess then destroy capitalism with the help of a telepathic octopus.” But there is so much more to the world he’s created, which we discuss a bit in my interview below. You can also find Claybourne’s writing in the anthology If There’s Anyone Left: Volume 1.

1) Who’s more dangerous: the Thoom, the Nonrich, the Vamphyr, or Disney?

That’s a tough one. The Thoom are powerful but scattershot, Nonrich is omnipresent, subtle, and sharp as a shiv, the Vamphyr tend to be too disdainful to want the burden of controlling humanity… but Disney, Disney works from the bottom up, gets ‘em young…

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Zig Zag Claybourne Author Interview: Flipping the Bird and Finding Joy while Writing Afro Puffs are the Antennae of the Universe

Zig Zag Claybourne Author Interview: Flipping the Bird and Finding Joy while Writing Afro Puffs are the Antennae of the Universe

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Zig Zag Claybourne is infectiously joyous on the page and in real life. He’s a comfort to read but not everything he writes is comforting. There’s no seeing the light without being in the dark, but you can trust Claybourne to make you laugh while you’re there. He’s a chill-seeking truth-slinger who’ll shove you into action-packed absurdity then somehow make you feel…cozy.

Afro Puffs are the Antennae of the Universe is the sort of sci-fi that could get Prince’s sexyass ghost to slink outta the celestial void to host a book club. It’s the second, standalone installment in the Brothers Jetstream series. All Captain Desiree Quicho wants is a day off. Maybe a barbeque. But somebody’s got to save the universe. Again. This time from an immoral billionaire and a mega-corporation, each wanting power but neither wanting the responsibilities that come with it.

Here’s the hella fun phone chat Black Gate had with Zig Zag Claybourne about writing Afro Puffs and taking time in 2020 to find joy.

PATTY TEMPLETON:  What kind of feelings do you want to invoke in your readers with Afro Puffs are the Antenna of the Universe?

ZIG ZAG CLAYBOURNE:  Joy, rage, defiance, more joy, and fun. This book is definitely one that comes out of the gate with both middle fingers raised up high. I like that about it.

Who’s it flipping the bird at?

To the fan bois out there who are constantly being asses to everybody else. To the economic systems that treat people like they’re paper assets. This is a book for people saying enough is enough. We’re done with all that.

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Zig Zag Claybourne’s Exclusive Interview with A Sinister Quartet Authors

Zig Zag Claybourne’s Exclusive Interview with A Sinister Quartet Authors

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Screen Shot 2020-10-11 at 3.40.28 PMAh, Horror in the time of Covid! It seems almost superfluous, like a feather boa on an ostrich.

However, we the authors of A Sinister Quartet (Mythic Delirium 2020), have pranced fancily forward on that ostrich! Ostriches piled on ostriches! Feather boas galore! Which feather boas, I might add, sport an unnerving number of teeth and eyeballs.

(Editor and author Mike Allen likes to say of our book: “It’s the fun horror, the kind you consume for imaginative shocks and chills, not the kind that weighs on you like the stones that killed Giles Corey in The Crucible as you helplessly doomscroll through social media.”)

In the spirit of fun then, we approached the rollickingly magnificent Zig Zag Claybourne, who probably has the most fun-on-page of any writer I know–and I live with Carlos Hernandez! (Okay, I confess; it’s a toss-up).

Zig Zag, who’d already read A Sinister Quartet and given it an enthusiastic and incisive review, when asked if he might interview us for Black Gate, generously agreed! His questions were every bit as nuanced, as delicious, as sharp-edged, as playful, as hopeful as his own prose. And so, without any more ado…

ZIG ZAG CLAYBOURNE: When I finished the Advance Readers’ copy of A Sinister Quartet, my thoughts ran this way:

There’s a theme in this book, likely unintended, grown organically out of the times, of not giving up, regardless of fatigue, pain, unfairness or a sense that you are small and meaner forces are grotesquely big.

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Bold Venture Press: The Unsung Hero of Pulp Publishing

Bold Venture Press: The Unsung Hero of Pulp Publishing

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51WvS1lFaXL._SX331_BO1,204,203,200_PulpNoir_1280__06197.1518283264Black Gate: Bold Venture Press is, in many ways, the unsung hero of the pulp world of the 21st Century. You’ve an impressive catalog of new titles and classic reprints, but let’s start at the beginning and tell readers about Bold Venture Press’ history and accomplishments.

Bold Venture Press: Rich Harvey was working in the newspaper field, and founded Pulp Adventures Press in 1992, which eventually became Bold Venture Press. The Bold Venture imprint published The Spider and Pulp Adventures magazine, went on hiatus for a few years, then returned in 2014, reviving Pulp Adventures.

Audrey Parente was an investigative reporter and pulp historian who put her pulp connections on hiatus as her reporting career went into high gear. She rejoined the pulp fold after taking early retirement by attending Rich’s Pulp AdventureCon in New Jersey in 2012. Meeting at other pulp conventions, Rich and Audrey became reacquainted.

A fictionalized version of their romance, Pulp Noir was published by Bold Venture Press. They joined forces in Florida in 2014. Bold Venture has been cranking out several books every month, first focusing on pulp reprints and then adding new pulp and mainstream authors. Rich’s connections with Zorro Productions has led to the biggest and most exciting projects they have tackled.

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Between the Years When the Oceans Drank (Henry Kuttner’s) Atlantis, and the Rise of COVID-19 — Elak Lives Again!

Between the Years When the Oceans Drank (Henry Kuttner’s) Atlantis, and the Rise of COVID-19 — Elak Lives Again!

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Elak lives again! Just released by Pulp Hero Press, Adrian Cole continues a saga Kuttner abandoned 80 years ago.
Elak lives again! Just released by Pulp Hero Press, Adrian Cole continues a saga Kuttner abandoned 80 years ago.

Adrian Cole is hardly a stranger to fantasy fiction.

Born in Plymouth, Devonshire in 1949, Adrian first read The Lord of the Rings in the late 1960s while working in a public library in Birmingham, and was inspired by the book to write an epic entitled “The Barbarians,” which was eventually revised into The Dream Lords trilogy, published by Zebra Books in the early 1970s. He has been writing various ghost, horror, and fantasy tales, in both short-story and novel-length, ever since. His career is well-established and diverse, from psychological, alien-horror, to superheroes, fantasy trilogies to young-adult novels.

So it is particularly interesting that Adrian’s newest work is an anthology of stories about the adventurer Elak of Atlantis: Elak, King of Atlantis, which was just released earlier this month by Pulp Hero Press.

Atlantis? A vogue setting in early to mid-20th century fantasy fiction, we don’t really see novels or short stories in Atlantis anymore. Ah, but you see, Elak is himself a piece of history…

After Robert E. Howard’s unfortunate suicide in 1936, a number of authors stepped up to fill the void. Most wrote reasonable, working tales, that were largely forgettable, and they themselves were forgotten. One, however, was the masterful Henry Kuttner, who danced easily between fantasy, horror and science fiction, and had a stellar career, made the more so by his collaborations with his wife, C. L. Moore. Kuttner wrote four Elak of Atlantis stories, which appeared in Weird Tales between 1938 and 1940.  They are an abridged version of REH’s Conan stories, and follow the exploits of Elak as he passes from sword-for-hire to king. But Elak is not a “Clonan”: he’s a civilized man, a noble cast-off, who wields a rapier. Whereas Conan is destined to seize a crown, Elak is trying to avoid his destiny.  Unlike Conan, he is not a loner with “guest star” companions, and is accompanied by the perpetually drunk thief Lycon, and the druid Dalan, who is trying to get Elak to accept his destiny to rule the kingdom of Cyrena.

We first meet Elak returning from an encounter with the wife of Atlantean nobility and that strikes a note in the tales: there is a light-heartedness to them, although the world is a dark one.  If you can imagine an Errol Flynn swashbuckler with wizards and Deep Ones, you have the vibe.

Of course, that doesn’t tell us why, 80 years after Kuttner abandoned the doomed island, Cole is bringing it back up from its watery depths.

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