Black Gate

The Jack Williamson Lectureship is a little known, hidden gem of science fiction. Taking place every April in Portales, New Mexico, it always attracts an impressive list of authors, who gather in an unnaturally high concentration in places such as the local Dairy Queen.

I’ve attended the Lectureship for over a decade, so I remember the days when Jack was alive and we held events in his house. He was a brilliant, unassuming man who was one of the founding fathers of science fiction. Words such as “psionics,” “terraform,” and “genetic engineering” had their first appearance in his fiction, and he also coined concepts such as The Prime Directive and androids. He was the second ever SFWA Grand Master and holds the record for publishing stories in more consecutive decades than any other author (nine decades in total!)

This year I sat down with Professor Patrice Caldwell (far right in the picture above, next to Connie Willis and Betty Williamson, Jack’s niece). Patrice coordinates the Lectureship every year, and we took a moment to discuss Jack’s legacy, and this annual event that honors him. If you’ve never heard of the Jack Williamson Lectureship, listen up! It’s an event you won’t want to miss.

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Susan Kaye Quinn is an author and a rocket scientist who hails from the Chicago area. It’s hard to say what she’s best known for. Her YA science fiction Mindjack trilogy, noir science fiction Debt Collector serial, South Asian steampunk Dharian Affairs trilogy, and middle grade fantasy Faerie Swap have all been well received.

Her most recent release is dystopian cyberpunk The Legacy Human, which is the first book of her Singularity series. A member of the Indelibles (one of the first indie author groups to take off, back in the day) and the Emblazoners (an equally pioneering middle grade indie author group), she is also the author of The Indie Author’s Guide.

Now, this interview is a little out of sync with reality. I conducted it in September 2013, and then hit some technical difficulties, and then got buried by my startup business, so I apologize that the projects she’s talking about are now all published (but that means you don’t have to wait to read any of them.)

I have the privilege of sharing a German translator with Susan, and we both started our indie careers at around the same time (I’m E.M. Tippetts in indie world, a chick-lit writer). Together we’ve seen indie publishing evolve from an unheard of option with a strong stigma, to what it is today, providing both her and me a living. I’m just lucky.

She, on the other hand, is good, so I strongly recommend you hear what she has to say!

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Send in the Gnomes! No, wait, Kenny Soward has already done that.

Tinkermage, the second volume of his GnomeSaga trilogy, was recently released by Ragnarok Publications. The Ragnarok edition of the series’ first volume, Rough Magick, has been available since October, and the concluding volume, Cogweaver, will be released in February 2015.

Ken’s first novel has been praised as “The Hobbit meets Aliens meets Dirty Old Man” and “a bone crushing, blood gushing visceral experience.” Reviewers also called it “a bit quirky and certainly brilliant.” He’s making the fantasy world stand up and take notice, not to mention coining the term “#gnomepunk.” Yes, this could be the start of a whole new fantasy sub-genre.

I first met Kenny at Haggin Hall, the sophomore dorm we shared at the University of Kentucky in the late 80s. We shared an interest in heavy metal music, Conan the Barbarian, and David Letterman. Ken lived just down the hall from me for two semesters and we had some good times. I remember Ken’s daily Top Ten lists (his sense of humor is irrepressible), playing a few killer sessions of Call of Cthulhu, and driving through a snowstorm looking for a practice space so we could form a band. (We didn’t find one.)

Cut to 24 years later — lo and behold we’re both fantasy novelists. Turns out we both studied creative writing at U of K under Gurney Norman, and both of us went through a few years dedicated to playing in different rock bands in separate cities (him in Cincinnati, me in Lexington). But I hadn’t seen or heard ANYTHING from Kenny since our sophomore year of college, since I had moved out of the dorm after that year. Then, earlier this year, I discovered Rough Magick and suddenly realized this was the same guy I knew in college. Thanks to the magic of social media, our friendship resumed immediately.

Naturally, I wanted to interview Ken for Black Gate, and I can’t believe it’s taken me this long to do it! So let’s get started…

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