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The Poison Apple: Shared Worlds All Over the World – A Q & A with the Dynamic Duo, Ellen Kushner and Delia Sherman

The Poison Apple: Shared Worlds All Over the World – A Q & A with the Dynamic Duo, Ellen Kushner and Delia Sherman

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Ellen Kushner and Delia Sherman - Black Gate interview

Authors Ellen Kusher (left), Delia Sherman (right), 2017. Photo by Elizabeth Crowens

Ellen Kushner is a former editor at Ace Books and Pocket Books, hosted the national public radio series Sound & Spirit via WGBH in Boston and was the winner of the 1991 World Fantasy Award, 1991 Mythopoeic Award and 2007 Locus Award for Best Fantasy Novel, has won Audie Awards, etc.

Delia Sherman is a former consulting editor from Tor Books. Her novel The Freedom Maze won the Andre Norton Award for Young Adult Science Fiction & Fantasy, a Prometheus Award, was a SWFWA winner, and made the Tiptree Honor List. She won the Mythopoeic Award for The Porcelain Dove, etc.

You were married in 1996 and are one of the long-time couples of speculative fiction. How did the two of you meet?

Ellen: Actually, we were married many times — illegally in 1996 and legally in the State of Massachusetts in our backyard there in 2004. Jane Yolen introduced us at Boskone — not for any romantic reasons, but because Delia had taken a course in writing fantasy at the U. Mass, Amherst.

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Discussing All Things Fantasy, Past, Present, and Future: An Interview with Adrian Simmons and David Farney of Heroic Fantasy Quarterly

Discussing All Things Fantasy, Past, Present, and Future: An Interview with Adrian Simmons and David Farney of Heroic Fantasy Quarterly

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Heroic Fantasy Quarterly is an ezine dedicated to publishing short works of heroic fantasy. More than that, through both prose and poetry we hope to hearken an older age of storytelling – an age when a story well told enthralled audiences. Traits of great oral storytelling survive the ages to influence treasures of literature, the pulps, radio plays, late-night game sessions, and now Heroic Fantasy Quarterly.

So reads the “Mission Statement “of Heroic Fantasy Quarterly. Like Black Gate e-magazine, Heroic Fantasy Quarterly is one of the bright lights and a sure leader in the Fantasy genre, and always goes above and beyond to keep the genre alive, fresh, and rolling along. When John O’Neill of Black Gate asked me if I would “interview” Adrian Simmons and David Farney of HFQ, I jumped at the chance, thrilled to “meet” these two outstanding editors of such a well-respected e-zine. The result is one great interview with both gentlemen sounding in, and I hope it’s as much of a treat for fans of BG and HFQ as it was for me.

So let’s get started, shall we?

Gentlemen, what are some of your earliest influences? Who inspired you to become an editor? And perhaps even more importantly, why did you decide to become an editor?

ADRIAN: Early influences are many and varied. In the early 80s I discovered Dungeons and Dragons, and all of its clones and hybrids. I was exposed to all those early 80s swords and sorcery movies (good and bad!), and was reading the The Lord of the Rings and such. By the late 80s, in high school, I was reading the The Lord of the Rings and actually understanding most of it, and had picked up Robert Howard’s Conan books (the Ace collections, with all the post-humus collaborations), and Fritz Leiber.

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Exclusive Preview: Archipelago by Charlotte Ashley, Andrew Leon Hudson & Kurt Hunt

Exclusive Preview: Archipelago by Charlotte Ashley, Andrew Leon Hudson & Kurt Hunt

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Archipelago Kickstarter

As I’m sure you’ve figured out, I’m a huge fan of propping up and promoting other writers. Most of the time that has been spotlighting and reviewing new novels and short fiction, but today I present to you Archipelago, a serialized online adventure fantasy series jointly written by authors Charlotte Ashley, Andrew Leon Hudson and Kurt Hunt. This isn’t just serial fiction that you can read and enjoy – it’s collaborative and competitive, where the readers get the opportunity to influence the fictional world. Here’s an official blurb from the project’s Kickstarter page:

Four hundred years ago, when control of the world came to depend on naval power as never before, a courageous few set off on journeys of discovery and conquest that would alter the fates of nations in ways no-one could imagine.

But once they’d sailed the seven seas, what if they found another.

This week I have been given the opportunity to share an exclusive preview of the Archipelago project. Below is my interview with Charlotte Ashley, one of the authors behind the project, followed by her prologue, “The Ur-Ring,” which will be continued in a series of serialized episodes, alongside similarly-structured narratives by her fellow writers. Her prologue will be exclusively available here for the next week, after which it and the other prologues will be posted on their Patreon page (see below). It’s no exaggeration to say that this is one of the coolest projects I’ve looked at since I started writing for Black Gate, and I hope you enjoy the sneak peek below.

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Black Gate Interviews Egyptian Science Fiction Author Mohammad Rabie

Black Gate Interviews Egyptian Science Fiction Author Mohammad Rabie

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51JYgQ68kPL._SY344_BO1,204,203,200_One pleasant stop on my recent trip to Cairo was the American University’s bookshop near Tahrir Square. It’s a treasure trove of books on Egyptology and Egyptian fiction in translation. Among the titles I picked up was the dystopian novel Otared by Mohammad Rabie.

This novel, originally published in Arabic in 2014 and published in English in 2016 by Hoopoe, the fiction imprint of the American University of Cairo, is a grim dystopian tale of Cairo in 2025.

After several botched revolutions in which the people repeatedly fail to effect real social and political change, Egypt is invaded by a foreign power. The army crumples, most of the police collude with the occupiers, and the general public doesn’t seem to care. A small rebel group decides to take back their nation, and one of its agents is former police officer turned sniper, Otared. The rebels basically become terrorists, deciding the only way to get the people to rise up is to make life under the occupation intolerable, which means killing as many innocent civilians as possible.

The world Rabie paints reminds me very much of the insane landscape in Paul Auster’s In the Country of Last Things, with its violence, its cruelty, and its bizarre customs (in Otared almost everyone wears a mask) that begin to make sense once you learn more about the world. Throw in a nightmarish disease that affects only children, plus a national death wish, and you have a grim but compelling read. No science fiction novel has gut punched me this hard for a long, long time.

Mohammad Rabie is an emerging force in Egyptian letters. Born in 1978, he graduated from the Faculty of Engineering in 2002. His first novel, Amber Planet, was released in 2010 and won first prize in the Emerging Writers category of the Sawiris Cultural Award Competition in 2011. His second novel, Year of the Dragon, came out in 2012. Otared was shortlisted for the International Prize for Arabic Fiction in 2016 (popularly referred to as the Arabic Booker). Curious to learn more, I sat down with Rabie (OK, I shot him an email) to speak with him about his writing.

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Justin Cronin on Bringing The Passage Trilogy to Television

Justin Cronin on Bringing The Passage Trilogy to Television

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Justin Cronin The Passage trilogy-small

Over at DGO, Patty Templeton interviews author Justin Cronin on bringing his bestselling horror trilogy to the small screen. Let’s listen in, shall we?

The Passage is a damn fine book. It’s a doorstopper of a read with deep characters and a full-tilt apocalyptic plot. The first in a completed trilogy, The Passage establishes a near-future world ravaged by a contagious virus that leaves its victims in a vampire-like state. From there, one world dies and another is born…

PT: THE PASSAGE TRILOGY IS COMING TO TV. WHAT EXCITES YOU MOST ABOUT THE PROJECT?

JC: I think TV is so good now. Film is a director’s medium and TV has become a writer’s medium. TV is natural for ensemble storytelling and for telling a big story. Television is also a very good way to bring people to the books. Television is around for a long time, assuming the show is successful enough to stay around. Movies come and go, now. Half the movies I want to see are gone from the theaters before I can see them. Whereas television is one of our great cultural pleasures. Good television is kind of like Dickens used to be. It’s episodic and we can all go down to the pier and await the next chapter of David Copperfield.

Read the complete interview at DGO!

Literary Wonder & Adventure Podcast Presents: Robert E. Howard, Master of Sword & Sorcery: A Conversation with Author Howard Andrew Jones

Literary Wonder & Adventure Podcast Presents: Robert E. Howard, Master of Sword & Sorcery: A Conversation with Author Howard Andrew Jones

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Literary Wonder & Adventure Show Howard Andrew Jones

I have thoroughly enjoyed the last two audio shows from Robert Zoltan’s Dream Tower Media, a lively conversation with Black Gate blogger Ryan Harvey on Edgar Rice Burroughs, and a fascinating discussion with Scott Oden on the history and writing of J.R.R. Tolkien. So I was very excited to see that for Episode #4 the subject was the distinguished Howard Andrew Jones, author of the beloved Dabir & Asim Arabian fantasy tales, and the future bestseller For the Killing of Kings, out next year from St. Martin’s Press. The topic this time was none other than Robert E. Howard, the legendary creator of Conan, and perhaps the greatest Sword & Sorcery author of all time.

As usual, calling this a podcast doesn’t do it justice, as it’s really a professionally-produced radio show set in the dimension-hopping Dream Tower (with a talking raven). I’ve had plenty of lengthy discussions with Howard — who is the Managing Editor of Black Gate — over the years, and here he’s at the peak of his form, entertaining and highly informative. The podcast opens with a animated discussion of life in small town Texas, Robert E. Howard’s substantial gifts as a storyteller, and why he added whipping scenes to so many pulp tales. It looks at REH’s enduring creations — including Conan, Solomon Kane, and Dark Agnes — before exploring our fascination with ruins, Fafhrd and the Gray Mouser, and the influence of gaming on modern fantasy.

My only criticism is the host’s tendency to wander off topic, and repeatedly cut off his guests to talk about himself. Robert Zoltan is a fascinating guy, and I enjoy his opinions, but that doesn’t mean that a 1-hour podcast on Robert E. Howard is the right place for a 3 minute monologue on Van Gogh, or a 7-minute monologue on narcissism and how hard it is to make a living as a musician. Future podcasts should focus more on his guests, or maybe just do away with the pretense of an interview entirely. That might set better expectations with listeners.

Check out Literary Wonder & Adventure Podcast Presents: Robert E. Howard, Master of Sword & Sorcery: A Conversation with Author Howard Andrew Jones, and all the episodes of the Literary Wonder & Adventure Podcast, here.

Wordsmiths: An Interview with Aurora Award-winner Ryan McFadden

Wordsmiths: An Interview with Aurora Award-winner Ryan McFadden

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oie_5231921a2ylux5TFor my fourth installment in the Wordsmiths interview series, I had the pleasure of talking shop with Ryan T. McFadden, three-time winner of the Aurora Award and author most recently of the fantasy novel Cursed: Black Swan, from Dragon Moon Press. I’ve known Ryan for a few years now, since my first-ever panel at Can*Con in Ottawa — he’s not only a fabulous writer, he’s also good people, so I’m thrilled to be able to cast a spotlight on him this week. Read on below for my discussion with Ryan on the pressures of being a writer, influences on what we write, and past exploits. Enjoy!

Ryan’s bio (possibly pilfered from his website): Ryan T. McFadden is a writer of fantasy and horror, with short stories and novellas published through Dragon Moon Press, Edge SF & F, and Absolute X-Press. In 2014, his novella “Ghost in the Machine” won the Aurora Award (Canada’s most prestigious award for SF&F) for Short Fiction. His motley past involved such dangerous work as database administration, ice cream flavoring (seriously, that’s a thing), hockey league administration, screen printing, web design, furniture building, and home renovations. He lives in London, Ontario, with his two beautiful, but sometimes diabolical daughters, who he is sure are plotting to one day overthrow him. Check out Ryan on Twitter: @RyanTMcFadden.

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An Interview With Author and Artist Tom Barczak

An Interview With Author and Artist Tom Barczak

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Tom Barczak-small

I first met Tom some years ago, through mutual friends on Facebook, as so often happens. We soon became friends and then colleagues, writing for author and publisher Janet Morris’ anthology of Heroic Fantasy, Heroika: Dragon Eaters, as well as her wonderful and legendary series, Heroes in Hell, which this spring (2017) will launch its 18th or 19th volume, (I lose track, LOL), Pirates in Hell. Tom is not only a very fine artist and excellent writer, he is also a great father, a wonderful husband, and a true and kind gentleman I’m proud to know. Here are a few things about Tom you may or may not know… things you definitely should know about this talented man.

Thomas Barczak is an artist, turned architect, turned writer, who finally got around to actually writing the stories he started dreaming about as a kid. His work includes the dark epic fantasy, Mouth of the Dragon, the illustrated epic, Veil of the Dragon, the Kindle serials, Awakening Evarun (Parts I-VI) and Wolfbane (Parts 1-2 of 3), along with numerous short stories and flash fiction, including those published in Heroika 1 – Dragon Eaters, Nine Heroes, Terror by Gaslight, and What Scares the Boogeyman, as well as two volumes of the award winning Heroes in Hell series, Dreamers in Hell, and Poets in Hell. He writes simply because he can’t not write. He writes because he needs to tell the stories he already started on way before, in his paintings, in his poetry, and even before that, sitting around a table with friends, slaying dragons.

Here, then, is Tom Barzcak, in his own words, in a wonderful interview that will surely touch your heart.

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The Poison Apple: Have Long Sword Will Battle, An Interview with Martin Page

The Poison Apple: Have Long Sword Will Battle, An Interview with Martin Page

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Martin Page demonstrating German Longsword at Compulsion

Martin Page demonstrating German Longsword at Compulsion

Martin Page is a regular contributor to Black Gate and writes novels, such as the alternate history mash-up Swords versus Tanks and non-fiction books like Storyteller Tools, under the pen name, M. Harold Page. He lives in Edinburgh, Scotland and teaches Medieval German longsword at Edinburgh’s Dawn Duellists Society.

Martin, what have you been working on?

I’ve been taken a break from blogging while working on a space opera series. I’ll shortly return with a series of articles on the new edition of Traveller, the famously gritty Science Fiction roleplaying game.

Traveller?

Massively influential game from the same era as Dungeons and Dragons but still going strong. Traveller has been around so long at this point that people recommend books or TV series that are strangely like the game, because they were probably heavily influenced by it!

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Wordsmiths: An Interview with Jerome Stueart

Wordsmiths: An Interview with Jerome Stueart

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The Angels of Our Better Beasts-smallLast post, I had the pleasure of reviewing Jerome Stueart’s short story collection The Angels of Our Better Beasts, which is one of my favorite collections to date and something you all need to go read. (Seriously, here’s the link; I know you have money kicking around somewhere.) Jerome also did me the pleasure of an interview to discuss his writing practice, his previous projects, and some of the stories in his collection. I hope you enjoy as we ramble back and forth (and then go buy his book)!

Jerome Stueart writes fiction, memoir, science fiction and fantasy. His work has been published in journals, magazines, newspapers and on the radio–a list of which can be found under Written Work and Books. He’s a 2007 graduate of Clarion Science Fiction and Fantasy Writing Workshop in San Diego and a 2013 graduate of the Lambda Literary Retreat for Emerging LGBT Voices. He teaches workshops on writing science fiction/fantasy and writing about faith. His co-edited anthology of science fiction/fantasy that explores faith, Tesseracts 18: Wrestling with Gods, was published by EDGE Science Fiction and Fantasy Publishing. His first novel, One Nation Under Gods, will be published in summer of 2018 from ChiZine.

Me: First off, thanks for taking the time for this interview, Jerome! There are a bunch of different things in Angels of Our Better Beasts that I want to ask you about. I’m going to start with the illustrations that you included with each story (and the sketches you create for people at conferences). Which came first for you: drawing or writing? And does one influence the other at all?

JS: Hey Brandon! Thanks for interviewing me. As to your question: I think you’re talking about in MY LIFE which came first. If so, drawing came first. I started drawing as a child — pictures of animals. Little cartoon talking animals, I think at first, based off a skunk puppet I bought when I was seven or eight. But immediately, I turned them into story. The skunk had a porcupine friend (both outcasts, of course) and they wandered through this flip pad I had. I also was introduced to comic books when I was nine or ten, and then my drawing took on more superhero images. Again, I immediately created a team and gave them personalities, but the drawings came just ahead by a nose.

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