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A (Black) Gat in the Hand: Back Porch Pulp #2

A (Black) Gat in the Hand: Back Porch Pulp #2

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

And we’re wrapping up another summer run of A (Black) Gat in the Hand with Back Porch Pulp #2. So, here we go!

DAVID DODGE

Back Porch Pulp is reading the first novel by David Dodge. He is best known as author of the thriller novel, To Catch a Thief.

Which became a famous Cary Grant movie, directed by Alfred Hitchcock. I saw that on the big screen at The Ohio Theater. That was a treat.

I like his adventure novel, ‘Plunder of the Sun.’ Which became a not-famous movie, with Glenn Ford. Hard Case Crime reissued that book, introducing me to the author.

Dodge was an accountant. And his first couple novels were hardboiled ones starring San Francisco accountant Whit Whitney. I wrote an essay on Dodge and two of his novels, last month.

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A (Black) Gat in the Hand: Hardboiled in Key West – John Leslie

A (Black) Gat in the Hand: Hardboiled in Key West – John Leslie

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I wanted to bring over another post from The Public life of Sherlock Holmes. From my experience, this is a WAAAAAY below the radar private eye series. But I’ve read it through twice, and I really like it. And it’s got a very Pulp Era atmosphere, though it was written in the nineties. So, here’s a revised essay on John Leslie’s Key West, piano-playing, private eye.

If you read this column, (or are a FB friend) you know that John D. MacDonald, author of the Travis McGee series, Cape Fear (originally titled The Executioners), and much, much more, is my favorite writer. And I believe, one of the greatest American writers of the twentieth century, in any genre. His is the pre-eminent name in the subcategory of ‘Florida writers.’ Randy Wayne White’s Doc Ford, a marine biologist who lives in a stilt house, is absolutely McGee’s successor. I think White is a top-notch writer and I certainly recommend that series.

I’m not as up on this group as I used to be, but Carl Hiassen is probably the best-known Florida scribe these days. His biting satire and hilarious situations can be laugh-out-loud reading. In a similar vein to Hiassen are the works of Lawrence Shames. He also pokes fun at the absurdities of Florida life with a series of mostly unconnected books set in Key West. They provide some chuckles.

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A (Black) Gat in the Hand: Hardboiled Fantasy – Garrett, PI

A (Black) Gat in the Hand: Hardboiled Fantasy – Garrett, PI

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

The extremely talented Glen Cook is best known for his excellent dark fantasy series about a mercenary group, The Black Company. In 2018, Fletcher Vredenburgh wrote a FOURTEEN-part deep dive into the series. If I ever write anything even half as impressive here at Black Gate, I’m going to ask them to actually pay me. I love The Black Company series, and cannot recommend it enough.

Cook has written several other fantasy and sci-fi series’ – none of which I have read. They are all well-regarded. But the other one I have read from start to finish – more than once – is his Garrett, PI series. I think that every Writer (or in my instance, lower case ‘w’ writer) has that ONE series they wish they had come up with and written. For me, it’s the Garrett books.

They are light years away in tone and style of The Black Company. And also from what I understand of The Dream Empire and The Instrumentalties of the Night series.’ However, they are identical to the Black Company in regards to quality of writing. Garrett is the ore-eminent fantasy PI (private investigator).

Cook has written a series of books that appeals to fans of the hardboiled PI, notably practiced by Raymond Chandler; fans of the humorous fantasy world best typified by Terry Pratchett’s Discworld and to those who have read Rex Stout’s Nero Wolfe mysteries. The fact that Cook has masterfully combined all three of these elements is admirable in the extreme. And the reason I wish I had come up with something like this.

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A (Black) Gat in the Hand: Tracer Bullet Takes the Case

A (Black) Gat in the Hand: Tracer Bullet Takes the Case

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I have had a Roger Torrey essay in mind for a couple years. And I thought I was going to write it this past weekend, but it didn’t quite work out that way. I’ll still be doing one this summer (he tells himself), using a short story from Black Dog’s excellent collection, Bodyguard. But today is not that day!

Calvin and Hobbes rivals Fox Trot for my all-time favorite comic strip. Bloom County barely holds off Dilbert for the third spot. Of course, the magic of C&H captivated millions over the years, and still does.

I have all of the non-repeating collections. Having bought them as they came out, I didn’t get that massive hardback collection. I even have the one from the exhibit here at Ohio State in Columbus, OH back in 1995. I didn’t see that one, unfortunately.

Calvin is a six-year old kid, and he has a stuffed tiger named Hobbes. Hobbes is alive when it’s just Calvin around. He’s a normal stuffed animal when someone else is (I only noticed one panel with an animated Hobbes, and someone else there…). Calvin is constantly getting into trouble with Hobbes.

There were some recurring characters, like Spaceman Spiff. There were two or three series’ with Calvin imagining himself as the classic hardboiled private eye, ala Sam Spade. He is Tracer Bullet.

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A (Black) Gat in the Hand: Norbert Davis’ “The Gin Monkey”

A (Black) Gat in the Hand: Norbert Davis’ “The Gin Monkey”

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

There will be more pulp Robert E. Howard this summer, but this week, it’s back to the Mean Streets I’m actually (semi-) qualified to write about. And I do know my Norbert Davis; and Dime Detective! This is my seventh Davis essay. And I’ve written two book introductions, with more coming. I’m doing what I can to drum up interest in the massively under-appreciated pulpster.

Black Mask originated, and then dominated, the hardboiled pulp field. In early 1923, Carroll John Daly brought Three gun Terry Mack, and then Race Williams to the page. In October, Dashiell Hammett (writing as Peter Collinson) introduced the more-developed Continental Op. Black Mask would focus on the newly created sub-genre, Joseph ‘Cap’ Shaw would become editor, and the magazine would dominate the mystery field for the rest of the decade. The field was emulating, and looking up at, Black Mask.

Dime Detective hit newsstands in November of 1931. The pulp would become Black Mask’s most enduring competition. In fact, Black Mask would be bought by Dime Detective’s publisher and the latter would outlast the legendary magazine. Stories would be parceled out between the two magazines, and there wasn’t much of a difference, other than which characters could be found in which one.

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Come and Get Me, Coppers … in Gangbusters

Come and Get Me, Coppers … in Gangbusters

Though it no longer exists, the gaming company known as TSR, Inc., will always be associated with Dungeons & Dragons. However, TSR published a lot more tabletop roleplaying games than D&D. The science fiction game Star Frontiers to this day has a strong fan base, and the game Gamma World continues to find some love. That being said, many of TSR’s other RPGs tend to have been forgotten by a wider audience though they might still have a community of followers.

Such a game is Gangbusters.

Designed by Rick Krebs and originally published in 1982, Gangbusters takes place in the America of the 1920s and 1930s in the fictional Lakefront City. This is a game of cops and robbers, of gangsters and crime lords and Tommy guns. Historical figures such as Al Capone or Pretty Boy Floyd might make an appearance along with fictional characters like Sam Spade or Philip Marlowe, but players also have the opportunity to play the bad guys. Or they can play the good guys and join the side of the law. Or they can be something in between, like a newspaper reporter or photographer.

The original version of Gangbusters included multiple maps, two ten-sided die, and a 64-page book of rules. Today 64 pages might not seem like much for a rules book, but Gangbusters had plenty of information packed into those pages.

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Bold Venture Press: The Unsung Hero of Pulp Publishing

Bold Venture Press: The Unsung Hero of Pulp Publishing

51WvS1lFaXL._SX331_BO1,204,203,200_PulpNoir_1280__06197.1518283264Black Gate: Bold Venture Press is, in many ways, the unsung hero of the pulp world of the 21st Century. You’ve an impressive catalog of new titles and classic reprints, but let’s start at the beginning and tell readers about Bold Venture Press’ history and accomplishments.

Bold Venture Press: Rich Harvey was working in the newspaper field, and founded Pulp Adventures Press in 1992, which eventually became Bold Venture Press. The Bold Venture imprint published The Spider and Pulp Adventures magazine, went on hiatus for a few years, then returned in 2014, reviving Pulp Adventures.

Audrey Parente was an investigative reporter and pulp historian who put her pulp connections on hiatus as her reporting career went into high gear. She rejoined the pulp fold after taking early retirement by attending Rich’s Pulp AdventureCon in New Jersey in 2012. Meeting at other pulp conventions, Rich and Audrey became reacquainted.

A fictionalized version of their romance, Pulp Noir was published by Bold Venture Press. They joined forces in Florida in 2014. Bold Venture has been cranking out several books every month, first focusing on pulp reprints and then adding new pulp and mainstream authors. Rich’s connections with Zorro Productions has led to the biggest and most exciting projects they have tackled.

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A (Black) Gat in the Hand: Philip Marlowe – Private Eye (Boothe)

A (Black) Gat in the Hand: Philip Marlowe – Private Eye (Boothe)

Marlowe_BootheSuit“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

In April of 1983, HBO aired the first episode of Philip Marlowe, Private Eye. Powers Boothe played Raymond Chandler’s world weary detective. I am a big fan of the movies which Dick Powell (Murder, My Sweet) and Humphrey Bogart (The Big Sleep) made from Chandler’s novels. But neither man played the character very true to the books.

Picking Iron (trivia) – Powell was a successful song and dance man when he was quite unexpectedly cast in Murder My Sweet. He nailed the part and it was the first of four hardboiled movies out of his next five: all good flicks. It allowed him to recreate his  Hollywood career. It also made him perfect for the light-hearted, singing radio detective, Richard Diamond.

Season one covered five stories: “The Pencil,” “The King in Yellow,” “Finger Man,” “Nevada Gas,” and “Smart Aleck Kill.” Season Two returned in 1986 with six more episodes: “Blackmailers Don’t Shoot,” “Spanish Blood,” “Pickup on Noon Street,” “Guns at Cyrano’s,” “Trouble is My Business,” and “Red Wind.”

Philip Marlowe made his first appearance in The Big Sleep, which was a novel cobbled together from several existing short stories. Marlowe was really a composite of previous detectives, such as John Dalmas and Carmody. It’s those stories, written mostly for Black Mask and Dime Detective, that were adapted for this series.

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A (Black) Gat in the Hand: Bullets or Ballots (Bogart)

A (Black) Gat in the Hand: Bullets or Ballots (Bogart)

Bogart_BulletsLobbyposter“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Humphrey Bogart worked his way up the ladder at Warner Brothers, frequently playing a bad guy who went up against James Cagney or Edward G. Robinson, who were big stars and a part of Warner’s ‘Murderer’s Row.’ I count seven times Bogie was pitted against one or the other, in a supporting actor role. Bogart was the star the eighth time, in Key Largo. It comes as no surprise that Bogart inevitably lost, up to that last time.

Bogart had failed twice in Hollywood before The Petrified Forest gave him the traction to stick on the west coast. He was so grateful to star Leslie Howard, who insisted that Bogart reprise his stage role as Duke Mantee, that Bogie named his daughter after Leslie. Bogart’s first film after that one is my favorite of his gangster flicks, Bullets or Ballots. It’s a typical thirties gangster film from Warners, which is a good thing.

Picking Lead (trivia) – The Petrified Forest was a smash on Broadway, and Warners bought the rights. Howard was the star and signed on to do the film. Warners wanted to use Robinson for the role of Mantee. Howard was determined the part be played by Bogart, saying he wouldn’t do the movie otherwise. Warners blinked and Bogart returned to the west coast, receiving strong reviews.

Picking Lead – Howard was killed in 1942 when the Luftwaffe shot down the Dutch commercial airliner he was flying on. His son, Ronald, also became an actor and starred in a British Sherlock Holmes television series. He played a younger Holmes and it’s an under-appreciated performance: in part because of poor scripts and low production values.

Edward G. Robinson plays Johnny Blake, a pipe-smoking cop finishing his career out-of-favor with the current leadership. He’s from the two-fisted school, and makes bad guys tip their hat to him. When one refuses to do so, Blake punches him out. When the thug takes a swing at him, he throws him through a glass door and has him arrested for destruction of property.

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A (Black) Gat in the Hand: It’s a Hardboiled June on TCM

A (Black) Gat in the Hand: It’s a Hardboiled June on TCM

Sheridan_Solo“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Coming off of Edward G. Robinson as the May Star of the Month on TCM, June is Ann Sheridan Month. The ‘Oomph Girl’ appeared in several hardboiled/noir/crime movies, so we’ll tell you some movies to look for.

Every Tuesday, there is a batch of Sheridan movies, and things kicked off June 1st, with eight flicks, including two Bogart movies: Black Legion, and The Great O’Malley. But the past is prologue.

Now, all of these films can be streamed live on Watch TCM if you get Turner Classic via your cable company. But even if you don’t, most of them can be viewed for at least one week after airing on WatchTCM. Some, like Casablanca, don’t get put up. I assume it’s to help sell mover DVDs. But most do. So, if you miss a movie, you can watch it via the app, or the website.

Having laid all of that out, let’s take a look at some of the June films, all EST:

June 2 (look for on Watch TCM)

8:00 PM – Black Legion

A 1937 ‘social cause’ movie. It’s based on the real-life Black Legion, which was a splinter group of the Ku Klux Klan. Humphrey Bogart is a factory worker with seniority who gets passed over by a smarter, harder-working foreigner. And ends up joining the hate group. It was a strong performance by Bogart, who was just being forced by Warners to crank out B-movies (this was four years before High Sierra). Sheridan is fourth-billed and is really only the third main female. The speech from the judge at the end is as heavy-handed propaganda as you’ll run across in a Bogart film. Worth a watch.

9:30 PM – Dodge City

This is a big budget western, starring the swashbuckling Errol Flynn. Michael Curtiz (Casablanca) directed, with a great musical score by Max Steiner. One of my favorite comic supporting actors, Frank McHugh, is here, as Sheridan plays female second banana to Olivia de Haviland. This movie features a heck of a bar room brawl, and the cast is solid. There was an unrelated follow-up with Flynn, Virginia City. Which included Bogart as a Mexican raider with a cheesy mustache.

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