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Category: H.P. Lovecraft

A New Magazine of Fantasy, Science Fiction, Lovecraftian Horror, and Sword & Sorcery: Gathering Storm

A New Magazine of Fantasy, Science Fiction, Lovecraftian Horror, and Sword & Sorcery: Gathering Storm

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Gathering Storm is a brand new magazine with an interesting twist: every issue contains fiction themed according to popular idioms. The editor, Michael McHenry, explained his unique approach in an interview with the Northwest Arkansas Community College paper Eagle View.

Gathering Storm Magazine is a brand new Fayetteville based publication focused on short stories under 2,000 words. GSM will publish stories in a wide variety of genres, including fantasy, horror, science fiction, steampunk, weird, lovecraftian, sword & sorcery. The magazine will also include art, poetry, comics, and more… McHenry said the inspiration for Gathering Storm Magazine came one day when he kept hearing different idioms people used. “For some reason, I heard quite a few that day and kept thinking, Hmmm, that would make a good story,” McHenry said. “The idea caught on like wildfire and I thought that a dedicated magazine to showcasing these types of stories sounded amazing.” Michael McHenry started the magazine with his mother, Cinda McHenry…

GSM is different from other magazines because every time a submission is sent to the magazine, it is categorized according to a certain theme… Issue #1 will contain four stories. First, “Revenge is a dish best served cold,” second, “People who live in glass houses shouldn’t throw stones,” third, “Knock on wood,” and finally, “Break a leg.”… “The themes change throughout the year for every new issue but all relate to a particular old saying, proverb, or adage that people know so well,” McHenry said… GSM will be published every two months.

The first issue was published in February 2017; issue #2 arrived right on time earlier this month. Issues are available in digital formats for $4.99, and in print for $11.99. The editors sent us a PDF copy of the first two issues, and I must say I was immediately impressed with the professional layout and design, and the interior artwork. Here’s a few samples.

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The Public Life of Sherlock Holmes: Cthulhu Casebooks & Nightmares

The Public Life of Sherlock Holmes: Cthulhu Casebooks & Nightmares

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lovegrove_shadwellIn the early 1900’s, Maurice Leblanc had his French detective, Arsene Lupin, face off with Herlock Sholmes. I think you know who he’s battling – spelling disregarded. 1965’s A Study in Terror sent Holmes after Jack the Ripper on movie screens and in 1988, and Sax Rohmer biographer Clay Van Ash brought Holmes and Fu Manchu together in Ten Years Beyond Baker Street. Crossovers have become more and more popular over the years. James Lovegrove currently has Holmes interacting with the Cthulhu mythos.

I don’t do a lot of book reviews here at The Public Life of Sherlock Holmes because I generally don’t like to reveal spoilers. And it can be tough to talk about the strong points of a book without giving away key elements. But sometimes, especially with older books, that’s part of the price of the post. So, I’ll try to limit revelations in this one, but be warned: There be spoilers here!

Lovegrove, who has written several non-Holmes books, is part of Titan’s stable of new Holmes authors. Sherlock Holmes and the Shadwell Shadows is the first of a trilogy, with Sherlock Holmes & The Miskatonic Monstrosities due out in Fall of 2017 and Sherlock Holmes and the Sussex Sea Devils to wrap things up in November of 2018.

The basic premise of the book (yea, the trilogy) is that Watson made up the sixty stories in the Canon. He did so to cover up the real truth behind Holmes’ work. And that’s because the truth is too horrible to reveal. In a nutshell, Watson has written three journals, each covering events fifteen years apart, to try and get some of the darkness out of his soul.

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We All Live in Lovecraft Country

We All Live in Lovecraft Country

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lovecraftcountryLovecraft Country
by Matt Ruff
Harper (384 pages, $26.99 hardback, $7.99 digital, February 2016)

Pam Noles grew up the daughter of a mother who was very active in the NAACP and a father who, because of his color, had to sue their city after being turned down eight times for a firefighting job. Noles also grew up loving all things science fiction — books and B movies — even though nobody on those book covers or in those movies resembled her family.

On Saturday nights Noles watched schlocky movies hosted by an Elvira knockoff called The Ghoul, backed by a cast of weirdos (every big market had something similar — in Philly we had Saturday Night Dead, hosted by Stella “The Maneater From Manayunk”). During breaks in the movie they performed skits.

Usually it would be just me in the basement sprawled on the floor surrounded by snacks, Legos and books to read during the commercials. If he was off shift, sometimes Dad would come down and join me in his leather recliner by the stairs. Every once in a while Mom called down from the kitchen Are you letting her watch those weird things? And we’d lie in unison, No. If she came down to check for herself, Dad would get in trouble.

Dad had his own names for the movies.

What’s this? ‘Escape to a White Planet?’

It’s called ‘When Worlds Collide.’ I’m sure I sounded indignant.

‘Mars Kills the White People.’ I love this one.

Daaaaad. It says it right there. ‘War of the Worlds’. I know I sighed heavily, but was careful to turn back to the tv before rolling my eyes.

Once he asked me which was more real, the movie or the skits between. I didn’t get it, and told him that they were both stories, so they were both fake. He didn’t bring it up again until a skit came on. I can’t remember if it was a ‘Soulman’ skit or one of the caveman gags (the cavemen were multicultural — basic white, Polish, Italian, and black). But I remember Dad saying, how come you never see anybody like that in the stories you like? And I remember answering, maybe they didn’t have black people back then. He said there’s always been black people. I said but black people can’t be wizards and space people and they can’t fight evil, so they can’t be in the story. When he didn’t say anything back I turned around. He was in full recline mode in his chair and he was very still, looking at me. He didn’t say anything else.

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Caterers to the Damned, Zombie Gladiators, and Lovecraft’s Dreamlands: Catching Up With Tor.com Publishing

Caterers to the Damned, Zombie Gladiators, and Lovecraft’s Dreamlands: Catching Up With Tor.com Publishing

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One of the most exciting developments in publishing over the last year has been the blockbuster launch of Tor.com publishing. They’ve really shaken up the industry with a knockout line-up of original novellas — including the Nebula award-winning Binti by Nnedi Okorafor, Daniel Polansky’s Hugo-nominated The Builders, Emily Foster’s acclaimed epic fantasy The Drowning Eyes, and many more.

A big part of the reason I enjoy about the Tor.com novella line so much — beside the fact that they’re fun, easy reads — is that the publisher has shown a willingness to experiment with series fantasy. And so we have Guy Haley’s post-apocalyptic adventure The Emperor’s Railroad, set in a world of strange robots and gladiatorial combat with zombies; Paul Cornell’s Witches of Lychford, in which a trio of New England witches warily guard the boundary between two worlds, and a gateway to malevolent beings beyond imagination; Andy Remic’s Song For No Man’s Land trilogy, The Great War retold as an epic fantasy featuring a subterranean Iron Beast; Matt Wallace’s Sin du Jour books, featuring the comedic misadventures of New York’s exclusive caterers-to-the-damned, and others.

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Lovecraft’s Dreamlands Via Graphic Novel: Jason Thompson’s The Dream-Quest of the Unknown Kadath & Other Stories

Lovecraft’s Dreamlands Via Graphic Novel: Jason Thompson’s The Dream-Quest of the Unknown Kadath & Other Stories

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Thompson’s Dreamlands has an Orientalist feel but an alien one. (Click to enlarge.)

Jason Thompson sent me a copy of his The Dream-Quest of the Unknown Kadath & Other Stories. It even came in a cool envelope, but I’ll get to that.

I’ve been on a bit of a Lovecraft quest.

HP Lovecraft is more than a Geek-only in-joke, there’s still something powerful about his works — or so I discovered reading “The Festival,” “Shadow over Innsmouth” and “Whisperer in the Dark” to my 8-year-old daughter. She experienced the stories as like Scoobie Doo, but when you pull off the bad guy’s mask his face is made of worms.

So, though the style is dated and thus heavy going in places, the structure is sound: he really nailed the whole “unfolding mystery leading to horrible revelation” trope. (I must therefore take back what I said before, I’m sure people do read HP Lovecraft for pleasure from time to time, much as we might also read Malory, because I am now one of them.)

Lovecraft’s power goes way beyond spinning a spooky yarn. He has a knack of being intriguingly vague with great certainty.

The intriguingly is the important part that people often miss.

As frustrated teenage writers discover, vague descriptions of random stuff you made up are not in themselves intriguing. What makes Lovecraft intriguing as well as certain is that he is referencing what feels like a fully realised and disquieting story world, his famous Cthulhu Mythos.

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The Print Version of the 7th Edition of Call of Cthulhu is Now Available

The Print Version of the 7th Edition of Call of Cthulhu is Now Available

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The Kickstarter for the long-awaited Seventh Edition of Call of Cthulhu, one of the greatest role playing games of all time, was one of the most successful crowdfunding campaigns in gaming history, pulling in over $560,000 on a $40,000 goal. The PDF versions were released back in 2014, but the promised print edition took a lot longer to arrive. But it is now here — officially announced on the website on August 26, and already offered for sale at various online outlets.

The 7th Edition, based on the original rules by Sandy Peterson and Lynn Willis, was significantly revised by Paul Fricker and Mike Mason. It weighs in at 448 pages in hardcover, with an eye-catching cover by Sam Lamont and some color interiors. A significant amount of supporting material is already available, including the Call of Cthulhu Keepers Screen, a hardcover Investigator Handbook, the S.Petersen’s Field Guide to Lovecraftian Horrors, and the first 7th Edition adventure collection, Nameless Horrors.

If you’re new to Call of Cthulhu, or just curious, great! CoC is one of the most innovative and creative role playing games ever made, and — almost uniquely in the industry — its supplements and adventures make great reading, even if you never have the chance to sit down at a table with fellow players. It was the first semi-contemporary RPG, and also the first to feature ordinary folks as protagonists. But don’t just take my word for it… here’s a dead-on quote from Ed Grabianowski’s io9 article, “Call Of Cthulhu Was The First Role-Playing Game To Drive People Insane.”

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John DeNardo Proves Lovecraftian Fiction is Alive and Well

John DeNardo Proves Lovecraftian Fiction is Alive and Well

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Over at Kirkus Reviews, the tireless John DeNardo gives us the rundown on the latest in Lovecraftian horror, including The Dream-Quest of Vellitt Boe by Kij Johnson.

In this haunting novella, Kij Johnson takes readers on a journey across a dream landscape reminiscent of Lovecraft’s weird and wonderful writing. The protagonist, Professor Vellitt Boe, who teaches at the prestigious Ulthar Women’s College, learns that one of her most gifted students elopes with a dreamer from the waking world. Because this student may be the only one who can save the community, Vellitt must retrieve her – a quest that introduces her to fantasy landscapes and creatures that should exist only in nightmares. Johnson’s enthralling tale is both a commentary of Lovecraftian fiction as well as an example of it.

He’s equally intrigued by Swords v. Cthulhu, edited by Jesse Bullington and Molly Tanzer.

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A Fine Tribute to the Godfather of Weird Literature: The Mammoth Book of Cthulhu, edited by Paula Guran

A Fine Tribute to the Godfather of Weird Literature: The Mammoth Book of Cthulhu, edited by Paula Guran

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The Mammoth Book of Cthulhu-smallWithin The Mammoth Book of Cthulhu, masterfully edited by Paula Guran, you will find a plethora of bewitching stories. Plenty of brilliant writers who contributed their talents incorporate Lovecraft’s universe into their tales. Others invent their own worlds and wink at the Godfather of weird literature.

One went so far as to sum Lovecraft up in a biography. In her piece “Variations on Lovecraftian Themes,” Veronica Schanoes shines an unforgiving light on Lovecraft’s racism and Anti-Semitism. That’s not to say Lovecraft has no redeeming qualities. Schanoes notes, for example. how he nurtured countless young writers through letters.

Contradictions abounded in Lovecraft’s life, and no one understands this more than Schanoes. Having thoroughly educated herself on her topic, her research delivers a punch to the gut. It makes you wonder if you can go on loving a writer knowing they valued hate.

On the subject of loving writers, you could say “A Shadow of Thine Own Design” by W.H. Pugmire is a love letter to Lovecraft. The story begins in the infamous city of Arkham. A young man named Malcolm Elioth meets an old woman named Edith Gnome. Ms. Gnome possesses a piece of artwork by the notorious Richard Upton Pinkman. Once the painting appears in the story, Lovecraft’s shadow looms over the stage. Yet, Pugmire makes the world his own by amplifying the grotesque power of the painting. The stunning description of Ms. Gnome’s baroque hell house shimmers off the page. Though Lovecraft’s beloved city and legendary painter play important roles in the tale, Pugmire constructs his own universe around them. And that’s what makes this tale so enjoyable.

Look no further than “Legacy of Salt” by Silvia Garcia-Moreno for an equally enjoyable piece. When Eduardo reunites with his relatives, who live in what seems like a time capsule, he desperately yearns to return to his lover in Mexico City. But Imelda, his enchanting and backward cousin, stabs a hook into his flesh. Their sordid waltz around their attraction is only one part of the story. The ancient rituals of Eduardo’s relatives, dating back to the time of the Aztecs, sear themselves into your memory. It’s not easy breaking away from a spiritual bond as strong as this one. Moreno-Garcia knows this well. This story haunts you.

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Need Some Cthulhu?

Need Some Cthulhu?

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AP_Sanity1Way back in 2003, The Shackled City began appearing in the pages of Dungeon magazine. Spread over twelve installments, it let characters adventure in a connected storyline from first to twentieth level and really, it was the first incarnation of the modern Adventure Path. Paizo followed this up with two others, Age of Worms and Savage Tide. A post about the real evolution of the Adventure Path, going back to the ‘Giants’ modules from TSR, would be a pretty interesting read. But that’s not this post.

Paizo lost Dungeon when Wizards of the Coast brought it back in-house. As we all know, Paizo went from developing 3.5 materials to the massively successful Pathfinder RPG. And at the heart of Pathfinder has been the Adventure Path: a six module, linked storyline, written by multiple authors, covering levels 1 to 20. Rise of the Runelords kicked things off in 2007-2008 (I highly recommend the Anniversary Edition ) and later this month, Paizo’s nineteenth Adventure Path comes out.

That’s 114 modules of adventuring. Wow. They range all over the Pathfinder world of Golarion and really showcase what a fantastic campaign world it is. I put it up there with the Forgotten Realms as my favorite (I’m not a big Greyhawk guy, myself).

Bet you wondered if I was ever gonna pay off the post’s title, didn’t you? Well, I am. Here’s a description of Strange Aeons:

In a distant land polluted by an alien menace from beyond the stars, a great cancer grows within the earth. As its tendrils reach out through the dreams of those who learn and study its existence, a sinister cult grows more active in preparing the way for a devastation that will destroy more than the minds of would-be heroes. Can the adventures reclaim lost memories in time to stop the advance of a cataclysmic contagion that could threaten all of Golarion? Can they resist the mind-shattering truths revealed by the Yellow Sign, and the monstrous force it symbolizes? The Strange Aeons Adventure Path pits the heroes against the cosmic horrors of the Cthulhu Mythos, with new monsters, mind-shattering terrors, and explorations far beyond the known lands of Golarion.

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Future Treasures: Swords v. Cthulhu: Swift Bladed Action in the Horrific World of H.P. Lovecraft, edited by Jesse Bullington and Molly Tanzer

Future Treasures: Swords v. Cthulhu: Swift Bladed Action in the Horrific World of H.P. Lovecraft, edited by Jesse Bullington and Molly Tanzer

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Swords v Cthulhu-smallAre you a Lovecraft fan? Are you just a little bit tired of nodding to yourself at the 5-page mark at every tale, thinking, “Well, this is going to end horribly.” And are you tired of being right every single time?

If you are, you’re not alone. And editors Jesse Bullington (The Enterprise of Death) and Molly Tanzer (Vermilion) have the answer: Swords v Cthulhu, a collection of brand new sword & sorcery Mythos fiction by a stellar list of contributors — including Black Gate authors Jonathan L. Howard and Jeremiah Tolbert, plus Michael Cisco, John Hornor Jacobs, John Langan, E. Catherine Tobler, Carrie Vaughn, and many others — featuring stalwart adventurers squaring off against the greatest horrors of the Lovecraftian pantheon. Okay, sure, most of the tales within probably still end horribly. By at least the protagonists go down swinging!

What hope has a humble adventurer when faced with a fight against Cthulhu himself? No matter; the true swordsperson cares not for hope — only for the bite of steel against flesh, whether that flesh be eldritch or more conventional. So, grab your khukuri knife, your iklwa spear, or a legendary blade and journey with us from ancient Rome to feudal Japan, from the Dreamlands to lands there are no names for in any of the tongues of men.

If you have any doubts, inside this tome you can consult ask some of Lovecraftiana’s hottest voices, be they seasoned veterans or relative newcomers… Hope be damned. Glory awaits!

Relentlessly hurtling you into madness and danger are: Natania Barron, Eneasz Brodski, Nathan Carson, Michael Cisco, Andrew S. Fuller, A. Scott Glancy, Orrin Grey, Jason Heller, Jonathan L. Howard, John Hornor Jacobs , John Langan, L. Lark, Remy Nakamura, Carlos Orsi, M. K. Sauer, Ben Stewart, E. Catherine Tobler, Jeremiah Tolbert, Laurie Tom, Carrie Vaughn, Wendy N. Wagner, and Caleb Wilson.

Swords v. Cthulhu: Swift Bladed Action in the Horrific World of H.P. Lovecraft will be published by Stone Skin Press on August 1, 2016. It is 368 pages, priced at $13.99 in paperback. No news yet on a separate digital edition. See more details at the Stone Skin website, including teaser excerpts from many of the stories.