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Category: H.P. Lovecraft

Vintage Treasures: Lin Carter’s Weird Tales

Vintage Treasures: Lin Carter’s Weird Tales

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Weird Tales , Volumes 1 -4 (Zebra Books, December 1980
– August 1983). Covers by Tom Barber (#1-3) and Doug Beekman (#4)

Lin Carter was one of the finest genre editors of the 20th Century, and Weird Tales magazine was the most important fantasy magazine of the last century, publishing the career-defining work of Robert E. Howard, H.P. Lovecraft, Clark Ashton Smith, and hundreds of other writers. In December 1980 Zebra Books published the equivalent of a genre superhero Team-Up, the first two volumes of a paperback relaunch of Weird Tales helmed by Lin Carter.

The ambitious effort had several things in common with the original pulp incarnation. Namely, it was criminally underfunded, published sporadically, and doomed.

But it also had a hugely talented and hardworking editor, and in three short years it published a total of four volumes containing ‘lost’ stories by Robert E. Howard and H.P. Lovecraft, an original John the Balladeer story by Manly Wade Wellman, reprints of classic tales from the pages of Weird Tales, and original fiction by Ramsey Campbell, Carl Jacobi, Tanith Lee, Mary Elizabeth Counselman, Steve Rasnic Tem, Hannes Bok, Joseph Payne Brennan, Evangeline Walton, Charles Sheffield, Frank Belknap Long, Lin Carter, and a lot more.

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Vintage Treasures: 39 Short Novels edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

Vintage Treasures: 39 Short Novels edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

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The 13 Short Novels trilogy (Bonanza Books/Crown, 1984-87). Covers designed by Morris Taub

I spent a lot of hours last year chasing down, reading, and writing about some very fine anthologies produced by the triumvirate of Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh. Their output in the decade before Asimov’s death in 1992 was frankly amazing: some 70 anthologies, including nearly a dozen each in Isaac Asimov’s Wonderful Worlds of Science Fiction and Isaac Asimov’s Magical Worlds of Fantasy; a decade-by-decade survey of 20th Century SF, The Mammoth Book of Classic Science Fiction; and dozens of others. These were highly readable books assembled with a deep love and knowledge of the genre.

Asimov, Greenberg and Waugh were playful in the themes they chose, and they had a mathematician’s love of lists, in books like The Seven Deadly Sins of Science Fiction and The Seven Cardinal Virtues of Science Fiction, and especially the trio 13 Short Fantasy Novels, 13 Short Science Fiction Novels, and 13 Short Horror Novels — the latter assembled without input from Asimov. The 13 Short Novels trilogy, which collects 39 terrific novellas in three volumes, is long out of print and forgotten today, which is a shame. These are exceptional books, and one is absolutely fabulous.

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Strange Diseases, Vengeful Ghosts, and Lovecraftian Horror: September/October 2022 Print SF Magazines

Strange Diseases, Vengeful Ghosts, and Lovecraftian Horror: September/October 2022 Print SF Magazines

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September/October 2022 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and
The Magazine of Fantasy & Science Fiction. Cover art by 123RF, 123RF, and Bob Eggleton

I was at the launch party for Randee Dawn’s debut novel Tune in Tomorrow at Worldcon this month (with the most amazing TV-shaped cake — seriously, check it out), when I spotted the also-amazing Sheila Williams, editor of Asimov’s Science Fiction Magazine. I was hoping for the chance to catch up, but long before that happy event the party became so crowded that Jacob Weisman and I, who’ve both managed to dodge COVID for the past two years, nervously ducked out and ended up talking in relative quiet on the Hyatt skyway.

Some time before midnight Sheila found us as she made her weary way to her hotel room. We pulled over some chairs, and soon there was a small crowd of us gossiping about short fiction on the skyway over North Stetson Avenue (ironically enough, overlooking the exact location of the opening scene of my novel The Robots of Gotham).

One of the things Sheila shared was that, despite all my expectations to the contrary, the print SF magazines — including Asimov’s and Analog — are doing very well, thank you. The pandemic played havoc with distribution, and for the last few years all the attention (and award nominations) has gone to online magazines like Uncanny and Clarkesworld, but Asimov’s subscriber base has proven remarkably steadfast, and is even growing. I’ve been used to a steady stream of bad news, and general gloom and doom around the print mags for years, and it was wonderful to hear they have plenty of life in them yet.

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A Strange Song of Unknown Places: The Dream-Quest of Unknown Kadath by H.P. Lovecraft

A Strange Song of Unknown Places: The Dream-Quest of Unknown Kadath by H.P. Lovecraft

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HPL’s original manuscript

Three times Randolph Carter dreamed of the marvelous city, and three times was he snatched away while still he paused on the high terrace above it. All golden and lovely it blazed in the sunset, with walls, temples, colonnades and arched bridges of veined marble, silver-basined fountains of prismatic spray in broad squares and perfumed gardens, and wide streets marching between delicate trees and blossom-laden urns and ivory statues in gleaming rows; while on steep northward slopes climbed tiers of red roofs and old peaked gables harbouring little lanes of grassy cobbles. It was a fever of the gods, a fanfare of supernal trumpets and a clash of immortal cymbals. Mystery hung about it as clouds about a fabulous unvisited mountain; and as Carter stood breathless and expectant on that balustraded parapet there swept up to him the poignancy and suspense of almost-vanished memory, the pain of lost things and the maddening need to place again what once had been an awesome and momentous place.

HP Lovecraft (1890-1937) was a man who seems to have never been fully comfortable in the world. His racism, most unpleasantly, but also, his old-fashioned affectations and his adamant refusal to bend his artistic desires to the least sort of commercial demands, all these, I believe, indicate a severe unease with the way the world was (he even turned down the editorship of Weird Tales because he refused to move to Chicago “on aesthetic grounds.”) The old America, peopled by the heirs of the original colonial families, had been washed away on a tide of industrialization and immigration. It was decadent and in decline and he would not be a part of it.

From his earliest days, Lovecraft was plagued by strange dreams and nightmares. Many of these would serve as the basis of stories later in life. A tragic family life — his father died in an asylum of late-stage syphilis and his family slowly slipped into poverty — and an innate nervous disposition probably had much to do with his attitudes. At the heart of the horror stories for which he’s most famous is the belief that mankind is insignificant and powerless in the face of a vast and uncaring Universe. While I don’t think he was mentally ill or anything, I do believe he longed for some intangible, more fantastic and better world.

Not finding one at hand, he created one in a series of related tales that culminated with The Dream-Quest of Unknown Kadath in 1927 (though it wouldn’t be published until 1943). Typically referred to as his Dream Cycle, Lovecraft was greatly influenced in writing these tales by Lord Dunsany‘s lush stories. The stories are filled with dense descriptive passages, surreal imagery, and the illogical logic of dreams.

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Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

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The Arbor House Treasury of Horror and the Supernatural (Arbor House, May 1981)

Back in February I surveyed all ten Arbor House Treasuries, calling them a “Hearty Library of Genre Fiction.” I wanted to take a closer look at a few (and I did crack open The Arbor House Treasury of Great Science Fiction Short Novels, edited by Martin H. Greenberg and Robert Silverberg), and this long Memorial Day weekend I’m settling down with The Arbor House Treasury of Horror and the Supernatural, a massive volume compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg.

This is a feast of a book, nearly 600 pages in hardcover, packed with 41 stories by Edgar Allan Poe, Bram Stoker, Winston Churchill, H. G. Wells, Ambrose Bierce, H. P. Lovecraft, Robert Bloch, Cornell Woolrich, William Faulkner, Theodore Sturgeon, Fritz Leiber, Fredric Brown, Karl Edward Wagner, Thomas M. Disch, Robert Silverberg, Ramsey Campbell, Jack Dann, C. M. Kornbluth, Robert Sheckley, Joyce Carol Oates, Stephen King, and dozens of others. It’s a the kind of thing you build a month-long book club project around.

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New Treasures: Rainbringer: Zora Neale Hurston Against The Lovecraftian Mythos by Edward M. Erdelac

New Treasures: Rainbringer: Zora Neale Hurston Against The Lovecraftian Mythos by Edward M. Erdelac

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Rainbringer by Edward M. Erdelac. (Cover by Jabari Weathers; (Kindle & Paperback Editions, 326pages. May 2021)

Rainbringer: The Symphonic Heavy Metal of Weird Fiction

Edward M. Erdelac has been writing entertaining weird fiction for over a decade. He pushes boundaries. One of his first spotlights on Black Gate was in 2014 regarding his Merkabah Rider (concerning the 19th-century Hasidic Jewish mystic turned gunslinger).  Erdelac also wrote an entry in Tales of Cthulhu Invictus mentioned in my recent 2022 review of Richard L. Tierney’s Simon of Gitta tales (this connection resonates since both Tierney and Erdelac extended the mythos of Robert E. Howard’s magical Ring of Set… more on that below). The author clearly has a knack for extending the landscapes (dreamscapes?) of modern fiction.

With Rainbringer: Zora Neale Hurston Against The Lovecraftian Mythos, Erdelac invites us to follow a fictionalized version of Zora Neale Hurston throughout the North American Twentieth Century. On the face of that description, you may not be hooked. Like most people, I presume, I had no idea of who she was…. or why she may present a wonderful lens into cosmic horrors. Read on! She’s a strong, witty survivor who is uniquely qualified.

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Weird Tales Deep Read: February 1936

Weird Tales Deep Read: February 1936

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This installment of the Weird Tales Deep Read continues our examination of 1936 with the February issue, which would have ranked among the best ever if not for a terrible cover story that dragged the rating down to a still very respectable 2.1, making it the year’s second best issue. We see some very familiar authors, including C. L. Moore, Paul Ernst, Robert E. Howard (who managed to appear in ten of the eleven ‘36 issues, largely because of two serials), and H.P. Lovecraft (with a reprint).

The best of issue once again comes down to Howard and Moore, and Howard again gets the nod by a hair. Of the 11 stories eight (73%) are set in the United States, and one each (9%) on Mars and an unnamed Jovian moon, China and other Asian territories, and in a fictitious realm. Eight (73%) are set in contemporary times, two in the past (18%) and one (9%) in the future.

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Weird Tales Deep Read: January 1936

Weird Tales Deep Read: January 1936

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Another Brundage Pastel

I’m going to change the focus of the Weird Tales deep read slightly, to hopefully give a somewhat more coherent view of the magazine by focusing on a particular year, while still maintaining the month-at-a time format. First up is January 1936, followed by the ten subsequent issues published that year. (One issue was bi-monthly, and I’ve already covered the July issue, so you can just check that particular installment in the link provided below if you’re so inclined).

The January ‘36 WT is full of familiar names. Seabury Quinn, August Derleth, Paul Ernst, C. L. Moore, Robert E. Howard, and H. P. Lovecraft (with a reprint) all appear in the line up. The issue grades out to a respectable 2.44, largely avoiding poor stories but also scoring only a few outstanding ones. The two vying for best of issue were Moore’s Jirel and Howard’s Conan, the second installment of the longest Conan tale he was to write. Howard gets the nod on a toss-up.

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Lovecraftian Horror, Robot Musicians, and Alien Monsters: March/April 2021 Print SF Magazines

Lovecraftian Horror, Robot Musicians, and Alien Monsters: March/April 2021 Print SF Magazines

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Covers by NASA, Maurizio Manzieri, and Warwick Fraser-Coombe

My regular trips to Barnes & Noble to pick up the latest print magazines are usually a fun affair. But it was bittersweet last month as, due to the ongoing uncertainty surrounding Interzone (and the planned retirement of its editor, Andy Cox), I assumed the Nov-Dec 2020 edition currently on the stands would be the final print issue of Interzone. Fortunately the magazine appears to be continuing, as least for the short term.

First up — the latest Asimov’s SF, with stories by Greg Egan, James Patrick Kelly, Kali Wallace, Michael Swanwick, and Black Gate‘s Saturday night blogger Derek Künsken. Here’s the highlights from Victoria Silverwolf’s review at Tangent Online.

The magazine opens strongly with “Glitch” by Alex Irvine. The setting is a future in which one’s consciousness can be recorded and then downloaded into a new body after death, if one can pay the price. People can also swap minds, using similar technology, or hitch rides inside the bodies of other persons. The story begins with the protagonist in a new body, after being killed in a bombing. The terrorists tried to block the minds of their victims from being resurrected, but a technical problem caused the main character to share his body with the mind of the bomber, who also died during the attack. He struggles to prevent the terrorist from taking over completely, while evading the authorities and fighting to stop another bombing. The author creates a vivid and suspenseful tale…

“Mrs. Piper Between the Sea and the Sky” by Kali Wallace is a tale of alternate history set in the 1940s. Aliens arrive on Earth, ending the Second World War when they destroy both Germany and the Soviet Union for refusing to cooperate with them. The protagonist is a British secret agent, sent to the United States to capture a former war hero who chose to work with the aliens. If necessary, she is ready to kill to accomplish her mission. She witnesses the devastating effect the arrival of the aliens has on plants and animals, and learns something about the relationship between the married couple. The premise is intriguing… The story’s mood ranges from Lovecraftian cosmic horror to spy thriller to domestic drama…

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Vintage Treasures: Fungi From Yuggoth & Other Poems by H.P. Lovecraft

Vintage Treasures: Fungi From Yuggoth & Other Poems by H.P. Lovecraft

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Fungi From Yuggoth & Other Poems (Ballantine, 1971). Cover by Gervasio Gallardo

I’m a little embarrassed to admit I haven’t read much Lovecraft poetry. Well, I read his marvelous “Drinking Song,” from his first published story “The Tomb,” which reads exactly like the ballads belted out by drunken revelers in every Scottish tavern I’ve ever been in. Here’s the first stanza.

Come hither, my lads, with your tankards of ale,
And drink to the present before it shall fail;
Pile each on your platter a mountain of beef,
For ’tis eating and drinking that bring us relief:
        So fill up your glass,
        For life will soon pass;
When you’re dead ye’ll ne’er drink to your king or your lass!

Read the whole thing at the link above.

Lovecraft didn’t get much respect as a poet until long after his first fiction collection, The Outsider and Others, appeared in 1939. His Collected Poems was first published by Arkham House in a tiny print run in 1963, and then retitled Fungi From Yuggoth & Other Poems for its Ballantine paperback reprint eight years later.

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