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Category: H.P. Lovecraft

Recognizing Genius: Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, edited by David E Schultz and S.T. Joshi

Recognizing Genius: Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, edited by David E Schultz and S.T. Joshi

Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and and Clark Ashton Smith,
1922-1931, Volumes 1 and 2 (Hippocampus Press, July 14, 2020). Cover art by David C. Verba

I’ve been reading Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, a two-volume set edited by David E. Schultz and S.T. Joshi. I talked about this in my company newsletter sent out a short while ago, and I’ll repeat it here for the interested.

Lovecraft paid great deference to Smith on their initial contact, but they soon became fast friends, with fun nicknames for one another. Lovecraft recognized genius when he saw it.

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Neverwhens: In His Sunken House of… Doggerland… Dead Cthulhu Waits Dreaming

Neverwhens: In His Sunken House of… Doggerland… Dead Cthulhu Waits Dreaming

Yeah…Doggerland.

For those not in the know, during the last Ice Age Earth’s seas were about 300 feet lower, revealing a vast amount of land. While no true Atlantis or Mu have been found, examples include a broad plain — and now sunken lakebed — connecting Australia to New Guinea, the Sunda Shelf — a massive sub-continent that unites most of Southeast Asia in a single landmass that includes places as far flung as Java and the Philippines, and Doggerland.

This last was a remnant of an even earlier land mass that had covered the Irish, Baltic and North Seas during the last glaciation, and where we now see the English Channel and the regions of the North Sea that separate the British Isles from Denmark and southern Norway there was land of marshlands and forests, filled with the last remnants of European megafauna such as lions, sabertooths, giant elk, and mammoths. Doggerland was slowly inundated by rising waters, transforming into an archipelago of islands, before being finally subsumed in the late Mesolithic era, likely by a tsunami event.

This lost land provides the setting for The Shadow Over Doggerland, a rather interesting collection of Mythos fiction spear-headed by prolific horror author Tim Medees and published by Nordc Press that asks what actually happened to the people of Doggerland? Was there some great ancient evil bent on destroying the world dreaming below the surface waiting to emerge?

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Necronomicon: Sunday, Sundayyyyy

Necronomicon: Sunday, Sundayyyyy

The sleepers wake: attendees start the fourth day of Necronomicon

In the usual life cycle of a con, Sundays range from DOA — they expired sometime in the dark of night and when the sun rises all one finds is an empty, sun-baked dusty street with flies buzzing desultorily on piles of yesterday’s horse dung — to a lively old age that becomes more fragile as the day goes on. Checkouts at the hotel desk are consistent, though a good number leave luggage for later retrieval. But as the 8AM session on Thursday was well-attended, so too the 9:30 session Sunday morning about the correspondence between our man Lovecraft and Robert E. “Conan the Barbarian” Howard filled most of the seats. From this one must conclude Necronomicon’s Sunday will be on the lively side, and no dusty, abandoned street.

Letters constituted a major venue for communication between notables during this time period, and some — alas, not all — made it a practice to retain these letters. As a side-note: a loss to present-day scholarship on Lovecraft occurred when Lovecraft’s spouse burned the letters she’d received from him over the years of their acquaintance, courting, and marriage. And when we’re talking about H.P. Lovecraft and Robert E. Howard, the letters aren’t short little hello-how ya doin’-what’s up affairs, but lengthy epistolary conversations on weighty matters relating to writing style, what constitutes a good and required text for reading, and life, liberty, and the pursuit of publication in the fraught world of the pulps of that era.

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Necronomicon Saturday: All the Funs

Necronomicon Saturday: All the Funs


The glorious Vendor Hall at Necronomicon

As Necronomicon enters the full adult stage of its four day life, wee Thursday toddlerdom and energetic Friday late-teens giving way to brawny, wide-shouldered, keen-eyed prime of life. Today sees peak attendance, as day-trippers flock in to swell the ranks of shoppers on the Vendor Hall and help pack the seating in panels and presentations.

The Armitage Symposium organizes traditionally academic panels at Necronomicon, a nice way to draw a distinction between them and more traditional fan-oriented panels, and also a much nicer thing to put on one’s academic vita (like a resume) than the name of a fictional book that contains… stuff.

In The Surpassing Despair Which Flows from a Loss of Identity: Postcolonial Historiography and Race in Lovecraftiana, four academics presented papers on topics that fit under the awkward umbrella of the panel name. I could do a whole post about the art of crafting panel names for collections of academic papers, but whyyyyyyyyyyyyyyyyyyyyyyyyy would I do that to you?

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Necronomicon: The Paneling

Necronomicon: The Paneling

There’s nothing like a well-run ‘con, and veterans of the circuit know the feel of competence, from the preliminary materials and communications to the execution of the event on site. Chief character of this con? The Biltmore Graduate hotel. Still proudly wearing the Biltmore name, this fine building shares con duty with the Omni Hotel here in Providence, Rhode Island. There’s even a Time Machine.

Bright and early, a strong crowd gathered for New York State of Mind: Lovecraft’s New York Period, a panel assembled, far as I can tell, to give a platform to David Goodwin and his book Midnight Rambles: Lovecraft in Gotham. Goodwin and his fellow panelists discussed New York City’s influence on Lovecraft, not shying away from that author’s oft-discussed racism and how his exposure to a variety of immigrants from around the world changed the writer.

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Necronomicon Coming

Necronomicon Coming

Not the book of cosmically horrible… stuff, we’ll say “stuff” and let that be that, shall we? Not the Necronomicon of dread lore and Lovecraftian literary shenanigans. No, Necronomicon, as in a ‘con, Providence, Rhode Island, beginning August 15. Following in the upswell of interest in Lovecraft — or, more accurately, an uptick in cultural stuff (there’s that word again!) that relates to Lovecraft — the organizers of this event have reanimated it, and from all the early signs they’ve done a great job. It’s got a serious academic track record (adroitly renamed to protect the dignity of academic vitas), a gala ball or somesuch grand event, and other elements beyond description and if you’re interested visit the website already.

Who am I? Writer, academic, gamer, internet bon vivant1, and for a few volunteer shifts I’ll be keeping an eye on the gaming track at the ‘con.2 Watch this space for updates as the ‘con commences 8/15/24.

1 — I officially distance myself from any real claim of bon or vivant in the context of the internet.
2 — Yeah, I noticed this ‘con far too late to submit a paper to present to the academic track, or to even get on the reading schedule.

An Essential Purchase: The Weird Tales Boys by Stephen Jones

An Essential Purchase: The Weird Tales Boys by Stephen Jones


The Weird Tales Boys (PS Publishing, September 2023). Cover by Les Edwards

How could I not purchase The Weird Tales Boys, by Stephen Jones? It focuses on the three authors whose work has most inspired me for decades: Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smith.

In fact, I created a small business whose core product, the Hyperborea RPG, is inspired by the works of these three iconic giants of weird fiction, horror, fantasy, and sci-fi.

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Vintage Treasures: The Doom That Came to Sarnath by H.P. Lovecraft

Vintage Treasures: The Doom That Came to Sarnath by H.P. Lovecraft


The Doom That Came to Sarnath (Ballantine Books, November 1976). Cover by Murray Tinkelman

H.P. Lovecraft, creator of the Cthulhu Mythos, was one of the greatest horror writers of the 20th Century. But horror wasn’t all he produced, as editor Lin Carter adroitly pointed out in the introduction to The Doom That Came to Sarnath.

Those readers who know only the Cthulhu Mythos stories, know only a single side of Lovecraft… the Cthulhu Mythos, while completely his own invention, was constructed along the guidelines established by earlier writers whom he greatly admired… But far beyond his borrowing of basic techniques from Machen and Chambers, Lovecraft is more deeply indebted to the great Anglo-Irish fantasist, Lord Dunsany… not content to make up his own geography, Dunsany invented the religion to which his imaginary worlds paid worship. An extremely clever, even brilliant, idea, and one which has been used by many writers after him. Lovecraft used this theme as the basis for his own Cthulhu Mythos.

As a young reader, Lovecraft was enthralled by Dunsany’s superb fiction. Many of his earliest tales… are Dunsanian in texture and color… Last year I edited a volume of the most Dunsanian of these tales, The Dream-Quest of Unknown Kadath… I would have liked to have included all the fiction from Lovecraft’s “Dunsanian period” in that single book, but the size of the volume would have been impractical. Hence, this second collection.

The Doom That Came to Sarnath contains 14 stories and poems from early in Lovecraft’s career (1919-1925), plus half a dozen later tales, including his famous collaboration with Harry Houdini, “Imprisoned With the Pharaohs.” Although many of the tales — including the title story — are deliciously macabre, there’s very little horror here. It is, as Lin Carter promised, a surprise and delight for those who know Lovecraft only as a horror writer.

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Vintage Treasures: Lin Carter’s Weird Tales, Part II

Vintage Treasures: Lin Carter’s Weird Tales, Part II

Table of Contents for Weird Tales 1, edited by Lin Carter (Zebra Books, December 1980)

For yesterday’s Vintage Treasures post, I finally had the chance to discuss Lin Carter’s early-80s attempt to resuscitate the Magazine that Never Dies, the long-running weird fiction pulp Weird Tales.

Since I examined all four paperbacks, there wasn’t room in that article to look back at some of the fascinating discussions they’ve triggered over the last four decades, including lengthy commentary from Carter himself — especially his (largely unfulfilled) plans for the future volumes — or reviews of the stories within from modern readers. So I took the time to do that today.

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Vintage Treasures: Lin Carter’s Weird Tales

Vintage Treasures: Lin Carter’s Weird Tales


Weird Tales , Volumes 1 -4 (Zebra Books, December 1980
– August 1983). Covers by Tom Barber (#1-3) and Doug Beekman (#4)

Lin Carter was one of the finest genre editors of the 20th Century, and Weird Tales magazine was the most important fantasy magazine of the last century, publishing the career-defining work of Robert E. Howard, H.P. Lovecraft, Clark Ashton Smith, and hundreds of other writers. In December 1980 Zebra Books published the equivalent of a genre superhero Team-Up, the first two volumes of a paperback relaunch of Weird Tales helmed by Lin Carter.

The ambitious effort had several things in common with the original pulp incarnation. Namely, it was criminally underfunded, published sporadically, and doomed.

But it also had a hugely talented and hardworking editor, and in three short years it published a total of four volumes containing ‘lost’ stories by Robert E. Howard and H.P. Lovecraft, an original John the Balladeer story by Manly Wade Wellman, reprints of classic tales from the pages of Weird Tales, and original fiction by Ramsey Campbell, Carl Jacobi, Tanith Lee, Mary Elizabeth Counselman, Steve Rasnic Tem, Hannes Bok, Joseph Payne Brennan, Evangeline Walton, Charles Sheffield, Frank Belknap Long, Lin Carter, and a lot more.

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