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Goth Chick News: Let Me Tell You a Story About Frankenstein

Goth Chick News: Let Me Tell You a Story About Frankenstein

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Frankenstein by Mary Wollstonecraft Shelley, illustrated by
Bernie Wrightson (Gallery Books, Illustrated edition, April 27, 2021)

Gather round horror fans, I have a dreadfully interesting tale to tell you.

We start in the year 1818, when Mary Shelley brought to life an iconic monster, touching upon many human failings and fears in the process. Frankenstein’s creation (we sometimes forget the monster did not have a name, although he does call himself, when speaking to his creator, Victor Frankenstein, the “Adam of your labors”) reminds us what can happen when we tamper with nature, and the horrors we are capable of creating. These themes have remained endlessly compelling, giving rise to roughly seventy-five Frankenstein-like movies, and more books and short stories than we can count.

Fast forward to 1983 when a 35-year-old artist named Bernie Wrightson, concluded a seven-year passion-project-tribute to his favorite monster. Originally published by Marvel Comics, Wrightson painstakingly created 50 detailed pen-and-ink illustrations to go alongside Shelley’s original Frankenstein novel. Wrightson (creator of Swamp Thing in 1971) often reminded fans that Frankenstein wasn’t a project he was being paid for, and that his illustrated version was a labor of love which he worked on in between paying gigs.

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Goth Chick News: We’re Definitely Tuned to TPub’s Latest Twisted Tale

Goth Chick News: We’re Definitely Tuned to TPub’s Latest Twisted Tale

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It was way back at the 2014 Chicago Comic and Entertainment Expo when we were first introduced to a fine British lad Neil Gibson and his fledgling comic company TPub. Gibson was there to promote volume one of TPubs inaugural graphic novel, Twisted Dark. At the time Gibson described the comic as a psychological thriller which contained horror with dark (at times demented) twists, incorporating every human emotion, illegal activity, and brutal social commentary.

Nine years and twenty-two publications later, including a total of seven volumes of Twisted Dark, Gibson’s original description of TPub’s first offering seems to have transformed into a mission statement. Often exploring the darkest depths of human nature within their storylines, I have devoured each and every TPub comic since the first. But frankly, no matter how intriguing the story, we all know the visuals make or break a comic. TPub also excels on this front by employing incredible artists to augment every frame with rich detail and cinematic viewpoints.

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Goth Chick News: The Count Returns to His Fangy, Blood-Sucking Origins

Goth Chick News: The Count Returns to His Fangy, Blood-Sucking Origins

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Courtesy Wallpaperflair.com

If you’ve read GCN for any length of time, you’ve probably come to understand that as it pertains to vampires, I am a solid purist. I mean, I’m not at all against imagining them in modern society, as in Blade or Blood Red Sky, and I positively love alternative takes such as Let the Right One In and The Lost Boys. It’s also hard not to be a fan of What We Do in the Shadows because it’s just so darn wrong.

But what is absolutely a no-go for me are vampires who literally ignore all the rules of the genre such as sparkling, or going to high school (if only on cloudy days), etc, etc. If that sounds like the only vampires I don’t like live in Washington state, then you may well be right.

But the vampire stories I adore the most are those which cater to all of Bram Stoker’s original tropes, number one of which is that vampires are scary, blood-sucking monsters. And that’s why what I’m about to share is decidedly good news.

It appears that The Last Voyage of the Demeter, due out later this summer, could be the movie that brings my beloved legendary vampire back to his dark and sinister roots.

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Goth Chick News: Stokers, Stokers, Everywhere, But Still Not One For Me

Goth Chick News: Stokers, Stokers, Everywhere, But Still Not One For Me

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Another year has passed without a single Bram Stoker Award appearing for sale on eBay. I really thought my time had come when I I told you that the Horror Writers Association (HWA) announced it had expelled a member from its ranks, who had been the recipient of multiple Stokers. As the recipient was entirely unrepentant, I felt sure he would make a statement by publicly unloading his awards, but alas. As my only hope of having one is to buy one on the open market, my mantle remains bereft of the pinnacle of all awards.

The Bram Stoker Awards have been presented annually since 1987, and the winners are selected by ballot from the approximately 1800 active members (in good standing) of the HWA. Several members of the HWA, including Dean Koontz, were originally reluctant to endorse such writing awards, fearing it would incite competitiveness rather than friendly admiration. The HWA therefore went to great lengths to avoid mean-spirited competition by specifically seeking out new or overlooked writers and works, and officially issuing awards not based on “best of the year” criteria but for “superior achievement,” which allows for ties.

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Goth Chick News: Please Do Not Talk About the Contents of This Post…

Goth Chick News: Please Do Not Talk About the Contents of This Post…

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If you’re wondering why I’m giving this whole thing any additional oxygen, that makes two of us. But sometimes the universe deals up such general absurdity that I can’t let it pass.

Case in point, the latest buzz-generating horror flick, Winnie-the-Pooh: Blood and Honey.

First, I need to point out (if it wasn’t obvious) that the said buzz isn’t good; though Hollywood has always maintained all publicity is good publicity. In general, even hardcore horror types are expressing outrage that director Fyse Frake-Waterfield has crossed the line. If you didn’t see my original write up on this gem back in November, let me get you caught up.

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Goth Chick News: Constantine 2 is Finally (Almost) a Reality

Goth Chick News: Constantine 2 is Finally (Almost) a Reality

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Cover of Hellblazer #1 (January, 1988.). Art by Dave McKean

Everyone has a couple. You know, the movie or movies that serve as your mental comfort food. In the same way that you might long for Mac and Cheese or a PB&J when the world gets on your nerves, I bet you have movies you rewatch for the same reason. When asked, some of my day-job coworkers mentioned When Harry Met Sally, the original Star Wars, and Anchorman as films they put on to lift their spirits.

As you could probably guess, my go-to movies are slightly left of center. My top three in no particular order are Jaws (1975), the first Blade (1998) movie and Constantine (2005). I haven’t looked too closely as to why these stories provide me such a soothing mental distraction, or even what they have in common. But thankfully they are all streaming because I damaged more than one DVD of each taking them with me when I used to travel long stretches for work. I mean, nothing says “sweet home Chicago” like Bruce the shark.

Whereas both Jaws and Blade had more than one sequel, such as they were, Constantine did not. Based on a DC Comics character who first appeared in his own comic Hellblazer in 1988, John Constantine would go on to star in 300 issues, earning him third place in Empire’s 50 Greatest Comic Characters of All Time. So, it was not for lack of source material that we haven’t seen Keanu Reeves reprising his rendition of the cynical, chain-smoking occult detective, until now.

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Goth Chick News Reviews: Ghost Eaters by Clay McLeod Chapman

Goth Chick News Reviews: Ghost Eaters by Clay McLeod Chapman

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Ghost Eaters (Quirk Books, September 20, 2022)

Author Clay McLeod Chapman only recently teamed up with Quirk Books, one of my all time favorite sources of strange and unusual stories. For that reason alone he should have been on my radar, not to mention that he is a prolific writer of comics, short stories and several other novels, most of the creepy variety. No, I’m a bit ashamed to admit that I made Chapman’s acquaintance via a suggestion from Amazon, whose algorithms, I must now grudgingly admit, know me pretty well.

In searching for some fun reading material to see me through a mind-numbing four-day business trip bracketed by an even more mind-numbing 9 hour round trip flight, Amazon served me up Ghost Eaters: A Novel as something I might like. Described by Esquire magazine as “Trainspotting meets Requiem For A Dream, rewritten as an avant-garde horror movie soundtracked by Nine Inch Nails,” it was a no-brainer that I was going to load this one on my tablet. However, I also hedged my bets by loading several other e-books by more familiar writers just in case this story couldn’t hold me.

Let me just tell you now, I needn’t have bothered.

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Goth Chick News: “Crypt” Notes to Begin 2023

Goth Chick News: “Crypt” Notes to Begin 2023

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Knock at the Cabin (Universal Pictures, February 3)

We are a month into the new year and yet here I am writing my first post of 2023. This is the longest hiatus I have ever taken from Black Gate since beginning my tenure quite some time ago, but I have a good excuse. I recently returned from nearly a month on safari in Botswana, Zimbabwe, Mozambique and South Africa, and between some amazing animal encounters and quite a lot of fine South African wine, I collected some pretty cool tales of the supernatural. I mean sure, we have ghosts here in the US, but in Africa there are demons which cause people to build their houses a certain way just to avoid them. I’ll be sharing more on this topic in future articles.

I then came back with a very unwanted souvenir in the form of Covid, and here we are on February 2nd.

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Goth Chick News Classics: Ray Bradbury’s “The Wish” Has a New Meaning This Year

Goth Chick News Classics: Ray Bradbury’s “The Wish” Has a New Meaning This Year

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The Book

For the last few years, as my last post of the year, I have reposted an article I wrote about Ray Bradbury’s short story “The Wish.” It is a Christmas tale of loss and love and magic which Bradbury penned following the death of his father. When it first appeared in Women’s Day magazine in 1973, my Dad was deep in his own grief having lost his own father, my beloved Grandpa, earlier that year. The story I told in Black Gate was how “The Wish” helped ease my Dad’s grief and led to my lifelong love of all things Bradbury.

That article led to my meeting and becoming friends with Bradbury’s editor Peter Schneider from Hill House Books, who published the only standalone hardcover of “The Wish.” He presented me with one of the numbered copies, signed by Bradbury, which is one of my most prized possessions.

Two weeks ago, as I prepared for the holiday festivities, I was suddenly faced with the loss of my own father. He was 94 and his health hadn’t been the greatest for a few months, so maybe his leaving us peacefully in his sleep should not have come as the shock that it did, but the sense of loss was crushing.

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Goth Chick News: Predator Meets The Dirty Dozen Meets Werewolves? Sure, Why Not?

Goth Chick News: Predator Meets The Dirty Dozen Meets Werewolves? Sure, Why Not?

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I’ve often observed here that horror, like all forms of pop culture, moves in trends. Generally, this means an ebb and flow between the various sub-cultures of monsters. For example, 2010 saw the beginning of zombies rise in popularity with the premier of The Walking Dead, just as the Twilight movies with angsty vampires, were winding down in 2012. Since then, we’ve been through witches, clowns, ghosts/evil spirits and more traditional vampires. The odd thing about these trends is that, like black nail polish, werewolves have never been so much of a trend, as a staple of the horror genre which occasionally hits the mainstream.

Werewolves in film over the last decade tended to be in two categories; either as part of a larger story (ala Underworld, Hemlock Grove and Wednesday) or as the solo subject of indie films (The Cursed and The Forrest Hills). As a dog lover myself I find this kind of sad, and wish werewolves would get to be the stars of contemporary big-budget films like short-lived but glorious days of the early 80’s which brought us American Werewolf in London and The Howling (1981), and The Company of Wolves (1984).

Sigh…

Well, until then we will have to be content with the bones we are thrown from the small budget production houses, and this brings me to today’s news.

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