Black Gate

Get ready for a shocker.

Vincent Price is my all-time favorite actor.

And not that I ever was delusional enough to think I had Vince (I’m sure he’d let me, of all people, call him “Vince”) all to myself, but I was surprised and excited to hear about a festival in St. Louis, MO celebrating his 100th birthday – the Vincentenial.

Ironic to think that at 100 years old, Vincent Price has finally achieved the exact look he had been berating Hollywood makeup artists to give him in many of his most classic movies.

Vincentenial is happening this month and my own favorite connection to Hollywood and all things indy-horror, writer and director Wyatt Weed, put me on to this fabulous event. He’s helping to organize the festival and many thanks to him for the information below.

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I have a special place in my Goth Chick heart for Neil Gaiman, due to a distinctly unique phenomenon for which he is responsible.

He is one of only two authors who have made me laugh out loud, and though South Park can elicit a hard core chuckle from me at times, it almost never happens when I’m reading.

Up high on this personal literary pedestal, along with Mr. Gaiman, is the one and only Douglas Adams; he who is responsible for The Hitchhiker’s Guide To The Galaxy which I have read so often I can practically recite by heart, and which never, ever fails to crack me up. But honestly, I sort of take Mr. Adams as a given.

I was on vacation when I picked up a copy of Good Omens, having not been that familiar with Gaiman’s work. Hours later when I finally put it back down, I decided it was nothing short of genius on multiple levels, not the least of which was the humor.

And before I start getting letters, I realize that Terry Prachett co-authored Good Omens and Gaiman can’t be given full credit. However, I have read other Prachett stories and decided it must be the parts that Gaiman wrote in Good Omens which were the source of the hilarity; because as clever as Prachett is, he never caused me to make a public display of myself.

Gaiman followed with another classic, Neverwhere, in 1996 and Stardust in 1997. I have since adored every tale he has turned out. So it was with great interest I learned that nearly simultaneously with the premier of its epic Game of Thrones, HBO has announced that American Gods will be adapted into a new mini-series, with Gaiman himself co-piloting the writing, along with Robert Richardson.

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On Sunday I had the unpleasant task of informing you that remaking the Terry Gilliam classic Time Bandits was actually being contemplated somewhere in the universe.

This sent all of you scrambling for the map and the location of the closest hole in the universe whereby you could pop in on these Hollywood geniuses at the moment when they made their career choices, and steer them neatly toward dentistry.

On the other hand, merely delivering this news sent me straight into the deepest depths of the underground offices of Black Gate to curl up in a fetal position and weep about the state of the entertainment industry.

However, light does eventually shine, even if it’s in the form of an intern with a flashlight in one hand, and a freshly made quad-latte in the other.

He also had some very interesting pictures hot off the wire.

On occasion we’ve all agreed that there are some movies, much like some people you know, that could do with a make over. Perhaps the original script was sound but the acting was painful; or the acting and the script were OK but wow, wouldn’t it be great to see those early-attempts at special effects updated with some new computer-generated magic? True that the list of these movies is short, but we can all think of a very select few.

Remember Fright Night?

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