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Category: Goth Chick

Goth Chick News: Music From Where It All Began

Goth Chick News: Music From Where It All Began

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image002It might have been at a sleep-over, huddled around the TV and a local public broadcasting station, or more recently around an older sibling’s laptop.

It could have been in a midnight show at the broken-down theater in the town where you attend college or, heaven-forbid, at the cliché of a drive-in.

Wherever it was, you’ll never forget it – that night (for it certainly was at night) when you discovered the classic movie monsters.

Who was first?

Dracula?

Frankenstein?

It doesn’t matter. The impact was the same. And whether you went on to be a lifelong fan of the genre or just a Lugosi devotee, there will forever be a place in your heart for that first time.

It’s a lot like love, only with more running and screaming.

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Goth Chick News: Elijah Wood Gets Too Freaky for New Zealand

Goth Chick News: Elijah Wood Gets Too Freaky for New Zealand

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Maniac poster-smallAnyone who saw Sin City knows that Elijah Wood can be one creepy dude.

Forget the lovable, hairy-footed Fodo Baggins. As easily as Woods can tear up and give good old Sam Gamgee a hug, he can drop into the role of a glassy-eyed, sociopathic killer with disturbing believability.

Believe me. Because apparently, Wood has his craft so finely tuned that he has managed to skeeve out an entire country.

In a decision revealed Wednesday, New Zealand’s Office of Film and Literature Classification (OFLC) banned Franck Khalfoun’s film Maniac starring Elijah Wood from general screening in New Zealand, saying it can’t be shown outside of film festivals.

The ruling also means the movie can’t be distributed on DVD at a later date.

A remake of William Lustig’s grindhouse cult classic from 1980, Maniac opened in the U.S. last month courtesy of IFC Midnight and had its world premiere at Cannes in 2012.

It was due to screen next at the New Zealand International Film Festival, running July 26th through August 11th.

Explaining the ruling, a representative for the New Zealand fest said that the OFLC informed them that:

The POV (“point of view”) nature of the film mixed with the psychopathic behavior of actor Elijah Wood is more than disturbing, that it’s potentially dangerous in the hands of the wrong person — that is, a non-festival-goer.

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Goth Chick News: Frankenstein’s Army, Or If Nazis and Hellraiser Had Kids

Goth Chick News: Frankenstein’s Army, Or If Nazis and Hellraiser Had Kids

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image001Okay, I admit it.

Much like the kid who gets the giggles reading the “dirty” words someone highlighted in the classroom Webster (and yes, I admit doing that as well), me and my sophomoric inclinations are a sucker for anything deemed inappropriate.

I would normally conduct a dramatic eye-roll if I received an email about an upcoming film called Frankenstein’s Army. The actual email that landed in my in-box, however, was accompanied by the somewhat taboo but ultimately irresistible “Red Band” trailer.

If you’re not familiar with the MPAA (Motion Picture Association of America) classifications, movie trailers are generally tailored for “All Audiences,” even if the movie itself is rated “R.” Such trailers state as much with the wording housed in a green “band” across the screen.

A “Red Band” trailer is definitely not for all audiences, and generally contains something naughty. Sadly, red band trailers often signal that shock value will be replacing story/production/acting values… although there are rare exceptions.

But unable to resist the red band, I opened it – oh yes I did.

And I watched the trailer for Frankenstein’s Army.

And I understood why it received a “red band” designation.

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Goth Chick News: Stoker’s Manuscript by Royce Prouty

Goth Chick News: Stoker’s Manuscript by Royce Prouty

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image002Tell me a good story and I’ll follow you anywhere.

This is what I mean at least, when I say “willing suspension of disbelief.” It doesn’t imply your narrative has to be perfect, with every “T” crossed and every “I” dotted. Instead it implies that close is good enough, if you tell me a tale sufficiently riveting to distract me from the details you might have missed.

Case in point: World War Z the movie.

I recently read a review that outlined three major flaws in the plot; specifically, things the audience would need to get over in order to enjoy the movie. Having read the book, I was prepared to not get over any of it, and suffer through the potential cinematic bastardization just so I could tell you not to.

Instead, twenty minutes in I was utterly willing to forget why anyone would be the least bit interested in Gerry’s (Brad Pitt) survival considering he was neither a scientist nor a doctor, and was at best a disenfranchised United Nations worker of some kind. I just let it all go while watching a horde of manic zombies crawl over each other by the thousands to scale an insanely high wall and eat the inhabitants of Jerusalem.

Just tell me a good story and I’m right there with you…

And that is why I feel particularly abused when a good story stretches my disbelief to the breaking point, utterly diverting me from the tale and making it impossible for me not to say, “Huh…?”

Which brings us (finally) to Royce Prouty’s freshman outing, Stoker’s Manuscript.

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Goth Chick News: They’re Heeeerrrreee… Again

Goth Chick News: They’re Heeeerrrreee… Again

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image002At the end of June, MGM and Twentieth Century Fox announced they will co-finance and distribute a remake of the 1982 horror classic, Poltergeist, causing fans all over the globe to let out a howl of collective agony.

Any movie that can send practically an entire generation into therapy over a stuffed clown and television static should be left entirely alone.

Seriously.

But of course Hollywood cannot seem to keep its hands to itself.

Gil Kenan (Monster House) is set to direct from a screenplay by writer David Lindsay-Abaire (Oz: The Great and Powerful) and the film is being produced by Sam Raimi (Evil Dead) and Rob Tapert (The Posession) via Ghost House Pictures.

Okay, the credentials had made us feel only slightly better before the synopsis sent us right back into a tailspin.

A family man called Eric Bowen (rather than Steve Freeling – GC) moves his wife and kids to a new town in the hopes of a fresh start, a plan which goes horribly wrong when his daughter, Madeleine, is abducted by evil forces.

Wow… original.

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Goth Chick News: New Music from Our Orchestral Crushes

Goth Chick News: New Music from Our Orchestral Crushes

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image001Did you really think a Goth Chick would have a thing for One Direction or NKOTB? Okay, forget I even know who they are in the first place; there are some things you just cannot escape when you spend all your free time studying pop culture.

Nope, instead it is imperative that as purveyors of the dark and disturbing we crush on the equally dark and disturbing musicians who write and play tunes that worry people older than us and align with our own personal, parent-scaring idioms.

Which is precisely why I am Midnight Syndicate’s devoted Chicago-area groupie.

Whether they like it or not.

For almost two decades, composers Edward Douglas and Gavin Goszka have been known as Midnight Syndicate, creating symphonic soundtracks for the secret dimensions of our minds’ eye (cue lightning and thunder clap).

To many of their fans, they are Gothic music pioneers, brewing a signature blend of orchestral horror music and movie-style sound effects. To others, they remain the first “haunted house band” that forever changed the Halloween music genre and became a staple of the October holiday season.

And still others know them as the duo that teamed up with Hasbro and Wizards of the Coast to produce the first official soundtrack to the legendary Dungeons & Dragons roleplaying game, or the lucky devils who created the ear candy for Hugh Hefner’s Playboy mansion Halloween bashes.

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Goth Chick News: Zombies and the Lost Art of Radio Drama

Goth Chick News: Zombies and the Lost Art of Radio Drama

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image002Welcome ladies and gentlemen. Before we begin, I should warn you that some of you may find what you are about to hear rather… disturbing.

(Evil laugh and blood-curling scream).

Before TV and way before DVD’s and the Roku, home entertainment consisted of the family radio and more specifically the radio drama. As purely acoustic performances with no visual component, radio dramas depended on dialogue, music, sound effects and talented actors to help the listener imagine the characters and story, making radio drama the perfect mind theater to play host to some extremely effective tales of terror.

Inner Sanctum, Quiet Please, Suspense and The Shadow have become neo-classics with a cult following. But sadly, radio dramas in the US have become very difficult to find in the modern day, though they still enjoy mainstream popularity in the UK and Germany.

That is until KC Wayland and Shane Salk decided what the world really needed was a revival of the radio drama, or rather radio horror, and what better subject to explore than a zombie apocalypse?

These days, of course, no radio is required.

Point the web accessible device of your choice to www.zombiepodcast.com and discover what over a million of us other zombiephiles already know; We’re Alive is a contemporary radio drama about a zombie outbreak in Los Angeles and the band of survivors that are struggling to stay alive day to day.

And it is awesome.

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Goth Chick News: Jack Is No Longer ‘All Work and No Play,’ or Toy Story Gets Redrum’d

Goth Chick News: Jack Is No Longer ‘All Work and No Play,’ or Toy Story Gets Redrum’d

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image002Characters or situations out of context always have an unsettling value to them as far as I’m concerned.  There is something highly disquieting when the supremely “normal” is turned upside down and becomes something icky.

Like Peter Straub turning a Normal Rockwell, Christmas-in-a-small-town setting and adding a horrifying entity to it in Ghost Story, an inebriated party girl going for a moonlight swim in Jaws, or the upended nursery rhyme in A Nightmare on Elm Street – safe, predictable things turning terrible is an old trick that skeevs me out every time.

So imagine the multiplied creep-factor if this happened to something as safe and innocent as Toy Story.

And what if Jack Torrence’s downward spiral at the Overlook Hotel was reenacted for us by Woody and all the toys had “the Shine” on them?

It doesn’t get more disturbing than that — and yet this is exactly what artist Kyle Lambert has dreamed up for our uneasy pleasure.

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Goth Chick News: Joe Hill Takes Us for a Ride in a Vampire Rolls Royce

Goth Chick News: Joe Hill Takes Us for a Ride in a Vampire Rolls Royce

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NOS4A2_coverJoseph Hillstrom King, eldest son of Stephen King and better known by his pen name Joe Hill, released his third novel NOS4A2 back on April 30th.  And though I was clutching it possessively in my hot little hands that very same day, I did not to rush to tell you about it.

I was instead preparing to take one for the team.

Hill’s first two outings, Horns and Heart Shaped Box were so amazingly entertaining, so thoroughly well written, and hold such esteemed places in my personal library that I felt there was more than a fair chance that Hill could not maintain this level of performance for a third time. I was prepared to be magnanimous; to assume that pressured by his publisher to stop spending so much time on his comic (Locke and Key) and crank out another best seller, Hill might have caved and produced something along the lines of From a Buick 8.

Never heard of it?

Most people haven’t: that’s because a similar scenario happened to Hill’s dad back in 2002.

So rather than tell you to run out and buy it based on the merit of its two older siblings, I took NOS4A2 home to vet it myself and potentially spend some time figuring out how to tell you not to bother.

Instead today, sixty pages from finishing NOS4A2, I’m not even waiting to see how it all turns out before I tell you yes – bother.  Do it now and without worrying about the sheer size of the thing or how you’re going to find the time.  Get it and curl up somewhere comfortable because you’re not going to be moving much for quite a while.

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Goth Chick News: Hanging with Head Smash Creator Vlad Yudin

Goth Chick News: Hanging with Head Smash Creator Vlad Yudin

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image008At this year’s Chicago Comic and Entertainment Expo (“C2E2”), you couldn’t spit a piece of gum without hitting a promotional plug for Head Smash.

To be honest, you couldn’t spit a piece of gum without hitting a lot of unusual things at the May event, but Black Gate photog Chris Z and I couldn’t help but notice that the sheer quantity of Head Smash promotion was on par with the visual assault launched by Marvel for its own upcoming releases.

We had to admit, the curiosity factor was being driven off the scale for a graphic novel that hadn’t yet been released — not to mention an indy film adaptation barely into pre-production.

I had read that Yudin was creating Head Smash (penned by Erik Hendrix and illustrated by Dwayne Harris) for Arcana Comics, as well as writing the film adaptation of the story.  He is also producing and adapting the film’s screenplay with The Twilight Saga producers Mark Morgan and Michael Beckor.

So thanks partially to our nosiness–  but mostly to the tenacity of the PR company handling Head Smash and its creator — Chris and I got an early morning exclusive chat with the Russian-born-US-raised writer, director and producer Vlad Yudin.

And yes, I admit it, there’s no way I’m not going to talk to a guy named “Vlad…”

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