Black Gate

Back in 1988 a then-unknown Boston screenwriter Peter Filardi had an idea for a story based on a very personal source; a close friend of his suffered a severe allergic reaction to the anesthesia after an operation and had a near-death experience.

Filardi went on to write The Craft and Salem’s Lot, but in 1990 he and director Joel Schumacher (St. Elmo’s Fire) turned that potential tragedy into the very lucrative film Flatliners.

The original Flatliners followed a group of medical students and close friends who conduct experiments with near death experiences. Each one has their heart stopped before being revived instantly, which causes them nightmarish visions, reflecting either sins they have committed or sins committed against them.

As you can imagine, their unorthodox extracurricular studies have very dark consequences, as the supernatural apparitions they experience during their “deaths” begin to follow them into the living world.

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I have no problem admitting that Jaws is in my top five favorite movies of all time. Granted, some of that love is of the “point in time” sort; as in it was the first R-rated movie I was ever allowed to see, it was the first time I saw special effects approaching realistic (I had been on a steady diet of classic horror movies since I was 8) and it was the first time I had a concrete method of expressing my fear of deep water (“Sharks!”). Forgetting of course, that the closest I had ever come to salt water was the Shedd Aquarium.

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A 4 a.m. wakeup call, ten hours in the car, more coffee and Mountain Dew than can reasonably be tallied, two shots of Fireball whisky and over 100K square feet of blood, guts and latex.

No, it isn’t the Black Gate holiday party in Vegas. If it were, there would be way more than two shots of Fireball…

It is in fact, the biggest haunt show of the year; the Transworld Halloween & Haunted Attraction Show in St Louis, Missouri and Black Gate photog Chris Z and I are hopping on the road at zero-dark-thirty to cover it for the sixteenth year running – Chicago to Saint Louie and back in one day.

WTF? I hear you asking. But trust me when I say getting an inside peep at this “industry only” show is well worth the long day and the dry cleaning bill to get the smell of rotting flesh (courtesy of Sinister Scents) out of our Black Gate polo’s.

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They say for good or bad, you never forget your first love; and so it went with me and Stephen King.

I fell deeply in love with him in those heady, early days of Carrie, Salem’s Lot and Firestarter when thankfully I was advised by an older and wiser high school friend, to “read King in order.” But by the time I arrived at The Stand and Gerald’s Game I had begun to spend more and more time with other authors, as King started to feel… well… a little predictable. And ultimately, I never even cracked The Dark Tower books (though I have heard they are quite good) because by that time my literary horror affections were firmly turned elsewhere.

Ah well… I was young.

So it was with some trepidation that I picked up Doctor Sleep when it was released in October, 2013. I mean, King to me was “back then”; was I really proposing to give him another chance?

Ultimately, I was moved by the warm memories I had of The Shining, in spite of being in the heretical subset who think Kubrick’s interpretation is every bit as good a movie as the source material. Doctor Sleep was, after all, King’s hotly-anticipated sequel.

Well as you probably know, there I was the minute I closed the back cover of the novel, literally gushing about King all over you in Goth Chick News. Doctor Sleep was not only fantastic, but may well rank in my top 10 favorite reads ever. And that’s saying quite a lot.

All that old magic came flooding back.

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